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The Gilded Ones Kindle Edition
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"A dark feminist tale spun with blood and gold. Must read!" –Dhonielle Clayton, New York Times bestselling author of The Belles
Sixteen-year-old Deka lives in fear and anticipation of the blood ceremony that will determine whether she will become a member of her village. Already different from everyone else because of her unnatural intuition, Deka prays for red blood so she can finally feel like she belongs.
But on the day of the ceremony, her blood runs gold, the color of impurity–and Deka knows she will face a consequence worse than death.
Then a mysterious woman comes to her with a choice: stay in the village and submit to her fate, or leave to fight for the emperor in an army of girls just like her. They are called alaki–near-immortals with rare gifts. And they are the only ones who can stop the empire's greatest threat.
Knowing the dangers that lie ahead yet yearning for acceptance, Deka decides to leave the only life she's ever known. But as she journeys to the capital to train for the biggest battle of her life, she will discover that the great walled city holds many surprises. Nothing and no one are quite what they seem to be–not even Deka herself.
The start of a bold and immersive fantasy series for fans of Children of Blood and Bone and Black Panther.
- Reading age12 years and up
- LanguageEnglish
- PublisherDelacorte Press
- Publication dateFebruary 9, 2021
- ISBN-13978-1984848697
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From the Publisher
Editorial Reviews
Review
“Fans of Children of Blood and Bone, Mulan, and the Dora Milaje from Black Panther are going to adore this one.” —BuzzFeed
“The girls are powerful, the danger is real, and the characters are engaging and diverse. Forna has accomplished something really special here, equal parts subversive and fun.” —Tor
"Perfect for those who fell in love with Black Panther and will leave all holding their breath until the very end."—Ebony
“Namina Forna introduces readers to an intricate, West African-inspired fantasy world.”—POPSUGAR
“Total book candy for fans of Tomi Ayedemi's Children of Blood and Bone.” —PureWow
"A dark feminist tale spun with blood and gold, The Gilded Ones lifts the veil of violent patriarchy and burns the idea of purity to the ground. Must read!" —Dhonielle Clayton, New York Times Bestselling author of The Belles
“Haunting, brutal, and oh-so-relevant. This book will suck you into a world where girls bleed gold, magic fills the air, and the real monsters hide behind words instead of claws.” —Roseanne A. Brown, New York Times bestselling author of A Song of Wraiths and Ruin
“An enthralling debut. The Gilded Ones redefines sisterhood and is sure to leave readers both inspired and ultimately hopeful." —Stephanie Garber, #1 New York Times bestselling author of Caraval
“The Gilded Ones is a fierce, unflinching fantasy that marks Forna as a debut to watch.” —Kiersten White, New York Times bestselling author of And I Darken
"Phenomenal and extraordinary! Forna's breathtaking use of language depicts a thrilling journey through an epic world, rife with danger and deception, as an obedient girl survives the patriarchy and becomes a warrior. Unquestionably, the best fantasy of 2021." —Kim Johnson, author of This is My America
“An epic new fantasy with heart-stopping stakes and a fierce, persevering hero, The Gilded Ones is a dazzling and powerful debut.” —Elizabeth Lim, bestselling author of Spin the Dawn
“A poignant examination of patriarchal oppression that ensnares its reader and doesn’t let go. With a compelling main character and fresh magic system, it takes you on a journey of self-discovery through a fantastically built world with a burning mystery at its heart.” —Kalyn Josephson, author of The Storm Crow
“While elements of action and social justice are strong, there is also mystery . . . readers will find themselves awestruck with satisfying revelation, leaving both a clean ending and desire for more.”
