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God: A Human History Hardcover – November 7, 2017
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In Zealot, Reza Aslan replaced the staid, well-worn portrayal of Jesus of Nazareth with a startling new image of the man in all his contradictions. In his new book, Aslan takes on a subject even more immense: God, writ large.
In layered prose and with thoughtful, accessible scholarship, Aslan narrates the history of religion as a remarkably cohesive attempt to understand the divine by giving it human traits and emotions. According to Aslan, this innate desire to humanize God is hardwired in our brains, making it a central feature of nearly every religious tradition. As Aslan writes, “Whether we are aware of it or not, and regardless of whether we’re believers or not, what the vast majority of us think about when we think about God is a divine version of ourselves.”
But this projection is not without consequences. We bestow upon God not just all that is good in human nature—our compassion, our thirst for justice—but all that is bad in it: our greed, our bigotry, our penchant for violence. All these qualities inform our religions, cultures, and governments.
More than just a history of our understanding of God, this book is an attempt to get to the root of this humanizing impulse in order to develop a more universal spirituality. Whether you believe in one God, many gods, or no god at all, God: A Human History will challenge the way you think about the divine and its role in our everyday lives.
Praise for God
“Timely, riveting, enlightening and necessary.”—HuffPost
“Tantalizing . . . Driven by [Reza] Aslan’s grace and curiosity, God . . . helps us pan out from our troubled times, while asking us to consider a more expansive view of the divine in contemporary life.”—The Seattle Times
“A fascinating exploration of the interaction of our humanity and God.”—Pittsburgh Post-Gazette
“[Aslan’s] slim, yet ambitious book [is] the story of how humans have created God with a capital G, and it’s thoroughly mind-blowing.”—Los Angeles Review of Books
“Aslan is a born storyteller, and there is much to enjoy in this intelligent survey.”—San Francisco Chronicle
- Print length320 pages
- LanguageEnglish
- PublisherRandom House
- Publication dateNovember 7, 2017
- Dimensions6.5 x 1 x 9.5 inches
- ISBN-10055339472X
- ISBN-13978-0553394726
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Editorial Reviews
Review
“Tantalizing . . . Driven by [Reza] Aslan’s grace and curiosity, God . . . helps us pan out from our troubled times, while asking us to consider a more expansive view of the divine in contemporary life.”—The Seattle Times
“A fascinating exploration of the interaction of our humanity and God.”—Pittsburgh Post-Gazette
“[Reza Aslan’s] slim, yet ambitious book [is] the story of how humans have created God with a capital G, and it’s thoroughly mind-blowing.”—Los Angeles Review of Books
“Aslan is a born storyteller, and there is much to enjoy in this intelligent survey.”—San Francisco Chronicle
“Extraordinary . . . clear, concise [and] lively.”—The Spectator
“Breathtaking in its scope and controversial in its claims, God: A Human History shows how humans from time immemorial have made God in their own image, and argues that they should now stop. Writing with all the verve and brilliance we have come to expect from his pen, Reza Aslan has once more produced a book that will prompt reflection and shatter assumptions.”—Bart D. Ehrman, author of How Jesus Became God
“Reza Aslan offers so much to relish in his excellent ‘human history’ of God. In tracing the commonalities that unite religions, Aslan makes truly challenging arguments that believers in many traditions will want to mull over, and to explore further. This rewarding book is very ambitious in its scope, and it is thoroughly grounded in an impressive body of reading and research.”—Philip Jenkins, author of Crucible of Faith
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Adam and Eve in Eden
In the beginning was the void. Darkness. Chaos. A vast sea of emptiness without shape or substance. No sky, no earth, no waters parted. No gods made manifest nor names pronounced. No fates decreed until . . . a flash, some light, and a sudden expansion of space and time, of energy and matter, of atoms and molecules—the building blocks of a hundred billion galaxies, each studded with a hundred billion stars.
Near one of these stars, a particle of dust, a micrometer in size, collides with another and, through hundreds of millions of years of accretion, it begins to whirl, gathering mass, forming a crust, creating oceans and land and, unexpectedly, life: simple, then complex; slithering, then walking.
Millennia pass as glaciers advance and retreat over the surface of the earth. The ice caps melt and the seas rise. Sheets of continental ice soften and slide over the low hills and valleys of Europe and Asia, transforming vast forests into treeless plains. And into this refuge step the incunabula of our species—the “historical” Adam and Eve, if you will: Homo sapiens, “the wise human.”
