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Fujinon XF56mmF1.2 R

4.8 out of 5 stars 104 customer reviews
| 24 answered questions

List Price: $999.95
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  • 35mm equivalent - 85mm
  • Max aperture F1.2, Min aperture F16
  • Number of blades - 7(rounded diaphragm opening)
  • Focus Range : Normal 0.7m - ∞; Macro 0.7m-3m
  • Filter Size 62mm
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This item Fujinon XF56mmF1.2 R
Customer Rating 5 out of 5 stars (104) 5 out of 5 stars (127) 5 out of 5 stars (144) 4 out of 5 stars (3)
Price $899.00 $399.00 $599.00 $1,499.00
Shipping FREE Shipping FREE Shipping FREE Shipping FREE Shipping
Sold By Cardinal Photo Amazon.com Amazon.com Amazon.com
Color Black Black Black Black
Compatible Camera Mount Fujifilm X Fujifilm X Fujifilm X
Focus Type Micromotor auto-focus auto-focus Micromotor
Item Dimensions 2.87 x 2.76 x 2.87 in 6.3 x 4.1 x 3.8 in 2.56 x 2.17 x 2.56 in 2.87 x 2.76 x 2.87 in
Item Weight 0.89 lb 0.9 lb 6.6 ounces 0.89 lb
Lens Type Prime lens standard-prime Prime lens Prime lens
Maximum Aperture f/1.2 f/2 16 f/1.2
Maximum Focal Length 56 millimeters 35 35 millimeters 56 millimeters
Minimum Aperture 16 22 16 16
Minimum Focal Length 56 millimeters 35 35 millimeters 56 millimeters
Photo Filter Thread Size 62 millimeters 52 millimeters 62 millimeters
Add to Cart Add to Cart Add to Cart Add to Cart

Product Description

XF 56mm F1.2 - 35mm equivalent - 85mm, Angle of view 28.5 Degree, Max aperture F1.2, Min aperture F16, Number of blades - 7(rounded diaphragm opening), Focus Range - Normal 0.7m - ∞; Macro 0.7m-3m, Filter Size 62mm.


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Customer Reviews

Top Customer Reviews

I am a professional wedding and portrait photographer. I shoot both traditional, posed portraits and candid, photojournalistic-style shots. I've shot Canon digital for the last 10 years, using everything from the 10D to the 6D and a whole bunch of full-frame and APS-C and APS-H models in between. Of course, through all those bodies, the glass is the biggest reason I stuck with Canon, eventually narrowing my main focal lengths to a few primes and a couple of key zooms.
85mm (full frame) is my favorite focal length, along with 35mm for the wider end.

I began with the classic, seemingly best-bang-for-your-buck Canon 85mm 1.8. It was reasonably sharp at 1.8 (usually) and sharpening up nicely by 2.8. The only thing was, it had horrendous chromatic aberrations (purple fringing) that made post-processing that much longer and more tedious. Enter the Sigma 85mm 1.4 at @ 2.5 time the cost of the Canon. A much better lens in terms of sharpness and color/contrast, as at 1.6, it was as good as anything out there, BUT I had to go through 4 copies to get one that didn't mis-focus (even with AF adjustment) or have some other mechanical issue. In a nutshell, not reliable enough for wedding work. So, I eventually caved and dropped the big bucks on the venerable Canon 85mm 1.2L II, otherwise known as the king of kings in the dreamy, bokeh-laden land of fast lenses. Now, the word "fast," as you've likely heard, merely describes it's light-gathering ability, because when defining it's focusing speed, this is an entirely ironic word. It's dog slow, it hunts. When you nail it, it's superb, but between the fact that it costs as much as a new 6D body AND a 85mm 1.
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The announcement of the FUJINON 56mm f/1.2 really strengthened my desire for the X-T1 camera (and to step out from my DSLRs to a compact system), so I preordered the body, the vertical grip, and this lens--my first and so far only Fuji glass for the x-series Fuji compact camera system.

I shoot a lot of PORTRAITURE. Headshots, environmentals, bridals, fashion, journalism. The 85-90mm focal length is one of my favorites. Tight if you move in close, yet loose enough to get just enough background and sense of place when you back up some. And the size of the glass is not too big or heavy for easy carry and quick use. I also like a small prime as it forces you to move around and find the best angles (rather than zoom in and out)—I find that I generally shoot better when using primes because I work harder for the better composition.

This lens has extraordinary BUILD QUALITY, just leaps above the plasticky (yet pricey) offerings of other major brands. I'm not knocking the quality of the glass of competitors, but the general sense of build and aesthetics doesn't usually come close to this. The Fuji just feels like it was built in another time period, when mechanical engineering and quality components was important.

The MANUAL FOCUS RING is honestly one of the best i have ever felt. Damped with just the right amount of resistance with silky smooth turning...and a good amount of range for intricate focus feel. You almost wonder if its at the expense of a faster AF though. The autofocus does work well, it is smooth and generally locks on target quickly and accurately. It does have a bit of noise however, more than i would like, especially for video use, but the MF is so nice that it would be more useful in focus pulling for video anyway.
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I've been waiting for this one since Fuji put it on their lens "road map" last year. Amazon delivered my Fuji X 56mm f/1.2 lens yesterday afternoon, and I immediately put it on one of my cameras, only to get the "please update camera firmware" display. Thirty minutes later, I could finally shoot some photos :)

Some random thoughts:

1. Wow is this thing sharp. Center, corners, everywhere, even wide open at f/1.2. Too sharp in some ways for a portrait lens. I'll be doing some retouching on portraits to smooth out the skin, as this lens shows every single tiny flaw.

2. It's well corrected, so the usual faults of very fast primes are minimized (haloing, longitudinal chromatic abberation, etc.) and there's almost no distortion. Very well done.

3. It's slower to focus on my X Pro1 and XE1 bodies than either of the zooms -- more like the Fuji 35mm f/1.4 lens. But the focus is exceptionally accurate (which I find normal with the Fujis compared to the phase-detect systems in DSLRs.)

4. It's big -- larger than the 23/1.4 -- and on an X Pro 1 with a grip, this is starting to get kind of big for a "compact" camera system. But it does balance well.

5. Compared to my Canon 85mm f/1.2, it's of course smaller and lighter, and much less expensive. It allows the same amount of light through the lens (f/1.2) but there is some small difference in the depth of fielf characteristics, with the Canon offering more out-of-focus blur at the same subject distance. But in real life prints, the difference is small. (If you want to see all the arguments about this, there are plenty of places online to find them.)

6.
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