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Gilead (Oprah's Book Club): A Novel Paperback – January 10, 2006
| Marilynne Robinson (Author) Find all the books, read about the author, and more. See search results for this author |
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A NEW YORK TIMES BESTSELLER• OPRAH’S BOOK CLUB PICK • WINNER OF THE PULITZER PRIZE FOR FICTION • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER• A NEW YORK TIMES NOTABLE BOOK • MORE THAN 1 MILLION COPIES SOLD
“Quietly powerful [and] moving.” O, The Oprah Magazine (recommended reading)
Winner of the Pulitzer Prize and National Book Critics Circle Award, GILEAD is a hymn of praise and lamentation to the God-haunted existence that Reverend Ames loves passionately, and from which he will soon part.
In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowan preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ bound in chains and came west to Kansas to fight for abolition: He "preached men into the Civil War," then, at age fifty, became a chaplain in the Union Army, losing his right eye in battle.
Reverend Ames writes to his son about the tension between his father--an ardent pacifist--and his grandfather, whose pistol and bloody shirts, concealed in an army blanket, may be relics from the fight between the abolitionists and those settlers who wanted to vote Kansas into the union as a slave state. And he tells a story of the sacred bonds between fathers and sons, which are tested in his tender and strained relationship with his namesake, John Ames Boughton, his best friend's wayward son.
This is also the tale of another remarkable vision--not a corporeal vision of God but the vision of life as a wondrously strange creation. It tells how wisdom was forged in Ames's soul during his solitary life, and how history lives through generations, pervasively present even when betrayed and forgotten.
- Print length247 pages
- LanguageEnglish
- PublisherPicador
- Publication dateJanuary 10, 2006
- Dimensions5.4 x 0.7 x 8.1 inches
- ISBN-10031242440X
- ISBN-13978-0312424404
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Editorial Reviews
Review
“At a moment in cultural history dominated by the shallow, the superficial, the quick fix, Marilynne Robinson is a miraculous anomaly: a writer who thoughtfully, carefully, and tenaciously explores some of the deepest questions confronting the human species. . . . Poignant, absorbing, lyrical...Robinson manages to convey the miracle of existence itself.” ―Merle Rubin, Los Angeles Times Book Review
“Incandescent . . . magnificent . . . [a] literary miracle.” ―Lisa Schwarzbaum, Entertainment Weekly (A)
“Rapturous . . . astonishing . . . Gilead is an inspired work from a writer whose sensibility seems steeped in holy fire.” ―Lisa Shea, Elle
“Lyrical and meditative . . . potently contemplative.” ―Michele Orecklin, Time
“Perfect.” ―Jeremy Jackson, People(four stars)
“Major.” ―Philip Connors, Newsday
“You must read this book. . . . Altogether unlike any other work of fiction, it has sprung forth more than twenty years after Housekeeping with what I can only call amazing grace.” ―Anne Hulbert, Slate
“So serenely beautiful and written in a prose so gravely measured and thoughtful, that one feels touched with grace just to read it.” ―Michael Dirda, The Washington Post
“There are passages here of such profound, hard-won wisdom and spiritual insight that they make your own life seem richer. . . . Gilead [is] a quiet, deep celebration of life that you must not miss.” ―Ron Charles, The Christian Science Monitor
“Gilead is a refuge for readers longing for that increasingly rare work of fiction, one that explores big ideas while telling a good story. As John Ames might point out, it's a remarkable thing to consider.” ―Olivia Boler, San Francisco Chronicle
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Gilead
By Marilynne RobinsonPicador USA
Copyright ©2006 Marilynne RobinsonAll right reserved.
ISBN: 9780312424404
Chapter One
I told you last night that I might be gone sometime, and you said, Where, and I said, To be with the Good Lord, and you said, Why, and I said, Because I'm old, and you said, I don't think you're old. And you put your hand in my hand and you said, You aren't very old, as if that settled it. I told you you might have a very different life from mine, and from the life you've had with me and that would be a wonderful thing, there are many ways to live a good life. And you said, Mama already told me that. And then you said, Don't laugh! because you thought I was laughing at you. You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsigned after I've suffered one of those looks. I will miss them.It seems ridiculous to suppose the dead miss anything. If you're a grown man when you read this-it is my intention for this letter that you will read it then-I'll have been gone a long time. I'll know most of what there is to know about being dead, but I'll probably keep it to myself. That seems to be the way of things.
