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The Girl with the Dragon Tattoo (The Girl with the Dragon Tattoo Series) Paperback – June 23, 2009
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It's about Mikael Blomkvist, a crusading journalist recently at the wrong end of a libel case, hired to get to the bottom of Harriet's disappearance...and about Lisbeth Salander, a 24-year-old, pierced and tattooed genius hacker possessed of the hard-earned wisdom of someone twice her age, who assists Blomkvist with the investigation.
This unlikely team discovers a vein of nearly unfathomable iniquity running through the Vanger family, astonishing corruption in the highest echelons of Swedish industrialism - and an unexpected connection between themselves.
- Print length600 pages
- LanguageEnglish
- PublisherVintage Crime/Black Lizard
- Publication dateJune 23, 2009
- Dimensions5.2 x 1.01 x 7.98 inches
- ISBN-100307454541
- ISBN-13978-0307454546
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“I’ve had many enemies over the years. If there’s one thing I’ve learned, it’s never engage in a fight you’re sure to lose. On the other hand, never let anyone who has insulted you get away with it. Bide your time and strike back when you’re in a position of strength—even if you no longer need to strike back.”Highlighted by 3,992 Kindle readers
“Friendship—my definition—is built on two things,” he said. “Respect and trust. Both elements have to be there. And it has to be mutual. You can have respect for someone, but if you don’t have trust, the friendship will crumble.”Highlighted by 3,169 Kindle readers
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Editorial Reviews
Review
“Mesmerizing.... Imagine the movies of Ingmar Bergman crossed with Thomas Harris's novel The Silence of the Lambs.” —USA Today
“Unique and fascinating.... It's like a blast of cold, fresh air to read The Girl With the Dragon Tattoo.” —Chicago Tribune
“A super-smart amalgam of the corporate corruption tale, legal thriller and dysfunctional-family psychological suspense story.” —Fresh Air (NPR)
“As vivid as bloodstains on snow—and a perfect one-volume introduction to the unique strengths of Scandinavian crime fiction.” —Lee Child
“Combine the chilly Swedish backdrop and moody psychodrama of a Bergman movie with the grisly pyrotechnics of a serial-killer thriller, then add an angry punk heroine and a down-on-his-luck investigative journalist, and you have the ingredients of Stieg Larsson’s first novel.” —Michiko Kakutani, The New York Times
“A whip-smart heroine and a hunky guy who needs her help? This sexy, addictive thriller is everything you never knew you could get from a crime novel.” —Glamour
“So much more than a thriller, The Girl with the Dragon Tattoois a dazzling novel of big ideas. It tackles issues of power, corruption, justice, and innocence–all the while drawing you into the twists and turns of a frighteningly suspenseful mystery.” —Harlan Coben
“An exceptional effort for a first-time crime novelist. In fact, a fine effort for any crime novelist ... This book is meticulously plotted, beautifully paced, and features a cast of two indelible sleuths and many juicy suspects.” —Boston Globe
“The book lands in the United States as Wall Street sputters and global markets clench, a timely fit to Larsson’s themes of corporate corruption. He tells his crime story cleverly, but the zing in Dragon Tattoo is inked in its two central characters.” —Cleveland Plain Dealer
“Larsson’s novel could serve as the definition of page-turner ... The worst part: We have to wait until summer ’09 for the second installment.” —Time Out New York
“The biggest Swedish phenom since ABBA.” —People
“Larsson’s debut thriller succeeds on so many levels it’s hard to know where to begin. First off, it’s an absolute page-turner. But the characters are so fascinating and the clear, understated writing so graceful, you are going to want to savor it ... Electrifying.” —Portsmouth Herald (NH)
“Is the hype justified? Yes ... This complex, multilayered tale grabs the reader from the first page.” —Library Journal (starred review)
“The first U.S. appearance of another major Swedish crime writer is cause for celebration ... The novel offers compelling chunks of investigative journalism, high-tech sleuthing, and psychosexual drama. What a shame that we only have three books in which to watch the charismatic Lisbeth Salander take on the world!” —Booklist
