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Girl at War: A Novel Kindle Edition
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BOOKPAGE, BOOKLIST, AND ELECTRIC LITERATURE • ALEX AWARD WINNER • LOS ANGELES TIMES BOOK PRIZE FINALIST • LONGLISTED FOR THE BAILEYS WOMEN’S PRIZE FOR FICTION
Zagreb, 1991. Ana Jurić is a carefree ten-year-old, living with her family in a small apartment in Croatia’s capital. But that year, civil war breaks out across Yugoslavia, splintering Ana’s idyllic childhood. Daily life is altered by food rations and air raid drills, and soccer matches are replaced by sniper fire. Neighbors grow suspicious of one another, and Ana’s sense of safety starts to fray. When the war arrives at her doorstep, Ana must find her way in a dangerous world.
New York, 2001. Ana is now a college student in Manhattan. Though she’s tried to move on from her past, she can’t escape her memories of war—secrets she keeps even from those closest to her. Haunted by the events that forever changed her family, Ana returns to Croatia after a decade away, hoping to make peace with the place she once called home. As she faces her ghosts, she must come to terms with her country’s difficult history and the events that interrupted her childhood years before.
Moving back and forth through time, Girl at War is an honest, generous, brilliantly written novel that illuminates how history shapes the individual. Sara Nović fearlessly shows the impact of war on one young girl—and its legacy on all of us. It’s a debut by a writer who has stared into recent history to find a story that continues to resonate today.
Praise for Girl at War
“Outstanding . . . Girl at War performs the miracle of making the stories of broken lives in a distant country feel as large and universal as myth.”—The New York Times Book Review (Editor’s Choice)
“[An] old-fashioned page-turner that will demand all of the reader’s attention, happily given. A debut novel that astonishes.”—Vanity Fair
“Shattering . . . The book begins with what deserves to become one of contemporary literature’s more memorable opening lines. The sentences that follow are equally as lyrical as a folk lament and as taut as metal wire wrapped through an electrified fence.”—USA Today
- Length
325
- Language
EN
English
- Kindle feature
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- PublisherRandom House
- Publication date
2015
May 12
- File size2.9 MB
- Kindle feature
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From the Publisher
Editorial Reviews
Review
“[An] old-fashioned page-turner that will demand all of the reader’s attention, happily given. A debut novel that astonishes.”—Vanity Fair
“A shattering debut . . . The book begins with what deserves to become one of contemporary literature’s more memorable opening lines. The sentences that follow are equally as lyrical as a folk lament and as taut as metal wire wrapped through an electrified fence.”—USA Today
“[A] gripping debut novel . . . [Sara] Nović, in tender and eloquent prose, explores the challenge of how to live even after one has survived.”—O: The Oprah Magazine
“Powerful and vividly wrought . . . Nović writes about horrors with an elegant understatement. In cool, accomplished sentences, we are met with the gravity, brutality and even the mundaneness of war and loss as well as the enduring capacity to live.”—San Francisco Chronicle
“Intimate and immense . . . [Nović is] a writer whose own gravity and talent anchor this novel.”—The New York Times
“Sara Nović’s powerful debut novel . . . is an important and profoundly moving reading experience. . . . It will be interesting to see if another novelist, particularly a first-time novelist, can match Nović’s bravura, gut-punching opening section. . . . Girl at War is a superb exploration of conflict and its aftermath.”—The National
“Astonishing . . . Girl at War is an extraordinarily poised and potent debut novel, a story about grief and exile, memory and identity, and the redemptive power of love.”—Financial Times
“Remarkable.”—Julia Glass, The Boston Globe
“[A] powerful, gorgeous debut novel.”—Adam Johnson, The Week
“One of this year’s most discussed debuts . . . What makes [Girl at War] unique is that it’s not concerned with unmasking the horrors of war, as many have repeatedly done. Instead, this book is an exploration of how humans grow, prosper and move on from unthinkable times.”—Paste
“As Nović gradually reveals, you can take the girl out of the war zone, but you can’t take the war zone out of the girl. By the time Ana becomes a student at a New York university, all that violence has been bottled up inside her head for a decade. Thanks to Nović’s considerable skill, Ana’s return visit to her homeland and her past is nearly as cathartic for the reader as it is for Ana.”—Booklist (starred review)
“An unforgettable portrait of how war forever changes the life of the individual, Girl at War is a remarkable debut by a writer working with deep reserves of talent, heart, and mind.”—Gary Shteyngart, author of Little Failure and Super Sad True Love Story
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
They Both Fell
1
The war in Zagreb began over a pack of cigarettes. There had been tensions beforehand, rumors of disturbances in other towns whispered above my head, but no explosions, nothing outright. Caught between the mountains, Zagreb sweltered in the summer, and most people abandoned the city for the coast during the hottest months. For as long as I could remember my family had vacationed with my godparents in a fishing village down south. But the Serbs had blocked the roads to the sea, at least that’s what everyone was saying, so for the first time in my life we spent the summer inland.
