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Germ Paperback – February 3, 2012
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If you breathe . . . It will find you.
The list of 10,000 names was created for maximum devastation. Business leaders, housewives, politicians, celebrities, janitors, children. None of them is aware of what is about to happen--but all will be part of the most frightening brand of warfare the world has ever known.
The germ--an advanced form of the Ebola virus--has been genetically engineered to infect only those people whose DNA matches the codes embedded within it. Those whose DNA is not a match simply catch a cold. But those who are a match experience a far worse fate. Within days, their internal organs liquify.
Death is the only escape.
The release of the virus will usher in a new era of power where countries are left without defense. Where a single person--or millions--could be killed with perfect accuracy and zero collateral damage. Where your own DNA works against you.
The time isn't coming. It is now. Pray the assassins get you first.
- Print length496 pages
- LanguageEnglish
- PublisherThomas Nelson
- Publication dateFebruary 3, 2012
- Dimensions5.44 x 1.24 x 8.38 inches
- ISBN-101595541705
- ISBN-13978-1595541703
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Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
Hardly resembling a man anymore, the thing on the bed jerked and thrashed like a nocturnal creature dragged into the light of day. His eyes had filled with blood and rolled back into his head, so only crimson orbs glared out from behind swollen, bleeding lids. Black flecks stained his lips, curled back from canted teeth and blistered gums. Blood poured from nostrils, ears, fingernails. Flung from the convulsing body, it streaked up curtains and walls and streamed into dark pools on the tile floor.
Despesorio Vero, clad in a white lab coat, leaned over the body, pushing an intratrachael tube down the patient's throat; his fingers were slick on the instrument. He snapped his head away from the crimson mist that marked each gasp and cough. His nostrils burned from the acidic tang of the sludge. He caught sight of greasy black mucus streaking the blood and tightened his lips. Having immersed his hands in innumerable body cavities--of the living and the dead--few things the human body could do or produce repulsed him. But this . . . He found himself at once steeling his stomach against the urge to expel his lunch and narrowing his attention to the mechanics of saving this man's life.
Around him, patients writhed on their beds. They howled in horror and strained against their bonds. Vero ached for them, feeling more sorrow for them than he felt for the dying man; at least his anguish would end soon. For the others, this scene would play over and over in their minds--every time an organ cramped in pain; when the fever pushed beads of perspiration, then blood, through their pores; and later, during brief moments of lucidity.
The body under him abruptly leaped into an explosive arch. Then it landed heavily and was still. One hand on the intratrachael tube, the other gripping the man's shoulder, Vero thought mercy had finally come--until he noticed the patient's skin quivering from head to toe. The man's head rotated slowly on its neck to rest those pupil-less eyes on the doctor. With stuttering movements, as if a battle of fierce wills raged inside, the eyes rolled into their normal position. The cocoa irises were difficult to distinguish from the crimson sclera.
For one nightmarish moment, Vero looked into those eyes. Gone were the insanity of a diseased brain and the madness that accompanies great pain. Deep in those bottomless eyes, he saw something much worse.
He saw the man within. A man who fully realized his circumstances, who understood with torturous clarity that his organs were liquefying and pouring out of his body. In those eyes, Vero saw a man who was pleading, pleading . . .
The skin on the patient's face began to split open. As a gurgling scream filled the ward, Vero turned, an order on his lips. But the nurses and assistants had fled. He saw a figure in the doorway at the far end of the room.
"Help me!" he called. "Morphine! On that cart . . ."
The man in the doorway would not help.
Karl Litt. He had caused this pain, this death. Of course he would not help.
Still, it shocked Vero to see the expression on Litt's face. He had heard that warriors derived no pleasure from taking life; their task was necessary but tragic. Litt was no warrior. Only a monster could look as Litt did upon the suffering of the man writhing under Vero. Only a monster could smile so broadly at the sight of all this blood.
Product details
- Publisher : Thomas Nelson (February 3, 2012)
- Language : English
- Paperback : 496 pages
- ISBN-10 : 1595541705
- ISBN-13 : 978-1595541703
- Item Weight : 1.2 pounds
- Dimensions : 5.44 x 1.24 x 8.38 inches
- Best Sellers Rank: #1,281,596 in Books (See Top 100 in Books)
- #1,027 in Religious Mysteries (Books)
- #1,662 in Medical Fiction (Books)
- #3,297 in Domestic Thrillers (Books)
- Customer Reviews:
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About the author

I've been writing since before I could drive. Short stories, investigative exposes, celebrity profiles, editorials, business columns, radio dramas, screenplays--you name it. One story illustrates how young I was when I started: I was in the green room backstage to interview Bruce Springsteen. He came in, said hi, and sat opposite me. I was accustomed to letting the interviewee get things started, so we made small talk for a while. Finally, he looked at his watch, back at the door, and said, "Will your father be in soon to start the interview?" It's been a long time since anyone could mistake me for a youth tagging along with his father.
