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The Girls: A Novel Kindle Edition
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|Length: 346 pages||Word Wise: Enabled||Enhanced Typesetting: Enabled|
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“[The Girls reimagines] the American novel . . . Like Mary Gaitskill’s Veronica or Lorrie Moore’s Who Will Run the Frog Hospital?, The Girls captures a defining friendship in its full humanity with a touch of rock-memoir, tell-it-like-it-really-was attitude.”—Vogue
“Debut novels like this are rare, indeed. . . . The most remarkable quality of this novel is Cline’s ability to articulate the anxieties of adolescence in language that’s gorgeously poetic without mangling the authenticity of a teenager’s consciousness. The adult’s melancholy reflection and the girl’s swelling impetuousness are flawlessly braided together. . . . For a story that traffics in the lurid notoriety of the Manson murders, The Girls is an extraordinary act of restraint. With the maturity of a writer twice her age, Cline has written a wise novel that’s never showy: a quiet, seething confession of yearning and terror.”—The Washington Post
“Outstanding . . . Cline’s novel is an astonishing work of imagination—remarkably atmospheric, preternaturally intelligent, and brutally feminist. . . . Cline painstakingly destroys the separation between art and faithful representation to create something new, wonderful, and disorienting.”—The Boston Globe
“Finely intelligent, often superbly written, with flashingly brilliant sentences, . . . Cline’s first novel, The Girls, is a song of innocence and experience. . . . In another way, though, Cline’s novel is itself a complicated mixture of freshness and worldly sophistication. . . . At her frequent best, Cline sees the world exactly and generously. On every other page, it seems, there is something remarkable—an immaculate phrase, a boldly modifying adverb, a metaphor or simile that makes a sudden, electric connection between its poles. . . . Much of this has to do with Cline’s ability to look again, like a painter, and see (or sense) things better than most of us do.”—The New Yorker
“Breathtaking . . . So accomplished that it’s hard to believe it’s a debut. Cline’s powerful characters linger long after the final page.”—Entertainment Weekly (Summer Must List)
“A mesmerizing and sympathetic portrait of teen girls.”—People (Summer’s Best Books)
“The Girls isn’t a Wikipedia novel, it’s not one of those historical novels that congratulates the present on its improvements over the past, and it doesn’t impose today’s ideas on the old days. As the smartphone-era frame around Evie’s story implies, Cline is interested in the Manson chapter for the way it amplifies the novel’s traditional concerns. Pastoral, marriage plot, crime story—the novel of the cult has it all.”—New York Magazine
- File Size : 1461 KB
- Language: : English
- ASIN : B015LYZH20
- Publication Date : June 14, 2016
- Word Wise : Enabled
- Print Length : 346 pages
- Publisher : Random House (June 14, 2016)
- Text-to-Speech : Enabled
- Enhanced Typesetting : Enabled
- X-Ray : Enabled
- Lending : Not Enabled
- Best Sellers Rank: #73,162 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
Top reviews from the United States
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But then it became exhausting. Because while Cline is an incredibly gifted writer, she's not a great storyteller, and it got really tiring reading paragraph after paragraph of beautiful prose that essentially says nothing. The pacing was soooooo sloooooow. It took pages to describe the smallest details. The story, in a nutshell, is about a girl who becomes part of a cult, and the cult commits heinous murders. The premise is fantastic. But in my opinion, it was told from the wrong point of view. What should have been a fabulous imaginative retelling of Manson fell flat, because the protagonist is only a bystander, and a part-time one at that. She doesn't live with the cult - she goes home most nights. She has no memorable relationships with anyone else in the group, other than the one girl she's infatuated with. But because her attraction is one-sided, the relationship never develops. And other than this one girl, the other characters are barely sketched out. They only exist in her peripheral vision, hazy snapshots at best, and this includes the Manson-like character himself. The victims, we don't really know at all, so it's difficult to be horrified about what happens to them. Speaking of which, she's not involved at all in the planning of the murders, and she's even not there when the murders happen. All that build-up, and we don't even see the terrible thing that's the climax of the story.
The book is essentially one giant flashback, with a handful of present-day scenes telling us very little about the protagonist's life now (but I get why Cline choose to do it this way - if the story is told in flashback, she can tell it with added insight and hindsight, using lots of "little did she know's" to hint at what's to come - a cheap way to create tension, but I suppose it's better than no tension at all). In the end, though, it's so completely dissatisfying because we don't know what she's learned, or how she's grown. She hints at trying to help a young girl in the present-day, someone who reminds her of herself, but again, it never develops into anything.
This is a story that gets lost in its own words. I'm so disappointed. Great premise, great writing, weak story.
Based on several reviews, I was anticipating a dark read full of teenage angst that played on a graphic core in order to up the “wow” factor. I could not have been more wrong. Nor have I ever been happier to be so wrong. The Girls is a shining example of how to utilize first person narration in the most successful ways.
