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The French Connection [Blu-ray]
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| Genre | Action & Adventure |
| Format | Multiple Formats, AC-3, Blu-ray, Dolby, DTS Surround Sound, NTSC, Subtitled, Widescreen |
| Contributor | Fernando Rey, Gene Hackman, Tony Lo Bianco, Marcel Bozzuffi, William Friedkin, Roy Scheider |
| Language | English |
| Runtime | 1 hour and 44 minutes |
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Product Description
Welcome to the Filmmakers Signature Series on Blu-ray. Enjoy this highly acclaimed, realistic crime drama from innovative director William Friedkin with authentic high-quality picture and sound, true to the director's vision. This new HD transfer comes with an exclusive 28-page booklet on the making of the film, which includes in-depth actor and director profiles. Based on a true story, the French Connection stars Gene Hackman and Roy Scheider as detectives who aim their sharp instincts and unconventional methods at the international suppliers of New York's heroin trade. The French Connection earned 8 Academy Award« Nominations and 5 Wins,* including Best Director for groundbreaking "New Hollywood" director Friedkin.
Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 4 Ounces
- Item model number : 25524681
- Director : William Friedkin
- Media Format : Multiple Formats, AC-3, Blu-ray, Dolby, DTS Surround Sound, NTSC, Subtitled, Widescreen
- Run time : 1 hour and 44 minutes
- Release date : March 6, 2012
- Actors : Gene Hackman, Fernando Rey, Roy Scheider, Tony Lo Bianco, Marcel Bozzuffi
- Dubbed: : French, Spanish
- Subtitles: : Spanish, English
- Studio : 20th Century Studios
- ASIN : B008YAPRPG
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #2,386 in Movies & TV (See Top 100 in Movies & TV)
- #202 in Drama Blu-ray Discs
- #316 in Action & Adventure Blu-ray Discs
- Customer Reviews:
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on November 2, 2009
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Trouble is, I hadn't bothered to see this movie from the true beginning of the film for quite a few years...I seemed to always be picking up on this movie on TV when it was about 30-45 minutes in. So I always saw it at its best. When I finally watched it right from the beginning four or five years ago, after I bought the movie for myself, I was appalled at how tissue-paper much of this movie's emotional heart was: Popeye Doyle is an obsessed character without depth or even much intelligence. He has very little personality---just a mouth, really. Roy Scheider is decorative and a supporter of Doyle, a bit of a Greek chorus to Doyle's schemings, but not much else. The racism and general bullying nature of the Popeye character is painful and even embarrassing to me now...why did I ever like this movie? The humanity is entirely missing. It's just cars, buildings, music. When Doyle pleads his case ("let me do this, I know I can do it", his superiors don't care. I find that I don't care either. He isn't convincing. He's just a mouth under a hat. Why DO they let him? We never really see why. He just DOES it. No one discusses anything. It all just happens. (I know this is Friedkin's style, but it's not working for me in this movie anymore. I've grown up.)
Hmmm. The movie's good points now? It's a tarnished idol. A time-slice, the first of its gritty cop-movie, fast-paced, tell-it-like-it-is, don't stop for breath, chase-scene kind, admittedly. But to weigh its merits now presents a true dilemma. As long as I don't watch it from the beginning, it's pretty good. Maybe even more than that, at times. It has much of the old gritty magic...but it isn't worth the "it's a masterpiece" rhetoric anymore. It has spooky-good bits but a lot of that has to do with the marriage of the visual pace with the occasional musical score; it supplies a disjointed but jarring emotional link that the characters themselves cannot give you, they are too disaffected.
This movie's early scene featuring NYC gritty cop reality laced with racial bullying just makes me feel bad and embarrassed as a white person, frankly. And as horrible as drugs and heroin and the overall heroin trade seem to me (and always has), I just don't think society cares about getting rid of it to the extent that it once did. So that single-mindedness seems kinda crazy now, kinda Hollywood-exaggerated. There's just too many other crises to deal with that are Level 10 nowadays. And the later bit about Doyle commandeering the citizen's car just seems...delusional and a total classic authority-gone-mad-power-trip from the past, representative of when cops and officials were allowed to do whatever they pleased, seemingly...yeah, a cop can just run into the middle of the street and stop somebody, pull them bodily out of their car, jump into their car, drive it away, smash it up, and it's OK...police business...he's just being a cop. It makes this movie's car-chase seem like a slice of bad 70s TV...and it's probably this exact movie that inspired much of the bad 70s cop crap we had to watch back then.
