- Amazon Business : For business-only pricing, quantity discounts and FREE Shipping. Register a free business account
What other items do customers buy after viewing this item?
Page 1 of 1 Start overPage 1 of 1
From the manufacturer
X-Pro3
Pure Photography
Something different is here. This camera turns anticipation into reality. The texture of titanium stimulates your senses, while the unique viewfinder prompts discovery and creativity. It brings back the desire to interact with the world through a camera, while attaining an understanding to record it as your own for eternity. The X-Pro3 is the definition of pure photography.
The X-Pro3 design means you can keep your eyes focussed on the subject while your fingers access the various buttons and dials to ensure that you never miss a perfect photo opportunity. This is the ultimate design for analog camera operation.
TITANIUM + MAGNESIUM
BLACK
DURATECT
WEATHER RESISTANT
Enjoy Taking Pictures Without Distractions
FINDER
MOTION BLUR REDUCTION
Electronic Rangefinder
Masters of color for over 85 years
Film Simulation Modes
FUJIFILM has continued to study color since the production and development of photographic films in 1934. The technologies and experiences, accumulated over the years, have been injected into the Film Simulation modes. Each of the carefully chosen modes has a unique set of colors and tonality to create images that reflect how a photographer felt when taking the picture. The world of extended color expressions including CLASSIC CHROME, ACROS and ETERNA, is now joined by another new mode of Film Simulation.
The new Film Simulation mode has been designed to simulate color negative film that was traditionally chosen for snapshots of everyday scenes. The colors, precisely controlled for each level of brightness, create a rich chromatic contrast to add extra definition. The new “CLASSIC Neg.” takes you back to scenes as you saw them growing up, bringing back the joy of photography.
Monochromatic Color
Clarity Setting
Color Chrome Effect Blue
Low-Light AF
Compare with similar items
|
Fujifilm X-T4 Mirrorless Digital Camera XF16-80mm Lens Kit - Silver
|
Fujifilm X-Pro 2 Mirrorless Digital Camera, Black (Body Only)
|
Fujifilm X-E4 XF27mmF2.8 Kit - Silver
|
Fujifilm X-T3 Mirrorless Digital Camera (Body Only) - Black
|
Fujifilm X-S10 Mirrorless Camera Body- Black, X-S10 Body- Black
|
|
|---|---|---|---|---|---|---|
| Customer Rating | (67) | (49) | (142) | (0) | (501) | (49) |
| Price | $1,999.00 | $2,199.00 | $1,699.95 | $1,049.95 | $1,499.00 | $999.00 |
| Sold By | CameraSpot | Cardinal Camera and Video Center | 6ave | Amazon.com | Amazon.com | Amazon.com |
| Screen Size | 3 inches | 3 inches | 3 inches | 3 inches | 3 inches | 3 |
| Has Image Stabilization | Yes | Yes | Yes | — | Yes | — |
| Item Dimensions | 2.4 x 7.9 x 4.9 inches | 3.65 x 5.3 x 6.01 inches | 5.5 x 3.3 x 1.8 inches | 1.29 x 2 x 4 inches | 8 x 5.6 x 6.4 inches | 4.96 x 3.35 x 2.56 inches |
| Item Weight | 2.40 lbs | 1.84 lbs | 2.90 lbs | 0.69 lbs | 3.10 lbs | 1.03 lbs |
| Optical Sensor Resolution | 26 megapixels | 26.1 megapixels | 0 megapixels | 26.1 megapixels | 26.1 megapixels | 26.1 megapixels |
| Optical Zoom | 1 | 5 | 1x | 1 | 3x | 1x |
| Photo Sensor Size | APS-C | APS-C | APS-C | APS-C | 1.5-inch | APS-C |
| Video Capture Resolution | 2160p | 2160p | 1080p | 4320p | 1080p | 2160p |
| Viewfinder Type | Electronic | Electronic | Optical | — | Electronic | Electronic |
Customer Questions & Answers
Customer reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Reviewed in the United States on December 11, 2019
Color: BlackVerified Purchase
Reviewed in the United States on January 4, 2020
TLDR: I love it, many others do too, but the PRO3 is not for everyone and it doesn't try to be.
First off, why four stars and not five? To me, a three star rating means 'works as expected' with four equal to 'exceeds expectations' and five stars indicates the best of the best. The PRO3 may earn a five star rating with a little more use, but I'm not there yet.
