Fringe: Season 2
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From J.J. Abrams (Lost), Alex Kurtzman and Roberto Orci – the team behind Star Trek and Alias – and executive producers Jeff Pinkner, J.H. Wyman and Bryan Burk, Fringe returns for a second thrilling season and continues to explore the unexplained phenomena and terrifying occurrences linked throughout the world – known simply as "The Pattern“ – in pursuit of a larger, more shocking truth. Set in Boston, the FBI's Fringe Division formed when Special Agent Olivia Dunham (Anna Torv) enlisted the help of institutionalized "fringe" scientist Walter Bishop (John Noble) and his son, Peter (Joshua Jackson), to save her partner and lover from a mind-bending death. Through unconventional and unorthodox methods, the Fringe team imagines and tests the impossibilities while investigating unbelievable events, macabre crimes and mystifying cases involving teleportation, reanimation, genetic mutation, precognition, artificial intelligence and other fantastical theories. When the unimaginable happens, it's their job to stop it.
"Lost meets The X-Files" is a not inappropriate description of Fox TV's Fringe, especially considering that cocreator J.J. Abrams was also one of the Lost masterminds. But this ambitious and often exciting series (with all 22 episodes from its second season, plus plenty of bonus material, released here on six discs) merits more than that glib label. As before, the members of the Fringe Division, an obscure wing of the FBI barely recognized (and this season threatened with elimination) by the government at large, are the "cleanup crew" summoned when the universe is on the verge of shredding at the seams. Led by Agent Olivia Dunham (Anna Torv), brilliant but mad scientist Walter Bishop (with John Noble as the show's most appealing character), and Bishop's son Peter (Joshua Jackson), they investigate crimes and occurrences involving the seemingly inexplicable, ranging from garden-variety phenomena like ESP, mind control, and hypnosis to really strange stuff like "clairaudience" (receiving messages or thoughts from another realm), cryonics (as in frozen, disembodied heads), and the existence of a parallel universe. Once again there's also a healthy dose of scary monsters, including a hideous mutant who drags its victims underground before devouring them, a community of deformed victims of scientific tests gone awry, two-foot-long parasites with human hosts, and a walking shadow that renders whoever it passes through into dust and ash. But it all gets more personal for our three heroes this time around, as they realize that Walter's long-ago research and experiments had serious consequences not only for him (he spent 17 years locked up in a rubber room) but especially for Olivia and Peter, who must deal with shocking revelations about their childhoods.
If Fringe has a weakness, it's that its reach sometimes exceeds its grasp. There are so many ideas here that overarching themes like "the Pattern" (a series of terrifying, synchronous events throughout the world) disappear for episodes at a time; the notion of "the other side," a parallel universe where things are largely similar but different in very peculiar details (JFK lived to be an old man, while the Department of Defense is housed beneath the Statue of Liberty), is introduced in the first episode but then rarely mentioned until the second half of the season, which culminates with the Fringe team traveling to the other side and confronting their alternate selves (fortunately, the final two episodes help tie up various loose ends from this season and set the stage for the next one). But a surfeit of good ideas is a lot better than a shortage of them, and the series is rarely less than interesting even when it loses its focus, and the direction, sets, special effects, and other technical elements are consistently excellent. As was the case the first time out, bonus material is generous and varied. It includes a newly "unearthed episode," audio commentary, deleted scenes, features like "The Mythology of Fringe" and "Analyzing the Scene" (brief explications of key scenes in six episodes), and more. --Sam Graham
The Mythology of Fringe
Fringe: Analyzing the scene sidebars on six key episodes
In the lab with John Noble and prop master Rob Smith
Commentary on four episodes by series stars and creative team
Unusual Side Effects: Gag reel
Dissected Files: Unaired scenes
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In the second season I was finally able to accept Anna Torv's Dunham and Joshua Jackson's Peter as "Not Mulder" and "Not Scully." Part of the reason for this is that the writers wisely chose to focus more on the most interesting character in the show: Walter Bishop, played brilliantly by John Noble.
Of particular note here are some highlight episodes like "Brown Betty" a film noir where Walter gets high and tells stories - Torv is somewhat freed from her normal character's prison and is even able to display some singing. "Peter" is another particularly well-done episode which (again) focuses almost solely on Walter Bishop. Torv and Jackson are largely absent from the scene and you get to see what a great character actor Noble truly is.
Thankfully, once these two (three) episodes were out of the way, the season picked up surprisingly well and ended on a cliffhanger that would have been painful if I had watched it on prime time. In fact, the episode "White Tulip" left me looking at the TV saying, "Holy sh*%, That was an amazing episode."
I heartily recommend this series anyone who appreciates law&order FBI meets X Files, good vs better vs probably should not kinds if choices, great characters who find choices aren't easy to make & do think of others, good action/adventure - race against the clock stuff! Sometimes, I feel like I've had a workout!