Now, I don't have any sentiment against cops. The opposite of that, if anything. I respect them and thank God they're there. Always have. But Popeye Doyle is an embarrassment from an embarrassing, notoriously corrupt era, and I don't think you should bother with this movie unless you realize it is very dated now. Man, that bit where Doyle goes in the bar and insults and slaps around all the black drug dealers in there (because every single person in the crowded bar is both black and automatically assumed to be a drug dealer, of course!) just makes me cringe. And I never thought I was a knee-jerk type of PC person. I figured I could get the subtext and overcome the other stuff...but it's too stark to me now, I can't overcome it. It's garbage, that scene practically a ficto-documentary of police abuse and disrespect to black men, and has no merits other than its telling of a bad, sad, nasty time in this nation's history. The scene ACTUALLY MADE ME FEEL BAD FOR THE DRUG DEALERS, if that's possible! And I don't want to be feeling bad for drug dealers. I want to hate them...this movie makes me hate Doyle instead. I find that grotesque somehow, a real failure---but at this point in my life, I can tell it is not my personal failure; the failure is in this movie. And I've had years to find this out, I've outgrown easy emotions. The Doyle character, at least as portrayed in this movie, is just not worth watching. (I like, even love Gene Hackman in so many other movies: The Conversation, Hoosiers, Downhill Racer, Get Shorty...even as Lex Luthor...he's nearly always worth watching, at times even fascinating to watch.)
Yeah, I guess you could say I'm a little disillusioned about this movie. I can still enjoy To Live And Die in LA, though...
Great piece of filmmaking by the Legendary William Friedkin
plus Great performances by Gene Hackman and Roy schneider plus Great screenwriting aswell
and what do you get, one of the best action thrillers of the 70'S
this film definitely deserved an Academy award from the 1971 Oscars
it won for Best Actor Gene Hackman, best Director william Friedkin & best picture
and is still enjoyable to watch some 40 years later
There's 2 blu-ray versions of this film the first 2008 release and this new Signature series release
the first blu-ray transfer was done by the Distributor 20th century fox with no involvement by Billy friedkin
well Billy hated this HD transfer
and in 2011 Billy & Cinematographer Owen roizman
decided to step in personally & supervise a new HD transfer of this classic action thriller
and i tell you what Billy & owen's own HD transfer looks beautiful, incredible picture quality nice sharp & clear picture
Hardly no Grain or Dirt in the picture much better quality than the old 2008 blu-ray for sure
it's to bad Billy did not do the same for the sound quality, a new 6.1 or 7.1 Master mix would've improved
the sound quality big time instead the usual 5.1 Master audio mix has been left
which still sounds really Good, but a 6.1 mix would've boosted it big time
but the picture quality does look alot better than the old 2008 blu-ray
as for the extras, well all the special features have been carried over to this new signature series blu-ray
well most of them anyway
the 2 Audio commentaries are still on this 2011 blu-ray
plus these new featurettes DELETED SCENES with optional william friedkin commentary
ANATOMY OF A CHASE, HACKMAN ON DOYLE
FRIEDKIN & GROSSO REMEMBER THE REAL FRENCH CONNECTION
SCENE OF THE CRIME, COP JAZZ THE MUSIC OF DON ELLIS
ROGUE COP-THE NOIR CONNECTION
and MAKING THE CONNECTION a 56min making of TV special from 2000
all this on 1 blu-ray Disc
the only Doco that is not on this new signature series is the BBC Documentary Poughkeepsie shuffle
which is very similar Documentary as the Making the connection Doco
except it's done by the BBC, British broadcast co.
i guess 20th century fox had run out of Disc space
there's also a new 22page making of booklet included in the case
the packaging is just standard blu-ray case
so Definitetly time to upgrade buy this new signature series
a brand new HD transfer personally done by William friedkin & Owen roizman, not typically done by the Distributor
5 stars for the film itself, 5 stars for this new 2011 blu-ray
Also, a lot of bonus commentary for us film geeks on this two discs.
Top reviews from other countries
Other than that the film is excellent and should be seen by as many people as possible.
Yes, it's confusing that the "signature" refers to the same chap who messed it up the first time around.
The movie itself is a classic tough-cop-who-won't-quit story based on real events (plenty of background and interviews in the extras pack, which is nice), and being a 1970's crime movie it doesn't mess around and ends abruptly. (Cue credits...)
DTS- HD Surround,5.1 Dolby surround and original mono in english.french and spanish audio in 5.1 dolby digital only.
There are a choice of six languages with subtitles including english for the hard of hearing.
I found the picture quality to be a huge improvement on the original UK release which really was a disappointment. there are no colours bleeding all over the place and it still retains it's dark 70's look.even though this is a one BD set compared to the two disc original release most of the extras are on it,The Poughkeepsie Shuffle documentary and Friedkin's explanation for his changing the original colour are not included though.well worth getting if you like this movie and weren't impressed by the first blu-ray release.it's also region free.just make sure it's the march 2012 release that you purchase.
Gene hackman spent months working with the real Detective who worked this case (who also appears in the film)
A second DVD of the making of and a Mark Kermode program about the film are included which are great and maybe worth a watch before the film to help you see more detail in the film.
Anything featuring Mark Kermode is always worth a good look at. In my opinion he is one of the great movie reviewers, knows his subject and is able to articulate a conversation that makes you also ask the same questions he does.
Like Bullitt, and the Clint Eastwood Dirty Harry films, this is an example of great 70's police drama.


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