Save Big On Open-Box & Used Products: Buy "Fujinon XF56mmF1.2 R” from Amazon Open-Box & Used and save 15% off the $999.95 list price. Product is eligible for Amazon's 30-day returns policy and Prime or FREE Shipping. See all offers from Amazon Open-Box & Used.
Fujinon XF56mmF1.2 R
|Price:||$999.00 & FREE Shipping. Details|
- Enter your model number to make sure this fits.
- 35mm equivalent - 85mm
- Max aperture F1.2, Min aperture F16
- Number of blades - 7(rounded diaphragm opening)
- Focus Range : Normal 0.7m - ∞; Macro 0.7m-3m
- Filter Size 62mm
Frequently bought together
Customers who bought this item also bought
Special offers and product promotions
From the manufacturer
A fast F1.2 lens with a focal length of 85 mm* that delivers beautiful background bokeh so it's ideal for portraiture. The lens' incredible resolving power is thanks to a new optical design featuring 11 elements in 8 groups. Two ED (extra-low dispersion) elements and one double-sided aspherical element are used to control spherical and chromatic aberrations, while a further four of the elements feature convex surfaces to ensure excellent light coverage, even when shooting wide open.
Like other XF lenses, the XF56 mm F1.2 R is designed to be comfortable in use and has a premium quality look and feel.
* 35 mm for mat equivalent
Type: XF56mmF1.2 R
Lens configuration: 11 elements in 8 groups
(includes 1 aspherical and 2 extra low dispersion elements)
Focal length: f=56mm
35 mm format equivalent : 85 mm
Angle of view: 28.5°
Max. aperture: F1.2
Min. aperture: F16
Number of blades: 7 (rounded diaphragm opening)
Step size: 1/3 EV (23 steps)· * 1/2 EV, from max. aperture to next step, only.
Normal: 0.7m - ∞
Macro: 0.7m - 3m
Max. magnification: 0.09x
External dimensions : Diameter x Length* (approx.)
*distance from camera lens mount flange
ø73.2mm x 69.7mm
Weight* (approx.): 405g *excluding caps and hoods
Filter size: ø62mm
|Aperture Control Design||Includes aperture ring|
|Compatible Mountings||Fujifilm X|
|Item Dimensions||2.87 x 2.87 x 2.76 inches|
|Item Weight||0.89 pounds|
|Lens Type||Prime lens|
|Macro Focus Range||0.70 m|
|Manufacturer Warranty Description|
|Material Type||Metal barrel, metal mount|
|Maximum Aperture Range||F1.2|
|Maximum Focal Length||56 mm|
|Maximum Format Size||APS-C / DX|
|Minimum Focal Length||56 mm|
|Number of Diaphragm Blades||7|
|Number of Elements||11|
|Number of Groups||8|
|Photo Filter Thread Size||62 mm|
|Shipping Weight||1.76 pounds|
Compare to similar items
This item Fujinon XF56mmF1.2 R
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Compatible Camera Mount||Fujifilm X||Fujifilm X||Fujifilm X||Fujifilm X||Fujifilm X||Fujifilm X|
|Focus Type||Micromotor||auto-focus||Micromotor||Stepper motor||Micromotor||manual-focus|
|Item Dimensions||2.87 x 2.76 x 2.87 in||2.56 x 2.17 x 2.56 in||2.87 x 2.76 x 2.87 in||2.95 x 4.13 x 2.95 in||2.83 x 2.48 x 2.83 in||2.87 x 2.87 x 2.87 in|
|Item Weight||0.89 lb||6.6 ounces||0.89 lb||1.19 lbs||0.66 lb||0.83 lb|
|Lens Type||Prime lens||Prime lens||Prime lens||Prime lens||Prime lens||Prime lens|
|Maximum Focal Length||56 millimeters||35 millimeters||56 millimeters||90 millimeters||23 millimeters||16 millimeters|
|Minimum Focal Length||56 millimeters||35 millimeters||56 millimeters||90 millimeters||23 millimeters||16 millimeters|
|Photo Filter Thread Size||62 millimeters||52 millimeters||62 millimeters||62 millimeters||62 millimeters||67 millimeters|
XF 56mm F1.2 - 35mm equivalent - 85mm, Angle of view 28.5 Degree, Max aperture F1.2, Min aperture F16, Number of blades - 7(rounded diaphragm opening), Focus Range - Normal 0.7m - ∞; Macro 0.7m-3m, Filter Size 62mm.
Read about our customers' top-rated lenses and cameras on our review pages: Lenses, Digital SLR Cameras, Compact System Cameras
Top Customer Reviews
85mm (full frame) is my favorite focal length, along with 35mm for the wider end.