—Booklist, starred review
“Female-led YA fantasy is an overcrowded genre, but Namina Forna brings a fresh perspective in her stormingly good debut . . . Action combines with an intense feminist story of sisterhood, where strength is found in female friendships and alliances.” —The Guardian
“Brutal, brilliant, and ultimately hopeful, The Gilded Ones takes readers on
a stunning sci-fi fantasy ride.” —Nerdist
“Formidable heroines and a thoughtful feminist mythology distinguish debut author Forna’s West Africa–inspired fantasy trilogy launch. Abundant action drives the pace, while a nuanced plot advocates social change by illustrating the myriad ways in which society cages and commodifies women.” —Publishers Weekly
“All of the alaki girls have realistic and moving trauma as a result of actions wreaked on them both as human women and alaki, and strong female friendships stand at the forefront of this novel that will have readers thinking about it long after the last page.” —The Bulletin
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
1
Today is the Ritual of Purity.
The thought nervously circles in my head as I hurry toward the barn, gathering my cloak to ward off the cold. It’s early morning, and the sun hasn’t yet begun its climb above the snow-dusted trees encircling our small farmhouse. Shadows gather in the darkness, crowding the weak pool of light cast by my lamp. An ominous tingling builds under my skin. It’s almost as if there’s something there, at the edge of my vision. . . .
It’s just nerves, I tell myself. I’ve felt the tingling many times before and never once seen anything strange.
The barn door is open when I arrive, a lantern hung at the post. Father is already inside, spreading hay. He’s a frail figure in the darkness, his tall body sunken into itself. Just three months ago, he was hearty and robust, his blond hair untouched by gray. Then the red pox came, sickening him and Mother. Now he’s stooped and faded, with the rheumy eyes and wispy hair of someone decades older.
“You’re already awake,” he says softly, gray eyes flitting over me.
“I couldn’t sleep any longer,” I reply, grabbing a milk pail and heading toward Norla, our largest cow.
I’m supposed to be resting in isolation, like all the other girls preparing for the Ritual, but there’s too much work to do around the farm and not enough hands. There hasn’t been since Mother died three months ago. The thought brings tears to my eyes, and I blink them away.
Father forks more hay into the stalls. “ ‘Blessings to he who waketh to witness the glory of the Infinite Father,’ ” he grunts, quoting from the Infinite Wisdoms. “So, are you prepared for today?”
I nod. “Yes, I am.”
Later this afternoon, Elder Durkas will test me and all the other sixteen-year-old girls during the Ritual of Purity. Once we’re proven pure, we’ll officially belong here in the village. I’ll finally be a woman--eligible to marry, have a family of my own.
The thought sends another wave of anxiety across my mind.
I glance at Father from the corner of my eye. His body is tense; his movements are labored. He’s worried too. “I had a thought, Father,” I begin. “What if . . . what if . . .” I stop there, the unfinished question lingering heavily in the air. An unspeakable dread, unfurling in the gloom of the barn.
Father gives me what he thinks is a reassuring smile, but the edges of his mouth are tight. “What if what?” he asks. “You can tell me, Deka.”
“What if my blood doesn’t run pure?” I whisper, the horrible words rushing out of me. “What if I’m taken away by the priests--banished?”
I have nightmares about it, terrors that merge with my other dreams, the ones where I’m in a dark ocean, Mother’s voice calling out to me.
“Is that what you’re worried about?”
I nod.
Even though it’s rare, everyone knows of someone’s sister or relative who was found to be impure. The last time it happened in Irfut was decades ago--to one of Father’s cousins. The villagers still whisper about the day she was dragged away by the priests, never to be seen again. Father’s family has been shadowed by it ever since.
That’s why they’re always acting so holy--always the first in temple, my aunts masked so even their mouths are hidden from view. The Infinite Wisdoms caution, “Only the impure, blaspheming, and unchaste woman remains revealed under the eyes of Oyomo,” but this warning refers to the top half of the face: forehead to the tip of the nose. My aunts, however, even have little squares of sheer cloth covering their eyes.
When Father returned from his army post with Mother at his side, the entire family disowned him immediately. It was too risky, accepting a woman of unknown purity, and a foreigner at that, into the family.
Then I came along--a child dark enough to be a full Southerner but with Father’s gray eyes, cleft chin, and softly curled hair to say otherwise.