Tall, straight-limbed, and powerfully built, with broad noses and unsloped foreheads, Adam and Eve began their evolution between 300,000 and 200,000 b.c.e. as the final branch in the human family tree. Their ancestors trudged out of Africa roughly 100,000 years ago, at a time when the Sahara was not the empty barren it is today but a land of generous lakes and lush vegetation. They crossed the Arabian Peninsula in waves, fanning north across the Central Asian steppes, east into the Indian subcontinent, across the sea to Australia, and west over the Balkans, until they reached southern Spain and the edge of Europe.
Along the way, they encountered earlier species of migrating humans: the upright Homo erectus, who had made a similar journey into Europe hundreds of thousands of years earlier; the hearty Homo denisova, who roamed the plains of Siberia and east Asia; the barrel-chested Homo neanderthalensis—the Neanderthal—whom Homo sapiens either annihilated or absorbed (no one knows for sure).
Adam is a hunter, so when you picture him, picture a javelin at his side, a mammoth’s fur split and draped across his shoulders. His transformation from prey to predator has left behind a genetic imprint, an instinct for the hunt. He can track an animal over seasons, patiently waiting for the right moment to strike in a blur of violence. When he kills, he does not tear into the meat and devour it on the spot. He brings it back to his shelter to share with his community. Huddled under a broad canopy made of animal hide and framed by mammoth bones, he cooks his food in stone-ringed hearths and stores the leftovers in pits dug deep in the permafrost.
Eve, too, is a hunter, though her weapon of choice is not a javelin but a net, which she has spent months, perhaps years, weaving out of delicate plant fibers. Crouched on the forest floor in the dim early light, she carefully sets her snares along the mossy surface and waits patiently for a hapless rabbit or fox to step into them. Meanwhile her children scour the woods for edible plants, unearthing fungi and roots, scooping up large insects and reptiles to bring back to camp. When it comes to feeding the community, everyone has a role.
The tools Adam and Eve carry are made of flint and stone, but these are not simple gadgets gathered from the ground and easily discarded. They are part of a permanent repertoire: durable and intricately cast; made, not found. Adam and Eve take their tools with them from shelter to shelter and trade them occasionally for better tools, or for trinkets made of ivory or antler, pendants made of bone and teeth and mollusk shells. Such things are precious to them; they set them apart from the rest of their community. When one of them dies and is buried in the ground, these objects will be buried, too, so the deceased can continue to enjoy them in the life to come.
There will be a life to come, of that Adam and Eve are certain. Why else bother with burial? They have no practical reason to bury the dead. It is far easier to expose the bodies, to let them decay out in the open or be stripped clean by the birds. Yet they insist on interring the bodies of their friends and family, on shielding them from the ravages of nature, on according them a measure of respect. They will, for example, deliberately pose the corpse, stretching it out or curling it into fetal position, orienting it toward the east to meet the rising sun. They may scalp or flay the skull, reinter it in a secondary burial, or remove it entirely for display, complete with artificial eyes to simulate a gaze. They may even crack the skull open, scoop out the brain, and devour it.
The body itself they will dust with blood-red ochre (the color a symbol for life) before laying it on a bed of flowers and ornamenting it with necklaces, shells, animal bones, or tools—objects that were dear to the dead; objects he or she may need in the next life. They will light fires around the body and make offerings to it. They will even place stones on the mound to mark the grave so they can find it again and revisit it for years to come.
The assumption is that Adam and Eve do these things because they believe the dead are not really dead but merely in another realm, one that the living can access through dreams and visions. The body may rot but something of the self persists, something distinct and separate from the body—a soul, for lack of a better word.
Where they got this idea we do not know. But it is essential to their awareness of themselves. Adam and Eve seem to know intuitively that they are embodied souls. It is a belief so primal and innate, so deep-rooted and widespread, that it must be considered nothing less than the hallmark of the human experience. Indeed, Adam and Eve share this belief with their forebears, the Neanderthal and Homo erectus. They, too, appear to have practiced various forms of ritual burial, meaning that they, too, may have conceived of the soul as separate from the body.
If the soul is separate from the body, it can survive the body. And if the soul survives the body, then the visible world must teem with the souls of everyone who has ever lived and died. For Adam and Eve, these souls are perceptible; they exist in numberless forms. Disembodied, they become spirits with the power to inhabit all things—the birds, the trees, the mountains, the sun, the moon. All of these pulse with life; they are animated.
A day will come when these spirits will be fully humanized, given names and mythologies, transformed into supernatural beings, and worshiped and prayed to as gods.