Everything in the city was clammy, doorknobs and train handrails slick with other people’s sweat, the air heavy with the smell of yesterday’s lunch. We took cold showers and walked around the flat in our underwear. Under the run of cool water I imagined my skin sizzling, steam rising from it. At night we lay atop our sheets, awaiting fitful sleep and fever dreams.
I turned ten in the last week of August, a celebration marked by a soggy cake and eclipsed by heat and disquiet. My parents invited their best friends—my godparents, Petar and Marina—over for dinner that weekend. The house where we usually stayed the summers belonged to Petar’s grandfather. My mother’s break from teaching allowed us three months of vacation—my father taking a train, meeting us later—and the five of us would live there together on the cliffs along the Adriatic. Now that we were landlocked, the weekend dinners had become an anxious charade of normalcy.
Before Petar and Marina arrived I argued with my mother about putting on clothes.
“You’re not an animal, Ana. You’ll wear shorts to dinner or you’ll get nothing.”
“In Tiska I only wear my swimsuit bottoms anyway,” I said, but my mother gave me a look and I got dressed.
That night the adults were engaging in their regular debate about exactly how long they’d known each other. They had been friends since before they were my age, they liked to say, no matter how old I was, and after the better part of an hour and a bottle of FeraVino they’d usually leave it at that. Petar and Marina had no children for me to play with, so I sat at the table holding my baby sister and listening to them vie for the farthest-reaching memory. Rahela was only eight months old and had never seen the coast, so I talked to her about the sea and our little boat, and she smiled when I made fish faces at her.
After we ate, Petar called me over and handed me a fistful of dinar. “Let’s see if you can beat your record,” he said. It was a game between us—I would run to the store to buy his cigarettes and he would time me. If I beat my record he’d let me keep a few dinar from the change. I stuffed the money in the pocket of my cutoffs and took off down the nine flights of stairs.
I was sure I was about to set a new record. I’d perfected my route, knew when to hug the curves around buildings and avoid the bumps in the side streets. I passed the house with the big orange beware of dog sign (though no dog ever lived there that I could remember), jumped over a set of cement steps, and veered away from the dumpsters. Under a concrete archway that always smelled like piss, I held my breath and sped into the open city. I skirted the biggest pothole in front of the bar frequented by the daytime drinkers, slowing only slightly as I came upon the old man at his folding table hawking stolen chocolates. The newsstand kiosk’s red awning shifted in a rare breeze, signaling me like a finish line flag.
I put my elbows on the counter to get the clerk’s attention. Mr. Petrović knew me and knew what I wanted, but today his smile looked more like a smirk.
“Do you want Serbian cigarettes or Croatian ones?” The way he stressed the two nationalities sounded unnatural. I had heard people on the news talking about Serbs and Croats this way because of the fighting in the villages, but no one had ever said anything to me directly. And I didn’t want to buy the wrong kind of cigarettes.
“Can I have the ones I always get, please?”
“Serbian or Croatian?”
“You know. The gold wrapper?” I tried to see around his bulk, pointing to the shelf behind him. But he just laughed and waved to another customer, who sneered at me.
“Hey!” I tried to get the clerk’s attention back. He ignored me and made change for the next man in line. I’d already lost the game, but I ran home as fast as I could anyway.
“Mr. Petrović wanted me to pick Serbian or Croatian cigarettes,” I told Petar. “I didn’t know the answer and he wouldn’t give me any. I’m sorry.”
My parents exchanged looks and Petar motioned for me to sit on his lap. He was tall—taller than my father—and flushed from the heat and wine. I climbed up on his wide thigh.
“It’s okay,” he said, patting his stomach. “I’m too full for cigarettes anyway.” I pulled the money from my shorts and relinquished it. He pressed a few dinar coins into my palm.
