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Fujifilm X-T1 16 MP Mirrorless Digital Camera with 3.0-Inch LCD and XF18-55mm F2.8-4.0 R LM OIS Lens (Old Model)
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- 16.3 MP APS-C X-Trans II CMOS sensor
- ISO 200-6400 (expandable to 51200)
- 1080/30fps HD video (.MOV/H.264)
- Water and dust resistant and freezeproof to -14C/+14F with weather resistant lenses
- Up to 8 FPS continuous shooting
- 3 inch tiltable LCD with 1,040,000 dots
- OLED viewfinder with 100% coverage and 2,360,000 dots
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From the manufacturer
A premium interchangeable lens camera, the X-T1 features evolved SLR-style handling, mechanical dials and weather-resistance multi mode viewfinder (when paired with a weather resistant X mount lens), together with all the benefits of an X-Series camera, such as compact size, excellent mobility and high-speed performance.
The world's largest* and fastest** multi mode viewfinder
With its high-resolution 2.36 million dot OLED display, and the world's highest magnification ratio of 0.77x*, the FUJIFILM X-T1's Real Time Viewfinder allows a true connection to your subject and a purely immersive shooting experience. The viewfinder achieves a wide angle of view of 31°, and with the display's lag time of just 0.005 sec — less that a tenth of conventional cameras — you'll immediately see any changes to your composition, keeping you in touch with whatever you're shooting. ** As of January 2014.
Maximizing the power of APS-C-sized X-Trans CMOS II sensor
The FUJIFILM X-T1's large APS-C-sized 16M X-Trans CMOS II sensor features an original color filter array with a highly random pattern that minimizes moire and color aberrations, eliminating the need for an optical low-pass filter (OLPF). The result is image quality that rivals a full-frame sensor.
2: X-trans color filter
3: L/R light interception filter
4: Phase detection sensor / green filterpixel
Maximizing the power of APS-C-sized X-Trans CMOS II sensor
A - APS-C image sensor
23.6 x 15.6mm
B - micro four thirds
17 x 13mm
C - 1-inch
13.2 x 8.8mm
Capture the thrill of motion with predictive AF and AF track
Faster response means more confidence in capturing the moment, and the FUJIFILM X-T1 delivers it. Using phase-detection autofocus, combined with high-speed subject predictive, the AF accurately follows your subject through the frame, even at the highest continuous shooting speed of 8.0 frames/sec.
Weather resistant - dust-resistant, water-resistant and -10°C low-temp operation
The weather resistant structure is sealed in approximately 80 places and is both dust and water resistant. Additionally it is designed to cope in temperatures as low as -10°C allowing field photography without the typical worries about the weather, season or general shooting environment.
When used in conjunction with the XF18-135mm, XF16-55mm F2.8 or XF50-140mm F2.8 and Vertical Battery Grip VG-XT1, which have the same sealing structure as the camera body, the camera offers a reliable system for your field photography in damp conditions.
* To ensure correct usage, read owner's manual carefully before using your equipment.
Film simulation — adding impact and depth to photos.
80 years of photo film research adds up to color reproduction that's second to none. Over decades of film manufacture Fujifilm has perfected the skill of color reproduction and it lives on in the FUJIFILM X-T1. Pleasing skin tones, natural blues and greens, and the ability to perfectly record the diversity of white balance conditions throughout the day are all taken in the camera's stride, and it also boasts a wide dynamic range for better reproduction of detail. With Film Simulation, you can choose from classic Fujifilm photo styles, and give your pictures varied color and tone to suit the subject, just like pros did with film. There's standard PROVIA, vivid Velvia, and ASTIA with its true-to-life skin tones; PRO Neg.Std and PRO Neg.Hi, which are portrait modes based on professional color negative film; and Monochrome expression with three different filter effects as well as Sepia.
A new choice, classic chrome
A sixth choice has been added to Film Simulation, which gives a unique luster and depth to photos; Classic Chrome. Classic Chrome was inspired by feedback and requests from X Series photographers and its look is inspired by printed images in magazines from the glory days of photo journalism, rather than a specific film type.
With slightly muted tones and deep color reproduction, it's a clear departure from the existing five types.