But we are not there yet.
Still, it is no great leap for Adam and Eve to conclude that their souls—the thing that makes them them—are not so different in form or substance from the souls of those around them, the souls of those before them, the spirits of the trees, and the spirits in the mountains. Whatever they are, whatever makes up their essence, they share with all creation. They are part of a whole.
This belief is called animism—the attribution of a spiritual essence, or “soul,” to all objects, human or not—and it is very likely humanity’s earliest expression of anything that could be termed religion.
Our primitive ancestors, Adam and Eve, are primitive only with regard to their tools and technology. Their brains are as large and developed as ours. They are capable of abstract thoughts and possess the language to share those thoughts with each other. They speak like us. They think like us. They imagine and create, communicate and reason like us. They are, quite simply, us: full and complete human beings.
As full and complete human beings, they can be critical and experimental. They can use analogical reasoning to posit complex theories about the nature of reality. They can form coherent beliefs based on those theories. And they can preserve their beliefs, passing them down from generation to generation.
In fact, nearly everywhere Homo sapiens went, they left behind an imprint of these beliefs for us to uncover. Some of these are in the form of open-air monuments, most of which were swept away over time. Others are inhumed in burial mounds that, even tens of thousands of years later, display unambiguous signs of ritual activity. But nowhere do we come into closer contact with our ancient ancestors—nowhere do they come more fully into focus as human—than inside the spectacularly painted caves that dot the landscape of Europe and Asia like footprints marking the path of their migration.
As far as we can tell, fundamental to Adam and Eve’s belief system is the notion that the cosmos is tiered. The earth is a middle ground layered between the dome of the sky and the shallow bowl of the underworld. The upper realms can be reached only in dreams and altered states, and usually only by a shaman—someone who acts as an intermediary between the spiritual and material worlds. But the lower realms can be accessed by anyone, simply by burrowing deep into the earth—by crawling, sometimes for a mile or more, through caves and grottos to paint, etch, and sculpt their beliefs directly upon the rock wall, which acts as a “membrane” connecting their world to the world beyond.
These painted caves can be found as far afield as Australia and on the islands of Indonesia. They appear across the Caucasus—from the Kapova cave in the southern Ural Mountains in Russia, to the Cuciulat cave in western Romania, and all along Siberia’s upper Lena River valley. Some of the oldest and most stunningly well-preserved samples of prehistoric rock art can be found in the mountainous regions of Western Europe. In northern Spain, a large red disk painted on a cave wall in El Castillo can be traced to approximately 41,000 years ago, just around the time that Homo sapiens first arrived in the region. Southern France is perforated with such caves—from Font de Gaume and Les Combarelles in the Vézère valley, to Chauvet, Lascaux, and the Volp caves in the foothills of the Pyrenees.
The Volp caves in particular provide a unique glimpse into the purpose and function of these subterranean sanctuaries. The caves consist of three interconnected caverns carved out of limestone by the persistence of the Volp River: Enlène to the east, Le Tuc d’Audoubert to the west, and in the center Les Trois-Frères, named after the three French brothers who accidentally discovered the caves in 1912.
The three caves were first studied by the French archaeologist and priest Henri Breuil, known as Abbé Breuil, who meticulously copied by hand the trove of images he found inside. His renderings opened a window into a dim past, allowing us to reconstruct a plausible interpretation of the astonishing spiritual journey that our prehistoric ancestors might have taken here tens of thousands of years ago.
That journey begins about five hundred feet from the entrance of the first cave in the Volp complex—Enlène—in a small antechamber now called the Salle des Morts. It is important to note that Adam and Eve do not live in these caves; they are not “cavemen.” Most painted caves are hard to reach and unfit for human habitation. Entering them is like passing through liminal space, like crossing a threshold between the visible and supersensible worlds. Some caves show evidence of prolonged activity, and others contain a sort of anteroom where archaeological evidence suggests worshippers may have gathered to eat and sleep. But these are not dwelling places; this is sacred space, which explains why the images found inside them are often placed at great distances from the cave’s entrance, requiring a perilous journey through labyrinthine passages to view.
In the Volp caves, the Salle des Morts serves as a kind of staging ground, a place where Adam and Eve can prepare themselves for the experience to come. Here, they are enveloped in the suffocating stench of burning bone. There are sunken hearths all along the chamber floor, blazing with piles of animal bone. Bone is obviously a strong combustible, but that is not why it is burned here. There is, after all, no shortage of wood in the foothills of the Pyrenees; wood is far more plentiful than bone, and far easier to procure.