I don't know how many times people have asked me what death is like, sometimes when they were only an hour or two from finding out for themselves. Even when I was a very young man, people as old as I am now would ask me, hold on to my hands and look into my eyes with their old milky eyes, as if they knew I knew and they were going to make me tell them. I used to say it was like going home. We have no home in this world, I used to say, and then I'd walk back up the road to this old place and make myself a pot of coffee and a friend-egg sandwich and listen to the radio, when I got one, in the dark as often as not. Do you remember this house? I think you must, a little. I grew up in parsonages. I've lived in this one most of my life, and I've visited in a good many others, because my father's friends and most of our relatives also lived in parsonages. And when I thought about it in those days, which wasn't too often, I thought this was the worst of them all, the draftiest and the dreariest. Well, that was my state of mind at the time. It's a perfectly good old house, but I was all alone in it then. And that made it seem strange to me. I didn't feel very much at home in the world, that was a face. Now I do.
And now they say my heart is failing. The doctor used the term "angina pectoris," which has a theological sound, like misericordia. Well, you expect these things at my age. My father died an old man, but his sisters didn't live very long, really. So I can only be grateful. I do regret that I have almost nothing to leave you and your mother. A few old books no one else would want. I never made any money to speak of, and I never paid any attention to the money I had. It was the furthest thing from my mind that I'd be leaving a wife and child, believe me. I'd have been a better father if I'd known. I'd have set something by for you.
That is the main thing I want to tell you, that I regret very deeply the hard times I know you and your mother must have gone through, with no real help from me at all, except my prayers, and I pray all the time. I did while I lived, and I do now, too, if that is how things are in the next life.
I can hear you talking with your mother, you asking, she answering. It's not the words I hear, just the sounds of your voices. You don't like to go to sleep, and every night she has to sort of talk you into it all over again. I never hear her sing except at night, from the next room, when she's coaxing you to sleep. And then I can't make out what song it is she's singing. Her voice is very low. It sounds beautiful to me, but she laughs when I say that.
I really can't tell what's beautiful anymore. I passed two young fellows on the street the other day. I know who they are, they work at the garage. They're not churchgoing, either one of them, just decent rascally young fellows who have to be joking all the time, and there they were, propped against the garage wall in the sunshine, lighting up their cigarettes. They're always so black with grease and so strong with gasoline I don't know why they don't catch fire themselves. They were passing remarks back and forth the way they do and laughing that wicked way they have. And it seemed beautiful to me. It is an amazing thing to watch people laugh, the way it sort of takes them over. Sometimes they really do struggle with it. I see that in church often enough. So I wonder what it is and where it comes from, and I wonder what it expends out of your system, so that you have to do it till you're done, like crying in a way, I suppose, except that laughter is much more easily spent.
When hey saw me coming, of course the joking stopped, but I could see they were still laughing to themselves, thinking what the old preacher almost heard the say.
I felt like telling them, I appreciate a joke as much as anybody. There have been many occasions in my life when I have wanted to say that. But it's not a thing people are willing to accept. They want you to be a little bit apart. I felt like saying, I'm a dying man, and I won't have so many more occasions to laugh, in this world at least. But that would just make them serious and polite, I suppose. I'm keeping my condition a secret as long as I can. For a dying man I feel pretty good, and that is a blessing. Of course your mother knows about it. She said if I feel good, maybe the doctor is wrong. But at my age there's a limit to how wrong he can be.
That's the strangest thing about this life, about being in the ministry. And then sometimes those very same people come into your study and tell you the most remarkable things. There's a lot under the surface of life, everyone knows that. A lot of malice and dread and guilt, and so much loneliness, where you wouldn't really expect a find it, either.
Continues...
Excerpted from Gileadby Marilynne Robinson Copyright ©2006 by Marilynne Robinson. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Picador; Reprint edition (January 10, 2006)
- Language : English
- Paperback : 247 pages
- ISBN-10 : 031242440X
- ISBN-13 : 978-0312424404
- Item Weight : 8 ounces
- Dimensions : 5.4 x 0.7 x 8.1 inches
- Best Sellers Rank: #210,007 in Books (See Top 100 in Books)
- #8,709 in American Literature (Books)
- #10,241 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Marilynne Robinson is the author of the bestselling novels "Lila," "Home" (winner of the Orange Prize), "Gilead" (winner of the Pulitzer Prize), and "Housekeeping" (winner of the PEN/Hemingway Award).
She has also written four books of nonfiction, "When I Was a Child I Read Books," "Absence of Mind," "Mother Country" and "The Death of Adam." She teaches at the University of Iowa Writers' Workshop.
