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The Future Is History: How Totalitarianism Reclaimed Russia Kindle Edition
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FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS
WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD
NAMED A BEST BOOK OF 2017 BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, WASHINGTON POST, BOSTON GLOBE, SEATTLE TIMES, CHRISTIAN SCIENCE MONITOR, NEWSWEEK, PASTE, and POP SUGAR
The essential journalist and bestselling biographer of Vladimir Putin reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy.
Award-winning journalist Masha Gessen's understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own--as entrepreneurs, activists, thinkers, and writers, sexual and social beings.
Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.
- LanguageEnglish
- PublisherRiverhead Books
- Publication dateOctober 3, 2017
- File size4064 KB
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Editorial Reviews
Review
“Forceful and eloquent on the history of her native country, Gessen is alarming and pessimistic about its future as it doubles down on totalitarianism.” -Los Angeles Times
“A remarkable portrait of an ever-shifting era…Gessen weaves her characters’ stories into a seamless, poignant whole. Her analysis of Putin’s malevolent administration is just as effective…a harrowing, compassionate and important book.” -San Francisco Chronicle
“Ambitious, timely, insightful and unsparing … By far Gessen’s best book, a sweeping intellectual history of Russia over the past four decades, told through a Tolstoyan gallery of characters. … What makes the book so worthwhile … are its keen observations about Russia from the point of view of those experiencing its return to a heavy-handed state. It helps that Gessen is a participant, and not just an observer, able to translate that world adeptly for Western readers. … You feel right there on the streets.” -Washington Post
“[R]eads almost like a Tolstoy novel...Gessen outlines the failure of Russia's reform with precision and humanity, thoroughly explaining the strength of an authoritarian government's hold on its citizens' psyche. It's not just history; it is an urgent awakening.”–Buzzfeed
“[Gessen’s] essential reportage traces her homeland’s political devolution through the dramatic real stories of four citizens who now face ‘a new set of impossible choices.’”–O Magazine
“Current events, ongoing, recognizable, and important to realize.” – Tom Hanks
“Remarkable…Gessen’s deft blending of…stories gives us a fresh view of recent Russian history with from within, as it was experienced at the time by its people. It is a welcome perspective.” –New York Review of Books
“Excellent…Gessen’s cast of characters tell a powerful story of their own, giving us an intimate look into the minds of a group crucial to understanding the country’s brief experience of democracy and of the authoritarian regime that follows.” –New Republic
“One of Putin’s most fearless and dogged critics tracks the devastating descent of post-Soviet Russia into authoritarianism and kleptocracy through the lives of four disillusioned citizens.” –Esquire
“One of our most urgent and iconoclastic journalists...few...are better placed to understand the parallels between the two egomaniacs who now dominate world affairs.” –Out Magazine
“Starting with the decline, if not the disintegration, of the Soviet regime, Masha Gessen’s The Future is History tracks totalitarianism through the lens of generation raised in post-Communist Russia.” -Vanity Fair, "Hot Type"
“Gessen, the sterling Russian-American journalist and activist, has been outspoken in recent press articles about the threat of totalitarianism in America. But in her latest book, Future Is History, she never mentions America’s problems. Here, instead, she examines what is wrong in her native country and lets readers, wide-eyed, draw the parallels." -Christian Science Monitor
“Brilliant and sobering…writing in fluent English, with formidable powers of synthesis and a mordant wit, Gessen follows the misfortunes of four Russians who have lived most of their lives under Putin…Gessen vividly chronicles the story of a mortal struggle.” -Newsday
“Gessen is an exemplary journalist who knows when to sit back and let facts speak for themselves…[and] The Future Is History just might be the culmination of [her] life’s work... If you’ve been confused by all the talk about “Russia stuff,” this might be the most important book you’ll read all year.”–Seattle Times
“Impressive...The Future Is History warns us of what will become of the United States if we don’t push against our burgeoning authoritarian government and fight for democracy…A chilling read, but a necessary one.”–Bitch Media
“A lively and intimate narrative of the USSR’s collapse and its aftershocks, through the eyes of seven individuals… A gifted writer, Gessen is at her best when she’s recounting her characters’ experiences.” -Bookforum
“A thoroughly-reported history of a dismal sequence of events with a strong, engaging narrative and central set of characters.” –Forward
“A brave and eloquent critic of the Putin regime … For anyone wondering how Russia ended up in the hands of Putin and his friends, and what it means for the rest of us, Gessen’s book give an alarming and convincing picture.”–The Times
“Gessen makes a powerful case, arguing that Putin reconstituted the political and terror apparatus of the Soviet state and that ideology was the last block to fall into place.” –Financial Times
“Russia is more at the forefront of our minds now than it’s been in all the time since the Cold War, and who better to enlighten us on the evolution of this complicated nation than journalist and Putin biographer Masha Gessen? Through her profiles of various Russians including four born in the 1980s, Gessen crafts a narrative that deciphers the Soviet Union’s move toward – and retreat from – democracy.” -Signature Reads
"A devastating, timely, and necessary reminder of the fragility and preciousness of all institutions of freedom." -Booklist (starred)
"Brilliant...A worthwhile read that describes how Putin’s powerful grip on Russia developed, offering a dire warning of how other nations could fall under a similar spell of state control." -Library Journal
"An intimate look at Russia in the post-Soviet period, when the public’s hopes for democracy devolved within a restricted society characterized by “a constant state of low-level dread"...a well-crafted, inventive narrative." -Publisher's Weekly
“Masha Gessen is humbly erudite, deftly unconventional, and courageously honest. At this particular historical moment, when we must understand Russia to understand ourselves, we are all very lucky to have her."
