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Girl Culture Hardcover – September 1, 2002
- Print length156 pages
- LanguageEnglish
- PublisherChronicle Books
- Publication dateSeptember 1, 2002
- Grade level8 and up
- Reading age13 years and up
- Dimensions10.4 x 0.8 x 12.4 inches
- ISBN-100811837904
- ISBN-13978-0811837903
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Editorial Reviews
From Publishers Weekly
Copyright 2002 Reed Business Information, Inc.
Review
A gentle warning: this is not a book for parents desperate to maintain their naivete about what's happening in their daughters' lives: these accounts show you more than you've ever imagined about the sexual and social habits of girls. Greenfield's photographs are accompanied by narratives from the girls themselves; the stories they tell, which are unflinchingly raw and honest, are often difficult to read. No matter how well you think you understand what goes on in adolescent life, it can be shocking to read first-hand accounts of the jealousy, pettiness, meanness and general anxiety that characterize female adolescence.
The girls in this book range in age from pre-school to post-grad. And Greenfield makes good use of the insecurities of each age, zeroing in on the shame of an 11-year-old at fat camp, emphasizing the anxiety of an up-and-coming actress standing outside her trailer, highlighting the terrible uncertainty of a teenage girl who is banished, by virtue of her rounded face and curly dark hair, from the blonde, slim world of the popular girls.
While it will come as no surprise to learn that beauty and appearance feature prominently the minds of most girls, Greenfield's portraits reveal the force with which the need to be desired, even objectified, in a very adult way is expressed, as well as the unexpected ambivalence with which that objectification, once achieved, is met. The book's teenage and pre-teen girls put on the trappings of adult sexuality — the makeup, the hairstyles, the clothing — but they aren't quite sure what to do with themselves once they're done. One series of photos shows a group of 7th-grade friends getting ready to go to a party; Hannah, a member of the group, talks with aching honesty about the dichotomy of appearance and reality. "I've been approached by people who think I'm older... It makes me kind of uncomfortable, because I might look older, but underneath it all, I'm only 13. It's kind of scary. It's a hard feeling to not know where you fit in yet."
While some of the girls' attempts at premature adulthood are wryly amusing, others are nearly tragic. Four-year-old Allegra is the youngest subject of Greenfield's camera; she poses on several pages wearing makeup, a too-large pink leotard and gold pumps. The images are eerily reminiscent of Jon-Benet Ramsey's now immortal beauty queen poses.
If there's anything to learn from this book, it's that there's simply no escape from the ordeals of girl culture. "Fat" girls get picked on, too-skinny girls get laughed at, popular girls spend their time worrying they'll stop being popular. Even beautiful girls suffer: Sara, a lanky, blonde 19-year-old model living in New York, describes an episode where a businessman approaches her on the sidewalk, puts his hand on her shoulder and asks to take a picture with her. When she brushes him off, he retaliates. "Five seconds later, I feel another tap on my shoulder," she recounts. "I turn around, and the same guy shoved me on the pavement." Sara doesn't seem particularly angry or upset about this incident, just sad.
And sadness is a common underlying theme of these stories; while many of the girls put on the perky, insouciant faces they feel they're expected to wear, their words betray a longing to be superficially different — smaller, taller, richer, blonder. The hierarchy of acceptable attributes is spelled out by one self-described Southern Belle, who prizes her "Southern-girl standards" above (almost) everything else. "I would rather be dumb than a slut," she announces, "but I would rather be a slut than be fat or ugly." -Time
Greenfield's stark photographs of girls and young women doing everything from practicing Tae-Bo in Beverly Hills to performing lap dances in Las Vegas aren't for the faint of heart. But the collection is so hard to put down that it's not destined to languish on a coffee table, either. Images of teenagers at weight loss camp or getting ready for a quinceanera (a 15th birthday ritual in the Hispanic community) come to life thanks to frank, first?person monologues from the girls themselves. A photograph of Erin, 24, getting "blind-weighed" (with her back to the scale) at an eating disorder clinic in Coconut Creek, Fla., is accompanied by this hair?raising commentary "I'm known for my eating disorder. It's my identity.... My nickname is Itty-Bitty, so what am I going to be without it? It's what makes me special. So I would just be ordinary without it. And for me, that's hard to admit." Although much of the text focuses on typical (but still depressing) teen issues such as peer pressure and drug abuse, readers should hang in there for glimmers of optimism and even brilliance. Jessica, 20, a member of Stanford University's women's swim team, says, "I think any female athlete has a sense of being kind of like Wonder Woman. You are able to do things that are a little closer to superhuman than normal girls. There's a little bit of Wonder Woman in everyone." Indeed, Greenfield's unflinching portraits, which will be at New York's Pace/MacGill Gallery this fall and will travel to the West Coast, are a testimony to that spirit. -Publishers Weekly
About the Author
Joan Jacobs Brumberg is a professor at Cornell University, where she has been teaching history, human development, and women s studies for over 20 years. She is the author of The Body Project . She lives in Ithaca, New York.
