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Gerard Manley Hopkins: The Major Works (Oxford World's Classics) Paperback – October 24, 2002

4.8 out of 5 stars 29 customer reviews

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Editorial Reviews

Review

`Review from previous edition 'Catherine Phillips's excellent edition of the poems...will be the standard reading text for many years to come.'' Times Literary Supplement

About the Author

Catherine Phillips is a Fellow and Director of Studies in English, Downing College, Cambridge.
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The latest book club pick from Oprah
"The Underground Railroad" by Colson Whitehead is a magnificent novel chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South. See more

Product Details

  • Series: Oxford World's Classics
  • Paperback: 480 pages
  • Publisher: Oxford University Press (October 24, 2002)
  • Language: English
  • ISBN-10: 0192840797
  • ISBN-13: 978-0192840790
  • Product Dimensions: 7.5 x 1.1 x 5 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #766,220 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Ryan P. Hilderbrand on October 17, 2002
Format: Paperback
Oxford University Press has done it again! This book is an absolutely wonderful compilation of Gerard Manley Hopkins' poetry, letters, and prose. With all of his poems (including fragments of poems), as well as letters and spiritual writings related to his conversion and his joining of the Jesuit order, this book not only gives the reader a wonderful selection of his work, but also an interesting insight into the life of Fr. Gerard Manley Hopkins. I would recommend this master of sprung verse to all.
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For most readers including myself what matters in a poet are the great poems. These are the poems most frequently anthologized andmost widely known. These are the ones some of us read over and over again, and even try to memorize. But along with and behind the great poems are the lesser poems. And along with this is the documentation of a life, which in Hopkins case includes many letters. There is too in a critical edition of the poems another benefit for the reader, for in some cases we can see the variants and the transformations the poems undergo before reaching final form.
Again all of these background materials would be nothing without the great poems. In Hopkins poems there is the fresh and wildly original connection with Nature, the miraculous inventiveness of language, a way of seeing and saying like no other poet before. There is too the God - consciousness which pervades Hopkins works and makes him one of the greatest of all the religious poets.
This volume enables us to deepen in our knowledge of one of the English language's greatest poets.
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Format: Paperback Verified Purchase
This is a good, generous selection of Hopkins poetry and letters. I picked it up because I am intrigued by Hopkins innovations in poetry, and by the influence of his religous vocation. I wanted to compare him to Donne and other similar poets.

A big volume for the money, it starts with a good introduction. The only reason to downgrade it from a five-star value is that it is a paperback printed on what feels like a pulpy paper, and I wonder how the pages will withstand yellowing and how the binding will hold up if the book sees much use.
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... almost as often for great poetry. With the poetry of Gerard Manley Hopkins, the music is built in, and the religion is pure music, making it palatable for a severely non-religious person like me. Hopkins is almost unique in his musical ecstasy, matched in English only be Hart Crane. If you decide to read a Hopkins poem aloud, do it breathlessly, all in a swoop and a swoon. Don't plod sanctimoniously or academically! What Hopkins called his "sprung rhythm" has to spring!

THE WINDHOVER

To Christ our Lord

I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird, - the achieve of, the mastery of the thing!

Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!

No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermilion.

After watching two "end of life" films -- "Amour" and "A Separation" -- on consecutive evenings, I felt a need for a dose of Gerard Manley Hopkins. All his poems are available on-line, but I wanted a book in my hands. Alas, I couldn't find my decades-old edition, so I went to the bookstore and found this one, which contains not only the familiar poetry but newly discovered fragments. letters, and essays.
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Format: Paperback
A great many people would like to read poetry, even recite some, but don't know where to start. Start here. Why? Hopkins is both easy to read and a unique voice. His "sprung rythm" results in a beat running all through the poem that has something in common with rock music and something else in common with beat poetry and something in common with rap. In short, it's poetry to be read out loud, exulting in the words and the wordplay.

Hopkins is too good to be hidden away in dusty tomes for English majors to drag out once in their careers. One of the early editors of the Oxford collection was Charles Williams, a fellow Inkling and friend of C.S. Lewis. His goal was to make Hopkins available to more readers, and later editors seem to have echoed this goal.

Almost everyone who reads him gets captivated by a favorite poem. Mine is "God's Grandeur", which begins: "The world is charged with the grandeur of God; it will fan out like shining from shook foil." I don't think "fan" is the right word here; I don't have the book handy and I'm reciting from memory. But that's my point; these are poems that bring back the joy of quoting a few lines here and there. Another great poem is "The Kingfisher". Then there is "The Binsey Poplars".

Another reason to dip into Hopkins is that he is so post-modern. He wrestled with the dark night of the soul, the topic of practically all contemporary alt-rock. His own journey led him to join a monastery and give up writing poetry, after which he was deeply sad. Wisely, his insightful director allowed and encouraged him to return to his calling, which in following he produced these amazing poems. This Oxford opens the door to what for many will be a new and delightful world, and if anyone can re-enchant poetry for our generation, it's Hopkins.
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