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The Golem and the Jinni: A Novel (P.S.) Paperback – Deckle Edge, December 31, 2013
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“An intoxicating fusion of fantasy and historical fiction. . . . Wecker’s storytelling skills dazzle." —Entertainment Weekly
A marvelous and absorbing debut novel about a chance meeting between two supernatural creatures in turn-of-the-century immigrant New York.
Chava is a golem, a creature made of clay by a disgraced rabbi knowledgeable in the ways of dark Kabbalistic magic. She serves as the wife to a Polish merchant who dies at sea on the voyage to America. As the ship arrives in New York in 1899, Chava is unmoored and adrift until a rabbi on the Lower East Side recognizes her for the creature she is and takes her in.
Ahmad is a jinni, a being of fire born in the ancient Syrian desert and trapped centuries ago in an old copper flask by a Bedouin wizard. Released by a Syrian tinsmith in a Manhattan shop, Ahmad appears in human form but is still not free. An iron band around his wrist binds him to the wizard and to the physical world.
Chava and Ahmad meet accidentally and become friends and soul mates despite their opposing natures. But when the golem’s violent nature overtakes her one evening, their bond is challenged. An even more powerful threat will emerge, however, and bring Chava and Ahmad together again, challenging their very existence and forcing them to make a fateful choice.
Compulsively readable, The Golem and the Jinni weaves strands of Yiddish and Middle Eastern literature, historical fiction and magical fable, in a wondrously inventive tale that is mesmerizing and unforgettable.
- Print length512 pages
- LanguageEnglish
- PublisherHarper Perennial
- Publication dateDecember 31, 2013
- Dimensions5.5 x 1.28 x 8.25 inches
- ISBN-100062110845
- ISBN-13978-0062110848
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Editorial Reviews
Review
“Set against the vivid backdrop of New York City’s immigrant neighborhoods in the late 19th century, Helene Wecker’s tale of two fabled creatures has the intimate feel of a story handed down from generation to generation. With a delightful blend of the prosaic and the fanciful, The Golem and the Jinni explores what it means to be human as Chava and Ahmad struggle to live and find love while overcoming the powerful adversary who threatens to destroy them.” — Deborah Harkness, author of A Discovery of Witches
“Original and fresh. . . . A fascinating blend of historical fiction and Jewish and Arab folklore” — Library Journal
“[A] spellbinding blend of fantasy and historical fiction.” — Publishers Weekly
“The premise is so fresh. . . . A mystical and highly original stroll through the sidewalks of New York.” — Booklist
“Wecker begins with a juicy premise. . . and great adventures ensue. . . . She writes skillfully, nicely evoking the layers of alienness that fall upon strangers in a strange land.” — Kirkus Reviews
“Magical thinking comes alive in an enchanting allegory of the immigrant experience as two mythical beings try to make sense of themselves and the world around them.” — Family Circle Magazine
“THE GOLEM AND THE JINNI is recommended to adults who enjoy a good story and have a childlike sense of make-believe.” — New York Journal of Books
“It sounds like the setup for a really strange joke: 'A golem and a jinni walk into a bakery in early 19th-century New York....' But this debut novel—part fantastic tale, part historical fiction—is one of the most highly anticipated fiction releases of the spring.” — Christian Science Monitor
“The most exciting fantasy debut since Susanna Clarke’s Jonathan Strange & Mr. Norell. Helene Wecker must be a born writer; there is no other way to account for the quality of her prose, as phenomenal as any of the supernatural wonders she delivers in the glorious The Golem and the Jinni.” — BookPage
“In the best instances, you don’t merely read a book—you dive in and happily immerse yourself, forgetting the troubles of daily life for a while. The Golem and the Jinni offers just such an absorbing experience. ” — USA Today
“One of the joys of the novel is in watching two strangers develop a relationship that, while it’s rooted in their shared magical natures, echoes the way ordinary humans can form bonds starting with a random encounter on a busy street.” — Dallas Morning News
“An intoxicating fusion of fantasy and historical fiction. . . . Wecker’s storytelling skills dazzle…The book’s magic, filtered through the old-time hustle and bustle of the Lower East Side, lingers long after the final page.” Grade: A — Entertainment Weekly
