There have been four different editions of FRANKENSTEIN with Wrightson art, and unfortunately this is the smallest-sized (6x9 inches) and most expensive ($29.95) edition with lackluster printing of the artwork (see photo). Obviously, if you just want the book for its text, there are dozens of other choices, and far cheaper. But the publisher, in its sales copy, is careful to make the distinction that this edition has the Wrightson art, which is its main selling point. Therefore, wouldn't you think they'd give us a proper showcase, with coated matte paper, like the IDW edition (the best of the four), instead of printing this on inexpensive, highly absorbent, standard book stock (55-pound or 70-pound, at most)?
The result is a book that simply isn't a good value for the money. If you want an edition of FRANKENSTEIN with the art gorgeously reproduced, in a large format, on coated semi-matte paper and exquisite reproduction, you'll have to buy one on the secondary market, because that edition, from Dark Horse, is long out of print. Go seek it out. Oh, my lord, it's such a beautiful book in every way, right down to its satin ribbon.
As a former book marketing director, while I applaud S&S for getting the book back in print, they are best advised to sell out the remaining inventory and go back to the drawing board, just as the late Bernie Wrightson did when he realized it was high time for the art to match the book with classic art. Bernie poured his heart and soul into illustrating what is unquestionably his masterpiece.
Perhaps the second time around the publisher will get a copy of the IDW edition and say: "How can we improve on this?" (Well, for starters, reprint Joyce Carol Oates' essay on the book, and add an appreciation of Wrightson himself, and add an additional gallery of the unused Wrightson artwork that appeared in a separate book, from a small press, titled THE LOST FRANKENSTEIN PAGES.) Then they'll have a book for the ages, which will make money for them for many years to come, which is what Bernie Wrightson's art richly deserves, and his wife Elizabeth also deserves, and what we, as readers, will buy.
Note: I have posted two photos of the Dark Horse edition, which I highly recommend.
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Frankenstein Hardcover – July 14, 2006
by
Mary Shelley
(Author)
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"I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half-vital motion." A summer evening's ghost stories, lonely insomnia in a moonlit Alpine's room, and a runaway imagination--fired by philosophical discussions with Lord Byron and Percy Bysshe Shelley about science, galvanism, and the origins of life--conspired to produce for Marry Shelley this haunting night specter. By morning, it had become the germ of her Romantic masterpiece, Frankenstein. Written in 1816 when she was only nineteen, Mary Shelley's novel of "The Modern Prometheus" chillingly dramatized the dangerous potential of life begotten upon a laboratory table. A frightening creation myth for our own time, Frankenstein remains one of the greatest horror stories ever written and is an undisputed classic of its kind.
- Print length208 pages
- LanguageEnglish
- PublisherAnn Arbor Media
- Publication dateJuly 14, 2006
- ISBN-101587263815
- ISBN-13978-1587263811
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Product details
- Publisher : Ann Arbor Media (July 14, 2006)
- Language : English
- Hardcover : 208 pages
- ISBN-10 : 1587263815
- ISBN-13 : 978-1587263811
- Item Weight : 12.8 ounces
- Customer Reviews:
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4.6 out of 5 stars
4.6 out of 5
11,117 global ratings
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2.0 out of 5 stars
A small-sized, expensive edition ($29.95) with lackluster reproduction of Wrightson's artwork.
Reviewed in the United States on August 13, 2020Verified Purchase
2.0 out of 5 stars
A small-sized, expensive edition ($29.95) with lackluster reproduction of Wrightson's artwork.