I’ve been in Irfut my entire life, born and raised, and I’m still treated like a stranger--still stared and pointed at, still excluded. I wouldn’t even be allowed in the temple if some of Father’s relatives had their way. My face may be the spitting image of his, but that’s not enough. I need to be proven for the village to accept me, for Father’s family to accept us. Once my blood runs pure, I’ll finally belong.
Father walks over, smiles reassuringly at me. “Do you know what being pure means, Deka?” he asks.
I reply with a passage from the Infinite Wisdoms. “ ‘Blessed are the meek and subservient, the humble and true daughters of man, for they are unsullied in the face of the Infinite Father.’ ”
Every girl knows it by heart. We recite it whenever we enter a temple--a constant reminder that women were created to be helpmeets to men, subservient to their desires and commands.
“Are you humble and all the other things, Deka?” Father asks.
I nod. “I think so,” I say.
Uncertainty flickers in his eyes, but he smiles and kisses my forehead. “Then all will be well.”
He returns to his hay. I take my seat before Norla, that worry still niggling at me. After all, there are other ways I resemble Mother that Father does not know about--ways that would make the villagers despise me even more if they ever found out.
I have to make sure I keep them secret. The villagers must never find out.
Never.
It’s still early morning when I reach the village square. There’s a slight chill in the air, and the roofs of nearby houses are crusted with icicles. Even then, the sun is unseasonably bright, its rays glinting off the high, arching columns of the Temple of Oyomo. Those columns are meant to be a prayer, a meditation on the progress of Oyomo’s sun across the sky every day. High priests use them to choose which two days of the year to conduct the spring and winter Rituals. The very sight of them sends another surge of anxiety through me.
“Deka! Deka!” A familiar gawkish figure waves excitedly at me from across the road.
Elfriede hurries over, her cloak pulled so tightly around her, all I can see are her bright green eyes. She and I both always try to cover our faces when we come into the village square--me because of my coloring and Elfriede because of the dull red birthmark covering the left side of her face. Girls are allowed to remain revealed until they go through the Ritual, but there’s no point attracting attention, especially on a day like this.
This morning, Irfut’s tiny cobblestone square is thronged with hundreds of visitors, more arriving by the cartful every minute. They’re from all across Otera: haughty Southerners with dark brown skin and tightly curled hair; easygoing Westerners, long black hair in topknots, tattoos all over golden skin; brash Northerners, pink-skinned, blond hair gleaming in the cold; and quiet Easterners in every shade from deep brown to eggshell, silky straight black hair flowing in glistening rivers down their backs.
Even though Irfut is remote, it’s known for its pretty girls, and men come from far distances to look at the eligible ones before they take the mask. Lots of girls will find husbands today--if they haven’t already.
“Isn’t it exciting, Deka?” Elfriede giggles.
She gestures at the square, which is now festively decorated for the occasion. The doors of all the houses with eligible girls have been painted gleaming red, banners and flags fly cheerfully from windows, and brightly colored lanterns adorn every entrance. There are even masked stilt dancers and fire breathers, and they thread through the crowd, competing against the merchants selling bags of roasted nuts, smoked chicken legs, and candied apples.
Excitement courses through me at the sight. “It is,” I reply with a grin, but Elfriede is already dragging me along.
“Hurry, hurry!” she urges, barreling past the crowds of visitors, many of whom stop to scowl disapprovingly at our lack of male guardians.
In most villages, women can’t leave their homes without a man to escort them. Irfut, however, is small, and men are in scarce supply. Most of the eligible ones have joined the army, as Father did when he was younger. A few have even survived the training to become jatu, the emperor’s elite guard. I spot a contingent of them lingering at the edges of the square, watchful in their gleaming red armor.
There are at least twelve today, far more than the usual two or three the emperor sends for the winter Ritual. Perhaps it’s true what people have been whispering: that more deathshrieks have been breaking through the border this year.
The monsters have been laying siege to Otera’s southern border for centuries, but in the past few years, they’ve gotten much more aggressive. They usually attack near Ritual day, destroying villages and trying to steal away impure girls. Rumor is, impurity makes girls much more delicious. . . .