Yet animal bones are believed to possess a mediating power—they are inside the flesh but not of the flesh. That is why they are so often collected, polished, and worn as ornaments. It is why they are carved into talismans intricately engraved with images of bison, reindeer, or fish—animals that rarely correspond to the bones themselves. Sometimes the bones are inserted directly into the clefts and crevices of the cave walls, perhaps as a form of prayer, a means of conveying messages to the spirit realm.
Burning animal bone in these hearths is likely a means of absorbing the essence of the animal. The overpowering aroma of smoldering bone and marrow in such a confined space acts as a kind of incense meant to consecrate those gathered here. Picture Adam and Eve sitting in this antechamber for hours at a time, swathed in smoke, swaying with their kin to the pounding rhythm of animal-hide drums, the tinny echo of flutes carved from vulture bones, and the ting of xylophones constructed from polished flint blades—all of which have been discovered in and around caves like these—until they achieve the sanctified state necessary to continue on their journey.
Adam and Eve do not amble aimlessly through these caves. Each chamber, each niche, each fissure and corridor and recess has a specific purpose—all deliberately designed to induce an ecstatic experience. This is a carefully controlled affair, so that moving through the nooks and passages, absorbing the images cast on the walls, the floors, the ceilings elicits a particular emotional response, somewhat akin to following the Stages of the Cross in a medieval church.
First, they must get on their hands and knees and crawl through a two-hundred-foot passage that links Enlène to the second cave in the complex, Les Trois-Frères. Now they enter a wholly new realm, one marked by something that is so obviously missing from the first cave that it cannot possibly be a coincidence. For it is in this second cave that Adam and Eve first encounter the rock art that so indelibly defines their spiritual life.
Product details
- Publisher : Random House; First Edition (November 7, 2017)
- Language : English
- Hardcover : 320 pages
- ISBN-10 : 055339472X
- ISBN-13 : 978-0553394726
- Item Weight : 1.1 pounds
- Dimensions : 6.5 x 1 x 9.5 inches
- Best Sellers Rank: #157,229 in Books (See Top 100 in Books)
- #119 in General History of Religion
- #154 in History of Religions
- #187 in Comparative Religion (Books)
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About the author

Dr. Reza Aslan’s bachelor’s degree is in religious studies, with an emphasis on scripture and traditions (which at Santa Clara University means the New Testament). His minor was in biblical Greek. He has a master of theological studies degree from Harvard University, in world religions, and a Ph.D. from the University of California, Santa Barbara, in the sociology of religions. UCSB’s doctoral program is an interdisciplinary one that draws from religion, history, philosophy, and sociology, among other fields. Aslan’s doctorate in the sociology of religions encompasses expertise in the history of religion. Reza also has a master of fine arts degree from the University of Iowa.
Dr. Aslan is currently professor of creative writing at the University of California, Riverside, with a joint appointment in the department of religion, and he teaches in both disciplines. He was previously Wallerstein Distinguished Visiting Professor at Drew University, where he taught from 2012 to 2013, and assistant visiting professor of religion at the University of Iowa, where he taught from 2000 to 2003. He has written three books on religion.
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The book gives a whole new understanding of pantheism, the idea that God does exist but is much bigger than us humans can ever imagine, that God is the universe and everything in it, and that God as we know it in our respective religions is nothing more than a limited creation of our imagination.
That idea of a loving God? That’s a human characteristic. A jealous God? Also a human characteristic. In fact all images of God from fatherly love to His wrath are all images of human characteristics, impulses, desires, and instincts, all of which are enhanced to our idea of a perfection. In other words, our image of God is actually a super-human reflection of us.
And the book analyses exactly that, the fascinating evolution of the image of God from a human perspective, from the birth of animism to thousands of polytheism deities to the many millennia of developments that left us with only one true God today. It is surprising to read the story about Adam and Eve, for example, only to find out that it’s Homo Sapiens version of Adam and Eve. That in the beginning there was a big bang and millions of years of evolutionary process of the Earth. That it’s not the Garden of Eden but Gobleki Tepe and the birth of farming. Yes, the book is grounded in science and heavy on archaeological findings, which makes it unique as a book about religion.