“The tale is meant to be magical, and it is, but Wecker’s real sleight of pen is recreating Manhattan as it was then. She has a historian’s grasp of detail and a novelist’s flair.” — New York Daily News
“The author makes you care enough about the humanity of these magical spirits to not only see them through to the end but also to regret that you’ve reached the last page.” — New York Times
“From its eerie opening pages to its shattering conclusion, The Golem and the Jinni is an astonishing debut novel that sweeps us into a gaslit alternate reality rich enough to get lost in.” — Tom Reiss, author of The Orientalist and The Black Count
“A dazzling debut…You’ll be hooked by the vivid interplay of historical fiction, magical fable, and philosophical musing and the colorful supporting cast…Read it in one long, guilt-free gulp (it’s serious literature!).” — San Francisco magazine
“Wecker maintains her novel’s originality as she orchestrates a satisfying and unpredictable ending. The Golem and the Jinni is a continuous delight — provocative, atmospheric, and superbly paced. ” — Boston Globe
“History, magic and religion braid together in old New York’s tenements. . . . The interplay of loyalties and the struggle to assert reason over emotion keep the pages flipping.” — New York Times Book Review
“An inventive and utterly lovely story. . . . The golem and the jinni. . . are among my favorite fictional people I spent time with this spring. . . . Wecker is a gifted new voice. . . . I’m glad that her talents have been set free in this novel.” — Chris Bohjalian, Washington Post
“Inventive, elegantly written and well-constructed…It’s hard to believe this is a first novel. Clearly, otherworldly forces were involved…the story is so complex and intricately woven that it does not lend itself to summary. It would be like pulling threads from a finely crafted garment to describe the whole.” — Minneapolis Star Tribune
“Her story is so inventive, so elegantly written, so well-constructed, it is hard to believe that it is her first novel. . . . The book is so good that I wonder if there was some other-worldly power involved in its creation.” — Jewish Daily Forward
From the Back Cover
Chava is a golem, a creature made of clay, brought to life by a strange man who dabbles in dark Kabbalistic magic. Ahmad is a jinni, a being of fire, born in the ancient Syrian Desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop.
Struggling to make their way in 1899 New York, the Golem and the Jinni try to fit in with their immigrant neighbors while masking their true selves. Meeting by chance, they become unlikely friends whose tenuous attachment challenges their opposing natures, until the night a terrifying incident drives them back into their separate worlds. But a powerful menace will soon bring the Golem and the Jinni together again, threatening their existence and forcing them to make a fateful choice.
Marvelous and compulsively readable, The Golem and the Jinni weaves strands of folk mythology, historical fiction, and magical fable into a wondrously inventive and unforgettable tale.
About the Author
Helene Wecker received a BA from Carleton College in Minnesota and an MFA from Columbia University in New York. A Chicago-area native who has made her home in Minneapolis, Seattle, and New York, she now lives near San Francisco with her husband and daughter. The Golem and the Jinni is her first novel.
Product details
- Publisher : Harper Perennial; Reprint edition (December 31, 2013)
- Language : English
- Paperback : 512 pages
- ISBN-10 : 0062110845
- ISBN-13 : 978-0062110848
- Item Weight : 1 pounds
- Dimensions : 5.5 x 1.28 x 8.25 inches
- Best Sellers Rank: #87,038 in Books (See Top 100 in Books)
- #276 in Jewish Literature & Fiction
- #1,258 in Historical Fantasy (Books)
- #6,575 in Literary Fiction (Books)
- Customer Reviews:
About the author

Helene Wecker’s first novel, THE GOLEM AND THE JINNI, was awarded the Mythopoeic Award for Adult Literature, the VCU Cabell Award for First Novel, and the Harold U. Ribalow Prize, and was nominated for a Nebula Award and a World Fantasy Award. A sequel, THE HIDDEN PALACE: A TALE OF THE GOLEM AND THE JINNI, will be published in June 2021. A Midwest native, she holds a B.A. in English from Carleton College and an M.F.A. in Fiction Writing from Columbia University. Her work has appeared in literary journals such as Joyland and Catamaran, as well as the fantasy anthology The Djinn Falls in Love and Other Stories. She currently lives in the San Francisco Bay Area with her husband and children.
