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The Girl with the Dragon Tattoo (Millennium) Mass Market Paperback – Box set, June 23, 2009
Stieg Larsson (Author) Find all the books, read about the author, and more. See search results for this author |
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- Print length644 pages
- LanguageEnglish
- PublisherVintage
- Publication dateJune 23, 2009
- Dimensions4.18 x 1.4 x 6.89 inches
- ISBN-100307473473
- ISBN-13978-0307473479
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Editorial Reviews
Review
—The Washington Post
“I doubt you will read a better book this year.”
—Val McDermid
“Mesmerizing. . . . Imagine the movies of Ingmar Bergman crossed with Thomas Harris's novel The Silence of the Lambs.”
—USA Today
“A blazing literary sensation [this] dark-hearted thriller . . . is now poised to burn up bestseller lists in America.”
—Vanity Fair
“Unique and fascinating. . . . It's like a blast of cold, fresh air to read The Girl With the Dragon Tattoo.”
—Chicago Tribune
“A super-smart amalgam of the corporate corruption tale, legal thriller and dysfunctional-family psychological suspense story.”
—Fresh Air (NPR)
“As vivid as bloodstains on snow—and a perfect one-volume introduction to the unique strengths of Scandinavian crime fiction.” —Lee Child
“Combine the chilly Swedish backdrop and moody psychodrama of a Bergman movie with the grisly pyrotechnics of a serial-killer thriller, then add an angry punk heroine and a down-on-his-luck investigative journalist, and you have the ingredients of Stieg Larsson’s first novel.”
—Michiko Kakutani, The New York Times
“A whip-smart heroine and a hunky guy who needs her help? This sexy, addictive thriller is everything you never knew you could get from a crime novel.”
—Glamour
“So much more than a thriller, The Girl with the Dragon Tattoo is a dazzling novel of big ideas. It tackles issues of power, corruption, justice, and innocence–all the while drawing you into the twists and turns of a frighteningly suspenseful mystery.”
—Harlan Coben
“An exceptional effort for a first-time crime novelist. In fact, a fine effort for any crime novelist . . . This book is meticulously plotted, beautifully paced, and features a cast of two indelible sleuths and many juicy suspects.”
—Boston Globe
“The book lands in the United States as Wall Street sputters and global markets clench, a timely fit to Larsson’s themes of corporate corruption. He tells his crime story cleverly, but the zing in Dragon Tattoois inked in its two central characters.”
—Cleveland Plain Dealer
“Larsson’s novel could serve as the definition of page-turner . . . The worst part: We have to wait until summer ’09 for the second installment.”
—Time Out New York
“The biggest Swedish phenom since ABBA.”
—People
“Larsson’s debut thriller succeeds on so many levels it’s hard to know where to begin. First off, it’s an absolute page-turner. But the characters are so fascinating and the clear, understated writing so graceful, you are going to want to savor it . . . Electrifying.”
—Portsmouth Herald (NH)
“Is the hype justified? Yes . . . This complex, multilayered tale grabs the reader from the first page.”
—Library Journal (starred)
“The first U.S. appearance of another major Swedish crime writer is cause for celebration . . . The novel offers compelling chunks of investigative journalism, high-tech sleuthing, and psychosexual drama. What a shame that we only have three books in which to watch the charismatic Lisbeth Salander take on the world!”
—Booklist
“The Girl with the Dragon Tattoois a striking novel. Just when I was thinking there wasn't anything new on the horizon, along comes Stieg Larsson with this wonderfully unique story. I was completely absorbed.”
—Michael Connelly
“Dark, labyrinthine, smart, sexy, utterly original, and completely captivating, Stieg Larsson’s The Girl with the Dragon Tattoo delights at every level. Nuanced, sympathetic characters, caught in a tangle of unusual and compelling relationships, grapple with a baffling family mystery and with their own demons in the unique literary environment of modern-day Sweden. This book is artful and grand entertainment. I couldn’t recommend it more highly.”
—John Lescroart
“As vivid as bloodstains on snow.”
—Lee Child
“The Girl with the Dragon Tattoo is an utterly fresh political and journalistic thriller that is also intimate and moral. In spite of its dark unearthings Stieg Larsson has written a feast of a book, with central characters you will not forget.”
—Michael Ondaatje
“Cases rarely come much colder than the decades-old disappearance of teen heiress Harriet Vanger from her family’s remote island retreat north of Stockholm, nor do fiction debuts hotter than this European bestseller . . . At once a strikingly original thriller and a vivisection of Sweden’s dirty not-so-little secrets, this first of a trilogy introduces a provocatively odd couple.”
—Publishers Weekly (starred)
“What a cracking novel! I haven’t read such a stunning thriller debut for years. The way Larsson interweaves his two stories had me in thrall from beginning to end. Brilliantly written and totally gripping.”
—Minette Walters
“With its compelling situation, its complex plot and especially its unique, fully-realized characters, The Girl with the Dragon Tattoo embodies–in seamless translation–the best of European crime fiction.”
—S.J. Rozan
“The Girl With The Dragon Tattoo is a Tolstoyan re-invention of the ‘closed room’ murder mystery, Agatha Christie for adults. Curl up on the sofa with this masterwork of noir and let Stieg Larsson draw you into the shadows. It’s also a profound investigation into tribal violence in the world of high finance, and a revelation of the dark side of a country normally seen as the very height of propriety. By the end of the first chapter you will know better. By the end of the second you will be putty in his hands. Don’t even think about putting it down.”
—John Burdett
From the UK:
“Crime fiction has seldom needed to salute and mourn such a stellar talent as Larsson’s in the same breath.”
—The Sunday Times
“Larsson has up his sleeve two extremely engaging protagonists. Once these characters have appeared, our surrender to the novel is guaranteed . . . This is classic English mystery territory. But what follows is much darker and bloodier–more Thomas Harris than Dorothy L. Sayers.”
—The Independent
“The ballyhoo is fully justified . . . The novel scores on every front–character, story, atmosphere, and the translation.”
—The Times
“This is a striking novel, full of passion, an evocative sense of place and subtle insights into venal, corrupt minds . . . The journalist and the hacker are ingenious creations.”
—The Observer
“One of the greatest crime-fiction novels I have ever read . . . As mesmerizing as it is insightful. . . The Girl with the Dragon Tattoo is a multi-layered, multi-character tale by a writer of some considerable power. Full of social conscience and compassion, with insight into the nature of moral corruption, it knocked me out . . . Mikael Blomkvist and his partner, the enigmatic and deeply troubled Lisbeth Salander, will soon join the pantheon of greatest crime-fiction characters that populate the genre at its apex.”
—Shots Magazine
“A blockbuster story . . . The plot is interesting and credible but above all the heroine is splendidly original . . . An extraordinary book.”
—Literary Review
“An absorbing and idiosyncratic crime novel.”
—Daily Mail
About the Author
The Girl with the Dragon Tattoo is translated from the Swedish by Reg Keeland.
From the Trade Paperback edition.
Excerpt. © Reprinted by permission. All rights reserved.
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Product details
- Publisher : Vintage; Reprint edition (June 23, 2009)
- Language : English
- Mass Market Paperback : 644 pages
- ISBN-10 : 0307473473
- ISBN-13 : 978-0307473479
- Item Weight : 11.2 ounces
- Dimensions : 4.18 x 1.4 x 6.89 inches
- Best Sellers Rank: #838,800 in Books (See Top 100 in Books)
- #89,664 in Mysteries (Books)
- #98,912 in Thrillers & Suspense (Books)
- Customer Reviews:
About the author