“The Girl with the Dragon Tattoo is a striking novel. Just when I was thinking there wasn't anything new on the horizon, along comes Stieg Larsson with this wonderfully unique story. I was completely absorbed.” —Michael Connelly
“I doubt you will read a better book this year.” —Val McDermid
“Dark, labyrinthine, smart, sexy, utterly original, and completely captivating, Stieg Larsson’s The Girl with the Dragon Tattoo delights at every level. Nuanced, sympathetic characters, caught in a tangle of unusual and compelling relationships, grapple with a baffling family mystery and with their own demons in the unique literary environment of modern-day Sweden. This book is artful and grand entertainment. I couldn’t recommend it more highly.” —John Lescroart
“As vivid as bloodstains on snow.” —Lee Child
“The Girl with the Dragon Tattoo is an utterly fresh political and journalistic thriller that is also intimate and moral. In spite of its dark unearthings Stieg Larsson has written a feast of a book, with central characters you will not forget.” —Michael Ondaatje
“Cases rarely come much colder than the decades-old disappearance of teen heiress Harriet Vanger from her family’s remote island retreat north of Stockholm, nor do fiction debuts hotter than this European bestseller ... At once a strikingly original thriller and a vivisection of Sweden’s dirty not-so-little secrets, this first of a trilogy introduces a provocatively odd couple.” —Publishers Weekly (starred review)
“What a cracking novel! I haven’t read such a stunning thriller debut for years. The way Larsson interweaves his two stories had me in thrall from beginning to end. Brilliantly written and totally gripping.” —Minette Walters
“With its compelling situation, its complex plot and especially its unique, fully-realized characters, The Girl with the Dragon Tattoo embodies—in seamless translation—the best of European crime fiction.” —S.J. Rozan
“The Girl With The Dragon Tattoois a Tolstoyan re-invention of the ‘closed room’ murder mystery, Agatha Christie for adults. Curl up on the sofa with this masterwork of noir and let Stieg Larsson draw you into the shadows. It’s also a profound investigation into tribal violence in the world of high finance, and a revelation of the dark side of a country normally seen as the very height of propriety. By the end of the first chapter you will know better. By the end of the second you will be putty in his hands. Don’t even think about putting it down.” —John Burdett
From the UK:
“Crime fiction has seldom needed to salute and mourn such a stellar talent as Larsson’s in the same breath.” —The Sunday Times
“Larsson has up his sleeve two extremely engaging protagonists. Once these characters have appeared, our surrender to the novel is guaranteed ... This is classic English mystery territory. But what follows is much darker and bloodier–more Thomas Harris than Dorothy L. Sayers.” —The Independent
“The ballyhoo is fully justified ... The novel scores on every front–character, story, atmosphere, and the translation.” —The Times
“This is a striking novel, full of passion, an evocative sense of place and subtle insights into venal, corrupt minds ... The journalist and the hacker are ingenious creations.” —The Observer
“One of the greatest crime-fiction novels I have ever read ... As mesmerizing as it is insightful... The Girl with the Dragon Tattoo is a multi-layered, multi-character tale by a writer of some considerable power. Full of social conscience and compassion, with insight into the nature of moral corruption, it knocked me out ... Mikael Blomkvist and his partner, the enigmatic and deeply troubled Lisbeth Salander, will soon join the pantheon of greatest crime-fiction characters that populate the genre at its apex.” —Shots Magazine
“A blockbuster story ... The plot is interesting and credible but above all the heroine is splendidly original ... An extraordinary book.” —Literary Review
“An absorbing and idiosyncratic crime novel.” —Daily Mail
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Prologue
A Friday in November
It happened every year, was almost a ritual. And this was his eighty-second birthday. When, as usual, the flower was delivered, he took off the wrapping paper and then picked up the telephone to call Detective Superintendent Morell who, when he retired, had moved to Lake Siljan in Dalarna. They were not only the same age, they had been born on the same day–which was something of an irony under the circumstances. The old policeman was sitting with his coffee, waiting, expecting the call.
“It arrived.”