- Timothy Snyder, author of On Tyranny
”A fine example of journalism approximating art. Necessary reading for anyone trying to understand the earthshaking events of our time: how in one country after another individual aspirations for wealth and power mutated into collective cravings for strongmen.”
- Pankaj Mishra, author of An End to Suffering and Age of Anger
‘The Future is History is a beautifully-written, sensitively-argued and cleverly-structured journey through Russia's failure to build democracy. The difficulty for any book about Russia is how to make the world’s biggest country human-sized, and she succeeds by building her story around the lives of a half-dozen people, whose fortunes wax and wane as the country opens up, then closes down once more. It is a story about hope and despair, trauma and treatment, ideals and betrayal, and above all about love and cynicism. If you want to truly understand why Vladimir Putin has been able to so dominate his country, this book will help you.’
- Oliver Bullough, author of Let Our Fame Be Great and The Last Man in Russia
Praise for The Man Without A Face:
“Gessen has shown remarkable courage . . . [An] unflinching indictment of the most powerful man in Russia.” —The Wall Street Journal
“[Gessen] shines a piercing light into every dark corner of Putin’s story. . . . Fascinating, hard-hitting reading.” —Foreign Affairs
“Absorbing.” —The New Yorker
“Powerful and gracefully written.” —San Francisco Chronicle
Excerpt. © Reprinted by permission. All rights reserved.
On the seventieth anniversary of the Great October Socialist Revolution, Masha’s grandmother, a rocket scientist, took Masha to the Church of St. John the Warrior in Central Moscow to be baptized. Masha was three and a half years old, which made her roughly three years older than all the other children in the church that day. Her grandmother Galina Vasi lyevna was fifty-five, which made her roughly the age of most of the grown-ups. They were old—fifty-five was the retirement age for Soviet women, and you could hardly have found a fifty-five-year-old who was not yet a grandmother—but not so old that they remembered a time when religion was practiced openly and proudly in Russia. Until recently, Galina Vasi lyevna had not given religion much thought. Her own mother had gone to church, and had had her baptized. Galina Vasilyevna had studied physics at the university and, though she graduated a few years before a course on the “foundations of scientific atheism” became a graduation requirement at all colleges, she had been taught that religion was the opium of the people.
Galina Vasilyevna had spent most of her adult life working on things that were the very opposite of religion: they were material, not at all mystical, and they flew into space. Most recently, she had been working at Scientific Production Unit Molniya (“Lightning”), which was designing the Soviet space shuttle Buran(“Blizzard”). Her task was to create the mechanism that would allow the crew to open the shuttle’s door after landing. Work on the shuttle was nearly finished. In another year, Buran would take flight. Its first test flight would be unmanned, and it would be successful, but Buran would never fly again. Funding for the project would dry up, and the mechanism for opening the space-shuttle door from the inside after landing would never be used.1
Galina Vasilyevna had always been extraordinarily sensitive to the subtle changes in the moods and expectations of the world around her—a most useful quality in a country like the Soviet Union, where knowing which way the wind was blowing could mean the difference between life and death. Now, even though all things appeared to be on track in her professional life—it was still a year until Buran took flight—she could feel that something was cracking, something in the very foundation of the only world she knew—the world built on the primacy of material things. The crack was demanding that other ideas, or better yet, another foundation, appear to fill the emptiness. It was as though she could anticipate that the solid and unmystical thing she had spent her life building would fall into disuse, leaving a metaphysical void.