Stieg Larsson, who lived in Sweden, was the editor-in-chief of the magazine Expo and a leading expert on anti-democratic, right-wing extremist, and Nazi organizations. He died in 2004, shortly after delivering the manuscripts for The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest.
Customer reviews
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Reviewed in the United States on May 19, 2017
Top reviews from the United States
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The two main protagonists are Mikael Blomkvist, a 42-year-old reporter whose professional reputation has imploded, and Lisbeth Salander, a 24-year-old who’s an understandably troubled gifted computer hacker. The author describes Salander as “an information junkie with a delinquent child’s take on morals and ethics.” She is the most interesting eccentric character in the novel, but the mystery also has a handful of other compelling people. The stories about Blomkvist and Salander move along on independent lines until they meet a little more than half way through the book. Part of what kept me interested was curiosity in how these two unalike people would eventually get together. The mystery revolves around the disappearance of a 17-year-old female named Harriet Vanger which happen nearly forty-years ago. The novel has some unsettling scenes, especially involving sexual assault. Speaking as an American with New England sensibilities, I don’t know if it’s a cultural thing or unique to this Swedish storyline but the characters in the book have a very casual attitude about hooking up with sexual partners. Outside of the sexual assaults the hook-ups are not graphic in detail. There is a healthy dose of profanity in the book. The book also includes two maps and a Vanger family-tree breakdown which were very helpful.
At no point did I become bored with ‘The Girl with the Dragon Tattoo.’ There is also another plot line that is set aside until the conclusion of the mystery. I especially liked how Mr. Larsson includes the difficulties of having to make moral compromises and living with the consequences. It was an engaging mystery with a handful of disturbing scenes. If you find any of the deranged episodes a turn-on, maybe you should look into having a lobotomy. The novel ties up the two main storylines but leaves the social dynamics between Blomkvist and Salander somewhat up in the air in an effort to get the reader to read the next installment ‘The Girl Who Played with Fire.’ I sure will.
Halfway: I'm through half of the book and I can't bear to put it down. This is so well written and suspensful. I can't believe how much I'm enjoying this book. There were some graphic sexual scenes but nothing terribly horrific and it was all necessary to the plot. Anyways, such a good read so far and the plot is picking up fast! Absolutely worth my time and money so far!
Finished: I have to say I'm a little torn with this book. I wish the main plot had ended differently. The sub plot was ok but not as interesting. The ending was still really good and wrapped everything up well. The main mystery was scary, thrilling, and serious. I loved reading the entire book and at no point was bored or disinterested. This author truly is amazingly good at writing thrillers.
Note: the second and third book SUCK. Too mush blantent sex, lesbian sex, no plot, super slow, too many details, doesn't feel like this authors writing. The entire beginning doesn't matter to the rest of the book. I would stop at the first book or the characters will be ruined for you.
The book makes a lot of commentary on issues in Sweden, including residual Nazism, violence against women, ethics in journalism, and the question of the extent to which a person’s upbringing affects their responsibility for their actions. I feel like the author succeeded in bringing these issues to the forefront in the novel. At the same time, the novel contains a “locked-room mystery” that is engaging and kept me thinking of the book throughout the day and wanting to read more. The book is rather lengthy, but I never felt like any of it was superfluous. There are some graphic sexual and violent scenes in the book, so if that bothers you, you might want to pass on this one. Otherwise, if you like psychological thrillers and mysteries, this is an extremely well-written, and, as far as I can tell, well-translated novel that I highly recommend.
Top reviews from other countries