Rather than a pure record of the scene, Classic Chrome offers photographers a more expressive, and artistic look to their shots.
High-speed 1/32,000sec electronic shutter
When using lenses with very wide apertures, like the Fujinon XF35mmF1.4 R and the XF56mmF1.2 R, it's possible to acheive a very shallow depth-of-field and beautiful bokeh along with a sharp subject. However, when using these wide apertures in very bright light, like on a sunny day, shutter speed can limit shooting options and mean the widest aperture settings are unavailable. To fix this, the FUJIFILM X-T1 Graphite Silver Edition now includes an electronic shutter mode with a top speed of 1/32000 sec, meaning you can use wide apertures more easily than ever before.
Adaptable Live View Mode is ready for anything
One of the great benefits of an electronic viewfinder is that what you see is what you get'; the final image is displayed in real-time so any Film Simulation modes or other effects can be checked while shooting. But users sometimes need to see colors close to how they're viewed with an optical finder, or to focus on shadow detail, which some high-contrast effects block out. To aid this, the Natural Live View function has been added and, when 'PREVIEW PIC. EFFECT' is turned Off in the menu, an image close to the naked eye is displayed during live view. 11 adaptable vividness levels guarantee the perfect view. Whether it's through a viewfinder, on an LCD screen, or with the naked eye, we all see color differently, so to ensure that users get the perfect view, vividness of the image displayed can now be adjusted through 11 levels, from -5 to +5. This function can be controlled separately for the electronic viewfinder and the LCD monitor, so it remains totally effective no matter what the lighting conditions or shooting style.
Ready for every situation, FUJIFILM X-T1 has a complete lineup of accessories
Vertical grip : VG-XT1, included flash : EF-X8, hand grip : MHG-XT and leather case : BLC-XT1.
'Made in Japan' Quality
Everything within the FUJIFILM X-T1's design and production process has been aimed at creating a precision instrument, so you can be sure of quality and performance that's worthy of the 'X' name. And with an eye on its use in challenging environments it's a tough companion, too.
FUJIFILM Camera Remote
With the new dedicated 'Fujifilm Camera Remote' application, you can focus and trigger the camera release from your smartphone or tablet. The app not only lets you adjust focus, but also control settings like shutter speed, aperture, exposure compensation and ISO sensitivity. You can even apply other settings like Film Simulation, self-timer, and flash while 'Touch AF' lets you focus from your phone or tablet, too. Imagine all the situations where this smart assistant will come in handy! Take commemorative group photos with yourself in the shot, capture wildlife photos, or remotely release the shutter for night shots free from camera shake.The photographic possibilities are endless.
In-camera RAW Converter
The built-in raw data converter lets you view and edit your results without the need for your PC. The conversion of RAW data not only takes into account exposure compensation, white balance and other in-camera image quality control settings, but also lets you apply Film Simulation modes in the converter mode.
Full HD Movie Mode
Full HD Movie (1920x1080) mode offers not only the standard 30 fps but also 60, 25 & 24 fps. You can also take advantage of Monochrome and the classic color effects of other Film Simulation modes, putting your own signature on every clip you shoot. Twin the exceptional brightness of an X mount lens and the FUJIFILM X-T1's large sensor and you'll be shooting movies with professional-looking, shallow depth-of-field effects. Connect the external MIC-ST1 stereo microphone (sold separately) to record high-quality audio and add depth to your movies, too.
