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Girl Culture Hardcover – September 1, 2002

4.7 out of 5 stars 96 ratings

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Hardcover, September 1, 2002
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Editorial Reviews

From Publishers Weekly

Greenfield's stark photographs of girls and young women doing everything from practicing Tae-Bo in Beverly Hills to performing lap dances in Las Vegas aren't for the faint of heart. But the collection is so hard to put down that it's not destined to languish on a coffee table, either. Images of teenagers at weight loss camp or getting ready for a quinceanera (a 15th birthday ritual in the Hispanic community) come to life thanks to frank, first-person monologues from the girls themselves. A photograph of Erin, 24, getting "blind-weighed" (with her back to the scale) at an eating disorder clinic in Coconut Creek, Fla., is accompanied by this hair-raising commentary: "I'm known for my eating disorder. It's my identity.... My nickname is Itty-Bitty, so what am I going to be without it? It's what makes me special. So I would just be ordinary without it. And for me, that's hard to admit." Although much of the text focuses on typical (but still depressing) teen issues such as peer pressure and drug abuse, readers should hang in there for glimmers of optimism and even brilliance. Jessica, 20, a member of Stanford University's women's swim team, says, "I think any female athlete has a sense of being kind of like Wonder Woman. You are able to do things that are a little closer to superhuman than normal girls. There's a little bit of Wonder Woman in everyone." Indeed, Greenfield's unflinching portraits, which will be at New York's Pace/MacGill Gallery this fall and will travel to the West Coast, are a testimony to that spirit.
Copyright 2002 Reed Business Information, Inc.

Review

American girlhood ain't what it used to be. Maybe there are pockets of girls out there who still revel in the "Little House on the Prairie" books or dress up their dolls or run lemonade stands. But they aren't catching the eyes of sociologists, who seem to agree that girls today are growing up in a hyper-sexualized peer pressure-cooker — and they don't show up in "Girl Culture," a new book from photographer Lauren Greenfield (Chronicle Books; $40.00). Even the youngest girls in Greenfield's gritty, gorgeous portraits are far too busy dressing up like Barbie dolls to play with them.
A gentle warning: this is not a book for parents desperate to maintain their naivete about what's happening in their daughters' lives: these accounts show you more than you've ever imagined about the sexual and social habits of girls. Greenfield's photographs are accompanied by narratives from the girls themselves; the stories they tell, which are unflinchingly raw and honest, are often difficult to read. No matter how well you think you understand what goes on in adolescent life, it can be shocking to read first-hand accounts of the jealousy, pettiness, meanness and general anxiety that characterize female adolescence.
The girls in this book range in age from pre-school to post-grad. And Greenfield makes good use of the insecurities of each age, zeroing in on the shame of an 11-year-old at fat camp, emphasizing the anxiety of an up-and-coming actress standing outside her trailer, highlighting the terrible uncertainty of a teenage girl who is banished, by virtue of her rounded face and curly dark hair, from the blonde, slim world of the popular girls.
While it will come as no surprise to learn that beauty and appearance feature prominently the minds of most girls, Greenfield's portraits reveal the force with which the need to be desired, even objectified, in a very adult way is expressed, as well as the unexpected ambivalence with which that objectification, once achieved, is met. The book's teenage and pre-teen girls put on the trappings of adult sexuality — the makeup, the hairstyles, the clothing — but they aren't quite sure what to do with themselves once they're done. One series of photos shows a group of 7th-grade friends getting ready to go to a party; Hannah, a member of the group, talks with aching honesty about the dichotomy of appearance and reality. "I've been approached by people who think I'm older... It makes me kind of uncomfortable, because I might look older, but underneath it all, I'm only 13. It's kind of scary. It's a hard feeling to not know where you fit in yet."
While some of the girls' attempts at premature adulthood are wryly amusing, others are nearly tragic. Four-year-old Allegra is the youngest subject of Greenfield's camera; she poses on several pages wearing makeup, a too-large pink leotard and gold pumps. The images are eerily reminiscent of Jon-Benet Ramsey's now immortal beauty queen poses.
If there's anything to learn from this book, it's that there's simply no escape from the ordeals of girl culture. "Fat" girls get picked on, too-skinny girls get laughed at, popular girls spend their time worrying they'll stop being popular. Even beautiful girls suffer: Sara, a lanky, blonde 19-year-old model living in New York, describes an episode where a businessman approaches her on the sidewalk, puts his hand on her shoulder and asks to take a picture with her. When she brushes him off, he retaliates. "Five seconds later, I feel another tap on my shoulder," she recounts. "I turn around, and the same guy shoved me on the pavement." Sara doesn't seem particularly angry or upset about this incident, just sad.
And sadness is a common underlying theme of these stories; while many of the girls put on the perky, insouciant faces they feel they're expected to wear, their words betray a longing to be superficially different — smaller, taller, richer, blonder. The hierarchy of acceptable attributes is spelled out by one self-described Southern Belle, who prizes her "Southern-girl standards" above (almost) everything else. "I would rather be dumb than a slut," she announces, "but I would rather be a slut than be fat or ugly." -
Time