Thankfully, Irfut is in one of the most remote areas of the North, surrounded by snow-capped mountains and impenetrable forests. Deathshrieks will never find their way here.
Elfriede doesn’t notice my introspection; she’s too busy grinning at the jatu. “Aren’t they just so handsome in their reds? I heard they’re new recruits, doing a tour of the provinces. How wonderful of the emperor to send them here for the Ritual!”
“I suppose . . . ,” I murmur.
Elfriede’s stomach grumbles. “Hurry, Deka,” she urges, dragging me along. “The line at the bakery will be unmanageable soon.
She pulls me so strongly, I stumble, smacking into a large, solid form. “My apologies,” I say with a gasp, glancing up.
One of the visiting men is staring down at me, a thin, wolfish smirk on his lips. “What’s this, another sweet morsel?” He grins, stepping closer.
I hurriedly step back. How could I be so stupid? Men from outside villages aren’t used to seeing unaccompanied women and can make awful assumptions. “I’m sorry, I must go,” I whisper, but he grabs me before I can retreat, his fingers greedily reaching for the button fastening the top of my cloak.
“Don’t be that way, little morsel. Be a nice girl, take off the cloak so we can see what we’ve come--” Large hands wrench him away before he can finish his words.
When I turn, Ionas, the oldest son of Elder Olam, the village head, is glaring down at the man, no trace of his usual easy smile on his face. “If you want a brothel, there’s one down the road, in your town,” he warns, blue eyes flashing. “Perhaps you should return there.
The difference in their size is enough to make the man hesitate. Though Ionas is one of the handsomest boys in the village--all blond hair and dimples--he’s also one of the largest, massive as a bull and just as intimidating.
The man spits at the ground, annoyed. “Don’t be so pissy, boy. I was only having a bit of fun. That one isn’t even a Northerner, for Oyomo’s sake.”
Every muscle in my body strings taut at this unwelcome reminder. No matter how quiet I am, how inoffensive I remain, my brown skin will always mark me as a Southerner, a member of the hated tribes that long ago conquered the North and forced it to join the One Kingdom, now known as Otera. Only the Ritual of Purity can ensure my place.
Please let me be pure, please let me be pure. I send a quick prayer to Oyomo.
I pull my cloak tighter, wishing I could disappear into the ground, but Ionas steps even closer to the man, a belligerent look in his eyes. “Deka was born and raised here, same as the rest of us,” he growls. “You’ll not touch her again.”
I gape at Ionas, shocked by this unexpected defense. The man huffs. “Like I said, I was only having a bit of fun.” He turns to his friends. “C’mon, then, let’s go get a drink.”
The group retreats, grumbling under their breath.
Once they’re gone, Ionas turns to me and Elfriede. “You all right?” he asks, a worried expression on his face.
“Fine. A bit startled is all,” I manage to say.
“But not hurt.” His eyes are on me now, and it’s all I can do not to squirm under their sincerity.
“No.” I shake my head.
He nods. “My apologies for what just happened. Men can be animals, especially around girls as pretty as you.”
Girls as pretty as you . . .
The words are so heady, it takes me a few moments to realize he’s speaking again. “Where are you off to?” he asks.
“The baker,” Elfriede replies, since I’m still tongue-tied. She nods at the small, cozy building just across the street from us.
“I’ll watch you from here,” he says. “Make sure you’re safe.”
Again his eyes remain on me.
My cheeks grow hotter.
“My thanks,” I say, hurrying over to the bakery as Elfriede giggles.
True to his words, Ionas continues staring at me the entire way.
The bakery is already packed, just as Elfriede said it would be. Women crowd every corner of the tiny store, their masks gleaming in the low light as they buy delicate pink purity cakes and sun-shaped infinity loaves to celebrate the occasion. Usually, masks are plain things, made out of the thinnest bits of wood or parchment and painted with prayer symbols for good luck. On feast days like this, however, women wear their most extravagant ones, the ones modeled after the sun, moon, and stars and adorned with geometric precision in gold or silver. Oyomo is not only the god of the sun but also the god of mathematics. Most women’s masks feature the divine symmetry to please His eye.