By GWB on August 13, 2020
There have been four different editions of FRANKENSTEIN with Wrightson art, and unfortunately this is the smallest-sized (6x9 inches) and most expensive ($29.95) edition with lackluster printing of the artwork (see photo). Obviously, if you just want the book for its text, there are dozens of other choices, and far cheaper. But the publisher, in its sales copy, is careful to make the distinction that this edition has the Wrightson art, which is its main selling point. Therefore, wouldn't you think they'd give us a proper showcase, with coated matte paper, like the IDW edition (the best of the four), instead of printing this on inexpensive, highly absorbent, standard book stock (55-pound or 70-pound, at most)?By GWB on August 13, 2020
The result is a book that simply isn't a good value for the money. If you want an edition of FRANKENSTEIN with the art gorgeously reproduced, in a large format, on coated semi-matte paper and exquisite reproduction, you'll have to buy one on the secondary market, because that edition, from Dark Horse, is long out of print. Go seek it out. Oh, my lord, it's such a beautiful book in every way, right down to its satin ribbon.
As a former book marketing director, while I applaud S&S for getting the book back in print, they are best advised to sell out the remaining inventory and go back to the drawing board, just as the late Bernie Wrightson did when he realized it was high time for the art to match the book with classic art. Bernie poured his heart and soul into illustrating what is unquestionably his masterpiece.
Perhaps the second time around the publisher will get a copy of the IDW edition and say: "How can we improve on this?" (Well, for starters, reprint Joyce Carol Oates' essay on the book, and add an appreciation of Wrightson himself, and add an additional gallery of the unused Wrightson artwork that appeared in a separate book, from a small press, titled THE LOST FRANKENSTEIN PAGES.) Then they'll have a book for the ages, which will make money for them for many years to come, which is what Bernie Wrightson's art richly deserves, and his wife Elizabeth also deserves, and what we, as readers, will buy.
Note: I have posted two photos of the Dark Horse edition, which I highly recommend.
Images in this review
59 people found this helpful
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Reviewed in the United States on November 25, 2019
Verified Purchase
Despite saying it's the original 1818 text in the description, it is not; it's the 1831 edition. Considering that I specifically needed the 1818 version for my son's AP English class, this was incredibly disappointing and frustrating. However, since it was so cheap, it's not worth sending back, and my son will be using it as a stop-gap until my new order of the correct version arrives.
1.0 out of 5 stars
NOT THE 1818 VERSION!
By Sarah Ramage on November 25, 2019
Despite saying it's the original 1818 text in the description, it is not; it's the 1831 edition. Considering that I specifically needed the 1818 version for my son's AP English class, this was incredibly disappointing and frustrating. However, since it was so cheap, it's not worth sending back, and my son will be using it as a stop-gap until my new order of the correct version arrives.
By Sarah Ramage on November 25, 2019
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35 people found this helpful
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Reviewed in the United States on January 17, 2019
Verified Purchase
I am disappointed in the quality of this book, which has a cover that looks like a copy of a copy printed up on someone’s cheap home printer and has more than a few ink splotches evident throughout the text. I am also puzzled by the numbering of the chapters, some of which are in roman numerals while others are in modern numbers, and the one blurry reproduction inside. Why even bother? As for the actual novel, I have to bring home my copy of the Norton version I own, but this one has only 146 pages, which seems off, considering the other copy I own is closer to 500. Of course, a number of those pages could be the foreward and a few critiques, but I doubt that it is three hundred pages worth. I should have known I was taking a chance with this version, especially when the cover illustration is clearly of the 1950s version of The Creature.
1.0 out of 5 stars
Not at all what I was expecting...
By Sobriquet on January 17, 2019
I am disappointed in the quality of this book, which has a cover that looks like a copy of a copy printed up on someone’s cheap home printer and has more than a few ink splotches evident throughout the text. I am also puzzled by the numbering of the chapters, some of which are in roman numerals while others are in modern numbers, and the one blurry reproduction inside. Why even bother? As for the actual novel, I have to bring home my copy of the Norton version I own, but this one has only 146 pages, which seems off, considering the other copy I own is closer to 500. Of course, a number of those pages could be the foreward and a few critiques, but I doubt that it is three hundred pages worth. I should have known I was taking a chance with this version, especially when the cover illustration is clearly of the 1950s version of The Creature.