A few qualifiers: 1) I used to run camera stores and a nationwide photo catalog company, plus I've been shooting cameras for nearly 50 years using all kinds of media and formats... I do know a few things about gear and what consumers want in a camera. 2) One of my favorite cameras of all time was the Fuji GS645s, a medium format rangefinder, so I admit bias toward the X-Pro design. 3) I briefly owned an X-PRO1 so I was prepared in advance for the general look, feel, and operation of the X-PRO3.
Build quality: it is every bit as good as would be expected from Fuji. The titanium top and bottom are nice touches. The buttons sit just a hair proud of the body surface, easy enough to locate with fingers, not so easy with gloves on. I found the shutter button a little too flush to the collar and difficult to find by touch, the addition of a soft release cured that issue. Overall, the camera feels solid and sure in hand with a deceptive amount of heft for a smaller body.
The inward-facing LCD panel: It took about two hours of shooting to get used to looking through the eye level viewfinder to review menus and settings, but after that no problem at all. HUGE TIP! There is a customizable button in the hub of the viewfinder selector lever on the front of the body - set this button to activate playback. This way without ever taking your eye from the camera you can quickly review a shot and with another press return to live view. This will resolve most shooter's desire to chimp. Alternatively you can set the option for Image Display to 0.5 seconds or 1.5 seconds, I dislike this option because the camera will automatically play the last shot blocking the viewfinder in the process.
Performance: Fast operation in general, more responsive in many ways than my X-T2. Focus is snappy and so far I haven't missed on any shots. When the user creates custom settings depending on the combinations used the camera may buffer for a moment while processing and writing to the SD card. So far I've noticed that grain and clarity effects have caused the camera to buffer as it pre-processes the image.
Viewfinder: The electronic finder really is about the best I've seen, and with Boost enabled it's been smooth as butter. I do miss the 2 levels of magnification in the optical finder, offered by the PRO1 (and I assume on the PRO2), but I don't tend to shoot the PRO3 with a lens longer than 60mm, so only a minor inconvenience for me.
Image quality: This is one of the points I need to assess further. It has been dark and cloudy since the camera arrived, I need to see how it works in high contrast / high color situations. Over the years I've shot RAW + JPG whenever possible, mainly as a form of backup and to make it easy to quickly share an image. Until now I've thought of the Fuji film sims as nice, but not necessary. But with the degree of customization the PRO3 makes available to the simulations, I'm hard pressed to always favor the RAW file any longer.
Two examples that have wowed me: search on Google for "not-my-fujifilm-x-pro2-tri-x-push-process-film-simulation-recipe" and "fujifilm-provia-film-simulation-settings-or-my-agfa-optima-200-recipe". (These might work on the X-T3 / X-T30 as well).
Conclusion: The X-PRO3 is not going to be the camera of choice for most photographers. It is not suited for capturing anything that moves even moderately fast. For sports and wildlife, a telephoto lens handles poorly and looks a bit ridiculous (I tried the 55-200 to see). Though capable of studio work, I think there are better choices such as an X-T or X-H model.
But.
For handheld shooting the PRO3 offers a matchless experience. It feels right at home held up to your eye. A PRO3 shooter will need to add some new and different muscle memory skills, but that's not a big hurdle. Even after a short time of shooting the camera seems to disappear between you and the subject - I feel like I'm taking pictures, not watching my camera take pictures. The images are incredible SOOC as JPGs and the RAW files offer a great amount of dynamic range in editing (a noticeable difference between the PRO3 BSI sensor vs. my X-T2).
The Fujifilm X-PRO3 isn't a rational purchase when the X-T3 and the X-PRO2 are easily available and at lower cost. No, the X-PRO3 is a passion purchase, something you acquire for the unique experience it offers and how that experience makes you feel when you use the camera.
I don't think that hardware inspires creativity, but I do think gear can motivate, enable, or spark the desire to be creative. The X-PRO3 certainly begs to be picked up and used, the rest is up to the photographer.
Color: Dura BlackVerified Purchase
A Passion Purchase
By StuE on January 4, 2020
I purchased the Dura Black version after Christmas 2019, it arrived in four days. Shipping and packaging as expected from Amazon, even though it was to be signed for on delivery the postman just left it on the stoop. I live in a marginal neighborhood where my Christmas yard lights were stolen three weeks ago... so much for delivery security on a $2,000 product.By StuE on January 4, 2020
TLDR: I love it, many others do too, but the PRO3 is not for everyone and it doesn't try to be.