After today, I’ll begin wearing a mask as well, a sturdy white half mask made out of heavy parchment and thin slivers of wood that will cover my face from forehead to nose. It’s not much, but it’s the best Father could afford. Maybe Ionas will ask to court me once I wear it.
I immediately dismiss the ridiculous thought.
No matter what I wear, I’ll never be as pretty as the other girls in the village, with their willowy figures, silken blond hair, and pink cheeks. My own frame is much more sturdy, my skin a deep brown, and the only thing I have to my advantage is my soft black hair, which curls in clouds around my face.
Mother once told me that girls who look like me are considered pretty in the southern provinces, but she’s the only one who’s ever thought that. All everybody else ever sees is how different I look from them. I’ll be lucky if I get a husband from one of the nearby villages, but I have to try. If anything should ever happen to Father, his relatives would find any reason they could to abandon me.
Product details
- ASIN : B07ZC6XGGY
- Publisher : Delacorte Press (February 9, 2021)
- Publication date : February 9, 2021
- Language : English
- File size : 4326 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 422 pages
- Best Sellers Rank: #176,607 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
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About the author

Namina Forna is a young adult novelist based in Los Angeles, and the author of the epic fantasy YA novel The Gilded Ones. Originally from Sierra Leone, West Africa, she moved to the US when she was nine and has been traveling back and forth ever since. Namina loves building fantastical worlds and telling stories with fierce female leads.
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Reviewed in the United States on October 6, 2022
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It’s clear what Namina Forna intended for this novel. She wanted to create an ode to teenage girls and tell a story of camaraderie, empathy, and women’s liberation. So often, society disrespects and devalues teenage girls much like how the human and alaki girls are treated in the novel. But Forna has created a space in which girls are not only valued but powerful, and they use their power to liberate the kingdom. If I were to put a song to this novel it would easily be “Run the World (Girls)” by Beyonce. That’s what The Gilded Ones gives me. In the beginning of the book, I was kind of skeptical of this message of liberation that was forming because Deka and the alaki army were being used as tools in the emperor’s army to kill the deathshrieks. While their participation in the army did allow them to hone and utilize their power, they were still coerced into this situation because their only options were fight for the emperor or die. While Deka and the others felt somewhat empowered by their strength and abilities, I didn’t think it was true empowerment nor liberation because they were still fighting at the behest of the emperor, who wields complete control over their lives. Sidebar: this sort of gets into the problems with white feminism in that white women think that if women are allowed entrance into male spaces then that is liberation and equality, but that is not the case because men are still doing the gatekeeping and they can control and manipulate the circumstances of women’s participation. It was interesting to Forna tackle feminist issues in a YA novel and I really appreciated how she developed those ideas. The novel does develop gradually however, that by the end of the novel I was more convinced that the alaki were on a true path of liberation (but I have more thoughts about the ending that make me suspicious because I think that there are some ulterior motives going on…).
I really like how Namina Forna developed the story. The plot just kept building and it kept me in suspense. The momentum didn’t let up, there was always new information that we were learning, and it didn’t feel like the story plateaued in between these moments unlike a certain YA fantasy that I read last year… I also appreciated how carefully Forna developed Deka’s character. She showed the journey of Deka gradually unlearning the doctrines and norms that she was taught. Now, at the end I did feel like she turned a certain leaf suddenly and that didn’t feel realistic, but overall Deka’s character developed nicely. She had to gradually unlearn the patriarchal religious dogma she learned, and she had to realize the extent to which women and girls are suppressed. A lot of restrictions were placed on women and girls relegating them to second-class citizens. Deka slowly realizes this, and this motivates her to change it. She didn’t immediately just change her thinking. I also liked that writing in the novel! This really doesn’t feel like a debut novel, but I learned that Namina Forna is a screenwriter, so she has a way with words for a living. With her being her a screenwriter, I expect that this will be optioned for TV, and it's not then they need to make that happen, expeditiously!