Product details
- Publisher : Chronicle Books; 1st edition (September 1, 2002)
- Language : English
- Hardcover : 156 pages
- ISBN-10 : 0811837904
- ISBN-13 : 978-0811837903
- Reading age : 13 years and up
- Grade level : 8 and up
- Item Weight : 3.02 pounds
- Dimensions : 10.4 x 0.8 x 12.4 inches
- Best Sellers Rank: #1,386,089 in Books (See Top 100 in Books)
- #487 in Photojournalism (Books)
- #1,138 in Photo Essays (Books)
- #110,528 in Reference (Books)
- Customer Reviews:
About the author

Acclaimed Emmy-winning documentary photographer/filmmaker, Lauren Greenfield is considered a preeminent chronicler of youth culture, gender and consumerism, as a result of her monographs Girl Culture, Fast Forward, THIN, Generation Wealth and other photographic works, which have been widely published, exhibited, and collected by museums around the world, including the Art Institute of Chicago, Los Angeles County Museum of Art (LACMA), the J. Paul Getty Museum, the San Francisco Museum of Modern Art (SFMOMA), Smithsonian, the International Center of Photography, the Center for Creative Photography, and the Museum of Fine Arts (Houston).
Recently, Greenfield directed the record-breaking Superbowl and viral spot “#LikeAGirl” (90+ million downloads and 12 billion impressions) which was voted by YouTube as the third best ad of the decade. Sweeping the advertising awards of 2015, Greenfield was named the #1 director and Most Awarded Director by AdAge, the first woman in commercial history to ever top this list, the spot won a 2015 Emmy, 14 Lions (including the Titanium Lion) at the Cannes Festival of Creativity, 7 Clios, 5 Art Directors, 8 pencils at the D & AD Awards, and the Best in Show at the AICP Awards, upon which it became part of the Museum of Modern Art (MoMA) collection. Additionally, ESPN has named her one of their Top 25 Impact Influencers of 2015 and the recently released sequel “Unstoppable Like a Girl” is one of the top 10 YouTube ads of 2015, having received 80 million impressions to date.
Her latest feature-length film, The Queen of Versailles was the Opening Night film of Sundance 2012 where it won the Best Director Award in the U.S. Documentary Competition. The Queen of Versailles went on to box office success and critical acclaim, including winning the Brisbane International Film Festival Prize, and nominations for Best Documentary by the Directors Guild, International Documentary Association, Critics Choice, and the London Critics Circle Film Awards. Lauren previously directed three award-winning documentary films – THIN (HBO), kids + money (HBO) and Beauty CULTure (Annenberg Space for Photography) that opened at Sundance and Tribeca Film Festivals. She is currently directing two feature length documentary films, Generation Wealth (Amazon Studios, Fall 2017) and Fantasy Island (Showtime Networks, 2018).
Named one of the 2015 Top 10 directors in Adweek’s Most Creative 100 People and by American Photo as one of the 25 most influential photographers working today, Greenfield started her career as an intern for National Geographic after graduating from Harvard in 1987. Her photographs have regularly appeared in the New York Times Magazine, Time, GQ, and The Guardian, and have won many awards including the ICP Infinity Award, the Hasselblad Grant, the Community Awareness Award from the National Press Photographers, and the Moscow Biennial People’s Choice Award. She lectures at museums and universities around the world and serves on the Advisory Committee of Harvard University’s Office for the Arts.
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I am not surprised that this book evoked such strong emotions from the reviewers I've read on here so far. This is an astonishingly powerful book, and I've never seen anything like it. The incredibly evocative photographs are often coupled with a monologue by girls/young women. Both the photos and the monologues are exceptional looks deep into the psyches of girls and young women. There are average girls, popular girls, Latina girls, African American girls, girls at weight loss camp, girls at an eating disorder clinic, nude girls lap dancing....every kind of young woman imaginable. The photos hit me right in the gut....and I am shocked that I've never before heard of this author. Sometimes, the photos were disturbing, but only because they probably hit "too close to home." Sometimes, the photos were lovely and peaceful. Sometimes, the photos were shocking and beautiful at the same time.
I don't like to "tell the whole story" in my reviews; I think that completely spoils the surprise element for someone reading a book such as this for the first time. So...let me just say that this book of photos is well worth the money; I'd recommend it to any woman who is well beyond her "young woman" years.






