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Friday Mass Market Paperback – July 12, 1983
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- Print length357 pages
- LanguageEnglish
- PublisherDel Rey
- Publication dateJuly 12, 1983
- Dimensions4.18 x 0.98 x 6.86 inches
- ISBN-10034530988X
- ISBN-13978-0345309884
- Lexile measure890L
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The Green Hills of Earth & The Menace from Earth (Future History) (The Future History series)Robert A. HeinleinMass Market Paperback
Editorial Reviews
From the Publisher
--Shelly Shapiro, Executive Editor
From the Inside Flap
From the Back Cover
About the Author
He was a four-time winner of the Hugo Award for his novels Stranger in a Strange Land (1961), Starship Troopers (1959), Double Star (1956), and The Moon is a Harsh Mistress (1966). His Future History series, incorporating both short stories and novels, was first mapped out in 1941. The series charts the social, political, and technological changes shaping human society from the present through several centuries into the future.
Robert A. Heinlein’s books were among the first works of science fiction to reach bestseller status in both hardcover and paperback. he continued to work into his eighties, and his work never ceased to amaze, to entertain, and to generate controversy. By the time he died, in 1988, it was evident that he was one of the formative talents of science fiction: a writer whose unique vision, unflagging energy, and persistence, over the course of five decades, made a great impact on the American mind.
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Product details
- Publisher : Del Rey (July 12, 1983)
- Language : English
- Mass Market Paperback : 357 pages
- ISBN-10 : 034530988X
- ISBN-13 : 978-0345309884
- Lexile measure : 890L
- Item Weight : 6.4 ounces
- Dimensions : 4.18 x 0.98 x 6.86 inches
- Best Sellers Rank: #806,261 in Books (See Top 100 in Books)
- #4,177 in Genetic Engineering Science Fiction (Books)
- #10,682 in Space Operas
- #15,282 in Science Fiction Adventures
- Customer Reviews:
Customer reviews
Top reviews from the United States
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In the newly re-released "Friday" I am tempted to make a comparison to Charles Dickens' "Great Expectations" written in the 1860s. Both have been praised by critics as among the best work produced by their respective authors. But if my experience can be any guide, modern readers might find relatively little in "Friday" to deserve the praise. The times have moved on. Authors influenced by Dickens or Heinlein have since written far more complex and nuanced work, incorporating many of their themes. Dickens' emphasis on the personal growth of his main character Pip is now a staple of western literature. Heinlein's distrust of liberal politics (and in other books, his admiration for "free love" outside institutions of marriage) is likewise a "given" in many modern plots.
Thus what I found in re-reading "Friday" was rather a mixed bag. By the standards of the 21st Century, a lot of the writing and the lives of the characters may impress readers as "quaint" or "naive" sketches lacking depth. If you are interested in the historical roots of modern science fiction, then by all means read from this master. But if you're primarily seeking entertainment in your reading, then you might give this one a pass.
Readers should note that the transition from ink to electrons was not without errors galore. I suspect this too is a condition we live with in 2017.
You can read this book, as I first dis at age 12 or so, as an action adventure story and it is that, but you can read it in deeper layers too including the layer where you admire the master and his craftmanship
I liked the characters, I thought the plot line was fine, but the action ran at you time and time again like a blitzing linebacker. Friday was the only really well developed character, the rest of the characters were fairly disposable and transient. At times it was kinda preachy on the issues of libertarianism and, somewhat shockingly, on discrimination. Anyone who claims Heinlein is racist and/or discriminatory probably hasn't read him. Friday ended up having way more sex than I was expecting. She's oddly unemotional about the rape at the beginning of the book. I've heard it said it's because she doesn't regard herself as human. I'm not sure I buy into that. She's a little tentative about kissing a woman at first, but then seems to get quite into it. None of her relationships are what someone might consider 'conventional'.
My biggest complaint was the formatting of this copy. This was apparently a bad OCR, as there were numerous instances of misspellings and improper punctuation.
Top reviews from other countries
There is a fairly interesting plot and a few escapades and I suppose it may enliven a dreary day, but I couldn’t get too interested in such a nebulous scenario. Let’s face it, if you have to have someone raped, the least you could try for might be a few doubts about the morality of the thing. The plot looks up a bit when Friday decides she will escape from almost certain death by losing herself on another planet. As far as I’m concerned she’s been on another planet all along.
having never previously read any of the work by this, one of the doyens of Science Fiction.
First impressions are of a some what dated piece of fiction crafted in an increasingly bygone age -the 1980s. 'Friday' is unquestionably old school even for 1982 when compared to the emerging cyberpunk work of Gibson and Sterling .A glance at the publishers list of current best sellers in my NEL edition sets the novels context clearly:'The stand','Dune','The Fog'.Leaving aside the somewhat 1960s liberal approach to sexuality,'Friday' still has much to offer the contemporary reader however.
This is a stylishly written, pacy page turner in the style of Dan Brown and is a unique blend of SF and spy thriller.At the heart of the narrative is the struggle by the eponymous heroine, an Artificial Person to find an identity, to become accepted and to belong - something all readers can identify with.
Unquestionably Heinlein has influenced the writng of contemporary writers of this genre.There are striking similarities between the tone and ideas developed by Bacigalupi in 'The windup Girl' and 'Friday', both are set in post modern worlds,plagued by energy shortages, ruled as much by corporate elites as by nation states and populated by artificial people.Indeed Heinlein's notion of a corporate nation and terretorial nations seems particularly apposite in a modern world where nation states are increasingly crippled by debt whilst global corporations continue to prosper.