This novel is pretty graphic for a YA novel which I’m cool with but if that’s triggering then I would beware. The gore can be pretty explicit, but I like when authors push the boundaries of YA, no kiddy bopper shit. I think my favorite character is White Hands. She’s mysterious, aloof, and morally ambiguous but she’s intriguing because you never know what her next move is. The award for most improved goes to Belcalis because she grew on me the most. The more we learned about her the more I understood her, and I really empathized with her. Britta gets the award for the most annoying. I know she was doing her best to protect Deka and be a good friend to her but sometimes she was kind of annoying and I just wanted her to be quiet, but I still respect her. I can’t wait to see how Namina Forna expands the world in the next book and how the rest of the characters develop. I also have a feeling that she might do multiple POVs in book two but idk, it’s just a feeling.
Overall, I enjoyed this book. It was fun to read and it kept me intrigued! I'll be patiently awaiting the next book!
4 stars
The Gilded Girls:
Their power is feared and deemed a threat
Forced to submit
Labeled as demons
Considered property of the emperor
Exploited and used for their strength and gifts
Forced to fight as warriors
Finally, they unite to fight for themselves for once.
“Our whole lives, we’ve been taught to make ourselves smaller, weaker than men… that being a girl means perpetual submission…Girls have to wear smiling masks, contort themselves into all kinds of knots to please others…We all have a choice right now. Are we girls, or are we demons? Are we going to die, or are we going to survive?”
Read this if you liked The Grace Year.
I was blown away by this one! And this cover!! Probably one of my all-time favorite book covers. So beautiful!
Deka is quickly and unceremoniously ripped from her quiet life of religious conformity when she endures a traumatic and life altering event that sets her on a journey to become an alaki, or one of the Emperor's elite solider unit tasked with killing all deathshrieks (demon-like creatures who attack the empire of Otera.)
During her harsh and brutal training, Deka forms deep bonds with women who have also bled "impure." Not only does Deka become a deadly warrior, but she also discovers dark supernatural abilities within herself: the ability to use "the voice" (think Dune) to control deathshrieks. Not only that, she can sense when the creatures are near, as well as enter a trance-like combat state that gives her exceptional focus. Perhaps the most unsettling thing about being an alaki is being nearly immortal. Deka discovers, through brutal means, how many gruesome and disturbing ways she can "die" without dying (they are called near deaths for alaki, while all alaki can also have a true death.) Instead, alaki enter a healing "gilded sleep" that can last for weeks to repair their body. But Deka is unlike other alaki in that virtually every brutal attempt (dismembering, fire...) will not kill her.
For YA, The Gilded Ones is very dark and filled with violence (which doesn't bother me so long as it relates to the story and character development, which it very much did.) Namina Forna's world of Otera is fully realized with varying cultures, legends, belief systems, and creatures. While it does follow the classic hero's journey of other "chosen one" YA novels (Harry Potter, Hunger Games, etc.), the story itself is very original, creative, and sets itself apart by going to those dark places. What's more, The Gilded Ones very much weaves within its story the dynamics of racism and sexism within the context of the empire and its religious framework.
My only criticisms are that side characters (perhaps only with the exception of Britta) were many, which meant they were two dimensional at best. I sometimes got people confused because not much information had previously given about them save superficial details of hair/eye/skin color.
Top reviews from other countries

Namina Forna’s debut novel had a cover that caught my eye from first glance. The cover, however, is an understatement for the beautiful and painful writing within.
Deka is taken from her hometown after bleeding the gold blood of the ‘impure’. She is tortured, killed, and tortured some more in the name of religion and for the wealth her golden blood can provide. Her journey to a training ground for other alaki (presumed demons) leads her to discover her own power and strength, but also provides the challenge of accepting what she is despite being told how evil her species are all her life.
