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Godmother Night: A Novel Hardcover – January 1, 1996
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Purchase options and add-ons
- Print length355 pages
- LanguageEnglish
- PublisherSt Martins Pr
- Publication dateJanuary 1, 1996
- Dimensions5.75 x 1.5 x 9 inches
- ISBN-10031214606X
- ISBN-13978-0312146061
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Editorial Reviews
Amazon.com Review
Pollack's characters, major and supporting, living, dead, and divine, are memorably human. As she transplants myths and folklore into a modern setting, she gives new life to old tales and a deeper meaning to a seemingly simple world.
From Publishers Weekly
Copyright 1996 Reed Business Information, Inc.
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Product details
- Publisher : St Martins Pr; 1st edition (January 1, 1996)
- Language : English
- Hardcover : 355 pages
- ISBN-10 : 031214606X
- ISBN-13 : 978-0312146061
- Item Weight : 15.2 ounces
- Dimensions : 5.75 x 1.5 x 9 inches
- Best Sellers Rank: #2,313,558 in Books (See Top 100 in Books)
- #7,757 in LGBTQ+ Genre Fiction (Books)
- #98,864 in American Literature (Books)
- Customer Reviews:
About the author

Rachel Pollack is considered one of the world's foremost authorities on the modern interpretation of the tarot. She is a member of the American Tarot Association, the International Tarot Society, and the Tarot Guild of Australia, and has taught at the famed Omega Institute for the past 15 years. She is an award-winning fiction writer and has also written 12 books on the tarot. She lives in New York.
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Learn more how customers reviews work on AmazonReviewed in the United States on September 5, 2019
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At first the meetings with Mother Night occur rather infrequently and (except for the initial one, in which she introduces Laurie and Jaqe, the two lovers-and-parents-to-be) seem to have little direct impact on the two women’s lives. Most of the first third of the book is devoted to the pair’s struggles with their parents, Laurie’s graduate-school studies, etc., which require no fantasy elements at all. Mother Night and other fairy-tale features are more strongly involved in the second third of the book, in which the couple deals with Jaqe’s sudden, powerful urge to have a baby—but they still feel rather separate; close to one another as they are portrayed as being, Jaqe and Laurie never talk to each other about the mysterious events in which they individually have taken part. Only in the last part of the book, told from the point of view of Kate, Jaqe and Laurie’s daughter and Mother Night’s goddaughter, do the realistic and the magical fully come together… with a definite emphasis on the magical.
Of the two aspects of the story, I was more interested in the fantasy one, so I found the first half or so of the book rather slow going. I had no objection to Laurie and Jaqe as characters, but I wasn’t strongly attracted to them either. On the other hand, I found Mother Night extremely well done—perhaps not surprisingly, since Pollack, as a Tarot expert, is bound to be well acquainted with archetypes. I also found Kate, the daughter/goddaughter, more interesting than her parents, as she faces moral dilemmas brought about by her magical heritage. The last third of the book, focusing on these two and their relationship, became very powerful for me. Overall, therefore, I would recommend the book, though different parts of it may appeal to different readers.
Reviewed in the United States 🇺🇸 on September 5, 2019
I love how this book worked on several levels simultaneously. The love relationships (lovers, parents, friends) are heartbreakingly real and believable. The overlaying mystical/fantastical elements are like beautiful poetry: true as any truth, but dwelling outside the mundane. The layers lay together like an unfolding rose, impossibly perfect, impossibly beautiful. After Godmother Night, other love stories seem shallow and banal.
This is my favorite book of all time.