“What is it this year?”
“I don’t know what kind it is. I’ll have to get someone to tell me what it is. It’s white.”
“No letter, I suppose.”
“Just the flower. The frame is the same kind as last year. One of those do-it-yourself ones.”
“Postmark?”
“Stockholm.”
“Handwriting?”
“Same as always, all in capitals. Upright, neat lettering.”
With that, the subject was exhausted, and not another word was exchanged for almost a minute. The retired policeman leaned back in his kitchen chair and drew on his pipe. He knew he was no longer expected to come up with a pithy comment or any sharp question which would shed a new light on the case. Those days had long since passed, and the exchange between the two men seemed like a ritual attaching to a mystery which no-one else in the whole world had the least interest in unravelling.
The Latin name was Leptospermum (Myrtaceae) rubinette. It was a plant about ten centimetres high with small, heather-like foliage and a white flower with five petals about two centimetres across.
The plant was native to the Australian bush and uplands, where it was to be found among tussocks of grass. There it was called Desert Snow. Someone at the botanical gardens in Uppsala would later confirm that it was a plant seldom cultivated in Sweden. The botanist wrote in her report that it was related to the tea tree and that it was sometimes confused with its more common cousin Leptospermum scoparium, which grew in abundance in New Zealand. What distinguished them, she pointed out, was that rubinette had a small number of microscopic pink dots at the tips of the petals, giving the flower a faint pinkish tinge.
Rubinette was altogether an unpretentious flower. It had no known medicinal properties, and it could not induce hallucinatory experiences. It was neither edible, nor had a use in the manufacture of plant dyes. On the other hand, the aboriginal people of Australia regarded as sacred the region and the flora around Ayers Rock.
The botanist said that she herself had never seen one before, but after consulting her colleagues she was to report that attempts had been made to introduce the plant at a nursery in Göteborg, and that it might, of course, be cultivated by amateur botanists. It was difficult to grow in Sweden because it thrived in a dry climate and had to remain indoors half of the year. It would not thrive in calcareous soil and it had to be watered from below. It needed pampering.
The fact of its being so rare a flower ought to have made it easier to trace the source of this particular specimen, but in practice it was an impossible task. There was no registry to look it up in, no licences to explore. Anywhere from a handful to a few hundred enthusiasts could have had access to seeds or plants. And those could have changed hands between friends or been bought by mail order from anywhere in Europe, anywhere in the Antipodes.
But it was only one in the series of mystifying flowers that each year arrived by post on the first day of November. They were always beautiful and for the most part rare flowers, always pressed, mounted on watercolour paper in a simple frame measuring 15cm by 28cm.
The strange story of the flowers had never been reported in the press; only a very few people knew of it. Thirty years ago the regular arrival of the flower was the object of much scrutiny–at the National Forensic Laboratory, among fingerprint experts, graphologists, criminal investigators, and one or two relatives and friends of the recipient. Now the actors in the drama were but three: the elderly birthday boy, the retired police detective, and the person who had posted the flower. The first two at least had reached such an age that the group of interested parties would soon be further diminished.
The policeman was a hardened veteran. He would never forget his first case, in which he had had to take into custody a violent and appallingly drunk worker at an electrical substation before he caused others harm. During his career he had brought in poachers, wife beaters, con men, car thieves, and drunk drivers. He had dealt with burglars, drug dealers, rapists, and one deranged bomber. He had been involved in nine murder or manslaughter cases. In five of these the murderer had called the police himself and, full of remorse, confessed to having killed his wife or brother or some other relative. Two others were solved within a few days. Another required the assistance of the National Criminal Police and took two years.
The ninth case was solved to the police’s satisfaction, which is to say that they knew who the murderer was, but because the evidence was so insubstantial the public prosecutor decided not to proceed with the case. To the detective superintendent’s dismay, the statute of limitations eventually put an end to the matter. But all in all he could look back on an impressive career.
He was anything but pleased.
For the detective, the “Case of the Pressed Flowers” had been nagging at him for years–his last, unsolved and frustrating case. The situation was doubly absurd because after spending literally thousands of hours brooding, on duty and off, he could not say beyond doubt that a crime had indeed been committed.