By Sobriquet on January 17, 2019
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41 people found this helpful
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Reviewed in the United States on December 12, 2018
Verified Purchase
I bought this book for a college level English class. Even though this book was for an educational purpose at the time needed it, I found it to be exciting and interesting. There was a lot of adventure and guessing to keep me reading and wanting more. Frankenstein is a definite page turner and will have you thinking about creation and what is considered beauty. The story lines of the characters are beautifully put together, so you can get a mental picture of who they are and what they look like, which is what I love about reading. The characters are exciting within themselves and do not rely on the main character to be interesting. This book will have you thinking about love, beauty, loyalty and family and what those really mean to you. Mary Shelley's Frankenstein is a small enough book you can toss in your bag and take with you on the go. It is a good read and you get invested in each character and start to feel empathy for the ones you wouldn't even think of. The movie is quite good as well, but the book has more imagination and feeling. I highly recommend this book to anyone who wants to read something thought provoking and interesting. Even though this book is both Gothic and Science fiction it is not dark and dreary.
17 people found this helpful
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Top reviews from other countries
williamcani
5.0 out of 5 stars
Enthralling Romantic Gothic Classic that is genre defining
Reviewed in the United Kingdom on May 17, 2017Verified Purchase
Shelley’s novel is transgressive in its content, and more transgressive in its nature – written by a female (at age 19!) under a pseudonym to penetrate the public approval. This novel explores human emotions, good and bad, in response to the ‘Other’ in true gothic fashion. The grunting, green-faced, bolt-bearing monster depicted by film and media is a pale imitation of Shelley’s masterpiece – but the original is a 'blue-print' for all monster creations. Despite being a cautionary tale on how nature, which is essentially good, can be corrupted by ill treatment – contemporary depictions have departed from the original characterization of an extremely well-spoken monster with immense speed and grace.
PLOT (4.5/5)
An intelligent and ambitious young student indulges a moment of thoughtless scientific passion and creates life. Horrified at his creation, Victor Frankenstein shuns the creature and attempts to discard it from his life and thoughts. The creature, however, is lost in an unkind world and seeks affection, and upon rejection then seeks revenge.
STUDENT NOTES (5/5)
+ Although many reviewers note The York Notes version usefulness at GCSE, I found in instrumental at helping me receive an A* at A-Level as well:
a) The (character, theme and quotation) analysis is brilliant, clear and precise.
b) The exam questions, key quotations and chapter summaries were invaluable
c) The responses to the text, both modern and those from Shelley's contemporaries are invaluable (especially the feminist and psychoanalytical essays).
CHARACTERS (5/5)
+ Both main characters are easy to empathise with despite being completely at heads – both Victor (the ambitious scientist who realises his overreach and attempts to redeem himself) and the monster (whose fragile psyche is birthed from rejection)
STYLE (4/5)
+ The original, but nevertheless still one of the most remarkable science fiction stories ever written, its relevance persists today as scientific discovery journeys further than before into ethical ambiguity (GM food, AI, cloning) and discrimination still exists in all its forms.
+ Typically Romantic and beautifully descriptive prose, particularly regarding the natural world.
- The book begins very slowly with excessive detail, and the epistolary form makes it hard to convey any sense of suspense. But if you persist despite this you will be drawn in to Shelley's world.
PLOT (4.5/5)
An intelligent and ambitious young student indulges a moment of thoughtless scientific passion and creates life. Horrified at his creation, Victor Frankenstein shuns the creature and attempts to discard it from his life and thoughts. The creature, however, is lost in an unkind world and seeks affection, and upon rejection then seeks revenge.
STUDENT NOTES (5/5)
+ Although many reviewers note The York Notes version usefulness at GCSE, I found in instrumental at helping me receive an A* at A-Level as well:
a) The (character, theme and quotation) analysis is brilliant, clear and precise.
b) The exam questions, key quotations and chapter summaries were invaluable
c) The responses to the text, both modern and those from Shelley's contemporaries are invaluable (especially the feminist and psychoanalytical essays).