Perhaps most fascinating for me is the thesis that Moses introduced Yahweh (the supreme deity of Midian, where his father in law was a Midianite priest) to the Israelite (a worshiper of the supreme deity of El or Elohim), which in a way answers the few questions I had when reading the Exodus. “El”, according to the author Reza Aslan, is referred in the English Bible as “God”, while “Yahweh” is referred in the English Bible as “Lord.” In fact, the very word Isra-el actually means “El perseveres”. And thus that famous scene of Israelite false worshiping a statue of a golden calf? Golden calf is the primary symbol of El, which indicates that they were trying to get back to worship their original deity.
But all of this frictions came to rest when after they settled in the Promised Land the Israelite finally accepted Yahweh as one of their deities, as highlighted in Deuteronomy 32:8-9. And both deities were later merged into one as Yahweh-Elohim or Lord God in the English Bible, as first appeared in Joshua 7:19. As Aslan remarked, “[a]nd as happened in Babylon, Assyria, Egypt, and elsewhere, as the nature of the rule of men on earth changed, so, too, did the rule of the gods in heaven to match; in other words, politicomorphism.”
Politicomorphism is what prompted the Romans, the Greeks, the Egyptians, and the Mesopotamians to deifying their powerful leaders into a god-man status. It’s what escalated the Hindu god Shiva from obscurity into one of the Trimurti. It was what created many different Christian Gnostic sects before the theological debate being settled in the council of Nicea (itself another politicomorphism action by Roman Emperor Constantine).
As Aslan further remark, “[t]he role of human mediator to the gods naturally fell to the gods’ counterparts on earth—primarily kings, pharaohs, and emperors, but also priests and prophets, mystics and messiahs. We saw how this process took shape in ancient Mesopotamia, with the consolidation of power into the hands of an autocratic few who wielded the power of the divine. And, as in Mesopotamia, once the need for a human mediator is accepted, it is a short step to deifying the mediator. After all, it makes a certain amount of sense to expect the person acting as the bridge between humans and the divine to also be divine (or at least semidivine).”
This, according to the book, is what happened with the role of Jesus Christ, thanks to the curious central role of a religious scholar named Marcion of Sinope, that set up the foundations of the New Testaments and prompted the new sect of Christianity to broke off from Judaism. And the long and difficult road from the days of Marcion to the council of Nicea was nothing short of extraordinary, where disagreements between many Sub-sects of Christianity (from Docetism, Ebionites, to dynamism, and adoptionism) was finally settled with the trinity of Father (Yahweh), Son (Jesus Christ), and the Holy Ghost (the divine spirit of God in the world).
Moreover, probably the most difficult thesis for me to digest is the evolution of “Allah”, which hit a little closer to home. While Muslims believe in the monotheistic manner that there are no other god than God (or Allah), in ancient polytheistic Arab “Allah” was actually seen as a material being who, like Zeus, had sired both sons and daughters. As Aslan elaborates, “[i]ndeed, Allah’s three daughters—Allat, who was associated with the Greek goddess Athena; Manat, who was likely connected with the Mesopotamian goddess Ishtar; and al-Uzza, who was the Arab equivalent of Aphrodite—played a central role in ancient Arab spirituality as Allah’s intermediaries.” But then, as it always does, politicomorphism occurred through the most extraordinary story possible.
As you can probably guessed, this book is not for everyone. Nothing is more unsettling for religious devotees to see their God being dismantled into an evolving folklore. But that is not the objective of this book, as Aslan himself respectively suggest that God, in the pantheistic way, is actually a reflection of every single one of these human-made images. Hence, the book is not attempting to disprove the existence of God, but on the contrary it is showing that God lives through all of these deities.
In Kindle, the book finishes at 54% mark, with the remaining of the book largely serves as the massive bibliography and notes sections. This tells a lot about the amount of research and evidences that Aslan, the religious scholar, has gathered for this one-in-a-million book. 5 stars from the beginning to the end.
I learned a lot from this book, which is very well written and easy to follow.
I had little use for the final chapter, which seemed to be proselytize a fair bit in favor of Sufi-ism and pantheism. Your own mileage on that may vary.
Over all, an excellent and educational read.
