Save Big On Open-Box & Pre-owned: Buy "The Godfather Collection (The Coppola Restoration)...” from Amazon Warehouse Deals and save 64% off the $62.99 list price. Product is eligible for Amazon's 30-day returns policy and Prime or FREE Shipping. See all Open-Box & Pre-owned offers from Amazon Warehouse Deals.
The Godfather Collection (The Coppola Restoration) [Blu-ray]
Frequently bought together
Customers who bought this item also bought
Special offers and product promotions
Francis Ford Coppola's Masterpiece features Marlon Brando in his Oscar-winning role as the patriarch of the Corleone family. Director Coppola paints a chilling portrait of the Sicilian clan's rise and near fall from power in America, masterfully balancing the story between the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Caan and Robert Duvall, this searing and brilliant film garnered ten Academy Award nominations, and won three including Best Picture of 1972.
People used to say this was Frank Sinatra's world, and the rest of us just lived in it. After watching the multiple special features in the box set The Godfather - Coppola Restoration, one might conclude it's actually time for a cultural and historical revision: This is the Corleone family's world. The rest of us better tread lightly. Actually, the point of the half-dozen or so features crammed onto a disc accompanying the beautifully restored The Godfather, The Godfather II and The Godfather III, is that The Godfather movies have penetrated popular culture in such a deep and meaningful way that they are second-nature to everything. David Chase, creator of and writer on The Sopranos, for example, describes in the featurette "Godfather World" that his hit HBO series was intended to be the story of the first generation of mobsters actually influenced by Francis Ford Coppola's hit trilogy. Joe Mantegna calls the three films "the Italian Star Wars." (Mantegna co-stars in The Godfather III.) Alec Baldwin says no matter what one is doing, one is compelled to stop and watch the films if they're on television. Richard Belzer calls the films "a religion." And so on. A number of people similarly testify in "Godfather World" to the importance and ubiquitousness of The Godfather and its sequels in American life. There's no point in arguing, so its best to move on to the other featurettes, including "The Masterpiece That Almost Wasn't," reviewing in detail much of what has been said about Paramount's mistreatment of Coppola, about casting fights (Steve McQueen as Michael?), about the studio's assumption they were getting a quick-and-dirty B-movie, and about producer Robert Evans' determination to keep his choice of director and unlikely actors under his wing. Fresh information within the special features, however, begins with "… When the Shooting Stopped," a fine study of post-production on The Godfather, with several surprising and fascinating facts. Among emerging details is an explanation of why Michael Corleone's scream toward the end of The Godfather III is silenced out. (Hint: it was meant to be the inverse of a sound effect in the first movie.) "Emulsional Rescue: Revealing The Godfather" talks about the painstaking work of restoring the first two films, beginning with a phone call from Coppola to Steven Spielberg (after the latter's DreamWorks studio became part of the Viacom family) asking if he'd request money from Paramount for restoration work. "The Godfather On the Red Carpet is a negligible series of fawning statements about the movie from hot young actors, while "Four Short Films" are brief and enjoyable takes on different aspects of The Godfather's impact on modern living. --Tom Keogh
Stills from The Godfather - The Coppola Restoration Giftset (Click for larger image)
If you are a seller for this product, would you like to suggest updates through seller support?
Top Customer Reviews
Carried over from the original set are all of Francis Ford Coppola's commentary tracks for the three films. On The Godfather one, he appropriately enough, starts off by talking about the film's famous opening scene and how it was supposed to start with the wedding but a friend suggested he do something else. Coppola talks about how he organized the elaborate wedding sequence and shot it only 2-3 days! He talks about the pressure he was under by the studio and in read danger of being fired because they didn't like what he was doing. This is pretty solid track that we've come to expect from the veteran filmmaker.
Coppola's contributes another excellent commentary for The Godfather Part II. Initially, he had no interest in doing a sequel and dealing with studio bureaucracy. He suggested Martin Scorsese for the job. The studio balked at this idea and accepted all of Coppola's terms. The veteran filmmaker talks at length about the development of the Corleone family from Part I. Coppola is engaging and very articulate, delivering a top notch track that is well worth a listen for any fan of this movie.
Finally, there is Coppola's commentary for The Godfather Part III. One of the heated debates the filmmaker had with the studio was over Pacino's hair. He wanted Michael to look older and like a man in crisis, while the studio didn't want to mess with Pacino's distinctive looks. Coppola defends his casting of Sofia and feels that she delivered a "real" performance because she wasn't an actor. He also addresses the scathing criticism she received as in fact an attack on him. This is a solid track with good observations and analysis by Coppola -- better than the film itself.
The rest of the supplemental material is spread out of two discs. Thankfully for those who did not buy the first box set all of the extras from it have been carried over with a whole other disc of brand new material.
The fourth disc features all the brand new material and starts off with "Godfather World," which takes a look at how The Godfather films influenced popular culture, including parodies on The Simpsons and South Park, and how it informed the characters on The Sopranos. All kinds of celebrities, from William Friedkin and Alec Baldwin to author Sarah Vowell who sing its praises with clips of shows and films that reference it.
"The Masterpiece That Almost Wasn't" tells the story of how Hollywood had changed at the end of the 1960s with the demise of the studio moguls and the rise of the film brats, the first generation of film students who became filmmakers. One of them, Coppola, ended up being picked to direct The Godfather. This is an excellent look at how the director almost didn't get the gig and why.
"...When the Shooting Stopped" examines the post-production phase of the first film. Coppola battled with the studio over the length of it. Executives initially did not like Nino Rota's score for the film and samples of some of his original and revised cues are played.
"Emulsional Rescue: Revealing The Godfather" takes a look at the newly restored transfers for Part I and II and how they preserve Gordon Willis' gorgeous cinematography. This featurette takes us through the restoration process, showing before and after examples.