CHARACTERS (5/5)
+ Both main characters are easy to empathise with despite being completely at heads – both Victor (the ambitious scientist who realises his overreach and attempts to redeem himself) and the monster (whose fragile psyche is birthed from rejection)
STYLE (4/5)
+ The original, but nevertheless still one of the most remarkable science fiction stories ever written, its relevance persists today as scientific discovery journeys further than before into ethical ambiguity (GM food, AI, cloning) and discrimination still exists in all its forms.
+ Typically Romantic and beautifully descriptive prose, particularly regarding the natural world.
- The book begins very slowly with excessive detail, and the epistolary form makes it hard to convey any sense of suspense. But if you persist despite this you will be drawn in to Shelley's world.
22 people found this helpful
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Runmentionable
3.0 out of 5 stars
It'll do for now
Reviewed in the United Kingdom on September 30, 2020Verified Purchase
NOTE: THIS REVIEW IS SPECIFICALLY ABOUT THE 2020 EDITION OF "FRANKENSTEIN" WITH ILLUSTRATIONS BY BERNIE WRIGHTSON, AND DOES NOT REFER TO ANY OTHER EDITION
Bernie Wrightson could well be Exhibit 1 if you were making the case for the history of American comics as being characterised by the enormous superiority of their artists over the stories they illustrated. Thankfully, in producing illustrations for "Frankenstein", the foundational text for most modern horror and science fiction, he found a project commensurate with his talents. The illustrations he produced were stunning, and all recognisably Wrightson: stylish, imaginative, atmospheric, simultaneously modern and yet consistent with the period (1818) when the novel first appeared, and technically superb.
There have apparently been four editions of Bernie Wrightson's "Frankenstein", including this one. The consensus seems to be that the previous editions were all superior to this, due to substantially larger page size and better print quality. Unfortunately, they're all out of print, almost impossible to find, and command eye-watering prizes.
For those of us who missed out on the previous editions, this one will have to do for now. And, despite what other reviews say, it's not a BAD book. It just could have been better. It's obvious the illustrations would look better at a larger scale, and some detail is clearly lost in the reproduction, a situation reflects poorly on the publisher. But the greatness of the illustrations is still apparent, and they are, even in this reduced and impaired format, an absolute joy to look at. I would love to have them in a better quality edition, but I'd also rather have them in this edition than not have them at all, and, until I can find an acceptably priced copy of an earlier edition, this will suffice. And I'm not holding my breath over that acceptably priced copy turning up.
As well as the full text of the novel (including Mary Shelley's introduction to the 1831 edition), this edition contains an amusing but unenlightening preface by Stephen King, and some general notes on the early 19th century which could have been cribbed from a GCSE crammer. The production values are good, with a robust hard binding and good quality white paper. For what you get - notwithstanding things could and should have been better - the price isn't excessive.
So I'm hanging on to it for now. But I'll be like a greyhound out of the traps the second I catch sight of a superior edition at a reasonable price.
Bernie Wrightson could well be Exhibit 1 if you were making the case for the history of American comics as being characterised by the enormous superiority of their artists over the stories they illustrated. Thankfully, in producing illustrations for "Frankenstein", the foundational text for most modern horror and science fiction, he found a project commensurate with his talents. The illustrations he produced were stunning, and all recognisably Wrightson: stylish, imaginative, atmospheric, simultaneously modern and yet consistent with the period (1818) when the novel first appeared, and technically superb.
There have apparently been four editions of Bernie Wrightson's "Frankenstein", including this one. The consensus seems to be that the previous editions were all superior to this, due to substantially larger page size and better print quality. Unfortunately, they're all out of print, almost impossible to find, and command eye-watering prizes.
For those of us who missed out on the previous editions, this one will have to do for now. And, despite what other reviews say, it's not a BAD book. It just could have been better. It's obvious the illustrations would look better at a larger scale, and some detail is clearly lost in the reproduction, a situation reflects poorly on the publisher. But the greatness of the illustrations is still apparent, and they are, even in this reduced and impaired format, an absolute joy to look at. I would love to have them in a better quality edition, but I'd also rather have them in this edition than not have them at all, and, until I can find an acceptably priced copy of an earlier edition, this will suffice. And I'm not holding my breath over that acceptably priced copy turning up.
