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Get Yer Ya-Ya's Out!
Remastered ed.
Live, Remastered
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Get Yer Ya-Ya's Out! (Remastered)
"Please retry" | Amazon Music Unlimited |
| Price | New from | Used from |
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MP3 Music, September 4, 1970
"Please retry" | $9.49 | — |
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Vinyl, April 15, 2022
"Please retry" | $29.30 | $17.96 |
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Track Listings
| 1 | Jumpin' Jack Flash |
| 2 | Carol |
| 3 | Stray Cat Blues |
| 4 | Love in Vain |
| 5 | Midnight Rambler |
| 6 | Sympathy for the Devil |
| 7 | Live With Me |
| 8 | Little Queenie |
| 9 | Honky Tonk Women |
| 10 | Street Fighting Man |
Editorial Reviews
Remastered 1970 live album mostly recorded at New York's Madison Square Garden in November 1969 during their ill fated USA tour that ended with Altamont. Though there were some studio touch ups done, it's been called one of the best live albums of the rock era. Now with new guitarist Mick Taylor firmly on board the Stones tear through "Midnight Rambler", "Jumping Jack Flash" & "Honky Tonk Women" along with a rootsy blues cover of Robert Johnson's "Love in Vain" and Chuck Berry cover "Little Queenie" featuring Ian Stewart on piano. David Bailey shot the unforgettable cover photograph featuring Charlie Watts & the donkey!
Product details
- Language : English
- Product Dimensions : 4.88 x 5.55 x 0.47 inches; 2.89 Ounces
- Manufacturer : ABKCO
- Item model number : 1982838
- Original Release Date : 2002
- Date First Available : December 15, 2006
- Label : ABKCO
- ASIN : B00006AW2K
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #11,240 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #46 in Classic Rock Supergroups
- #307 in Blues Rock (CDs & Vinyl)
- #641 in Album-Oriented Rock (AOR) (CDs & Vinyl)
- Customer Reviews:
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Jagger was always a better singer than he was a lyricist, although some of his lyrics over the years were quite good. (To his credit, he never claimed to be a great lyricist: note that there has never been a Rolling Stones album which printed the song lyrics.) Nevertheless, some of his lyrics were pretty bad, and nowhere is this more evident than the execrable, "Stray Cat Blues." For some reason, the Stones decided to slow this one down on the live album, so that it comes across almost as a mournful blues song. Which is okay, except for the fact that the lyrics are about a thirteen year old scratching his back, whose mother probably isn't aware that she can, "bite like that." Not exactly the kind of thing an eighty year-old former sharecropper would sing about, and worse, it brings to mind some later horrors, such as those by the likes of Lynyrd Skynyrd or David Lee Roth.
The new release cleans up some of the distortion in the early part of "Live With Me," but this was never a great live version to begin with. It sounds forced for some reason, and why they eschewed the piano on there--which was on the studio version and available to them in concert--I'll never understand. "Little Queenie" is played waaay to slow, as if maybe they hadn't practiced it enough, and I must confess that I was never really overwhelmed by the versions here of "Jumpin' Jack Flash," and "Honky Tonk Women."
But the rest of the album, most notably, "Carol," "Sympathy for the Devil," and "Midnight Rambler," is what makes this album not only worth owning, but makes it a MUST own for anyone who has ever even remotely considered themselves to be a fan of hard rock.
Chuck Berry is on record as saying that this version of "Carol," is the best he's ever heard, and boy, is he ever right. The guitars are absolutely blistering, Watts is furious, and the bass booms. Even Jagger, who often sounds a little lackluster on their live recordings, contributes mightily. There is a sublime moment near the end of the song, when, instead of coming in with a guitar lick after Jagger's lyric--as he'd done throughout the rest of the song--Richards simply plays rhythm. It somehow reminds the listener of how powerful this all is, and in my little opinion, may be the high point in the history of rock and roll.
"Sympathy for the Devil," is also magnificent. There is no piano in this version and none needed. The guitar work of Richards and Mick Taylor is enough: it starts immediately and their interplay is ferocious. In the meantime, Watts is going bananas on the drums.
And of course there is "Midnight Rambler" which is perhaps the most famous song to have come off of this album. To begin with, it is an excellent hard-rock riff, again with the ferocious guitars, but the difference here is that the Stones reached a point with this song where they are as tight as they've ever been. Everything meshes perfectly and during the break in the middle you can actually hear that the screaming, howling, maddened audience has essentially reached a state of delirium.
This excellent release gives the listener an opportunity to share in if not in fact to relive it. Rock and roll at its best. "Hot DAMN!" somebody screams.
This is the document of the transition of The Rolling Stones from the British Invasion Bad Boys, who wanted to be authentic bluesmen or at least R&B Rock and Rollers to "Their Self-Proclaimed Greatness". How they accomplished this feat was engineered by letting Ian Stewart be sidelined in the beginning and then finding themselves to be incapable of achieving detente with the startlingly ingenious maniac that was their founder, Brian Jones. So what did they do, they procured the true-blues talent of God, Jr., Mick Taylor. This very live recording assuredly documents that their decision was good, if not right; correct and probably prescient. The performance is better than acceptable, even inspired and inspiring in parts. The recording itself is the best, commercially available for this time period.
Get yer ya-ya's with confidence and keep an open ear. Contained within, there is a lot to hear and a time to be re-experienced. If my knees were still good, maybe even I could summons the exuberance of Charlie Watts in the cover shot. I hope that he was expressing joy and not being totally ironic. With these boys, it is sometimes hard to determine their intent.
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Tipp: Die DSD Remastered CD von ABKCO aus dem Jahr 2002 von Bob Ludwig remastered wird auch von der SACD klanglich nicht getoppt. Aus meiner Sicht sind dies die gleichen Mastertapes und damit ist auch im Vergleich der 2002er CD zu der jetzt erhältlichen SACD eine wirkliche klangliche Verbesserung nur durch das DSD Format nicht zu realisieren.
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