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|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Sold By||RitzCamera||Amazon.com||Amazon.com||Amazon.com||Amazon.com||Green's Camera World|
|Screen Size||3 in||3 in||3 in||3 in||3 in||3 in|
|Item Dimensions||1.85 x 5.08 x 3.54 in||1.61 x 4.65 x 3.27 in||9.5 x 8 x 5.6 in||5.6 x 5.6 x 8 in||5.7 x 9.4 x 8 in||1.69 x 5.51 x 3.23 in|
|Item Weight||0.97 lb||0.84 lb||3.5 lbs||2.6 lbs||3.5 lbs||0.99 lb|
|Optical Sensor Resolution||16 megapixels||16 megapixels||24.3 megapixels||24.3 megapixels||24.3 megapixels||16 megapixels|
|Photo Sensor Size||APS-C (23.6 x 15.6 mm)||APS-C (23.6 x 15.6 mm)||aps-c||aps-c||aps-c||APS-C (23.6 x 15.6 mm)|
|Video Capture Resolution||1080p_hd||1920 x 1080 (60p, 30p, 24p), 1280 x 720 (60p, 30p, 24p)||1080p||4k||4k||1920 x 1080 (24 fps), 1280 x 720 (24 fps)|
|Viewfinder||LCD||LCD||electronic viewfinder||optical viewfinder||electronic viewfinder||Electronic and Optical (tunnel)|
The New Fujifilm X-T1 is the lasted professional quality camera body to join the ever expanding X-Series family. The X-T1 features the following: APS-C 16M X-Trans CMOS II Sensor and EXR Processor II, 2.36 Million Pixel OLED, High Magnification .77x - 31 Degree angle of view - Display lag 0.005 sec, Weather Resistant (When used with a weather resistant Fusion lens) - Water and Dust resistant, Freeze resistant to -10 Degree / 14 Degree, Tilt 3.0-Inch1040K pixel LCD Screen, Continuous Shooting - 8fps with Tracking AF. The camera also features 5 analog dials - Shutter speed, EV Compensation, ISO, Drive and Metering Mode.
Top customer reviews
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I was afraid to go back to an APS-C sensor with a brand I didnt know, but I am so glad that I did. Amazing camera, amazing manual controls and amazingly small without being too small. Highly recommended.
I bough this camera for a travel purpose and pair it with a 35mm f2 lens. Since it is a lot smaller and lighter than DSLR I always carry it around.
I major in outdoor portrait. If you do mostly indoor. I would recommend a wider prime lens.
I am uploaded a few photos that was taken with XT1 with 35mm F2 lens. All with natural light.
I have been shooting with the XE-1 and OMD EM-5 for the last year or so. I primarily do timelapse photography which is comparable to landscape photography, also studio plant timelapse and macro work. General photography is a hobby of mine. I am not a professional photographer but do use photography professionally, if that makes sense. I moved from Nikon pro gear to mirrorless cameras to save weight for extended hikes to remote areas.
the XT-1 is about as perfect as a camera (for my purposes) as i have ever found, it certainly sets a new bench mark.
I doubt I will be using my XE-1 much at all for general photography. I have had this love hate relationship between the OMD and the XE-1. I liked the output of the XE-1, but found the AF to be terrible, the EVF was decent, but nothing to scream about. Everything the XE-1 did poorly the OMD excelled at, everything the OMD fell short in the XE-1 excelled in.
The XT-1 is so much faster in operation than the XE-1. the AF is very fast, it seems to be very accurate. Compared to any other mirrorless camera on the market the AF-C tracks like a bloodhound. Which to say it is about as good as a prosumer level DSLR. The viewfinder is not only usable, it is darn good.
I think the XT-1's EVF is probably the first one that really starts to threaten the OVF. Looking through this one, I would suspect the EVF is only 2 maybe 3 small generations to outperforming an OVF in every way imaginable. Not quite there yet, but that gap between the XE-1 EVF and a solid 100% view pentaprism OVF just got a lot smaller. And dont worry, the EVF future is looking incredible! There is NO percieveable lag in the viewfinder, I would suspect the lag is insignificant compared to the average persons response time. meaning, you wont lose the shot due to lag, even in low light scenarios.
For the build quality, i would say using a DSLR comparison it would be like a D800 vs a D7x00 series. Or a 5Dmk3 vs a 60D. Where you pick it up and are somehow immediately able to recognize it as something that is very well crafted and designed, and that it is a thing if quality. The knobs feel fantastic, the textured faux leather is far nicer than the XE-1's, it feels like it was machined out of a solid piece. Even the LCD screen feels solid and confidant. That is how the XT-1 not only feels compared to the XE-1, but it also looks that way too. I'm not 100% how to describe it, but I'm sure everyone understands exactly what I am talking about. This is a serious camera, I have owned and enjoyed the Fuji XE-1, first gen Olympus Pen, Olympus OMD, Sony NEX-3, Sony NEX-5N, and Nikon J1, I have handled the NEX6, and NEX7. I liked all those cameras, they all had thier strengths and weaknesses, however this is the first mirrorless camera I have ever held that feels like a professional grade tool. It looks great in the pictures, it looks and feels amazing in your hand. I would be wary of the opinion of anybody who says this is anything but a solidly constructed tool.
well, except for the side door which feel as cheap as ever. and the unlock buttons on the dials are"ok". And of course, the rear buttons sure are flush. so its not all puppies and sunshine, but those seem awfully insignificant in the long run (to me at least).