As well as the full text of the novel (including Mary Shelley's introduction to the 1831 edition), this edition contains an amusing but unenlightening preface by Stephen King, and some general notes on the early 19th century which could have been cribbed from a GCSE crammer. The production values are good, with a robust hard binding and good quality white paper. For what you get - notwithstanding things could and should have been better - the price isn't excessive.
So I'm hanging on to it for now. But I'll be like a greyhound out of the traps the second I catch sight of a superior edition at a reasonable price.
5 people found this helpful
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Amazon Customer
1.0 out of 5 stars
Not Frankenstein but some altered version
Reviewed in the United Kingdom on November 20, 2017Verified Purchase
This version is not compatible with the penguin edition of the book and many pieces of the text is summarised, skipped or altered which of course takes away from the actual meaning of the text. The reading in itself is of good quality and is comfortable to listen to but that means very little when what is being read is not in accordance with the original text. If you just want to read Frankenstein for the pleasure of it I suppose it will do but I would argue having listened to this version you cannot really claim to actually have read Frankenstein as it is so lacking in content that I wouldn't bother.Still waiting for someone to do a full text reading of the book but for now I'll just have to read it out loud to myself.
16 people found this helpful
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Rob Ash
5.0 out of 5 stars
Beautiful Edition of the Original Frankenstein at Exceptional Value!
Reviewed in the United Kingdom on May 21, 2020Verified Purchase
I'm not sure it's worth my reviewing the story in this book, since everyone is so familiar with it. But if you haven't actually read this original version then it is well worth doing so, if you can cope with the beautiful classic writing style.
The main reason I wanted to do this review was to let you know just how nice this book is physically.
The format is a Flexibound Edition by Barnes & Noble. It's basically a faux leather-bound cover. Obviously not real leather, it is a soft feel plastic or rubber which is marginally flexible in the hand.
The first and last pages are backed in the old-world style using frantically patterned end papers.
The page edges are colour sprayed to complement the cover.
There is also a page marking ribbon.
Even the relatively thick paper stock has slightly off white colouring and lends itself to the feel of an old original collectable.
In short, for the incredibly low retail price of this book you get an absolutely stunning edition, which looks fantastic on the shelf in a collected set and feels great in the hand as you read. Barnes and Noble do a nice collection in this format. Just search for (Barnes Noble Flexibound editions) on Amazon.
The main reason I wanted to do this review was to let you know just how nice this book is physically.
The format is a Flexibound Edition by Barnes & Noble. It's basically a faux leather-bound cover. Obviously not real leather, it is a soft feel plastic or rubber which is marginally flexible in the hand.
The first and last pages are backed in the old-world style using frantically patterned end papers.
The page edges are colour sprayed to complement the cover.
There is also a page marking ribbon.
Even the relatively thick paper stock has slightly off white colouring and lends itself to the feel of an old original collectable.
In short, for the incredibly low retail price of this book you get an absolutely stunning edition, which looks fantastic on the shelf in a collected set and feels great in the hand as you read. Barnes and Noble do a nice collection in this format. Just search for (Barnes Noble Flexibound editions) on Amazon.
5.0 out of 5 stars
Beautiful Edition of the Original Frankenstein at Exceptional Value!
Reviewed in the United Kingdom on May 21, 2020
I'm not sure it's worth my reviewing the story in this book, since everyone is so familiar with it. But if you haven't actually read this original version then it is well worth doing so, if you can cope with the beautiful classic writing style.Reviewed in the United Kingdom on May 21, 2020
The main reason I wanted to do this review was to let you know just how nice this book is physically.
The format is a Flexibound Edition by Barnes & Noble. It's basically a faux leather-bound cover. Obviously not real leather, it is a soft feel plastic or rubber which is marginally flexible in the hand.
