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GONE WITH THE WIND - FIRST EDITION - 1936 Hardcover – 1936

4.8 out of 5 stars 2,316 customer reviews

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Hardcover, 1936
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Product Details

  • Hardcover: 1037 pages
  • Publisher: Macmillan,; First edition (1936)
  • Language: English
  • ASIN: B00144ILMK
  • Product Dimensions: 8.3 x 5.6 x 1.9 inches
  • Shipping Weight: 2 pounds
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (2,316 customer reviews)
  • Amazon Best Sellers Rank: #438,379 in Books (See Top 100 in Books)

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Customer Reviews

Top Customer Reviews

By Mark D Burgh on November 3, 2001
Format: Hardcover
I'm a literary snob, I'll admit it. I've read all the classics, and I even know some Literary Theory. Gone With the Wind? Pul-lease, racist, sexist, revanchist trash, made popular by all the young woman dreaming of being Scarlett and having both their Rhett and Ashley. Cheerleader fare. Escapist. WRONG!
Gone with the Wind is an American War & Peace. This is serious literature, which won the Pulitzer prize, no less. Most people don't see past the epic plot (which isn't as cut and dried as you may think) or the love story, but this is no less than a successfull attempt to reclaim a discarded culture. It is not about crinoline and lace, it it about the Apocalypse and how losers of the counter-revolution must learn to live in a place where all their politics, personal or civil, are demolished. Scarlett O'Hara is popular because she is an American, driven, materialistic, sentimental and utterly ruthless. Rhett Bulter is the tragic character of this book; the way of life and ideals he disdained are killing him, and he suffers like no one else in this post-apocalyptic landscape. His departure at the end is an act of contrition as much as a romantic failure; he had tried to recreate the materialism of the ante-bellum world, but negeclected the spirituality (such as it is) of men like Ashley Wilkes. Both men, the dreamer and the realist end up alone in a very sterile place. This book is proto-feminist as well. Scarlett survives, even as everything around her dies, but in the end, she too is alone.
Don't dumb this masterpiece down. The movie fails to capture even a tenth of the depth here. And that awful sequel! Caused by the mistake that this book is some kind of romance novel. This is Art, and you can't stick a new ending on it, any more than you can a great painting or musical composition.
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By A Customer on July 12, 2000
Format: Hardcover
I've read GWTW many times -once you get going you can't stop! I once gave a copy to a friend to read -she said it was 'too old fashioned' oh well her loss. I'm glad I'm in the company of true 'Windies' so I thought I'd share with you some interesting facts about the book: -Scarlett was originally named Pansy
-Scarlett was partly based on Mitchell herself and her grandmother
-Rhett was based on Mitchell's first husband Red Upshaw
-the initials JRM in her dedication refer to her second husband John Reginald Marsh
-Margaret Mitchell maintained the only character taken from real life was Prissy the maid
-When asked who she'd like to be in the movie version, Mitchell said 'Prissy'
-Like a detective novelist, Mitchell wrote the last chapter first and the first chapter last
-GWTW is the only book to sell more copies than the bible
-Mitchell nearly went blind just proofreading the manuscript!
-Mitchell scrupously researched every detail for GWTW, even going to the town register to ensure there was no Rhett Butler or Scarlett O'Hara alive during the Civil War
-The novel took ten years to complete, most of it was written in three
-For style, she endeavoured to make her prose so that a five-year old could read it
-If she were ever to write a sequel, it would be called 'Back With the Breeze' On that note,please avoid the Ripley penned sequel 'Scarlett', it is atrocious.
-Gone with the Wind is my favourite book of all time, and yours too, I hope. Enjoy!
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Format: Paperback
I would give this 10 stars if I could. I haven't read this since I was a young girl in the early 70's and should never have waited so long to read it again. The characters were exceptionally well drawn, the dialogue was brilliant, particularly between Rhett (SIGH!) and Scarlett. I swear there was sparks flying off the pages. I am going to miss the people I will have to put behind me now that the book has come to an end, Rhett (SIGH), Scarlett, Mammy, Prissy and Aunt Pitty Pat (LOL).

The author's use of prose was beautiful, all the scenes and action came alive for me. Some people seem to be offended by the racism in the book, but that's how things were back then. Sugar coating it would have ruined the story reducing it to a Harlequin romance.

This is an incredibly well written book about the death of a civilization and the struggles to survive in the new era. This is a book that should not be missed, particulary those who enjoy historical fiction.
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Format: Mass Market Paperback
It took this reviewer half a century to get around to reading this great novel for the first time! Appreciating it then, with 'fresh eyes' I share the view that "Gone With The Wind" is quite simply the most readable long novel of all time. With world-wide sales nudging 25 million, it's probably fair to say that most first-time readers (apart from the odd reviewer here at the world's biggest web site) have shared that opinion in the almost 70 years since Margaret Mitchell wrote her one-and-only book. At least one other, highly readable novelist of the past century, the late James A. Michener certainly felt that way.

I'm recalling an interview of thirty years ago in which Michener - a master storyteller in his own right - expressed awe at Mitchell's achievement. I remember Michener quoted a long-forgotten critic who greeted the book's release in 1936 with the perfect, one-sentence summing up: "It's the shortest long novel I have ever read!" Michener predicted at that time (1975) that "critics will forever have to grapple with the problem of why Margaret Mitchell's novel has remained so readable, and so important to so many people."

Michener singled out a few of the "super-dramatic confrontations" so perfectly conjured up in Mitchell's lucid, timeless writing style: Mammy lacing Scarlett into her corset; the wounded at the railway station; Scarlett shooting the Union straggler; the girls making Scarlett a dress from the moss-green velvet draperies; Rhett carrying his wife upstairs to the long-unused bedroom.
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