“But I didn’t win.”
“Yes,” he said. “But today that’s not your fault.”
That night my father came into the living room, where I slept, and sat down on the bench of the old upright piano. We’d inherited the piano from an aunt of Petar’s—he and Marina didn’t have space for it—but we couldn’t afford to have it tuned, and the first octave was so flat all the keys gave out the same tired tone. I heard my father pressing the foot pedals down in rhythm with the habitual nervous jiggle of his leg, but he didn’t touch the keys. After a while he got up and came to sit on the armrest of the couch, where I lay. Soon we were going to buy a mattress.
“Ana? You awake?”
I tried to open my eyes, felt them flitting beneath the lids.
“Awake,” I managed.
“Filter 160s. They’re Croatian. So you know for next time.”
“Filter 160s,” I said, committing it to memory.
My father kissed my forehead and said good night, but I felt him in the doorway moments later, his body blocking out the kitchen lamplight.
“If I’d been there,” he whispered, but I wasn’t sure he was talking to me so I stayed quiet and he didn’t say anything else.
In the morning Milošević was on TV giving a speech, and when I saw him, I laughed. He had big ears and a fat red face, jowls sagging like a dejected bulldog. His accent was nasal, nothing like the gentle, throaty voice of my father. Looking angry, he hammered his fist in rhythm with his speech. He was saying something about cleansing the land, repeating it over and over. I had no idea what he was talking about, but as he spoke and pounded he got redder and redder. So I laughed, and my mother poked her head around the corner to see what was so funny.
“Turn that off.” I felt my cheeks go hot, thinking she was mad at me for laughing at what must have been an important speech. But her face softened quickly. “Go play,” she said. “Bet Luka’s already beat you to the Trg.”
My best friend, Luka, and I spent the summer biking around the town square and meeting our classmates for pickup football games. We were freckled and tan and perpetually grass-stained, and now that we were down to just a few weeks of freedom before the start of school we met even earlier and stayed out later, determined not to let any vacation go to waste. I found him along our regular bike route. We cycled side by side, Luka occasionally swinging his front tire into mine so that we’d nearly crash. It was a favorite joke of his and he laughed the whole way, but I was still thinking about Petrović. In school we’d been taught to ignore distinguishing ethnic factors, though it was easy enough to discern someone’s ancestry by their last name. Instead we were trained to regurgitate pan-Slavic slogans: “Bratstvo i Jedinstvo!” Brotherhood and Unity. But now it seemed the differences between us might be important after all. Luka’s family was originally from Bosnia, a mixed state, a confusing third category. Serbs wrote in Cyrillic and Croats in the Latin alphabet, but in Bosnia they used both, the spoken differences even more minute. I wondered if there was a special brand of Bosnian cigarettes, too, and whether Luka’s father smoked those.
When we arrived in the Trg it was crowded and I could tell something was wrong. In light of this new Serb-Croat divide, everything—including the statue of Ban Jelačić, sword drawn—now seemed a clue to the tensions I hadn’t seen coming. During World War II the ban’s sword was aimed toward the Hungarians in a defensive gesture, but afterward the Communists had removed the statue in a neutralization of nationalistic symbols. Luka and I had watched when, after the last elections, men with ropes and heavy machinery returned Jelačić to his post. Now he was facing south, toward Belgrade.
The Trg had always been a popular meeting place, but today people were swarming around the base of the statue looking frantic, milling through a snarl of trucks and tractors parked right in the cobblestoned Trg, where, on normal days, cars weren’t even allowed to drive. Baggage, shipping crates, and an assortment of free-floating housewares brimmed over the backs of flatbeds and were splayed across the square.
I thought of the gypsy camp my parents and I once passed while driving to visit my grandparents’ graves in Čakovec, caravans of wagons and trailers housing mysterious instruments and stolen children.
“They’ll pour acid in your eyes,” my mother warned when I wiggled in the pew while my father lit candles and prayed for his parents. “Little blind beggars earn three times as much as ones who can see.” I held her hand and was quiet for the rest of the day.
Luka and I dismounted our bikes and moved cautiously toward the mass of people and their belongings. But there were no bonfires or circus sideshows; there was no music—these were not the migrant people I’d seen on the outskirts of the northern villages.