Galina Vasilyevna may have learned that religion was the opium of the people and she may have been told, along with the rest of the country and the world, that the Bolsheviks had vanquished organized religion, but, having lived in the Soviet Union for more than half a century, she knew that this was not entirely true. Back in the 1930s, when she was a child, most Soviet adults still said openly that they believed in God.2 The new generation was supposed to grow up entirely free of the superstitions of which religion was merely a subset and of the heartache that made religion necessary. But then, when Galina Vasilyevna was nine, the Second World War began. The Germans were advancing so fast, and the Soviet leadership appeared so helpless, that there was nothing left to believe in but God.3 Soon enough, the Soviet government seemed to embrace the Russian Orthodox Church, and from that point on, the Communists and the clergy fought the Nazis together.4 After the war, the church went back to being an institution for the older generation, but the knowledge remained that in times of catastrophic uncertainty it could be a refuge.
Grandmother told Masha that they were going to church because of Father Alexander Men. Men was a Russian Orthodox priest for people like Galina Vasilyevna. His parents had been natural scientists, and he had a way of talking to people who did not grow up in the church. He had been ordained by the Russian Orthodox Church, which ever since the war had served at the pleasure of the Kremlin, but he had his own ways of learning and teaching, and these had brought him to the brink of being arrested.5 Now that things were opening up slightly, Men was on the verge of becoming spectacularly popular, gathering a following of thousands and then of hundreds of thousands, though it would still be a few years before his writing could be published in the Soviet Union. Masha did not understand much of what her grandmother told her about Father Alexander or the light in the teachings of Jesus Christ, but she did not object to going to church. November 7 was always her favorite holiday, because on that day, the anniversary of the Great October Socialist Revolution, her grandmother, who for 364 days a year was a reluctant and subcompetent cook, baked pies that Masha liked to eat.
“What the fuck did you do that for?” Masha’s mother asked when she came to pick up her daughter and discovered her wearing a tiny cross around her neck. That, however, was the extent of the discussion. Tatiana did not have much use for conversation: she was a woman of action. When she had discovered that she was pregnant, she went to the Party Committee at her graduate school in the hope that the authorities would compel the future baby’s father, who had at least one other girlfriend, to marry Tatiana. This was not an unusual request and would not have been an unusual intervention for the Party Committee to stage, but in Tatiana’s case it backfired. Masha’s father lost his spot in graduate school and, consequently, his right to live in Moscow, and had to return home to the Soviet Far East, thousands of kilometers from his girlfriends.
New motherhood brought further unpleasant surprises. It made Tatiana dependent on her parents. Virtually everyone in her generation used parents as a source of free childcare:6 the only alternatives were state-run neighborhood-based nursery schools, which were a cross between baby prisons and warehouses, or prohibitively expensive and questionably legal private nanny services. Tatiana had won unusual independence from her parents—unlike most other people her age, she lived separately from them, in a communal apartment she shared with just one family—but the baby tethered her anew to her parents’ apartment a few blocks away. With two rooms and a kitchen, Galina Vasilyevna and Boris Mikhailovich had the space to care for little Masha, and with both of them working as senior scientists in the space industry, they had more time than their graduate-student daughter. Tatiana figured that to escape her parental home for good, she needed to make money and pull strings. None of what she had to do was exactly legal under Soviet law, which restricted all activities and banned most entrepreneurship, but much of what she did was quietly tolerated by the authorities in a majority of the cases.
At age three, Masha was admitted to a prestigious, highly selective, virtually inaccessible residential preschool for the children of Central Committee members. (In fact, by the time Masha was born, the average age of a Central Committee member was approaching seventy-five,7 so the school served their grandchildren and great-grandchildren as well as the children of a few extraordinarily enterprising Soviet citizens like Tatiana.) Here is how a writer from a previous generation of students described the preschool:
Inside, everything reeked of prosperity and just-baked pirozhki. The Lenin’s Corner was particularly resplendent, with its white gladioli arrangements beneath Ulyanov family photos arranged like icons on a crimson velvet bulletin board. On a panoramic veranda facing the haunted woods, nomenklatura offspring snoozed al fresco, bundled like piglets in goose-feather sleeping bags. I had arrived during Dead Hour, Soviet for afternoon nap.