The two men knew that whoever had mounted the flowers would have worn gloves, that there would be no fingerprints on the frame or the glass. The frame could have been bought in camera shops or stationery stores the world over. There was, quite simply, no lead to follow. Most often the parcel was posted in Stockholm, but three times from London, twice from Paris, twice from Copenhagen, once from Madrid, once from Bonn, and once from Pensacola, Florida. The detective superintendent had had to look it up in an atlas.
After putting down the telephone the eighty-two-year-old birthday boy sat for a long time looking at the pretty but meaningless flower whose name he did not yet know. Then he looked up at the wall above his desk. There hung forty-three pressed flowers in their frames. Four rows of ten, and one at the bottom with four. In the top row one was missing from the ninth slot. Desert Snow would be number forty-four.
Without warning he began to weep. He surprised himself with this sudden burst of emotion after almost forty years.
Part 1
Incentive
December 20–January 3
Eighteen percent of the women in Sweden have at one time been threatened by a man.
Chapter 1
Friday, December 20
The trial was irretrievably over; everything that could be said had been said, but he had never doubted that he would lose. The written verdict was handed down at 10:00 on Friday morning, and all that remained was a summing up from the reporters waiting in the corridor outside the district court.
“Carl” Mikael Blomkvist saw them through the doorway and slowed his step. He had no wish to discuss the verdict, but questions were unavoidable, and he—of all people—knew that they had to be asked and answered. This is how it is to be a criminal, he thought. On the other side of the microphone. He straightened up and tried to smile. The reporters gave him friendly, almost embarrassed greetings.
“Let’s see . . . Aftonbladet, Expressen, TT wire service, TV4, and . . . where are you from? . . . ah yes, Dagens Nyheter. I must be a celebrity,” Blomkvist said.
“Give us a sound bite, Kalle Blomkvist.” It was a reporter from one of the evening papers.
Blomkvist, hearing the nickname, forced himself as always not to roll his eyes. Once, when he was twenty-three and had just started his first summer job as a journalist, Blomkvist had chanced upon a gang which had pulled off five bank robberies over the past two years. There was no doubt that it was the same gang in every instance. Their trademark was to hold up two banks at a time with military precision. They wore masks from Disney World, so inevitably police logic dubbed them the Donald Duck Gang. The newspapers renamed them the Bear Gang, which sounded more sinister, more appropriate to the fact that on two occasions they had recklessly fired warning shots and threatened curious passersby.
Their sixth outing was at a bank in Östergötland at the height of the holiday season. A reporter from the local radio station happened to be in the bank at the time. As soon as the robbers were gone he went to a public telephone and dictated his story for live broadcast.
Blomkvist was spending several days with a girlfriend at her parents’ summer cabin near Katrineholm. Exactly why he made the connection he could not explain, even to the police, but as he was listening to the news report he remembered a group of four men in a summer cabin a few hundred feet down the road. He had seen them playing badminton out in the yard: four blond, athletic types in shorts with their shirts off. They were obviously bodybuilders, and there had been something about them that had made him look twice—maybe it was because the game was being played in blazing sunshine with what he recognised as intensely focused energy.
There had been no good reason to suspect them of being the bank robbers, but nevertheless he had gone to a hill overlooking their cabin. It seemed empty. It was about forty minutes before a Volvo drove up and parked in the yard. The young men got out, in a hurry, and were each carrying a sports bag, so they might have been doing nothing more than coming back from a swim. But one of them returned to the car and took out from the boot something which he hurriedly covered with his jacket. Even from Blomkvist’s relatively distant observation post he could tell that it was a good old AK4, the rifle that had been his constant companion for the year of his military service.
He called the police and that was the start of a three-day siege of the cabin, blanket coverage by the media, with Blomkvist in a front-row seat and collecting a gratifyingly large fee from an evening paper. The police set up their headquarters in a caravan in the garden of the cabin where Blomkvist was staying.