The settlement was made almost entirely out of string. Ropes, twine, shoelaces, and strips of fabric of various thicknesses were strung from cars to tractors to piles of luggage in an elaborate tangle. The strings supported the sheets and blankets and bigger articles of clothing that served as makeshift tents. Luka and I stared alternately at each other and at the strangers, not knowing the words for what we were seeing, but understanding that it wasn’t good.
Candles circled the perimeter of the encampment, melting next to boxes on which someone had written “Contributions for the Refugees.” Most people who passed added something to a box, some emptying their pockets.
“Who are they?” I whispered.
“I don’t know,” Luka said. “Should we give them something?”
I took Petar’s dinar from my pocket and gave them to Luka, afraid to get too close myself. Luka had a few coins, too, and I held his bike while he put them in the box. As he leaned in I panicked, worrying that the city of string would swallow him up like the vines that come alive in horror movies. When he turned around I shoved his handlebars at him and he stumbled backward. As we rode away I felt my stomach twist into a knot I would only years later learn to call survivor’s guilt.
My classmates and I often met for football matches on the east side of the park, where the grass had fewer lumps. I was the only girl who played football, but sometimes other girls would come down to the field to jump rope and gossip.
“Why do you dress like a boy?” a pigtailed girl asked me once.
“It’s easier to play football in pants,” I told her. The real reason was that they were my neighbor’s clothes and we couldn’t afford anything else.
We began collecting stories. They started out with strings of complex relationships—my best friend’s second cousin, my uncle’s boss—and whoever kicked the ball between improvised (and ever-negotiable) goal markers got to tell their story first. An unspoken contest of gore developed, honoring whoever could more creatively describe the blown-out brains of their distant acquaintances. Stjepan’s cousins had seen a mine explode a kid’s leg, little bits of skin clinging to grooves in the sidewalk for a week afterward. Tomislav had heard of a boy who was shot in the eye by a sniper in Zagora; his eyeball had turned to liquid like a runny egg right there in front of everyone.
At home my mother paced the kitchen talking on the phone to friends in other towns, then hung out the window, passing the news to the next apartment building over. I stood close while she discussed the mounting tensions on the banks of the Danube with the women on the other side of the clothesline, absorbing as much as I could before running off to find my friends. A citywide spy network, we passed on any information we overheard, relaying stories of victims whose links to us were becoming less and less remote.
On the first day of school, our teacher took attendance and found one of our classmates missing.
“Anyone hear from Zlatko?” she said.
“Maybe he went back to Serbia, where he belongs,” said Mate, a boy I’d always found obnoxious. A few people snickered and our teacher shushed them. Beside me, Stjepan raised his hand.
“He moved,” Stjepan said.
“Moved?” Our teacher flipped through some papers on her clipboard. “Are you sure?”
“He lived in my building. Two nights ago I saw his family carrying big suitcases out to a truck. He said they had to leave before the air raids started. He said to tell everyone goodbye.” The class erupted into high-strung chatter at this news:
“What’s an air raid?”
“Who will be our goalie now?”
“Good riddance to him!”
“Shut up, Mate,” I said.
“Enough!” said our teacher. We quieted.
An air raid, she explained, was when planes flew over cities and tried to knock buildings down with bombs. She drew chalky maps denoting shelters, listed the necessities our families should bring underground with us: AM radio, water jug, flashlight, batteries for the flashlight. I didn’t understand whose planes wanted what buildings to explode, or how to tell a regular plane from a bad one, though I was happy for the reprieve from regular lessons. But soon she began to swipe at the board, inciting an angry cloud of eraser dust. She let out a sigh as if she were impatient with air raids, brushing the settling chalk away from the pleats in her skirt. We moved on to long division, and were not offered a time for asking questions. --This text refers to an out of print or unavailable edition of this title.
Product details
- ASIN : B00NRQW84K
- Publisher : Random House; Reprint edition (May 12, 2015)
- Publication date : May 12, 2015
- Language : English
- File size : 2958 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 325 pages
- Best Sellers Rank: #417,420 in Kindle Store (See Top 100 in Kindle Store)
- #2,500 in Historical Literary Fiction
- #2,513 in Coming of Age Fiction (Kindle Store)
- #2,824 in War Fiction (Kindle Store)
- Customer Reviews:
About the author

Sara is the author of the novel GIRL AT WAR (2015), the nonfiction project AMERICA IS IMMIGRANTS (2019), and Reese's Book Club April 2022 pick, TRUE BIZ, all from Random House.