Greenfield's stark photographs of girls and young women doing everything from practicing Tae-Bo in Beverly Hills to performing lap dances in Las Vegas aren't for the faint of heart. But the collection is so hard to put down that it's not destined to languish on a coffee table, either. Images of teenagers at weight loss camp or getting ready for a quinceanera (a 15th birthday ritual in the Hispanic community) come to life thanks to frank, first?person monologues from the girls themselves. A photograph of Erin, 24, getting "blind-weighed" (with her back to the scale) at an eating disorder clinic in Coconut Creek, Fla., is accompanied by this hair?raising commentary "I'm known for my eating disorder. It's my identity.... My nickname is Itty-Bitty, so what am I going to be without it? It's what makes me special. So I would just be ordinary without it. And for me, that's hard to admit." Although much of the text focuses on typical (but still depressing) teen issues such as peer pressure and drug abuse, readers should hang in there for glimmers of optimism and even brilliance. Jessica, 20, a member of Stanford University's women's swim team, says, "I think any female athlete has a sense of being kind of like Wonder Woman. You are able to do things that are a little closer to superhuman than normal girls. There's a little bit of Wonder Woman in everyone." Indeed, Greenfield's unflinching portraits, which will be at New York's Pace/MacGill Gallery this fall and will travel to the West Coast, are a testimony to that spirit. -Publishers Weekly

Product details

  • Publisher ‏ : ‎ Chronicle Books; 1st edition (September 1, 2002)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 156 pages
  • ISBN-10 ‏ : ‎ 0811837904
  • ISBN-13 ‏ : ‎ 978-0811837903
  • Reading age ‏ : ‎ 13 years and up
  • Grade level ‏ : ‎ 8 and up
  • Item Weight ‏ : ‎ 3.02 pounds
  • Dimensions ‏ : ‎ 10.4 x 0.8 x 12.4 inches
  • Customer Reviews:
    4.7 out of 5 stars 96 ratings

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Acclaimed Emmy-winning documentary photographer/filmmaker, Lauren Greenfield is considered a preeminent chronicler of youth culture, gender and consumerism, as a result of her monographs Girl Culture, Fast Forward, THIN, Generation Wealth and other photographic works, which have been widely published, exhibited, and collected by museums around the world, including the Art Institute of Chicago, Los Angeles County Museum of Art (LACMA), the J. Paul Getty Museum, the San Francisco Museum of Modern Art (SFMOMA), Smithsonian, the International Center of Photography, the Center for Creative Photography, and the Museum of Fine Arts (Houston).

Recently, Greenfield directed the record-breaking Superbowl and viral spot “#LikeAGirl” (90+ million downloads and 12 billion impressions) which was voted by YouTube as the third best ad of the decade. Sweeping the advertising awards of 2015, Greenfield was named the #1 director and Most Awarded Director by AdAge, the first woman in commercial history to ever top this list, the spot won a 2015 Emmy, 14 Lions (including the Titanium Lion) at the Cannes Festival of Creativity, 7 Clios, 5 Art Directors, 8 pencils at the D & AD Awards, and the Best in Show at the AICP Awards, upon which it became part of the Museum of Modern Art (MoMA) collection. Additionally, ESPN has named her one of their Top 25 Impact Influencers of 2015 and the recently released sequel “Unstoppable Like a Girl” is one of the top 10 YouTube ads of 2015, having received 80 million impressions to date.

Her latest feature-length film, The Queen of Versailles was the Opening Night film of Sundance 2012 where it won the Best Director Award in the U.S. Documentary Competition. The Queen of Versailles went on to box office success and critical acclaim, including winning the Brisbane International Film Festival Prize, and nominations for Best Documentary by the Directors Guild, International Documentary Association, Critics Choice, and the London Critics Circle Film Awards. Lauren previously directed three award-winning documentary films – THIN (HBO), kids + money (HBO) and Beauty CULTure (Annenberg Space for Photography) that opened at Sundance and Tribeca Film Festivals. She is currently directing two feature length documentary films, Generation Wealth (Amazon Studios, Fall 2017) and Fantasy Island (Showtime Networks, 2018).

Named one of the 2015 Top 10 directors in Adweek’s Most Creative 100 People and by American Photo as one of the 25 most influential photographers working today, Greenfield started her career as an intern for National Geographic after graduating from Harvard in 1987. Her photographs have regularly appeared in the New York Times Magazine, Time, GQ, and The Guardian, and have won many awards including the ICP Infinity Award, the Hasselblad Grant, the Community Awareness Award from the National Press Photographers, and the Moscow Biennial People’s Choice Award. She lectures at museums and universities around the world and serves on the Advisory Committee of Harvard University’s Office for the Arts.

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4.7 out of 5 stars
4.7 out of 5
96 global ratings

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