The fall of the Bear Gang gave him the star billing that launched him as a young journalist. The downside of his celebrity was that the other evening newspaper could not resist using the headline “Kalle Blomkvist solves the case.” The tongue-in-cheek story was written by an older female columnist and contained references to the young detective in Astrid Lindgren’s books for children. To make matters worse, the paper had run the story with a grainy photograph of Blomkvist with his mouth half open even as he raised an index finger to point.
It made no difference that Blomkvist had never in life used the name Carl. From that moment on, to his dismay, he was nicknamed Kalle Blomkvist by his peers—an epithet employed with taunting provocation, not unfriendly but not really friendly either. In spite of his respect for Astrid Lindgren—whose books he loved—he detested the nickname. It took him several years and far weightier journalistic successes before the nickname began to fade, but he still cringed if ever the name was used in his hearing.
Right now he achieved a placid smile and said to the reporter from the evening paper:
“Oh come on, think of something yourself. You usually do.”
His tone was not unpleasant. They all knew each other, more or less, and Blomkvist’s most vicious critics had not come that morning. One of the journalists there had at one time worked with him. And at a party some years ago he had nearly succeeded in picking up one of the reporters—the woman from She on TV4.
“You took a real hit in there today,” said the one from Dagens Nyheter, clearly a young part-timer. “How does it feel?”
Despite the seriousness of the situation, neither Blomkvist nor the older journalists could help smiling. He exchanged glances with TV4. How does it feel? The half-witted sports reporter shoves his microphone in the face of the Breathless Athlete on the finishing line.
“I can only regret that the court did not come to a different conclusion,” he said a bit stuffily.
“Three months in gaol and 150,000 kronor damages. That’s pretty severe,” said She from TV4.
“I’ll survive.”
“Are you going to apologise to Wennerström? Shake his hand?”
“I think not.”
“So you still would say that he’s a crook?” Dagens Nyheter.
The court had just ruled that Blomkvist had libelled and defamed the financier Hans-Erik Wennerström. The trial was over and he had no plans to appeal. So what would happen if he repeated his claim on the courthouse steps? Blomkvist decided that he did not want to find out.
“I thought I had good reason to publish the information that was in my possession. The court has ruled otherwise, and I must accept that the judicial process has taken its course. Those of us on the editorial staff will have to discuss the judgement before we decide what we’re going to do. I have no more to add.”
“But how did you come to forget that journalists actually have to back up their assertions?” She from TV4. Her expression was neutral, but Blomkvist thought he saw a hint of disappointed repudiation in her eyes.
The reporters on site, apart from the boy from Dagens Nyheter, were all veterans in the business. For them the answer to that question was beyond the conceivable. “I have nothing to add,” he repeated, but when the others had accepted this TV4 stood him against the doors to the courthouse and asked her questions in front of the camera. She was kinder than he deserved, and there were enough clear answers to satisfy all the reporters still standing behind her. The story would be in the headlines but he reminded himself that they were not dealing with the media event of the year here. The reporters had what they needed and headed back to their respective newsrooms.
Product details
- Publisher : Vintage Crime/Black Lizard; Later Printing edition (June 23, 2009)
- Language : English
- Paperback : 600 pages
- ISBN-10 : 0307454541
- ISBN-13 : 978-0307454546
- Item Weight : 15.2 ounces
- Dimensions : 5.2 x 1.01 x 7.98 inches
- Best Sellers Rank: #28,913 in Books (See Top 100 in Books)
- #187 in International Mystery & Crime (Books)
- #208 in Science Fiction Crime & Mystery
- #3,217 in Suspense Thrillers
- Customer Reviews:
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About the authors

Stieg Larsson, who lived in Sweden, was the editor-in-chief of the magazine Expo and a leading expert on anti-democratic, right-wing extremist, and Nazi organizations. He died in 2004, shortly after delivering the manuscripts for The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest.

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Customers find the book to be a stellar, exciting read. They describe the story as suspenseful, complex, and engaging. Readers also appreciate the interesting characters. Additionally, they describe the series as great. However, some find the violence level graphic and sickening. Opinions are mixed on the writing quality, with some finding it brilliant and clear, while others say it's unclear and flows easily.