The Gilded Ones doesn’t shy away from violence and gore, with graphic imagery used artfully to fully explain the struggle both Deka and the other girls and recruits go through. Forna makes you feel angry and sympathetic for the treatment of the alaki (and later something else…). She also includes an interesting take on feminism within the story, showing how a patriarchal city was created and how control is needed in every part of life. This is woven through the text and highlighted by the suffering of the characters, and their need to prove themselves. In her fantasy style, this is not thrown in your face, but built up carefully through the characters’ experiences. You feel such a bond to the group that their fight becomes yours.
Much of the language of the book is haunting, and can still be related to real world struggles. The settings remind me of classic fantasy, but her new creatures and ideas elevate the story and make it her own. Deka is a great main character with excellent development in so many ways.
An excellent 5 star fantasy read.

Ok, I had some hurdles to overcome going through this book. Those who are closest to me will know my first issue. I just don’t like books that have been written from a first-person perspective. I don’t know what it is but there is only so many times that I can read: “I did this…I say this…I felt this,’ before losing my mind. Granted this is a personal preference at best and doesn’t say anything about the quality of the book.
That quality is foremost shown in the world-building. Looking over Deka’s shoulder, who only knows the lies she has been fed for as long as she can remember, we discover more with every page we read. We learn about the hierarchy and social confines, the geography of Otera, the god (or should I say gods) that have walked the land and how everything neatly fits together. We learn about the patriarchal system that is meant to keep women down, especially those who are ‘unpure’, who are abominations in the eyes of the most high. Giving up a hint of a Handmaids tale vibe which I, for one, approve of.
However, the ‘unpurity’ of these women is one of the other things I do take issue with when it comes to this book. Apparently, those women who bleed gold, are demons, forsaken by the one true god. So far, no problem. I can see that, I can accept that.
The problem starts when the author wants us to believe these women, well girls really, only find out what colour their blood runs around sixteen years old. Sure we are offered a flimsy explanation that says they are not allowed to handle knives from the time they turn fifteen. Sure we are told the richest girls are hidden away in padded retreats, safe from sharp edges. Let’s be real though, that is not the only way a girl would ever see her own blood. Show of hands from girls who had their first period before sixteen, please? Show of hands from girls who are incredibly clumsy (like me) and have had countless cuts and scrapes from paper, their own fingernails, doorposts, their own glasses, the list goes on.
What happens to these girls who know they have gold coursing through their veins. Do you want us to accept each and every one of them will meekly let themselves be led to the slaughter? Yes, they have been oppressed, but to completely miscount self-preservation goes a bit far. Why aren’t girls purposely injuring themselves to find out what they have inside them? Making plans to escape this kingdom that hates them to their core. Why aren’t loving families sending their daughter away to safety? Surely not everyone hates their own progeny.
While we get some answers to these questions, they are few and far between. Not to mention that the answers we do get, feel lacklustre.
When we get past this, however, we are left with an interesting plot and a set of characters we quickly grow to love. I have nothing but praise for some of the Alaki. Britta my darling, Belcalis my poor damaged soul, White hands you cunning devil. The praise this book has been lauded with truly is due to your presence.
The friendship between the Alaki is perhaps the most redeeming thing about this novel. The kinship between Deka and Brita. The protectiveness Deka feels over Belcalis, who certainly doesn’t make it easy for people to get close to her. The raw grief when Katya is ripped from this world without a goodbye. The unbreakable bonds, women helping women. That’s what makes this story.
It is so good, it even makes me overlook the young adult romance. Which, trust me is an impressive feat.
Not to say that Keita and Deka are a bad paring. They are innocent and cutesy sure, they are ‘unlikely’ lovers, those who aren’t meant to be. But, and this is a big one: they hit every young adult trope that you can think of:
- Downtrodden commoner who only recently discovered they possess immense power: Check
- Person born into nobility who shirks his responsibilities by joining the army: Check
- Bonus points for having a tragic backstory where one or more family members died a gruesome death; Check and Check
- A meeting under dire circumstances causing tension between them: Check
- Slowly falling in love as they share their vulnerabilities: Check
In my humble opinion, it would have been better if these two had remained friends. No need to add a few stolen glances and rushed kisses. It doesn’t add to the story, so why add it at all.