"The Godfather on the Red Carpet" is a forgettable featurette shot during the premiere of Cloverfield with various minor celebrities gush about the films.
"Four Short Films on The Godfather" features celebs citing which one they prefer, Part I or II. Another one has Richard Belzer, and the man who adapted the films for the stage, quote their favourite lines, which turns out to be quite funny. The third one sees Coppola talk about his love of cannoli and how made it into the film. Finally, Coppola answers the question about what happened to Clemenza in Part II and why he died.
The fifth disc starts off with "A Look Inside," a feature-length documentary about The Godfather trilogy done when Part III was being made. As a result, a lot of the major players were interviewed. We see Coppola at work on this film with on-set footage of the director working with Pacino. We also see Coppola working on the script with author Mario Puzo. The doc then goes back to the first film with Coppola's battle with the studio over casting Brando, Pacino, et al. with fascinating vintage screen tests and rehearsal footage. This is an excellent extra that goes into great detail.
"On Location" revisits key locations in the lower east side of New York where they shot parts of all three films and how they transformed them into various historical periods.
"Francis Coppola's Notebook" examines how he adapted Puzo's book into the first film. Coppola shows us his notebook that he used as his master document that he would constantly refer to. This featurette provides fascinating insight into the man's creative process.
"Music of The Godfather" features an audio excerpt of a conversation Coppola had with composer Nino Rota about the music for the film. Also included is footage of composer Carmine Coppola (Francis' father) working on Part III. Francis talks about working with his father.
"Coppola and Puzo on Screenwriting" features the author talking about the origins of his novel while Coppola discusses adapting it with Puzo into the films.
"Gordon Willis on Cinematography" features the man talking his approach to the look of the film and the choices he made and why.
"Storyboards - Godfather Part II and Part III" allows you to see sketches for the look of both films and see how Coppola planned to shoot them.
"The Godfather: Behind the Scenes 1971" is a vintage promotional featurette done at the time of the production of the first film. This is a fantastic snapshot of the times.
"The Filmmakers" are text biographies of key crew members.
Also included are 30 additional scenes from the four eras, spanning the entire trilogy. Much of this footage was inserted into the first two films when they were shown on television.
"The Family" gives you a handy organization chart for the Corleone family. You can see who everyone is and how they are related.
Finally, there are "Galleries" with trailers for all three films, stills, a collection of portraits of enemies of the Corleone family, and footage of the Academy Awards wins for the first two Godfather films.
A marvelous restoration job, "The Godfather-The Coppola Restoration Gif Set" includes all three original films as they were presented theatrical. It doesn't have the version that Coppola cut for TV and presented in chronological order. THe first two films are masterpieces and while the third is severely flawed, it does have its moments.
Keep in mind that these were restored for theatrical showings NOT for the home video market and, as such, these probably aren't the best Blu-rays to use to show off your home video system. Some people will no doubt be disappointed but, quite frankly, these films have never looked this good before on home video. Is this a big step up from the DVDs? Yes and no. The Blu-ray does provide better resolution but keep in mind it also shows the flaws inherent in the original films (and some people will regard the grainy images as being a flaw).
First keep in mind that "The Godfather" was meant to look grainy so those of you who hate grain will probably wonder why they didn't eliminate it. That's because to do so would have required altering the look of the film not restoring it and the usual result of eliminating film grain is that you lose detail. The result also makes it look like the actors are walking wax dummies. Some scenes are much grainer than others but that's the way the film was meant to look.
According to Harris in an article at American Cinematographer, the original film was in extremely bad shape and, in some instances, frames from outtakes had to be subsituted because damage had crept into the frame area of the film.
"The Godfather Part II" was in better shape for a variety of reasons and didn't require quite as much work on it as the first film.
"The Godfather Part III" since it used different development techniques from the first three (and for other reasons you can read at the American Cinematographer website)and only required Harris to match the black levels and make sure the color scheme was done correctly.
Robert Harris has done a marvelous job on the restoration of the film. Colors are bolder than before with nice crisp images as cinematographer Gordon Willis originally shot the film. While the DVD looks terrific, the Blu-ray looks positively stunning. Does it look like a film released last year? No, of course not that would be impossible but Harris working with Coppola and Willis has brought the film into the 21st century without overprocessing the image (like the recent Blu-ray "Patton")and staying true to the original look of the original film elements if they were in pristine condition.
All of the previous extras from the boxed set have been ported over in HD along with some new extras including "The Masterpiece That Almost Wasn't" documenting the difficult birth of the film from Paramount asking Puzo to initially change the period setting to 1970's Los Angeles to the constant threat of Coppola being fired during the shooting of the film. "When the Shooting Stops" covers the post-production efforts of editing and scoring the film.
THe humorous "Godfather World" has famous directors illustrated the cultural impact of the film and features bits and pieces from "The Simpsons" to "South Park"."Emulsion Rescue documents Robert Harris' restoration efforts of the aging film elements. "Four Short FIlms of "The Godfather" is amusing as well.
The 12 page booklet included with the Blu-ray was clearly designed for the DVD because it's much too large to fit in the Blu-ray holder (it's glued to the outside packaging). It's odd to design the booklet like this as you'll have to either trim it down to fit inside, slide it in where it might possible become creased or store it separately to prevent wear and tear. It has a bit of info on the Oscars for the films and the credits. It's an odd extra to include because it doesn't have anything truly essential NOT included on the Blu-ray or DVD boxed set.
I'd highly recommend this compelling saga on Blu-ray and DVD. It's a huge improvement on the previous set, has new and previously released extras (including Coppola's often blunt commentary tracks)and looks terrific. For those looking for the TV version that ran in chronological order just be aware it's not here as part of this set although many of the deleted scenes used to assemble that one are included.