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Customers find the book to be a stellar, wonderful, and exciting read. They say it's an excellent piece of work with brilliant yet unlikeable characters. Readers also mention the pace is thrilling. Overall, they describe the book as entertaining and a true page-turner.
"...I would suggest being patient, because the payoff is well worth it...." Read more
"It truly is superb and in interesting ways, but be wary of the hype and the jacket blurbs. It is not, for example, a piledriving page-turner...." Read more
"...The main mystery was scary, thrilling, and serious. I loved reading the entire book and at no point was bored or disinterested...." Read more
"Good book! Have read it at least 5 times, will read it again and again. Best book of the three." Read more
Customers find the story complex, engaging, and satisfying. They also say the plot is layered and intricate enough to be satisfying. Readers mention the book enthralls even hardcore thriller fans.
"...He keeps the action going without putting in tedious descriptions of unnecessary details...." Read more
"...While the stories are often very good and engrossing (except for the incomprehensible Swedish geography detail), the book itself is, in my estimation..." Read more
"...The plot is very textured and layered. It is atmospheric, but not in the style of a James Lee Burke...." Read more
"...I loved reading the entire book and at no point was bored or disinterested. This author truly is amazingly good at writing thrillers...." Read more
Customers find the characters interesting. They also say Lisbeth is fantastic and the most interesting person in the story.
"...Although Larsson does a fine job of re-introducing recurring characters, it helps to know their back story; and back-to-back because Larsson's cast..." Read more
"...She is maddening and funny, sexy and unappealing, smart and dumb all at the same time, but always (almost always anyway) fully on top of everything..." Read more
"...The centerpiece is a fascinating character, à la Thomas Harris, and the plot's surprises and mystification with regard to pace are slightly..." Read more
"...This book is extremely well written with interesting characters, subplots, and relationships...." Read more
Customers find the series quality great. They say it's one of the best trilogies they have read in a very long time, with exciting twists and turns. Readers also mention that the stories hang together well without many puzzling unexplained gaps.
"...Have read it at least 5 times, will read it again and again. Best book of the three." Read more
"...The good news is that there are two more books in the series. I haven't read them yet, but look forward to getting to them.Recommended." Read more
"...is Sweden, and the atmosphere always felt dark and cold -- perfect for this story...." Read more
"...with a majority of the reviews here and admit that this is a remarkable novel with a lot of drive and vigor, few paragraphs of filler, and a wild..." Read more
Customers find the writing quality brilliant, clear, and flowed easily. They appreciate the author's great job of putting the emphasis where it belongs in each sentence. However, some readers find parts of the book hard to read and difficult to understand.
"...It turned out that, for me, it was easier to read it in large chunks, because it helps keep the information intact...." Read more
"...She is maddening and funny, sexy and unappealing, smart and dumb all at the same time, but always (almost always anyway) fully on top of everything..." Read more
"...The first 7 chapters are a bit difficult to understand because they are setting the scene for the bigger plot but there are two maps and a family..." Read more
"...In English translation at least, the writing is workmanlike, but not exceptionally rich or philosophic...." Read more
Customers have mixed opinions about the pacing of the book. Some mention it's thrilling and fast-moving, while others say it starts slow and feels rushed at certain points.
"...Too mush blantent sex, lesbian sex, no plot, super slow, too many details, doesn't feel like this authors writing...." Read more
"...novel (a novelist read by Blomkvist in the course of this story): layered, textured, slow to develop, but always ominous...." Read more
"This book starts slow (and I do mean slow - 100 pages of explanation of Swedish finance and economics to establish the background), but suddenly..." Read more
"I liked this book, but thought it was a bit slow to start. However, once I got going I had trouble putting it down...." Read more
Customers have mixed opinions about the detail of the book. Some mention it introduces the subplots methodically and convincingly. However, others say it has too many details and feels like information overload.
