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Comment: This item is in good condition. All pages and covers are readable. There are no stains or tears. Dust jacket is present if applicable. May contain small amounts of writing and/or highlighting. Spine and cover may show signs of wear. May not contain supplementary items. We ship within 1 business day. Big Hearted Books shares its profits with schools, churches and non-profit groups throughout New England. Thank you for your support!
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Frankenstein: (Penguin Classics Deluxe Edition) Paperback – September 25, 2007

4.7 out of 5 stars 20 customer reviews

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Editorial Reviews


Mary Shelley's Frankenstein is one of the masterpieces of nineteenth-century Gothicism. While stay-ing in the Swiss Alps in 1816 with her lover Percy Shelley, Lord Byron, and others, Mary, then eighteen, began to concoct the story of Dr. Victor Frankenstein and the monster he brings to life by electricity. Written in a time of great personal tragedy, it is a subversive and morbid story warning against the dehumanization of art and the corrupting influence of science. Packed with allusions and literary references, it is also one of the best thrillers ever written. Frankenstein; Or, the Modern Prometheus was an instant bestseller on publication in 1818. The prototype of the science fiction novel, it has spawned countless imitations and adaptations but retains its original power.
This Modern Library edition includes a new Introduction by Wendy Steiner, the chair of the English department at the University of Pennsylvania and author of The Scandal of Pleasure.

Mary Shelley was born Mary Wollstonecraft Godwin in 1797 in London. She eloped to France with Shelley, whom she married in 1816. After Frankenstein, she wrote several novels, including Valperga and Falkner, and edited editions of the poetry of Shelley, who had died in 1822. Mary Shelley died in London in 1851.

About the Author

Maurice Hindle edited Frankenstein and Dracula for Penguin Classics and teaches at the Open University.

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Product Details

  • Series: Penguin Classics Deluxe Edition
  • Paperback: 304 pages
  • Publisher: Penguin Classics; Rep Dlx edition (September 25, 2007)
  • Language: English
  • ISBN-10: 0143105035
  • ISBN-13: 978-0143105039
  • Product Dimensions: 5.7 x 0.8 x 8.4 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #41,891 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

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Victor Frankenstein is driven by his hunger for scientific knowledge and accomplishment. What he can not know is that one day, after he creates a living, breathing being, he will regret his scientific pursuits. This created being is hideous and rejected by all who meet him, including his creator. Rejection leads the creature to become a monster filled with despair and rage. In a futile attempt to pacify the creature, Victor agrees to create a female companion, but finds that he is unable to finish the task. At Victor's refusal to create the companion, the monster is filled with hatred and commits additional murders. The only recourse for Victor is to pursue his creation and destroy it.

This is not a book I would have chosen to read on my own. It was required reading for my current British Literature class and I was surprised at how much I enjoyed it. Mary Shelley used three characters to narrate during the story: Captain Walton, Victor Frankenstein and the creature. I thought the chapters narrated by the monster were particularly interesting. They developed the character of the monster beyond just a hideous, killing machine. It gave insight was to why the monster behaved in the way he did. I suspect that Mary Shelley may have been making a statement about children. The creature craved love, affection and acceptance, just as all children do. Yet, when rejected and deprived of natural affection, the creature became a monster filled with pain and anger.

Mary Shelley was the daughter of writer Mary Wollstonecraft and the wife of poet Percy Shelley. I especially liked how Mary Shelley used some of her husband's poetry in the narrative of the story. The story behind the creation of this book is also unique.
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I recently read Dr. Jekyll and Mr. Hyde for the first time, then realized I had never read Frankenstein either. I bought it awhile ago and finally got around to reading it. Its a deserved classic, and there are some great things about this book and some disappointing things, all unexpected.

Some of things I was surprised by include the story itself. Very involved in literary history, quotes many authors. Frankenstein's monster is a sympathetic creation in a lot of ways. By the end of part 2, where the monster tells his own story, you start to feel sorry for him. Great story that casts light on sin, humanity, religion, and what life is. It is not a book that will really scare you, but it will make you think.

Some things I was disappointed in include the coincidences that occur. A story written like this today would never work . . . but it was fine for its era. The monster finding Victor's home based on some loose directions overheard from a French family is at best a stretch. The book drags in a few places as well for modern readers, but you are rewarded for pushing through it.

All in all, a well deserved classic that is a worthy read. The fact that Mary Shelley wrote this at 19 is astounding and humbling. Note that this is NOT a comic book. It has an illustrated cover, no graphics inside. Another review made it sound like it was a comic book.

Highly Recommended.
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First, a note about the cover of the Penguin Classic Deluxe Edition: I’ve noticed in several other reviews of various books in this series that readers have negatively commented on the “cartoonish” like covers. Personally, I happen to like most of the covers in the Classic Deluxe series because they are bright and fun. Sure, it is nice to own a nice edition of a favorite classic. Yet, I don’t see the harm in the fun covers — there’s no rule that says that because something is a classic that it has to be bound with a stodgy, serious cover. Maybe the comic-like covers will catch someone’s interest, someone who might not normally read a book. Getting someone to read a book is the most important thing, right?

In the introduction to this particular edition, author Elizabeth Kostova (who wrote a modern take on the Dracula story: “The Historian”), says that she picked up the book to reread, to refresh her memory, and as she was reading it she realized that she wasn’t rereading it at all. She’d never read it. She realized that she knew the myth of Frankenstein, the Hollywood version, the Halloween version, the bolt through the neck version. What she knew (or thought she knew) had come from pop culture.

I knew that I had never read Frankenstein. It was always on my ‘to read …sometime” list. I couldn’t pass up the cover, so I bought the book. Like Ms Kostova, I felt that I knew the story of Frankenstein and his monster. Growing up in the 1970s, with all the weekend and late-night sci-fi/horror movies, I’d seen the old Bela Lugosi version, and many of the various other old black-and-white retellings. And lets not forget the Mel Brooks adaptation (which I was fairly certain had little to do with Shelley’s novel).
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The writing was very obviously feminine, even though the story was told from a male viewpoint.
This is very serious story, asking the question;
Should we tamper with something?- Just because we can? Particularly appropriate in these days of genetic research.
I really liked the story and would recommend it to anyone.
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