“Wake up, Future Communists!” the teacher cried, clapping her hands. She grinned slyly. “It’s fish-fat time!” . . . A towering nanny named, I still recall, Zoya Petrovna approached me with a vast spoon of black caviar in her hand.8
By the time Masha enrolled in school, the Lenin Corner had lost some of its luster and the teachers had toned down some of their rhetoric, rarely roaring the word “Communists” at their charges. But the daily rations of caviar remained, in even starker contrast to the world outside, where food shortages were the determining factor of everyday life. Still there, too, was the ubiquitous Soviet-preschool-issue single-lump farina, which could be stood vertically upon a plate. The school maintained a five-day-a-week boarding schedule, an unsurpassed Soviet luxury. On weekends, Masha, like many Soviet children, generally stayed with her grandparents. Trying to make enough to sustain this life kept Tatiana busy seven days a week.
When Masha was four, her mother taught her to tell counterfeit dollars from genuine currency. Being caught with either real or fake foreign money would have been dangerous, punishable under Soviet law by up to fifteen years behind bars,9 but Tatiana seemed incapable of fear. At any rate, this was her livelihood. She also ran a tutoring business: she had started out as a tutor herself, but soon figured out that she needed volume to make real money. She began matching clients—mostly high school students readying to face the grueling oral exams for university admission—with her fellow graduate students, who could prepare them. In her own tutoring, she now stuck to a highly profitable and rare specialty she had developed: she prepared young people to face the “coffins.”
“Coffins” were questions specially designed for the Jewish applicants. Soviet institutions of higher learning generally fell into two categories: those that admitted no Jews at all and those that admitted a strictly limited number of Jews. The rules of non-admission were not, of course, publicly posted; rejection was administered in a peculiarly sadistic way. Jewish applicants usually took entrance exams along with all the other aspiring students. They pulled examination tickets from the same pool as everyone else. But if they succeeded in answering correctly the two or three questions on the ticket, then, alone in the room with the examiners, they would be casually issued an extra question, as though to follow up on the answers given. This would be the “coffin.” In mathematics, this was usually a problem not merely complex but unsolvable. The applicant would falter and founder. The examiners would then nail the cover of the coffin shut: the Jewish applicant had failed the exam. Unless, that is, the applicant had had Tatiana for a tutor. She perfected the art of teaching her clients not merely specific “coffins,” which she had somehow managed to procure, but the general algorithm for recognizing them and proving them to be unsolvable. This bucktoothed blonde in aviator glasses could teach Soviet Jews to beat the anti-Semitic machine, and this kept Masha in caviar and disgusting Central Committee farina.
--This text refers to an alternate kindle_edition edition.About the Author
Product details
- ASIN : B06XQZPVDD
- Publisher : Riverhead Books (October 3, 2017)
- Publication date : October 3, 2017
- Language : English
- File size : 4064 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 527 pages
- Lending : Not Enabled
- Best Sellers Rank: #35,152 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

Masha Gessen is the author of eleven books, including the National Book Award-winning The Future Is History: How Totalitarianism Reclaimed Russia and The Man Without a Face: The Unlikely Rise of Vladimir Putin. A staff writer at the New Yorker and the recipient of numerous awards, including a Guggenheim Fellowship and a Carnegie Fellowship, Gessen teaches at Amherst College and lives in New York City.
Customer reviews
Top reviews from the United States
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Gessen tells the story through seven dramatis personae, each “both ‘regular’, in that their experiences exemplified the experiences of millions of others, and extraordinary: intelligent, passionate, introspective, able to tell their stories vividly.” They give first-person accounts of the everyday ordeal of surviving true to oneself in Russia. Like Zhanna, daughter of popular opposition politician Boris Nemtsov and activist in her own right, whose life demonstrates some of the consequences of opposing the regime -- like exile, incarceration and murder. The story of Masha the journalist illustrates the perils of truthtelling. Pioneering psychotherapist Marina Arutyunyan tries to shepherd modern mental health to Russia through lacerating thickets of state-mandated ideology. Openly gay Lyosha tries to advocate for oppressed minorities without getting fired from his precarious university post.
Through the lives of the protagonists, Gessen weaves the last century of Russian history. Stalin’s self-cannibalizing reign of terror is particularly chilling: “Stalin’s terror machine executed its executioners at regular intervals. In 1938 alone, forty-two thousand investigators who had taken part in the great industrial-scale purges were executed, as was the chief of the secret police, Nikolai Yezhov.” Stalin once invited an old friend from Georgia to Moscow for a reunion, and after lavishly wining and dining him, had him executed before dawn: “This could not be explained with any words or ideas available to man.”