First off, why four stars and not five? To me, a three star rating means 'works as expected' with four equal to 'exceeds expectations' and five stars indicates the best of the best. The PRO3 may earn a five star rating with a little more use, but I'm not there yet.
A few qualifiers: 1) I used to run camera stores and a nationwide photo catalog company, plus I've been shooting cameras for nearly 50 years using all kinds of media and formats... I do know a few things about gear and what consumers want in a camera. 2) One of my favorite cameras of all time was the Fuji GS645s, a medium format rangefinder, so I admit bias toward the X-Pro design. 3) I briefly owned an X-PRO1 so I was prepared in advance for the general look, feel, and operation of the X-PRO3.
Build quality: it is every bit as good as would be expected from Fuji. The titanium top and bottom are nice touches. The buttons sit just a hair proud of the body surface, easy enough to locate with fingers, not so easy with gloves on. I found the shutter button a little too flush to the collar and difficult to find by touch, the addition of a soft release cured that issue. Overall, the camera feels solid and sure in hand with a deceptive amount of heft for a smaller body.
The inward-facing LCD panel: It took about two hours of shooting to get used to looking through the eye level viewfinder to review menus and settings, but after that no problem at all. HUGE TIP! There is a customizable button in the hub of the viewfinder selector lever on the front of the body - set this button to activate playback. This way without ever taking your eye from the camera you can quickly review a shot and with another press return to live view. This will resolve most shooter's desire to chimp. Alternatively you can set the option for Image Display to 0.5 seconds or 1.5 seconds, I dislike this option because the camera will automatically play the last shot blocking the viewfinder in the process.
Performance: Fast operation in general, more responsive in many ways than my X-T2. Focus is snappy and so far I haven't missed on any shots. When the user creates custom settings depending on the combinations used the camera may buffer for a moment while processing and writing to the SD card. So far I've noticed that grain and clarity effects have caused the camera to buffer as it pre-processes the image.
Viewfinder: The electronic finder really is about the best I've seen, and with Boost enabled it's been smooth as butter. I do miss the 2 levels of magnification in the optical finder, offered by the PRO1 (and I assume on the PRO2), but I don't tend to shoot the PRO3 with a lens longer than 60mm, so only a minor inconvenience for me.
Image quality: This is one of the points I need to assess further. It has been dark and cloudy since the camera arrived, I need to see how it works in high contrast / high color situations. Over the years I've shot RAW + JPG whenever possible, mainly as a form of backup and to make it easy to quickly share an image. Until now I've thought of the Fuji film sims as nice, but not necessary. But with the degree of customization the PRO3 makes available to the simulations, I'm hard pressed to always favor the RAW file any longer.
Two examples that have wowed me: search on Google for "not-my-fujifilm-x-pro2-tri-x-push-process-film-simulation-recipe" and "fujifilm-provia-film-simulation-settings-or-my-agfa-optima-200-recipe". (These might work on the X-T3 / X-T30 as well).
Conclusion: The X-PRO3 is not going to be the camera of choice for most photographers. It is not suited for capturing anything that moves even moderately fast. For sports and wildlife, a telephoto lens handles poorly and looks a bit ridiculous (I tried the 55-200 to see). Though capable of studio work, I think there are better choices such as an X-T or X-H model.
But.
For handheld shooting the PRO3 offers a matchless experience. It feels right at home held up to your eye. A PRO3 shooter will need to add some new and different muscle memory skills, but that's not a big hurdle. Even after a short time of shooting the camera seems to disappear between you and the subject - I feel like I'm taking pictures, not watching my camera take pictures. The images are incredible SOOC as JPGs and the RAW files offer a great amount of dynamic range in editing (a noticeable difference between the PRO3 BSI sensor vs. my X-T2).
The Fujifilm X-PRO3 isn't a rational purchase when the X-T3 and the X-PRO2 are easily available and at lower cost. No, the X-PRO3 is a passion purchase, something you acquire for the unique experience it offers and how that experience makes you feel when you use the camera.
I don't think that hardware inspires creativity, but I do think gear can motivate, enable, or spark the desire to be creative. The X-PRO3 certainly begs to be picked up and used, the rest is up to the photographer.
Images in this review
Reviewed in the United States on December 13, 2019
Color: BlackVerified Purchase
Reviewed in the United States on December 11, 2019
Color: BlackVerified Purchase
Reviewed in the United States on December 13, 2019
Color: BlackVerified Purchase
Reviewed in the United States on January 5, 2020
Color: BlackVerified Purchase