The first and last pages are backed in the old-world style using frantically patterned end papers.
The page edges are colour sprayed to complement the cover.
There is also a page marking ribbon.
Even the relatively thick paper stock has slightly off white colouring and lends itself to the feel of an old original collectable.
In short, for the incredibly low retail price of this book you get an absolutely stunning edition, which looks fantastic on the shelf in a collected set and feels great in the hand as you read. Barnes and Noble do a nice collection in this format. Just search for (Barnes Noble Flexibound editions) on Amazon.
Images in this review
3 people found this helpful
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Mrs. RM KLEPPMANN
1.0 out of 5 stars
I find this a truly dreadful novel
Reviewed in the United Kingdom on April 10, 2020Verified Purchase
No, I didn't try to read it literally.
I can overlook the overblown style `... and her countenance expressed all those bad qualities which often characterise that class.' ` .. very soon, will death extinguish these throbbings, and relieve me from the mighty weight of anguish that bears me to the dust; ' That is presumably a feature of the period.
However ,
- the dear lady has not the least idea of any scientific field. Putting together the ca. 80 kilos of organic material for a human being seems to involve simply `chemical instruments'. (Oh, please!)
- Victor creates his creature, which then disappears from the lab and V. seems to be totally unconcerned about where it is/ what it is doing for two years. Instead, we get a description of the landscape.
- Creature observes a family in a woodland cottage and in less than a year manages to pick up quite erudite speech, writing and an encyclopedia knowledge.
- Creature kills V's brother and a girl is blamed, tried, accused and hanged. V is distraught during the trial but then pootles off with no further concern (until he starts listing the murders).
- V is on a boat at night and drifts off to sleep with the gentle swell. By morning he is in Ireland. He started off on the Orkney islands. (That's pretty good going!!) etc.
I had heard years ago the reason why Mary Shelly wrote this novel - she lived in a time of rapid technological development and this felt like a force let loose on the world, out of man's control. I can understand the novel on that level and feel that this interpretation is more than valid in our times. Whether it really was the case for Shelly I actually doubt - she wrote the book decades before the Industrial Revolution.
I would add to that - it starts with man playing God without even thinking the development through.
What is also very clear from the novel and an idea/ message that I am firmly convinced of:
- rejection generates fear which generates agression.
The creature tells V. that several times but V. can't see it. This chain is also very evident in our society.
I can overlook the overblown style `... and her countenance expressed all those bad qualities which often characterise that class.' ` .. very soon, will death extinguish these throbbings, and relieve me from the mighty weight of anguish that bears me to the dust; ' That is presumably a feature of the period.
However ,
- the dear lady has not the least idea of any scientific field. Putting together the ca. 80 kilos of organic material for a human being seems to involve simply `chemical instruments'. (Oh, please!)
- Victor creates his creature, which then disappears from the lab and V. seems to be totally unconcerned about where it is/ what it is doing for two years. Instead, we get a description of the landscape.
- Creature observes a family in a woodland cottage and in less than a year manages to pick up quite erudite speech, writing and an encyclopedia knowledge.
- Creature kills V's brother and a girl is blamed, tried, accused and hanged. V is distraught during the trial but then pootles off with no further concern (until he starts listing the murders).
- V is on a boat at night and drifts off to sleep with the gentle swell. By morning he is in Ireland. He started off on the Orkney islands. (That's pretty good going!!) etc.
I had heard years ago the reason why Mary Shelly wrote this novel - she lived in a time of rapid technological development and this felt like a force let loose on the world, out of man's control. I can understand the novel on that level and feel that this interpretation is more than valid in our times. Whether it really was the case for Shelly I actually doubt - she wrote the book decades before the Industrial Revolution.
I would add to that - it starts with man playing God without even thinking the development through.
What is also very clear from the novel and an idea/ message that I am firmly convinced of:
- rejection generates fear which generates agression.
The creature tells V. that several times but V. can't see it. This chain is also very evident in our society.
2 people found this helpful
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