Sara has an MFA from Columbia University, where she studied fiction and literary translation. She teaches creative writing and Deaf studies at Emerson College and Stockton University, and lives in Philadelphia.
For more writing, information and events, visit http://sara-novic.com
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Top reviews from the United States
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Despite the author having only lived in Croatia for a small period of time, she captures the feel of life there both before and after the war. It is the after the war that I'm more familiar with (having lived there in 2013 and 2014) and I was very impressed by how accurately the author gets the feel and mood of the psyche of the people who live there now, having survived a war and accompanying terrible atrocities. The way everyone seems to suffer from some form of PTSD but nothing is talked about, how the countryside continues to bear the marks of battle, how the war continues to color life.
I also liked the pace of this book, she kept it moving but still you were able to experience the tragic events as they unfolded. Novic didn't linger on unnecessary details but gave you just enough to fill in the picture.
I wish more people knew about this book, it should be on best seller lists, despite it being a work of fiction, Novic is one of the few I've read who gets the feel and mood of that part of the region just right (from my experience).
Highly recommend for all, great for book clubs!
I was completely immersed in Ana's childhood. I loved her personality and her friendship with Luka. The level of detail was perfect: the story played out like a movie in my mind. I could've read an entire book from that point of view. A lot of child-POV books don't quite pull it off; this one does.
It is jarring, the mix of this idyllic childhood with war. Not our US version of newspaper-TV war, but hurry-get-to-the-shelter war. Zig-zag-when-you-run war.
-- Adult-Ana looking back: "The country was at war, but for most people the war was more an idea than an experience, and I felt something between anger and shame that Americans—that I—could sometimes ignore its impact for days at a time. ... What war meant in America was so incongruous with what had happened in Croatia—what must have been happening in Afghanistan—that it almost seemed a misuse of the word." --
I lived in Hungary for some years, and occasionally traveled to Croatia and Bosnia for work. This was in the late '90s and early 00s. Seeing the effects of the war off the TV screen and in front of my face was sobering. Trees growing up through bombed-out buildings where laundry was hanging off a rail-less balcony. Barefoot kids jumping close to traffic, trying to sell trinkets or cigarettes. People with missing limbs. The raised, wooden sidewalks constructed all over our work sites to ferry folks safely over any live mines. The lack of those sidewalks where the locals lived. I had dinner one night with two childhood best friends who'd been on opposite sides of the war and had recently found each other again. They talked about having wondered if they were were shooting at each other during firefights.
I only saw the after. This story pulled me in and made me feel the during. That it was from a child's point of view was heartbreaking and harsh.
The adult-Ana parts didn't grab me quite as much, and it was there where I found myself with some "But why ..." moments. No spoilers, but I wanted more information on her and her sister's experiences after the first part of the story. Why certain choices were made about their upbringing -- around family history, what was/wasn't told to them, language, etc. I do, however, think the adult parts were necessary to tell this story. The effects and how she had to cope didn't end when the war did.
As others have said, the ending was abrupt. It took me surprise -- you know, when you flip back to make sure you didn't miss something. But actually, after reflecting, I'm okay with the ending. I think the author laid it out enough so that you get an idea of where things are going. She leaves it with some hope.
Kudos to the author on a powerful, riveting first novel. (And pleasepleaseplease write more novels. 'Kay, thanks.)
Top reviews from other countries
It had 316 pages, a pleasing font and regular sized chapters making the book comfortable to read. At the start there are two maps showing the area pre and post conflict which is very useful as the story moves on.
Using a child as the main character during the war works really well as the reader sees the innocence whilst they learn about the horrors alongside Ana (the 10 year old tomboy). Making her a tomboy adds another facet to the plot as situations can be explored from both female and male perspectives.
We are moved forward in time to see how Ana's life develops and then back again to fill in gaps and provide her with resolution.
This is a very complicated conflict and focusing on one small child allows the reader a deep degree of understanding. It's easy to engage with Ana and want her to be settled.
I found the book very calming to read, finding myself able to observe the conflict and see it's effects on the individual.
When I ended it, I then went and read about the places and events mentioned in the book and sat on the sofa crying all night. It's an important book. I hope to read more like it.
However I would not discourage others from reading Girl at War. It shines a light on a brutal civil war that occurred just a very short time ago and will do much to educate its young adult audience.