"...While that isn't necessary, it certainly makes it easier to keep track of things...." Read more
"...Too mush blantent sex, lesbian sex, no plot, super slow, too many details, doesn't feel like this authors writing...." Read more
"...All-in-all, though, it's a zippy translation and quite contemporary...." Read more
"...Like many first novels, this one is too ambitious. There are really two stories here . . . and they are not linked as well as you'll hope...." Read more
Customers find the violence in the book graphic, shocking, and sadistic. They say the sexual relationships and crimes are abhorrent. Readers also mention the book contains too much violence against women.
"...Note: the second and third book SUCK. Too mush blantent sex, lesbian sex, no plot, super slow, too many details, doesn't feel like this authors..." Read more
"...Fire" was very graphic. Gore, abuse, lesbian sex, insane villains, skewed senses of right and wrong in the bad guys AND the good guys...." Read more
"...: layered, textured, slow to develop, but always ominous...." Read more
"...There is a bit too much violence against women in the book for my taste. Actually, there is some pretty sick stuff and it put me off a bit...." Read more
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This story is absolutely great if you like mysteries
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THE MILLENNIUM TRILOGY (Part 1 of 3)
The Girl With the Dragon Tattoo
I heard of this book years ago from my mom. She had read it in Chinese, and I believe it had came out in Chinese before English. Since my mom has recommended me some dubious books in the past, I was wary of reading it. Then I saw "Stieg Larsson" and "Dragon Tattoo" popping up all over the place, and decided to go for it. I'm somewhat glad that I didn't pick this book up till now because that's allowed me to read the trilogy back-to-back. While that isn't necessary, it certainly makes it easier to keep track of things.
DRAGON TATTOO reads like a "whodunit" mystery, and reminded me of the movie "Gosford Park." The protagonist is Mikael Blomvist, the gutsy financial reporter from Millennium magazine, who, in the beginning of the novel, has just lost a libel case against Wennerström, a businessman he had been investigating. As he ponders his fate for the near future, he gets a visit from a lawyer representing Henrik Vanger, a former mogul, who wants him to write a biography of his family. This writing job, however, is really just a pretext to allow Blomvist to do some investigation into a dark history of the family.
Then there's Lisbeth Salander, the girl with the dragon tattoo, who is a freelance researcher for a security firm. She is portrayed as a mysterious, introvert, and strong-willed woman who has her unconventional means of getting information. Salander's and Blomvist's worlds will soon converge and become the key focus of the book.
Here are a few things of note about Larsson's writing:
He keeps the action going without putting in tedious descriptions of unnecessary details. He does enough to give life to the scene, but focuses on the important elements.
He writes with a point of view, which is to say that, this isn't just your regular mystery novel. Larsson, himself a journalist, seems to know the inner workings of many Swedish institutions. Each of his book seems to broaden the focus of these institutions. For example, DRAGON TATTOO focuses mostly on independent journalism and the corporate world; PLAYED WITH FIRE focuses on the media, academia, and law enforcement; and "Hornet's Nest" focuses on secret government agencies (at least as far as I know; I'm still reading it). Larsson also has strong opinions about things going on in Sweden, in it comes through in his writing (most obviously in Blomvist's voice). It's a refreshing take on a traditional genre that I find really powerful.
The cast of characters and the institutions can get overwhelming, especially if you really want to understand the connections between everything. Larsson also has the tendency of referring to his characters by their last name, the first name, and their nick names, so it helps to have it all fresh in your head. I would suggest being patient, because the payoff is well worth it. I was a bit stumped in the beginning of this novel, mostly because I had thought it was "light reading," the type of book that you can read in small bits before you go to bed, or when you're on the subway. It turned out that, for me, it was easier to read it in large chunks, because it helps keep the information intact.
Despite of the cast, the characters were all well-written, including the minor ones. Lesser authors would have reduced them to caricatures, but Larsson doesn't pull that here.
The twists in this book were AWESOME. Several times I would say out-loud "Oooooh" and have to get up and take a breather (and I only do that when I'm excited by a book).
