- Paperback: 166 pages
- Publisher: Dover Publications; 3rd edition (1994)
- Language: English
- ISBN-10: 0486282112
- ISBN-13: 978-0486282114
- Product Dimensions: 0.5 x 5.2 x 8.2 inches
- Shipping Weight: 5 ounces (View shipping rates and policies)
- Average Customer Review: 4.3 out of 5 stars See all reviews (2,309 customer reviews)
- Amazon Best Sellers Rank: #788 in Books (See Top 100 in Books)
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Frankenstein 3rd Edition
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Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. --This text refers to an alternate Paperback edition.
From School Library Journal
Grade 3-7-Large print, short chapters, and an abundance of white space provide an attractive, more-accessible option for readers who are not ready to handle the originals. At best, this approach works as a vehicle to deliver the basic elements of the stories while providing an entertaining, simplified version of the classic at a lower reading level. After all, many of our cultural references would be lost on readers who don't know what Jekyll and Hyde represent, or what consequences the creator of Frankenstein faced. At worst, the sometimes-stilted language reads like awkward translations. What is missing, of course, is the very language that makes these classics so evocative of their time. Victorian London, for example, is captured so much more readily with the elegant and dramatic prose of Robert Louis Stevenson. If presenting Classic Starts, do so with a recommendation: when you are ready, read the originals. There can be no substitute.-Elizabeth Fernandez, Brunswick Middle School, Greenwich, CT
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Paperback edition.
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Top Customer Reviews
The story of a man who’s expectation of knowledge led to the love of science, which resulted in a passion for exploration and grandeur that led to obsession and achievement. But to what end? Victor Frankenstein engaged in undertakings surpassing any ever attempted. He without consideration, self-preservation, or repercussions painstakingly constructed a human form and brought him life. Yet on the day of his creation birth, he ran from him calling him a monster and left him to his own devices. Some look at his creation as being just such named. However, was the creation indeed a monster? Is a living thing, which can think, love, empathizes, long, and want truly be considered a monster or, as Robert Waltson calls it, a hypocritical fiend. Or, should the creator, the one the creature relied on, the one who brought him life and then abandoned him be indeed perceived as the monster?
Many passages exist in these writing that I adore, but I will share just one with you:
“Nay, these are virtuous and immaculate beings! I, the miserable and the abandoned, am an abortion to be spurned at, and kicked, and trampled on. Even now my blood boils at the recollection of this injustice. But it is true that I am a wretch.” ~ Frankenstein’s monster
Those who are familiar with Frankenstein only via the plethora of film adaptations may be very surprised by the true nature of this cautionary tale. The monster, whose name is not Frankenstein, isn't really a monster at all. He's not the mindless, lumbering, grunting brute who smashes everything in site just because it's in his way; rather, he's an articulate and sympathetic character who wants nothing more than to be accepted, and even loved, by those around him, but ultimately comes to realize just how hated and misunderstood he is by society at large. His acts of violence and destruction are ultimately a reflection of and retaliation for the cruel treatment he receives from those who judge him without making an effort to understand him. The true monster, Shelley maintains, is his creator, Dr. Frankenstein--and by extension, humanity as a whole.