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French Armies of the Hundred Years War : 1328-1429 (Men-At-Arms Series, 337) Paperback – February 15, 2000
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David Nicolle
(Author)
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Print length48 pages
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LanguageEnglish
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PublisherOsprey Publishing
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Publication dateFebruary 15, 2000
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Dimensions7.24 x 0.1 x 9.68 inches
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ISBN-101855327104
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ISBN-13978-1855327108
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From the Publisher
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Full colour artworkBeautifully illustrated scenes are included to bring the narrative of the conflict to life. |
Detailed uniform illustrationsSpecially commissioned full colour illustrations are included alongside comprehensive captions to give a full breakdown of the attire and equipment used on the battlefield. |
PhotographsEach volume features a wide range of photographs, which provide unparalleled detail of the uniforms and weaponry used by the combatants. |
Editorial Reviews
From the Publisher
About the Author
David Nicolle is Visiting Research Fellow at the Institute of Medieval Studies, Nottingham University. He is the author of over a dozen books on medieval military history.
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Product details
- Publisher : Osprey Publishing; 1st Printing edition (February 15, 2000)
- Language : English
- Paperback : 48 pages
- ISBN-10 : 1855327104
- ISBN-13 : 978-1855327108
- Item Weight : 5.9 ounces
- Dimensions : 7.24 x 0.1 x 9.68 inches
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Best Sellers Rank:
#730,504 in Books (See Top 100 in Books)
- #1,868 in French History (Books)
- #5,214 in Great Britain History (Books)
- #20,783 in Military History (Books)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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The plates portray all facets of the French military of the time, the knights, common soldiers, artillery, and mercenaries. Several famous (or infamous) characters of the Hundred Year's War, among them Jeanne d'Arc, Bertrand du Guesclin, and Jean de Bethencourt, are marvellously illustrated as they put on their armor, command their troops, etc. Plate E's redition of a contemporary Basque warrior is also quite interesting.
The text of course, is detailed and greatly informative, although a tiny bit dull in a few places. The section on the changing French tactics over the course of the war is particularly useful. Overall, this is an essential source for a student of the Hundred Year's War, a conflict that has overall been well presented by Osprey Military Publishing.
The only slight weakness is the lack of information regarding some of the most iconic commanders and characters, but it’s perfectly understandable – space constraints.
With fine internal photographs and reproductions, including the only known contemporary picture of Jeanne d’Arc where the illustrator Angus McBride based his color plate, this book provides a solid base to further your studies regarding this conflict that shaped Europe and influenced foreign politics of many countries.
Angus McBride is the artist who produced the competently illustrated color plates; although the figures and equipment are, as usual, very well portrayed (and with references regarding the source material that inspired the images) it is obvious that the master artist had severe and tight time schedules...most backgrounds are barely sketched. They include: Cavalry 1337-1360; Infantry 1337-1360 (including a crossbowman, a sergeant and a Northern France Militiaman); Cavalry 1360-1415 (including representations of famous knights like Boucicault, Guichard Dauphin and Bertrand du Guesclin); Infantry 1360-1415 (including a crossbowman, a militiaman and a light infantryman from Southern France); Naval Warfare 1337-1415 (Jean de Bethencourt donning his armour; a Basque sailor and a Castillan naval captain); Cavalry 1415-1453 (Jeanne D'Arc in civilian clothing; a Breton man-at-arms and a French Knight); Infantry 1415-1453 (a Franc-archer, an insurgent and a Flemish mercenary); Artillery 1430-1453 (including a gunner with ribaudequin, his assistant and a handgunner). This sequential structure is excellent to better visualize the evolution of both cavalry and infantry in each phase of the hundred years war.
Top reviews from other countries
Heureusement il y a eu ce volume pour nous éclaircir un peu sur des détails, bien qu'on en attendrai un peu plus encore.
Le texte est donc très intéressant.
Par contre, il est frappant de voir les têtes hideuses de brigands, ou avec du mascara (?), qui ont été faites à certains français dans les illustrations, alors que par exemple , en contraste, dans "henri V and the conquest of France" les anglais ont parfois des têtes de jeunes premiers . çà donne une impression de montrer qui sont les bons et qui sont les méchants de manière caricaturale à la façon Hollywood, ce qui ne fait pas très Histoire.