Although there is sadness in the passing of Stieg Larsson, the three books that he wrote in the 'Millenium Series' manage to 'break the mould' when it comes to massively improving the thriller genre. Just about every word in this first novel is masterful and even the dialogue has to be admired.
Lisbeth Salander and Mikale Blomkvist are the two strongest characters that manage to take the novel up to dizzying heights. Apart from them, the various characters throughout the book are expertly thought out and it is little wonder why this genus piece of writing managed to become such a success.
Although concentration is required for the first chapter, the rest of the story is beautifully written and although shocking in parts, it's a book that makes it's points very well and extremely carefully. Salander stops the book becoming trash as her strength holds the believability of the work together. Highly recommended.

If you want to watch the films, the original Swedish films are the best, a film of each of the three books. The Hollywood travesty with Daniel Craig isn't worth the effort.

I had to start this book twice before I finally managed to read it through. The pace for the first half of the book is very, very slow. This combined with an unusually "choppy" writing style, which I assume may be down to translation can make breaking the barrier on this book quite challenging, so much so that you will no doubt be tempted to give it up and be left wondering what all the hype was about but this would be a mistake in my opinion.
Once the book "got going" it engaged me fully, I found myself wanting to read on and on. Perhaps the most striking difference between this novel and those I usually read is the unpredictability of the characters. Stieg Larsson manages to create characters which SHOULD be dislikeable e.g. Michael is a man who sleeps around and believes any woman, married or not is fair game and Lisbeth is an anti-social misfit with no little emotional intelligence, but nonetheless you do like them and you want to read on to see what happens with each of them next.
The background of the book being set in Sweden adds an unusual backdrop to the novel, and whereas I've historically found anything set outside of the US or UK difficult to get involved in, this wasn't the case here - probably due to the very descriptive nature of Larsson's writing, which I admit at times can be a little TOO much but ultimately I as grateful for as it allowed me to get a much better "feel" for the surroundings of the characters and made the read on the whole, much richer.
The story itself is about a disgraced journalist (Michael Blomkvist) who winds up conducting an investigation into a cold case missing person investigation for a wealthy, old media tycoon. During his investigation he crosses paths with Lisbeth Salander, a private investigator who has been declared mentally incompetent by the state but is infact a computer genius with very little social savvy. When the two characters finally meet and team up to solve the mystery, the real "chemistry" happens and you'll stop wondering what the hype was about and start wondering when you should download/buy the second book.
In short, this is one of the best novels and certainly one of the most unique (along with the next two books) I've read in several years. Don't be put off by the unusual writing style or the slow start as if this turns out to be a novel you love or hate, you'll at least be able to say you've read one of the most popular "cult" authors of this century as Larsson has undeniably become.

The scene setting seemed to take so long that I nearly gave up. I need now to apologise to the author as the scene setting was very necessary. The pace picks up about one third of the way through and after which the story boils up to a crescendo ..... and I didn't spot the outcome.
The sub plot takes over which forms a rather satisfying diminuendo sequence and a finale which though not sickly sweet was probably a realistic one which allows a sense of closure to the book.
I really like it. The language was easy to gallop through, the plot built well and was well thought out. Parts were a little far fetched to my mind but it was only minor things here and there and it would be churlish to suggest that a total suspension of one's sense of reality was required.
I'd recommend this to those who like crime thriller novels