She has been given honorary degrees from Brown University, the University of the South, Holy Cross, Notre Dame, Amherst, Skidmore, and Oxford University. She was also elected a fellow of Mansfield College, Oxford University.
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Gilead is the town in Iowa where the Ames family settled decades before John Ames was born. He is the third generation of John Ames’s, and he is also the third generation of ministers. His grandfather had a rifle and wasn’t afraid to use it. A militant abolitionist, he went to Kansas to support John Brown, then fight the Civil War, in which he lost an eye, and later in life, got fed up with his life in Gilead and went back out to Kansas, where he died. When Ames the narrator was a boy, he and his father set out west to find the father/grandfather’s grave. A bitter rift had developed between the grandfather, who fought in the Civil War, and his pacifist son. The pilgrimage to the grave was an attempt at some kind of closure for the son, wanting his son to understand the continuity of the generations and not feel the same distance from him.
Ames the narrator had a wife and child earlier in his life but she died in childbirth along with her baby. Unexpectedly, in his later years, a young woman named Lila starts attending his church and he makes a special point of inviting her to his classes. It becomes apparent that she reciprocates his interest and he remains a little surprised that this young, beautiful woman would be attracted to a man in his late 70’s.
Ames’ best friend for many years is the Presbyterian minister, Robert Boughton. They are so close that Boughton names one of his sons after him, John Ames Boughton, known as “Jack”. Jack has been the black sheep of his family, a prodigal who returns after many years, now in his 40’s himself. Although Ames tries to be kind and generous to everyone, he bears a non-expressed resentment toward Jack. A few years earlier Jack impregnated a poor local girl who lived with her impoverished family, barely a teen herself. Due to unsanitary living conditions and the lack of affordable health care, the baby died and Jack left Gilead. Ames knows about prodigals, being the obedient son, and having a brother, Edward, who left to go to England to study Philosophy and returned an avowed atheist.
Now that Jack is back in Gilead, he becomes friendly with Lila and their son. Ames fears that after his death, Jack will attempt to take his place as husband/father, a scenario that displeases him greatly. Jack leaves when Ames and his father are having one of their discussions and returns, usually inserting himself in the conversation with an awkward, exaggerated deference to Ames, often apologetic, which just increases Ames’ resentment. There is some unfinished business between the two of them that both of them probably feel should be resolved soon. Finally, Jack confides to Ames what has happened to him in his missing years from Gilead, an unburdening which lightens Ames’ feeling toward him.
At least 50% of the novel, perhaps more, is devoted to Ames’ theological ruminations, which struck me as tedious. Although I acknowledge that they are justified in an understanding of the character, they make for unwelcome distractions from the more interesting interactions between the characters. If I were as concerned about theological matters, as Robinson obviously is, they might be more engaging. However, there are passages of wonder and beauty that shine in the midst of all the tedium, reminiscent of large portions of Robinson’s vastly superior debut novel, ‘Housekeeping’. Also, based on what I know about the two successive interrelated novels with ‘Gilead’, ‘Home’ and ‘Lila’, their narratives may, hopefully, flow more smoothly.
Ames is a good, moral man who is compassionate and attempts to understand his fellow humans. That in itself does not always lend itself to very involving storytelling as most effective stories depend on conflict for their success and degree of insight. He is a glass half-full person. If he has insomnia throughout the night, he takes advantage of being awake early to appreciate the beauty of the dawn.
I suppose it is worth wading through John Ames’ thoughts to arrive at wise passages such as this:
“In every important way we are such secrets from one another, and I do believe that there is a separate language in each of us, also a separate aesthetics and a separate jurisprudence. Every single one of us is a little civilization built on the ruins of any number of preceding civilizations, but with our own variant notions of what is beautiful and what is acceptable - which, I hasten to add, we generally do not satisfy and by which we struggle to live. We take fortuitous resemblances among us to be actual likeness, because those around us have also fallen heir to the same customs, trade in the same coin, acknowledge, more or less, the same notions of decency and sanity. But all that really just allows us to coexist with the inviolable, intraversable, and utterly vast spaces between us.”
I can’t think of a more perfectly expressed explanation of how we go through our lives, interacting and bridging connections, each of us in our own bubbles of solitude.
There is now an addition to my BTSYS list, a novel by Marilynne Robinson called Gilead (Picador, New York, 2004). This is not a new book, but I only encountered it upon reviewing Marilynne Robinson's recent book of essays, When I Was A Child I Read Books. In the process, I found myself in awe of Ms. Robinson's ability to express the ineffable with words that wrap themselves around you and then pull tight the knots of meaning in an unforgettable way.