I began with the classic, seemingly best-bang-for-your-buck Canon 85mm 1.8. It was reasonably sharp at 1.8 (usually) and sharpening up nicely by 2.8. The only thing was, it had horrendous chromatic aberrations (purple fringing) that made post-processing that much longer and more tedious. Enter the Sigma 85mm 1.4 at @ 2.5 time the cost of the Canon. A much better lens in terms of sharpness and color/contrast, as at 1.6, it was as good as anything out there, BUT I had to go through 4 copies to get one that didn't mis-focus (even with AF adjustment) or have some other mechanical issue. In a nutshell, not reliable enough for wedding work. So, I eventually caved and dropped the big bucks on the venerable Canon 85mm 1.2L II, otherwise known as the king of kings in the dreamy, bokeh-laden land of fast lenses. Now, the word "fast," as you've likely heard, merely describes it's light-gathering ability, because when defining it's focusing speed, this is an entirely ironic word. It's dog slow, it hunts. When you nail it, it's superb, but between the fact that it costs as much as a new 6D body AND a 85mm 1.8 and the fact that it weighs a lot (a detail that initially seems sexy, until you have to carry it around mounted on a 1DS MK III for 10 hours,) it gets old fast.
A couple of years back, I bought a Fuji X10, for a few reasons. I love the retro styling with so much manual control and I began to see some very nice tones from the camera, and I loved the direction the company was going in with the X100, but I couldn't justify the price for a fixed lens camera at the time, as I was still a full-time Canon shooter who had $10,000 invested in equipment and it didn't leave much flexibility for play money. Of course, the X10 was also a point and shoot with a tiny sensor, but the whole Fuji model is so well-thought-out and consistent, I was able to get an idea of the direction they were going in.
Last year, I finally got my hands on an X100. I loved it, to a degree. It was wonderful to hold, to shoot with. It was unobtrusive and didn't scare anyone. But the lens was only good, not great. 35mm is my bread and butter length and I'd grown quite accustomed to the insanely gorgeous, sharp at 1.4 images my Sigma 35mm 1.4 ART lens had been giving me, and in the end, the Fuji, limited in it's single focal length attached to what looked to be a very promising sensor, wasn't going to take the place of that lens. So, it went back up for sale.
Then, I got a hold of an X-E1 with the 18-55, which as many have attested, is a fantastic kit lens, BUT the AF was slow and hunting in low light. I still began to see the promise of the system and loved the images I was getting with this one, but it was before the firmware updates. Then, I got an X-Pro 1 with a 35mm 1.4 and it really started to become a contender, the whole system that is. The lens was nice, the images were nice, the AF was still slow, but as I looked at the Fuji lens roadmap and saw what was coming, I began to think, "I may eventually be able to move from Canon," which is a thought I did not have lightly.
Still, I went through all of last season with my full Canon gear, shooting a few shots at one wedding with the X-E1 and few at another with an Olympus OM-D EM-1 (which was quickly discarded as the glass to sensor size is never going to work for my style.) As this season approached, I began to dread two details- 1) Having to hunt with the heavy 85mm 1.2 and 2) Having to not only lug around all that heavy Canon gear, but also try to get close, candid shots without someone recoiling at the sight of a gigantic camera near them. So, I began to voraciously read up on the XT-1 and the 56mm 1.2 and the 23mm 1.4, as well as the firmware updates of the XE-1. It all began to really look good, as in really good. I rented and XT-1 and a 23mm 1.4. I am not lying when I say that within a few hours, I was taking pictures of my 5D MK II, my 6D and my Canon glass and putting it on Ebay. Rash? Perhaps, but as soon as I dumped those 23mm 1.4 shots into Lightroom and saw that they were tack-sharp and the dynamic range was insane, that did it. I had read enough reviews from enough trusted sources to know that the 56mm 1.2 would be the 23mm's equivalent, and, to now make a very long story short and hopefully relevant, I can say I know as the truth that this is indeed the case. I have been using the XT-1 with the 23mm and 56mm and the XE-1 with the 14mm 2.8 and 55-200mm for the better part of a month now and after having just shot an engagement shoot with ALL FUJI gear for my first time ever, I am here to say that I have 100% faith in this system. Not only that, but I prefer the images I am getting from this system vs. the Canon.
The 56 is what the 85mm 1.8 would be if it were sharp wide open and without chromatic issues. That may not seem to you that it's worth a thousand dollars, but to me, it is.
I rarely shot the 85MM 1.2 at 1.2, though when I did, I loved it, and so I cannot lie that I will miss that in the tiniest way, BUT the way that the RAF files come from this camera (not to mention the jpegs and did I really just say that?) is one thing that Canon cannot do.
The 56 is solid, it's fast, it's built as beautifully as any lens I've ever owned. It's small and non-threatening. It has a close focusing distance as well, so if you really want that up close portrait where everything but the eyes or the lips is thrown into a dreamy background, this will deliver that in spades.