The flash they give in, well, i havent used it yet, and i probably wont. But it feels nicer than the clip on flash that came with the NEX3, NEX5, and OMD, which all felt like junk to me.
(I have not used or tested the SONY A7(r) or A6000, Olympus OMD EM-1. Sony and Olympus both make fantastic gear, i love all brands, my raving about the XT-1 should not be viewed as an attack on these fantastic cameras, to be honest though, I have yet to hold a mirrorless camera from ANY brand that feels as good as this)
This is NOT a light camera. For some reason everyone seems way too zoned in on the fact a camera CAN be smaller when mirrorless, and yes, it can, but I would think the larger benefit is the ability to go with smaller lens elements, reducing the cost for high quality lenses. I mean come on, we are all adults here, garbage in, garbage out. That is what lured me into the Fuji system is the excellent optics, the 35 1.4 is every bit as sharp as the Nikon 24-70 f/2.8 which i owned for years, but costs a fraction of the price (different lens different purposes i know, but the idea remains the same). I cant say enough about the Fuji lenses that i have used. Currently my lineup includes the 18-55 (best kit lens ever made period) the 35mm f/1.4, and the 14mm f/2.8. All three of these lenses have strong reputations for a very good reason.
Im handling mine right now with the 14 f/2.8 and i tell ya what, I cant imagine this was any lighter than my D7000 and the 35mm 1.4 lens. This is NOT a pocketable camera. Even with a pancake lens, unless you have comically large pants with giant pockets full of ipads and animals.
As for customization, that can all be found online as well. You can customize the crap out of this camera. The manual focus assist options are fantastic, the response time is near instant, the back LCD looks fantastic, and the Wifi works like a champ. Where as the first Fujis were a bit limited in options and gimmicks, this thing has the whole catalog and more. And the best part is if you dont like that junk, and just want to use it as a manual camera, well, go ahead. None of that stuff gets in the way. This camera can be as basic, or as advanced as YOU wish. It is a camera that easily molds itself to your style of shooting.
As for the XE-1, it will probably be kept as a backup camera, but live most of its life on one of my motion controlled time lapse rigs with my OMD. I just got the parts to build out a battery adapter so i can run it with large capacity batteries for extended timelapse in the field, or plug it into the wall if needed.
This is hands down the best mirrorless camera i have ever held. (as mentioned before, i have NOT used the Sony A7(r), A6000 or the new OMD Em-1 all of which seem to draw most comparisons)
Primarily because of the EVF. That was enough for me to acquire an additional camera. The rather large EVF is outstanding. Especially for an eyeglass wearer like myself. To have immediate access to all camera controls coupled with this large viewfinder makes it so enjoyable, for me, to use this camera. Perhaps you could argue I have gear acquisition syndrome to an extent, or perhaps because I had a little extra money to burn that day, but I just had to have another 'x100t' with a 56mm f1.2 lens and that rather 'large' viewfinder.
At my age now, as a senior, I welcome the lighter weight of this camera, with its interchangeable lenses, it's retro look that reminds me so much of the well built cameras of my day, it's 'exposure triangle' dials so easily accessible instead of having to drill down thru camera menus, and, that beautiful large viewfinder for my older eyes (and as an eyeglass wearer). This camera frees me of the many obstacles I have been experiencing during my advancing years and makes my photography a much more pleasing experience. And that new found pleasure makes, for me, the additional expense of this camera worth it. Thanks Fuji.
If my review of my personal experience with this camera was helpful to you, please choose 'yes' in the helpful menu below. Thank you sincerely, Richard.
Edit: this continues to be my favorite APC-S camera of all I have bought recently and will remain in my collection. I'm betting this will be a classic. But that's just my opinion. Thank you for reading. As this camera just adds to my enjoyment of photography immensely . Richard
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