Long ago, it was thought that animism was the most ancient religion and that other religions in some sense were evolutionary developments of that principle. Aslan adds to the discussion with the emergence of cognitive science as a way of understanding the God concept as originating in the mind itself. Humans are “wired” that way. If there is a kind of evolutionary development—and he does see one of a different sort—it can be seen in this way:
What seems clear, however, is that belief in the soul may be humanity’s first belief. Indeed, if the cognitive theory of religion is correct, belief in the soul is what led to belief in God. The origin of the religious impulse, in other words, is not rooted in our quest for meaning or our fear of the unknown. It is not born of our involuntary reactions to the natural world. It is not an accidental consequence of the complex working of our brains. It is the result of something far more primal and difficult to explain: our ingrained, intuitive, and wholly experiential belief that we are, whatever else we are, embodied souls. (47)
Much attention is given in his study to the beginnings of civilization in the region of the Fertile Crescent, along with developments in Greek thought. Much in the early chapters seems oriented toward an anthropology of religions and also to the history of religions approach that have written a good deal of our background knowledge of religion in the Ancient Near East. Particular attention is given to the impact of the movement from a hunter-gatherer society to an agricultural-based society and the implications in terms of religion. Many readers will find this discussion fascinating.
His tracing the development of the Abrahamic religions will be the most intriguing part of his book for many readers. He investigates ancient Hebrew traditions in light of the cultural milieu of Canaan and Egypt and suggests how the Hebrew tradition uses and develops those traditions—all of which are older than the Hebrew traditions. The traditions of El and YHWH and the fusing of those traditions in chapter 7 suggest the way that monotheism or actually monolatry—the better term—was born. For those who believe that the biblical text completes an understanding of God, he demonstrates the role of various Church Fathers and church councils in establishing the nature of doctrinal “orthodoxy” for Christianity. At the end of his discussion on Islam—the religion of his earliest years and the religion to which he returned in adulthood—he describes Sufism and the mystical notions of God.
In the final analysis, Aslan calls himself a “pantheist,” but I think instead he may mean “panentheist.” He concludes, “Believe in God or not. Define God how you will. Either way, take a lesson from our mythological ancestors Adam and Eve and eat the forbidden fruit. You need not fear God. You are God” (171).
No doubt humans have shaped their images of God in keeping with themselves. Believers in one religious tradition often charge other traditions with having done precisely that. Aslan demonstrates across time the tendency to do just that shaping, and then he charts attempts to make God less human and more remote. Thus humans attribute to God human aspects, both positive and negative. Aslan has provided a prism for examining that work across time. For those who have read the extensive bibliography of his book, there will be little new learning. For those who would like to see a distillation of scholarship on the anthropology of religion, God: A Human History can be a fascinating beginning for further study.
Top reviews from other countries
Humans have an instinct to believe in god, and have done so since prehistoric times. Paintings and hand prints were found in caves, but these were religious and ceremonial sites, not places where people lived. Religion doesn't provide any direct advantages for us (arguments involving social cohesion and altruism don't hold up to scrutiny), but rather as a byproduct of a survival mechanism makes us see humanlike qualities in inanimate things. We ascribe this to the supernatural and this forms the basis of religion.
Neolithic revolution is when humans first began transitioning from hunter-gather to agrarian lifestyle. Author argues that religion preceded this transition: the Golbekli Tepe was constructed before agriculture by hunter-gather peoples, and this settlement in the same place for a long time enabled agriculture to be possible.
We have a tendency to humanize our gods, but only to a partial extent since if they have too many humanlike flaws, then they cease to become gods. Most religions were polytheistic, two attempts at monotheism in Egypt and Iran didn't really take off. The difficulty was it was hard to ascribe contradictory qualities to a single god; this is solved by making the god more abstract. Judaism was the first monotheistic religion. Israelites started off as a subgroup of the Canaanites, but didn't become monotheistic until their defeat by the Babylonians.
Christianity began as a Jewish sect that believed in Jesus Christ as a god. However, it was unclear for a while what was the relationship between Jesus and the old god Yahweh, and some early Christians believed they were two separate gods that were enemies of each other. The issue was settled in Emperor Constantine's time and the Holy Trinity interpretation was formed. Islam arose in the 7th century by a prophet Muhammed that claimed to have received revelations from the god Allah. This religion had a lot in common with Judaism, but crucially Allah is an abstract god that has no human form.
Overall, a good book that examines the early history of religions through historical lens. There are some parts of the argument that are sketchy though. There's a lot of debate about the causes of the Neolithic revolution, but the author calmly presents the religion-first hypothesis as though it were fact. Also, the explanation of how Judaism became monotheistic makes little sense: he claims the Jews doubled down on the belief that their god Yahweh was the only god, in order to avoid accepting that the Babylonian god Marduk was more powerful than Yahweh. I don't like authors that present their own tentative hypotheses as fact, but this seems quite common when it comes to religion.