The book's title refers to a place, a small community in Iowa, not far from the Kansas border. The time frame is the early 1950s. The narrator is a man named John Ames, a seventy-six (soon to be seventy-seven) year old Congregationalist minister. The entire book is a letter to his six-year old son. John's heart is giving out, and he will soon die. In the letter, he is telling his young son--born of a late-in-life marriage to a much younger woman--about himself, his life, his family, and his faith.
In this letter, Ames confronts his family's history. He is the son of a preacher, whose grandfather was an abolitionist preacher during the years of "Bloody Kansas." His grandfather hovers over this story and reminiscences abound about how the old man rode with John Brown and how he sometimes stood in the pulpit with a pistol and bloody clothing. These were the stories John Ames heard from his father, but all he remembered about Grandpa was the way the old man would look at him, as if knowing what was in his mind, and how he had a habit of just taking stuff from other people. The people around Gilead just came to accept the old man's idiosyncrasies.
The love story between Ames and his wife, who showed up at a service on a Pentecost and who seemed to be taken by the much older man's kind and gentle ways, is the reredos behind the story: the curtain is parted only slightly in his portrayal of the woman, but she remains largely a mystery to us. We do know that she loved John enough to give him a child in his old age and to fill his life with love long after he lost his first wife and child. When the ne'er do well son of his closest friend, a Presbyterian minister he grew up with, arrives back in Gilead John begins to notice that his wife and son seem taken by the younger man and John's creeping mortality begins to work on his fears for the future.
The themes that streak though this novel include respect, something people had for one another in earlier times; and light. Images are constantly appearing about the light, and it intrudes upon life in the most unexpected moments, such as when his young son and a friend are playing in the sprinkler:
"The sprinkler is a magnificent invention because it exposes raindrops to sunshine. That does occur in nature, but it is rare... I've always loved to baptize people, though I have sometimes wished there were more shimmer and splash involved in the way we go about it. Well, but you two are dancing around in your iridescent little downpour, whooping and stomping as sane people ought to do when they encounter a thing so miraculous as water."
The phrase "in the way we go about it" refers to the fact that John's denomination baptizes by sprinkling, not immersion. This issue and many other religious questions pop up in his letter, only to make very evident that there is a real difference between his faith lived and that same faith observed from outside. This is why atheists as well as Christians should read Gilead. Much of what those who attack Christianity base their attacks on are misunderstandings. For example, when confronted with a sincere question about salvation, particularly the famously Calvinist notion that God has pre-determined who is saved and who is damned before they are born, John addresses this question with a startling lack of dogmatism and comes down decidedly on the side of a merciful God.
John Ames is not a man who bases his life on dogma. He is a believer who understands the intricacies of faith and does not rest on its supposed certainties. And, in spite of the fact that Christianity is often seen as a life-denying faith, John's statement in this letter to the child he will not see grow up makes it quite clear that his faith is anything but. In fact, faith is the element in his life that adds the sparkle to existence.
"Remembering my youth," writes John, "makes me aware that I never really had enough of it, it was over before I was done with it...Oh, I will miss the world!"
This is a book to ponder, to read and re-read, and to carry through life as we grow older and find ourselves feeling the need to explain why we are the way they are to those we are about to leave behind. Most people don't really think about it, however. What a shame. Letters like this from parents a just might help to make our children better human beings.
Unfortunately, the notion of what a "better human being" is may seem strange to a world that demands empirical demonstrations for every concept. If you are among those, don't read this book. Unless you want to rethink some of your basic assumptions.
Top reviews from other countries
The book describes a bit of his relationship with his wife and son, and with his parents and grandfather, and his good friend Boughton. It throws in one or two anecdotes, but particularly in the latter part of the book, it focuses on John Ames Boughton - the black sheep son of his friend - who has returned to Gilead. As John Senior approaches death, he is particularly worried about Jack, his namesake, who, he believes, has designs on his wife and child. Jack is aware of his disapproval and they have several discussions, where Jack seems to be asking for forgiveness for past sins, and John seems unable to put aside his suspicions about him. Finally Jack reveals his secret concerns, and suddenly, John thinks of him in a different way, and wants to bless him and help him.
Once again, I am looking at the reviews on the back page of my current reading circle read, and wondering if I am incredibly shallow, because I cannot work out why the reviewers think so highly of this work. ‘Dazzling originality’/ ‘perfect pitch’/’a great work of literature’ are some of the comments. Yet again, a set of reviews, full of praise which I can’t echo.