Evidently, coffee is big in Sweden. :)
So far, this is my favorite of the trilogy. It seems more like a standalone novel, and might even be seen as a prologue to the latter two books.
What link the two stories together are the main players, Blomkvist and Salander and some of their side-kicks and compatriots. Their actual link-up did not occur, however, for at least the first 300 pages as their separate life stories were developed without overlap. Thus, it was a very long lead-up to their collaboration. Too long? Yes. Way too long.
Thus, we have the other great flaw in this novel: it is too long (590 pages). While the stories are often very good and engrossing (except for the incomprehensible Swedish geography detail), the book itself is, in my estimation, at least 100+ pages too long. The extra length was sheer fluff, existing on virtually every page and often several pages long - a clear case of "too much information" (TMI).
At times there is a very good, exciting pace to the tale, especially, as an example, when the evil one decides to try to murder Blomkvist with a rifle.
Quite a bit of the central story is grisly, almost hard core and brutal pornography - gruesomely difficult to read at times. But after all, the central message of the book revolves around abuse and murder of innocent women. Even the telling about past abuse done to others is awful, let alone the experiencing of it by Salander and -- one time only -- by Blomkvist. Incest, murder and torture become major themes in the book.
"The Girl with the Dragon Tattoo" is quite well written and for the most part interesting (except for the secondary story - a world-wide economic gangster scam -- which is, frankly rather dull). The translation, performed by 65 year-old Reg Keeland (who lives in Albuquerque, New Mexico), is admirable, though the pages are often peppered with long unused American slang phrases from the 1950s and 1960s, a function of his generation, no doubt and how he perhaps mistakenly believes Swedes talk casually to each other or write. All-in-all, though, it's a zippy translation and quite contemporary. He does an especially good job translating 24 year-old Salander's voice.
Salander is by far the most interesting character in the book, completely and fully consistent from one end of the book to the other. She is maddening and funny, sexy and unappealing, smart and dumb all at the same time, but always (almost always anyway) fully on top of everything that occurs in her young life. She is a women's advocate, a champion for abused women everywhere, and with good reason. Her own life is filled with unhappiness, abuse, wrongful societal categorization, and alienation. She blossoms into a more complete woman in the company of Blomkvist, but in the end .... well ... in the end, there is an end, ordinary and sad as it is. The book is really all about Salander, her skill, the ultimate tragedy of her life and her disdain for all authority and societal norms. While she doesn't hate all men (particularly not Blomkvist), she does believe most males are idiots and a good percentage of us abusive and misogynist.
Blomkvist is portrayed as the opposite of the male chauvinist pig. He does have his "piggish" qualities, but they are not founded in a dislike of women. On the contrary, he seems able to charm and seduce almost any woman he finds interesting, regardless of age, social status or background. In a sense, he is really a neutral kind of guy, smart and apparently attractive, and he rarely makes waves. He's a dogged investigative journalist, who accepts his fate -- time and time again. The problem with the Salander-Blomkvist relationship is that both are incapable of and uninterested in discussing their relationship. They are together because of mutual sleuthing skills and sex. As such, it can't end well, one might think.
Blomkvist's other love interest, Erika Berger, is a flashy successful business woman, Blomkvist's full equal and business partner. She actually is not a very interesting character. The old man, Henrik Vanger, is well portrayed and ably characterized as the elder statesman of his huge and dysfunctional family.
I liked the book and I would recommend it to most of my friends and acquaintances. I honestly don't know how to rate it. Is it a 3 or a 5? I'll settle for a 4.0.
Top reviews from other countries
With fluid and never exhausting writing, Larsson uses various moments throughout the story to openly make comments about the politic and journalistic system of Sweden, approaching themes like misogyny and Swedish nazism accurately (in this point it's important to remember Larsson was a journalist actively engaged on studies about far-right politics movements). This haunting atmosphere, in association with a perfectly developed narrative, makes this a remarkable and realistic thriller.
There're also two movies adaptations of this book, the Swedish and American versions. The American version is particularly more close to the book and well produced than the Swedish one. The ending was slightly changed, though.



