And that is the most astonishing aspect of this book: it is not fiction. The protagonists’ experiences are so logic-defying, so disheartening, and such violations of basic human decency as to exist in a separate universe that no novelist could concoct. And yet, this universe has an internal logic. Perhaps it's best explained through Hannah Arendt, whose three-volume “Origins of Totalitarianism” Gessen deftly scrunches down to a few essential paragraphs: “What distinguishes a totalitarian ideology is its utterly insular quality. It purports to explain the entire world and everything in it. There is no gap between totalitarian ideology and reality because totalitarian ideology contains all of reality within itself.”
And yet, the book reads like a novel, which is why I don’t want to give away too much. Who is Homo sovieticus? For whom do Russians vote in the “Greatest Russian Ever” (aka “Name of Russia”) contest year after year? What’s going to happen to Boris Nemtsov after he defies Putin? Do our heroes avoid getting beat up and arrested at the demonstrations? Why is Putin so popular in Russia?
One pervasive theme of the book is the hegemony of doublethink over the Russian psyche. Coined by Orwell in “1984”, doublethink is the necessity of maintaining two contradictory beliefs for survival, e.g. publicly supporting the government ideology while knowing that it oppresses your very existence.
This is some crazy-making stuff that Russians seem to have been put through for over a century. And yet, there are still people who fight for truth, healing, and freedom. Over and over, they rise to attend banned protests very likely to land them in jail (or worse). Their stories of stupendous bravery and selflessness consistently inspire.
And lest you as a Westerner think that you’re somehow safe because, oh, this is something happening elsewhere, please note that the recent rise of authoritarianism in countries like America takes its playbook straight out of Russia. Attacks on the press, construction of alternate realities, propagation of fake news, persecution of minorities, and the shameless grabbing of executive power: it’s all happening right now.
And you know what else? We’ve seen it all before: Hitler, Mussolini, Stalin, Mao. So don’t read this book just because it’s a riveting account of life in what’s still an undiscovered continent for most Westerners. Don’t read it just because it’s a tour de force of journalistic craft and bravery. Read it because it also informs your life as an American, German, Frenchman, Hungarian, or anyone who values the freedom of human life and ideas. Read it so that you may be impelled to take action.
-- Ali Binazir, M.D., M.Phil., author & public speaking trainer
PS: Congratulations to Masha Gessen for winning the National Book Award. Thoroughly deserved.
I think for many readers this book will provide deep understanding of why Russia is what it is now and why Putin is is popular. It is also a lesson to all of us on how democracy can slip right thought our fingers.
While non-fiction, it is not written as non-fiction. We live the lives of Masha’s interviewees in her elegant prose. For much of the book (90’s and 00’s) we can almost relate to their aspirations. As Putin’s second time in power (in name) begins in 2012, we see authoritarianism fall across Russia like a blanket. The violence against LGBT people and the political assassinations are not just abstract events helping elsewhere, they happen to people we know through the text.
Russia’s story isn’t just disaster tourism - events in China, the EU, and even the USA demand that this book be taken seriously. Anyone who believes it can’t happen here, wherever here may be, needs to read the last chapters where the pace of democratic collapse is as dumbfounding to Russians as it is to readers.
The Future is History does a very important thing - it tells people's stories. Gessen has the clear-cut eloquence to preserve those stories' voice and weave them into a larger political narrative. I appreciate the focus on people's perception of themselves within the country, and on the shaping of their memories - and the bold incorporation of trauma frameworks to articulate the historical experience. The book is a very earnest, ethically driven, intellectual, and somehow unavoidably personal attempt to understand what happened to Russia - and to articulate that understanding.
The Future Is History without doubt becomes one of the most excellent and important books on contemporary Russia.
My issue is the scope of Gessen's interviews. They are seven people - a sociologist, a historian, a psychologist, and the rest are participants and witnesses of their times. But six out of seven are Moscovites. And seven out of seven hold university degrees. Six out of seven were born into intelligentsia. Two out of seven come from prominent political families. And while those are the people who are most visible - due to their location and privileged background - and active in the story that Gessen is telling, they do not have to consume the central spot within it. What happened to Russia is not solely what happened to academics' kids in Moscow.
Top reviews from other countries
A month ago, it was officially banned in Russia!
Naturally, and hopefully this is representative of how others will react, I was immediately overcome by an urge to drop whatever else I was reading and pick it up. To say that I was very richly rewarded is an understatement.