In fact, this book sent me off to sleep so many times, it could be recommended as a useful sleeping draught.
One third of the way through the book, all I could say was that there were some pages which made me smile, some curious, but on the whole, I came back to these ramblings of an old man, not remembering what I had read before. Perhaps this says more about me than about the book.
Towards the end of the book, I thought we were moving towards some sort of a denouement, but it just didn’t happen. There were occasional references to matters mentioned earlier on in the book, but it felt as if I had been reading the book for so long, that I couldn’t any longer remember the beginning.
Aside from not finding much of a plot, or much interest in his story, I could not empathise with John, and for a preacher, I did not find him full of the milk of human kindness.
I would have been interested to know more about the back story of John’s wife. What made her marry an old man? And why was a certain emphasis put on her uneducated status, actually in a rather patronising way by John, without it being followed through. I thought more could have been made of their meeting and their decision to marry. Was the child really his, or did she marry John to give the child a father. For some time, I thought that Jack was the father of the child, and that might have been an interesting development. However, instead of this, was this sprawling non-story, masquerading as a novel.
I can’t give it more than 5 out of 10, which would equate to 2.5 stars, but I’m not feeling that generous, so it’s 2.
The thoughts and ideas of the reverend who narrates this book through writings to his son are so well developed that it seems to me that they must, at least in part, reflect the ideas of the author herself.
Some of the writing is philosophical in character and does need more careful attention then you might usually give to a novel. For example, when the reverend explains his view on our inability to understand the nature of God he writes :
" ... if God is the Author of existence what can it mean to say God exists? There's a problem in vocabulary. He would have had to have had a character before existence which the poverty of our understanding can only call existence. That is clearly a source of confusion". Not your standard fare!
But, don't get me wrong, the book is not all hard going and it does contain an interesting story, especially in the second half (which I wont spoil).
If I was to quibble with the book at all (and sometimes you simply feel not worthy to do so with some writers) it is that I didn't really like the book being presented as the writings of an elderly dying reverend to his very young son. I found this a bit of a distraction and would have preferred it to have been presented as a memoir to be read by me the reader.
But make no mistake Marilynne Robinson is a stellar writer, and this book has prompted me to investigate her more academic writings. I am partial to the writings of people like Dennett and Dawkins who she apparently attacks, so it should be interesting to see what she has to say on the limits of science.
As the narrator is a tired, dying man the narrative can sometimes be rambling, like thoughts being set down on paper, which only enhances its charms.
This is not necessarily for everyone and I would not recommend it to many people, only those I know would appreciate it's wears. It has no traditional story, some of the characters are very vague and we don't get to understand them or their motivations, the narrative can be rambling and on occasions confusing and although I found it profound I would imagine some would find it pretentious.
Me, I liked this and would read Robinson's other works given the chance.
Robinson writes with a clear unadorned style drawing heavily on biblical texts but it is not a religious tract, it is the story of a man’s life, his memories, his regrets and loves. The first few lines grabbed me and didn’t let me go. Do not start reading this book if you are feeling impatient. Some passages are easy and quick to read, others deserve more thought. It unwinds slowly like a length of thread, telling us the story of John Ames, his father and grandfather, the legacy of the Ames family which has been inherited by the Reverend’s seven-year old son.
I am not religious and some of the references will have passed me by. In the first half of the novel, I would think ‘oh no not another section about religion’, but as I read deeper into the book I became drawn into the stories of John Ames and his forebears and how their beliefs shaped their lives. I wanted to know what happened to John Ames Boughton, the troublesome son of his best friend and fellow reverend. I wanted to know how the Reverend Ames met his second wife. Some of the questions posed are not answered until the very end.
It is a peaceful novel, set against the backdrop of Fifties Iowa, which draws on local history including the Underground Railroad. Robinson draws a picture of the Gilead community, the people, their kindnesses, their grievances. She paints a clear picture. ‘We were very pious children from pious households in a fairly pious town.’
At times, the writing was so sublime I re-read. For example, ‘Sometimes I have loved the peacefulness of an ordinary Sunday. It is like standing in a newly planted garden after a warm rain. You can feel the silent and invisible life.’
‘Gilead’, the second novel by Marilynne Robinson, won two prizes in 2005: the Pulitzer Prize for Fiction, the National Book Critics Circle Award. I came to it with trepidation, having respected the writing style of her first novel, ‘Housekeeping’, but struggled with the pace of the narrative.