This lens (along with the 23mm 1.4) made it possible for me to switch, confidently, to an entirely new system with a smaller sensor, so while the price may intimidate some people, for me, it's a bargain.
I shoot a lot of PORTRAITURE. Headshots, environmentals, bridals, fashion, journalism. The 85-90mm focal length is one of my favorites. Tight if you move in close, yet loose enough to get just enough background and sense of place when you back up some. And the size of the glass is not too big or heavy for easy carry and quick use. I also like a small prime as it forces you to move around and find the best angles (rather than zoom in and out)—I find that I generally shoot better when using primes because I work harder for the better composition.
This lens has extraordinary BUILD QUALITY, just leaps above the plasticky (yet pricey) offerings of other major brands. I'm not knocking the quality of the glass of competitors, but the general sense of build and aesthetics doesn't usually come close to this. The Fuji just feels like it was built in another time period, when mechanical engineering and quality components was important.
The MANUAL FOCUS RING is honestly one of the best i have ever felt. Damped with just the right amount of resistance with silky smooth turning...and a good amount of range for intricate focus feel. You almost wonder if its at the expense of a faster AF though. The autofocus does work well, it is smooth and generally locks on target quickly and accurately. It does have a bit of noise however, more than i would like, especially for video use, but the MF is so nice that it would be more useful in focus pulling for video anyway.
The glass is SHARP as a tack, detailed, highly-resolving--even on the razor-thin edge of wide-open. Like all lenses it's even sharper stopped down a bit, especially to the corners, but the crispness is there, even across the entire focus plane at f/ 1.2.
The BOKEH is sublime, dreamy, creamy, soft and snugly for the backgrounds. I'm a bokeh hunter. I look at my backgrounds as much as my subject. I create lighting effects just for bokeh. So i had to have this lens, and it does not disappoint.
COLOR and CONTRAST are excellent, and DISTORTION is very well controlled. My only wish would be the MFD be a bit closer (it’s 70cm = 27.5” or 2.3 feet), but its not a macro lens and as such the ratio is only 0.09x (a bit less even than the 35mm f/1.4). Just think it could be a little more useful overall if it could focus just a bit tighter to fill the frame with the smaller objects (such as hands/rings portrait for wedding).
It is SOLID, mostly metal, with a superb FEEL in the hand, and in use on the camera it balances very well with the X-T1/vertical grip combo. Might be a bit bulky and heavy matched to the smaller bodies though. The filter thread is 62mm, and it comes with a plastic hood. The included hood seems quite long and large for the lens, and although i am sure it will do its intended job, I've adapted a step-up ring with a quality UV filter and a much shorter metal hood to mine (62-67mm) just because i want the lens to stay on my camera and fit in a bag easily with no cumbersome hoods, caps, etc. in the way of quick shooting. The larger plastic hood would probably be more effective for flare (I just use my hand when I need to) and possibly for protection in case of drops. The front element/filter does not turn, which is useful for polarizers and other sFX filters. The focusing mechanics are completely internal which keeps the lens at a consistent length.
The f/stops (on the lens) have softly-indented mechanical clicks--23 clicks between f/1.2 and f/16--with the "A" click setting to the far left. I love using a lens-equipped aperture ring, as I did in film days. Makes a quick transition between apertures easy and more intuitive while using your left hand and being able to keep your right finger on the shutter release.
I absolutely love very FAST PRIME lenses. I shoot in all types of environments, and lighting is not always so good-- a fast lens can be very useful for low light and to separate the subject from the background well. I also frequently use a short telephoto range for action/sports such as basketball. A poorly lit gym can make things hard, but a very speedy lens can help you to get the needed shutter speeds to stop fast motion (without having to use ultra-high ISOs). This lens will be useful for many subjects, and is actually worth the high cost for a lens with a maximum f-stop of 1.2. Of course it is not the same as having a full-frame sensor with a comparable full frame glass, but you certainly have the useful light-gathering ability of the fast f-stop regardless of DOF comparisons.
There is really not much to fault with this lens. It's a beauty, and it creates beautiful images. It makes it easy to work with and inspires my fingers to want to caress it into compositions. It is a glass jewel that works perfectly with the the X-T1 camera (and I am sure with all x-series Fuji’s), a marriage made in FujiFilm-land.
By the way this lens may make me sell my 5D mk III.
Using a Silver Graphite X-T1 with it.
nobody mentions about the focus speed on this lens. it's not as fast as the 35mm f2 lens. it will hunt a little but but speed is still ok if you are not shooting baby or toddler who doesn't follow instructions yet.
why do u I still give a 5 star? the image render from the lens is outstanding. super razor sharp and it pops. if you can work with the limitation of the lens, well worth the money.
Most Recent Customer Reviews
But then I've not found even a mediocre Fujinon yet.
Stupidly stupidly sold it when I was changing some of how I shoot.
That'll teach me...Read more