“The Future is History” is as close as we will ever get to an insider’s account of the domestic resistance movement to Vladimir Putin. From the fall of Communism, all the way to 2016, it traces the lives of six Russians who one way or another were entangled (some deliberately and some by destiny) in the losing battle against the emergence of the modern Russian kleptocratic dictatorship. A cheerleader of the new regime is thrown in for free.
Let me get out of the way upfront the one thing that’s negative about this book: with the best of intentions, and with a post-it note affixed to page XII that lists the cast of characters, I found it impossible to remember who is who. Yes, Masha is the girl on the inside cover and Zhanna is Boris Nemtsov’s daughter and Lyosha is the fellow who finds out early on in the book he’s gay, but it’s still a bit of a mess. Like, I finished this and I needed to be reminded that Gudkov is the Levada center and frankly I’m not sure I ever figured out what the psychologist’s deal was. Perhaps all the analysis of totalitarianism comes under the chapters that refer to her. And perhaps not.
No matter, this is THE BOOK about what happened in Russia. The history itself was very confusing, the author explains. She, a native Russian, had to sit down and figure out how the 1991 coup was different from the 1993 coup, because she was too young when all that happened and because it really all followed no rhyme or reason. So perhaps the confusion about the characters merely serves to condition the reader to leave the detail to one side and focus on the important stuff!
The important stuff is made crystal clear. After providing an excellent, self-conatained, summary of Russia’s post 1985 history, and as much as possible by association to the experiences of her book’s many heros and anti-heros, Masha Gessen picks through Putin’s methods, tactics, and intentions like a surgeon:
She rifles through an extensive bibliography of authoritarianism and totalitarianism and the efforts made by previous thinkers to explain the similarities and differences between the two and how they all apply to both the Soviet Union and Putin’s rule, and leads us to the conclusion that what we have here is entirely sui-generis: Russia is run by a post-communist mafia that is better understood by exploring how the underworld works rather by referring to your sources from your PPE course at Oxford.
In short, you’ve got to belong to the family. The inner circle are the man’s buddies from his judo days, the slightly further out circle are his colleagues from the KGB and you can still join if you are a pliant billionaire or an ardently pro-Putin apparatchik. But you can never leave.
The story is also told, brilliantly, of how Putin manages to pull on the heartstrings of his subjects: he keeps digging up enemies of the state, and they come straight from the list Goebbels totted up half a century before him: it’s the gays, the Jews, the liberals etc. The Ukrainians get thrown in at some point, with a side-order of Nazis, and it really works: the mom of the author (or is it the mom of some other character? I told you this was confusing!) joins in in cheering against the Ukraine; people who talk sense become traitors first and dissidents second.
The other aspect that gets covered well is the utterly unmoored, disconnected-from-reality, disconnected-from-science cacophony of superstition and fausse erudition that characterized turn-of-the millennium Russia. In a world where common sense was decidedly not shared among the righteous (because nobody possessed it: a very well-respected thinker believed radiation from space formed the Russian people, for example) a true moral compass was the only common thread binding them together. Nothing more and nothing less.
It’s very very good. And very raw. There’s beatings in here and persecutions and lots of torture, at many levels: physical and worse. Kafka’s got nothing on the Soviet-honed reflexes of Russian bureaucracy. Or on the system’s way to hold hostages. The activist brother gets fifteen (well-timed) days in jail. His brother gets three years in jail. The heroes are brave, but they’re real and flawed: multiple lives, multiple wives, sometimes. The tyranny, most importantly, is arbitrary, but random: it could hit you anytime, anywhere and you don’t need to be in the resistance to face the full force of the regime. You merely need to be unlucky.
If you do happen to actually belong to the resistance, of course, then you will be eliminated.
I have absolutely no idea what drives the resolve of these mad people, but I’m grateful Masha Gessen decided to make her ninth book an autobiography of both herself and her movement.
It is set out like a novel and reads like one. And like a Russian one too - grim, painful, dark and tragic - something Dostoevsky might write. Often enough, experiencing vicariously the crushing weight of a repressive regime is too much to bear when you are immersed in this work. I took breaks from the book for days at a time. Yet I always returned. The tale is eminently readable, the writing excellent, and I had to find out what happened to all the real-life characters.
Unfortunately, the far right is on the rise. The autocracy of Putin’s Russia, its lies and misinformation and conspiracy theories used to snare the innocent and naive, sound all too familiar to events only recently past and still an ongoing part of the present in North America. Putin’s Russia is in the news regularly too, usually for nefarious reasons. Gessen’s book helps us understand not only Putin and his new USSR, but what is happening in parts of the American democracy. It is incredibly relevant in 2021.














