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Fred Astaire's Finest Hour
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| Listen Now with Amazon Music |
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Fred Astaire's Finest Hour
"Please retry" | Amazon Music Unlimited |
| Price | New from | Used from |
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MP3 Music, August 12, 2003
"Please retry" | $9.49 | — |
Additional Details
Track Listings
| 1 | Steppin' Out With My Baby |
| 2 | Let's Call The Whole Thing Off |
| 3 | They Can't Take That Away From Me |
| 4 | Cheek To Cheek |
| 5 | They All Laughed |
| 6 | No Strings (I'm Fancy Free) |
| 7 | Puttin' On The Ritz |
| 8 | Oh, Lady, Be Good! |
| 9 | Isn't This A Lovely Day |
| 10 | The Continental |
| 11 | 'S Wonderful |
| 12 | Something's Gotta Give |
| 13 | Fascinating Rhythm |
| 14 | Night And Day |
| 15 | Dancing In The Dark |
| 16 | Top Hat, White Tie, And Tails |
| 17 | The Afterbeat |
Editorial Reviews
Product Description
Narrowing down a lifetime career of America's great song-and-dance man is never an easy task! Yet, the Finest Hour certainly picks a knockout lineup showcasing Astaire's voice gliding over classics such as Steppin' Out with My Baby; They Can't Take That Away from Me; Cheek to Cheek; Puttin' on the Ritz; 'S Wonderful; Top Hat, White Tie, and Tails; Something's Gotta Give, and more.
Amazon.com
Fred Astaire might not be the first name that comes to mind when thinking of a jazz singer, but this installment of Verve's Finest Hour series samples 16 songs from the 1952 sessions in which Astaire joined Oscar Peterson and some of Verve's best sidemen to lay down jazzy versions of songs he had made famous in his Broadway and film career, originally released as The Astaire Story. While Astaire was not blessed with great vocal chops, the best American songwriters including George and Ira Gershwin, Irving Berlin, and Cole Porter loved him for his unerring sense of rhythm and sympathetic treatment of lyrics, qualities that are well displayed here. Familiar songs include "Steppin' Out with My Baby," "Cheek to Cheek," "They Can't Take That Away from Me," "Night and Day," and "Top Hat, White Tie, and Tails." And for something different, there's also a song recorded with the Pete King Orchestra, "The Afterbeat," written by Astaire himself with lyrics by Johnny Mercer. --David Horiuchi
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5 x 5.75 x 0.5 inches; 3.37 Ounces
- Manufacturer : Imports
- Run time : 1 hour
- Date First Available : February 9, 2007
- Label : Imports
- ASIN : B0000A0I6P
- Number of discs : 1
- Best Sellers Rank: #324,908 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #3,216 in Traditional Jazz & Ragtime (CDs & Vinyl)
- #3,542 in Musical Soundtracks & Scores
- #4,601 in Vocal Jazz (CDs & Vinyl)
- Customer Reviews:
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What struck me from the first track is the underrated quality of Astaire's voice. Renowned for his dancing, his voice seemed a secondary quality to his athleticism. This CD is a prime example of what a good jazz singer Astaire was. His voice isn't the loudest or strongest, but there is a soothing, unstressed quality that, like his dancing, is highly enjoyable.
The CD is arranged almost by fame of song - we all recognize the melodies of "Stepping Out with my Baby","They Can't Take that Away from Me", and "Let's Call the Whole Thing Off", but even songs like "Lady be Good" or "Dancing in the Dark" have a timeless sound to them. The whole CD has a smooth jazz, or at times a big band, sound to it, and I listen to it in the car or when I'm housecleaning (though I don't try to dance with any of my appliances). Astaire's voice is very appealing, and I could imagine using this CD in almost any social situation as a soft background sound.
"Fred Astaire's Finest Hour" is a gem of a CD, to be appreciated because as one of the great gentleman actors, Fred Astaire could charm us with his feet, and (however surprisingly), it turns out he could sing too.
While I am an easy jazz fan there is so much plunking on an open body guitar that one can take and this album reaches my limit. Yes, I would buy this CD - just know that Ginger might not approve.
All of his standards are in this treasure from Amazon including "Cheek to Cheek", "Puttin' on the Ritz", "Steppin' Out with My Baby" and "Top Hat, White Tie, and Tails" the latter aptly describing his dancing style and appearance. There's even one of which he wrote the music - "The Afterbeat" which is a real swinger, the last song in this prized collection.
However, this is still very enjoyable CD, most of it made out of sessions with Oscar Peterson's jazz combo, with the glorious trumpet of Charlie Shavers, swinging guitar of Barney Kessel, virtuoso bass of Ray Brown, "driving" and reliable drumms of Alvin Stoller and, on most songs, Flip Philips' expressive tenor sax (yes, and on few occasions Peterson engages in the heavenly sounds of the celeste)...
Astaire is not without charm (particularly if you already like him from his films), and the charm is augmented by such illustrious company; at moments he even completely manages to avoid corny effects of blindly following the melody and rhythm.
It would be too much to say that he actually swings, but this is still good popular American singing, with a jazzy tinge.
The songs, as anyone can see from this site are mostly excellent, so this fact must have helped making this CD so surprisingly enjoyable.
Top reviews from other countries
どの曲を聴いても、アステアのダンスを思い浮かべて楽しい気分に♪
このCDを聴いてたら、渋滞の時もイライラしなくて済みました(笑)
アステアのCDを購入しようと思っているけど、どれがいいのか迷っている人に、一番お勧めのCDです。
こんなCDがあってすごく嬉しいです!
映画で使われてる曲とはアレンジが違っていてお洒落な感じです。
「The Astaire Story 」からの抜粋らしいです。
私は疲れてる時などはアステアの歌やダンスにホント癒されてます。
どれも素晴らしい曲ばかりで大好きだけど
特に4曲目の「Cheek to Cheek」は最高です!
歌詞通り「天国にいる」気分になれます。
あとは「Continental」
個人的には映画のやつよりこっちの方が好きです(笑)
歌声を聴いてるだけなのにアステアが歌い踊る姿が目に浮かびます。
アステア好きな人は絶対にオススメですよ〜!
というか、好みです、私は聴きやすいから。
原音に忠実なものを好まれる方も沢山居ると思いますが、そういう物は、篭った感じで重たくてスピード感が無いです。
リマスター物?は、すっきり聴きやすく、それでいて演奏の音がそこで鳴っているかのように活き活きしている録音もいいと思いました。
アステアの歌声にうっとりしています♪
The recording here sounds tight and controlled, quite easy jazz. It is not as frisky as his younger or older interpretations. It would be good for a cocktail party or pouring yourself a glass of port in the evening. There is a sense that with the extended jazz solos, Fred has nipped out the studio to smoke a cigarette, or maybe called it a day and headed out to the golf course, returning the following morning to phone his vocal in for the last verse. I would also change the running order of the tracks a bit, I don't personally much like Lady Be Good but it's placed early here.
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