For the last few years, I've focused on novels. I'm the author of the thrillers "Comes a Horseman," "Germ," "Deadfall," "Deadlock," "The 13th Tribe," "The Judgment Stone," and the young adult series Dreamhouse Kings--"House of Dark Shadows," "Watcher in the Woods," "Gatekeepers," "Timescape," "Whirlwind," and "Frenzy."
I started out in college as a Motion Picture Production major; it's interesting that my novels have brought be full circle, sort of allowing me to sneak into the movie side of things through the backdoor. Several of my books have been sold or optioned by Hollywood producers. All of them are in various stages of production. I'm also working on an original screenplay with Andrew Davis (director of "The Fugitive" and "The Guardian), as well as the screen adaptation of my novel "Deadfall" for Mandalay Pictures. I wrote the screenplay for Ted Dekker's "Blessed Child." My short story "Kill Zone" appears in the James Patterson-edited anthology "Thriller," and my essay on Thomas Perry's "The Butcher's Boy" can be found in the anthology "Thriller: 100 Must Reads."
Check out my websites at www.robertliparulo.com and www.dreamhousekings.com. You can find me on Facebook at facebook.com/LiparuloFans.
Hope you enjoy my stories!
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Continued assaults follow the survivors who hold the unknown information. They run through numerous attempts to escape the assassin, all the while trying to decide who is the true bad guy and who they can trust.
The three continue their escape by becoming a mobile hide-away on the nation's highways, using a series of pre-bought, anonymous cell phones to maintain contact with the Internet for research purposes.
One of the team is captured and carried away to a remote, third-world base. Infected with Ebola and tortured, he had swallowed a tracking device to alert his team where he's located.
Rescued by his friends, they manage to escape the base's destruction by US forces and kill the perpetrators. Ingesting a vial of the only antivirus to Ebola saves the man's life.
Carnage and lightening quick plot changes abound in this marvelous, messy adventure. A great read!
Bio-terrorism. The very word should make your skin crawl. Right now you could be breathing in odorless, tasteless - and deadly - germs. Germs that could take your internal organs and make them ooze from your eye sockets. First it would start as a rash, you might even think it's a mosquito bite (are you scratching yet?), but you would definitely realize that your body was turning to mush long before you died...much too long. And what if those germs could be directed? Bio-terrorism is so messy. What if you could ensure that you would ONLY kill your enemies? This is the situation that Robert Liparulo brings to life in his page-turning thriller Germ.
Julia Matheson is an agent in the Law Enforcement Division for the CDC's National Center for Infectious Diseases. And right now she's tracking down a lead. A guy who says he has information on a bio-terrorism operation. But certain people will go to any lengths to keep that information secret. They really don't wanting this traitor from among their own ranks spilling his guts...well, figuratively speaking anyway.
In her journey to unwind the mystery, she teams up with Dr. Allen Parker and his pastor brother Stephen. Together they must stop a man named Karl Litt, the mastermind behind the attacks. Ten thousand lives depend on them. Standing in their way is the legendary and thought to be mythical arch-assassin knows as Atropos. Legend says he's never failed and he has them at the top of his list.
Liparulo has something special with Germ. It is by far my favorite (thus far) of his novels. It explores the descent of one man into darkness, forever changed and obsessed by a disease that corroded more than his body. Germ will cause your pulse to race, your skin to perspire, and your eyes to twitch. You might even think you're coming down with something. But don't fear. Those are all symptoms of reading a top-notch thriller. And you know the antidote. Just turn the page.
I will also echo the sentiments of those who have pointed out that this book relies too heavily on chase scenes. I prefer a bit more plot based action and a bit less gunslinging.
There was constant action, and good page turn factor. I liked the characters and the female lead. If you are in the market for a thriller, you will enjoy this book. Appropriate for teens and adult, there is graphic violence and (of course) descriptions of impact of "germ."
I was not impressed. It was kind of flat (story, characters) and rather forgettable. I remember thinking that many of the scenes were cliche. I haven't read anything else by this writer, but I am reticent to do so. Some of the reviews make this story sound like a lot fun. So much so that I made sure I was commenting on the correct book! Alas, it did not blow me away. I read it in a few nights. All I can really say is that nothing really stands out about it other than I recall not getting into it- you know, that feeling of just being absorbed into a story, taken along for a fun, thrilling ride, or at least experiencing something interesting, or learning something new? Nope, none of that happened. I know I am sounding vague, but that is what the story left me with- just a vague sense of meh. I've read worse, and have made scathing, detailed remarks in my reviews. I don't feel it is bad, per say, just not as original or interesting as I expected.
So, an fair middle of road rating