Finally, I have to talk about the plot twist. Who doesn’t like a fat, juicy one? One that seemingly came out of nowhere. ‘Seemingly’ being the keyword. A plot twist only feels satisfying if the author has sprinkled breadcrumbs throughout their story. Skillfully masking these hints that have been hidden in plain sight. Leaving you feeling duped and dumbfounded when all is finally revealed. You could have seen it all along, you should have seen it all along, but you didn’t.
The plot twist in The Gilded Ones, isn’t that. The plot gets twisted alright, but there is little building up to that moment. One of our main characters isn’t who she pretended to be, fine. Making her all but omnipotent, less so. Turning sworn enemies into blood sisters at the drop of a hat, no thank you. Introducing a new, equally matched ‘race’ to suit the story, ehh I’ll pass. It just doesn’t make sense, it doesn’t fit the larger narrative.
Now don’t get me wrong, overall this certainly isn’t a bad book. I would go as far as to say this is quite an exemplar debut novel. It is just that it could be much more, a lot better. If some of the plot holes were correctly addressed, if some of the side characters were given more interesting adventures, if we could just get more build-up to the grand reveal, it would be amazing. A dash more struggle during the ultimate clash wouldn’t hurt either. As it stands, it’s just ok.
Who knows though, perhaps Forna will blow us all out of the water with the follow up to this action-packed debut.


It feels like every YA book these days is hyped up the max, and recently I've been disappointed by so many titles.
The Gilded Ones by Namina Forna lived up to the hype and took me out of a recent reading slump.
I loved the worldbuilding, the main character Deka, and the mythology she has created that adds depth and sense of history.
Deka has lived her life under the shadow of being darker-skinned than the other girls of her village and has banked on the Rite Of Purity to cement her place as a pure, red-blooded, human woman ready to marry.
But the Rite reveals she is instead a golden-blooded demon, or alaki, and she is rejected by her village, friends, and even her father.
What follows is an amazing coming-of-age tale that mirrors many of the horrors and trials of women and girls in our own world.
I found myself rooting for Deka as all of her reactions are rooted in reality: she is not a tough-as-nails heroine who takes it all on the chin. She is horrified by her situation and her pain is real. We the readers grow alongside her, see her overcoming her challenges and becoming a hero, rather than some insta-hero.
So if I loved it so much, why four stars?
I felt the supporting characters to be a little two-dimensional. Often they have no motivation of their own, and are not as fleshed-out as Deka. Some I got mixed up, and one or two I forgot about until their name popped up again.
However, I would strongly recommend this book, and I honestly can't wait until the next book, The Merciless Ones, is released in 2022.

Reading fantasy novels does involve some suspension of disbelief (and pedantry). There’s a convention that an imaginary world in an imaginary universe should have time periods that are identical to planet Earth’s. There’s also a convention that characters who don’t have the technology for clocks will be able to count off seconds and minutes. Get past that and Namina Forna takes you into a cleverly imagined world which has enough detail to make it real but not too much. That in itself is a reflection of the writer’s art. Too many fantasy writers feel a need to pad out the narrative with long lists of long-dead rulers and other distractions. This author gets straight to the point.
Having said that, you don’t get all the detail up front. As the narrative develops, new and often surprising details are released into your consciousness – and into the consciousness of the narrator, Deka – and things become more mysterious before they become clearer. I won’t say anymore about the plot. Suffice to say it is well-crafted and leads to a satisfying denouement.
One thing I can’t help doing when I read a fantasy novel is trying to discern how much it relates to or derives from contemporary reality. Here we have a deeply patriarchal society fuelled by a religion that teaches female subjugation. The religion is clearly an amalgam of Judaism, Christianity and Islam, with a priesthood, purity rituals and a holy text. Girls are forbidden education and women must wear a mask and be chaperoned when they go out. You later discover that there was a more female-oriented religion but that has been suppressed. That is the crux of the novel so I’ll say no more.
The author is planning a sequel early in 2022 and I will definitely be getting it.