It is the end of the 60’s in Northern California. It is summer, and Evie Boyd feels isolated and out-of-place. Like many teenage girls she just wants to belong. Enter Suzanne. She is care-free and captivating. Immediately drawn to this young stranger, she slowly begins distancing herself from her family and only real friend to spend more time with Suzanne and her friends on the ranch led by the amorous Russell. Evie feels like she has finally found her place in life. But once the initial luster wears off, she realizes she may be involved in something sinister and dangerous.
“My eyes were already habituated to the texture of decay, so I thought that I had passed back into the circle of light.”
Evie Boyd is so bitterly realistic and raw as a protagonist that there is a part of her I found uncomfortably familiar. As a young impressionable girl desperately seeking an acceptance that most of us can remember feeling was out of reach during some point in our young lives, she is undeniably relatable to at least a small degree. It is this painfully honest approach to her character that gives her and The Girls true life and credibility. The part of me that would normally question her frighteningly bad decisions and actions was easily replaced with an equal amount of sadness and understanding. I didn’t like that I was juggling this new-found sympathy for a character who was making harrowing choices, but I couldn’t help but admire the author’s ability to solicit this from me. Full immersion into Evie’s life had occurred.
“You wanted things and you couldn’t help it, because there was only your life, only yourself to wake up with, and how could you ever tell yourself what you wanted was wrong?”
Cline spares zero expense or feelings in effort to establish this dark world that is a cult. She brazenly exposes the reader to the loss of Evie’s innocence, gross sexual encounters and the repetitive drug use that fuels this disturbing journey into one young girl’s psych and time on the ranch. The very facets that make The Girls so disturbing also make it so triumphant. This no holds barred approach succeeds in setting the stage and making the unfathomable feel horribly possible. It is through this bold technique that the reader can begin to process how our young protagonist has come to find herself on the ranch. This is a terrifyingly sincere representation of cult life and culture. It is not meant to be pleasant or easy.
Cline’s writing is almost poetic yet pragmatic. She effortlessly supplies a fluid narration that leaps from Evie’s past to present. I have noted some reader’s struggled with the change in tone at times, but I personally found this to play perfectly into her transitions, conveying our narrator’s current state of mind more effectively. The ending did not offer an overly satisfying conclusion, but I couldn’t really ask that from The Girls.
So here is the hard part, I loved this novel. But I am hesitant to recommend it. This will be too much for many and rightfully so. This is a brutal coming of age story during a very dark time. It has burrowed deep into the core of my mind and is sure to remain for some time. If you find yourself truly fascinated with cult culture and the human psych and can stomach the harsh reality of what it entails, then consider adding this to your list.
I am just saying, that's how the book reads. Blah!
Top reviews from other countries
It’s a testament to an author’s talent that a novel draws you in despite its unpleasant characters and a story that raises more questions than it can answer. What is this commune about, what’s the characters’ background? I would have liked to know more about the reasons why ‘the girls’ stuck around despite the lack of food and basic comforts and with no apparent spiritual gains. By the end of the book, I was still unsure of what made Russell so appealing to these women in the first place. Ultimately, what kept me reading was Cline’s writing, her unusual turns of phrase and imagery; the way her prose is imbued with a growing sense of menace that is hard to shake off even once the last page has been turned.
“The Girls” is a novel that makes you want to savour every last word, but that somehow fails to satisfy.
She tells the story of Evie Boyd who during the summer of 1969 falls in with a group of girls who belong to what Evie understands to be a commune but is actually a cult. This summer will shape the rest of Evie’s life.
The narrative is told in two parts, Evie at 14 and middle age Evie.
Every woman will be able to identify with 14 year old Evie to a certain extent. 14 is such a pivotal age for a girl, you are becoming aware of your body, your femininity and how others see you. At 14 you want to be liked by those you identify with and being liked is so desperately important. I remember this time in my own life well and remember feeling this way, I can’t remember why it all mattered so much, but it did deeply.
14 is a time when some of us will follow the crowd and perhaps do things that we are uncomfortable with, that little voice in our head telling us to stop. This is the case for Evie as she tells us her story.
It is widely known that this book is based on the Manson family so inevitably it ends in tragedy and Evie spends the rest of her life trying to make sense of this.
I’ve read other reviews where readers query why the girls did the things they did and why they stayed at the ranch, talking about how unlikeable they were and I agree - I would say though that it is quite strongly inferred that these girls came from situations of abuse and they were essentially groomed by the charismatic Russell and believed he genuinely loved them. They were broken, by life, society and parents who didn’t care - even Evie, who came from a good home was in a position where her parents were emotionally distant - easy prey for those who are skilled in manipulation.
Overall I enjoyed this book, Emma Cline is truly talented, however I was left slightly wanting more, the ending lacked something for me, although I’m not sure what that is.
I look forward to reading more from Emma