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One of the things that stands out for me is the worldbuilding. The author has clearly done a lot of research regarding setting, culture, and activities/behaviors of different groups of people, and it shows. Naturally, turn-of-the-century (that is, circa 1900) New York is the most richly-imagined location because the majority of the book takes place there. But we also get a sense of Jewish life in Eastern Europe and of Syria (both late 1800's Syria and the desert from many centuries before that, including the Bedouins who traveled the desert). I thought the details were well-integrated into the book. I never felt like information was being dumped.
Another aspect of the book I thought was excellent was the way the Golem of the title served as a proxy for the reader to learn about the city. She was awakened on a ship crossing the Atlantic (not really a spoiler as it happens in the first or second chapter) so she has no experience of anything prior to the voyage. She is sensitive to the feelings of others and has to learn how to control herself in the presence of others who are harboring strong emotions -- she doesn't understand, at first, that it's considered improper to steal food and give it to a hungry person. She also requires explanations of things that someone familiar with the city (or human society, for that matter) wouldn't require, and she has to learn even the most basic things -- for example, that if she walks around the city with muddy boots and a wet dress, people will take notice.
Of the two title characters, the Golem was the most sympathetic to me. Perhaps because she had the most to lose -- what's made can be unmade. The Jinni was a little more rash, a little less careful. Granted, he had a male form and the dictates of society at the time were such that men had a lot more freedom. And he was already bound in human form (again, not really a spoiler as this information is given very early in the book), so he had little else to lose. I suppose it was also in the characters' natures -- a Golem is made to serve a master, whereas a Jinni would naturally be free and might move from place to place to explore.
Early in the book, we basically alternate between chapters about the Golem and chapters about the Jinni, mostly in New York. Occasionally, there will be a chapter or scene about another character (Yehudah Schaalman, an elderly Jewish man from the Old World; Fadwa, a Bedouin girl from a thousand years before the story was set; Mahmoud Saleh, a Syrian doctor down on his luck; Sophia Winston, a New York heiress). And the Golem and Jinni interact with others in their communities, including the people who took them in (for the Golem, an aging rabbi, and for the Jinni, a Syrian tinsmith).
At first, I would wonder why these side characters (not the mentors, but the others) were getting so much time on the page. But it turns out that each one of them interacts with one or more of the title characters at key points. When I went back and thought about it, I realized that the scenes from other points of view were in just the right places in a temporal sense (i.e., chronologically in the story) as well as in a narrative sense (giving the necessary information at the right time in the story). So the story was definitely well-planned.
The writing did its job -- it told the story without being intrusive. I didn't come across expressions that broke immersion (sadly, the same can't be said for some other books I've read lately -- so this one was a welcome change).
Magic in this book is both cultural and religious. Obviously, Golems come from Jewish lore and Jinnis are from the Arab world. Other types of magical workings are hinted at, but the clearest picture and the cross-cultural aspect really doesn't emerge until very late in the book (so I won't say any more about that).
This is not really a book with a lot of action. Yes, some exciting/dangerous events do occur. But I had read at least 1/3 of the book before I realized I still had no idea what the plot was going to be. I guess I was so immersed in the world the author had created that those pages flew by. However, when I got to the end, it became obvious that the author HAD been setting up the final confrontation all along, just in a subtle way. I was not bored at all by the slow start; like I said, I barely even realized it until I'd already read a good chunk of the book. (It's a pretty long book at 646 pages in my Kindle edition. But I read it in 2 days, nonetheless.)
Some aspects of the ending were sad, many were unexpected, and some offered hope. I suppose you could call it bittersweet. I think it was definitely fitting. It's my understanding that this was a debut novel and yet it imparts the feeling of having come from a more experienced author. In the end, I'm definitely glad I read this and I will look for other books from the same author.
How the two disparate story lines merge I won't give away, suffice to say it is a chance meeting where both realize they are not of the mortal world. This sense of "other" has parallels to other communities in ways I hadn't contemplated and perhaps that is a metaphor Wicker is shooting for. The two are clearly a boon and exasperating for their mortal counterparts who desire to find ways to harness them all while fearful of their true identities being revealed or exposed. Think of it as a less comedic "Bewitched". As both are increasingly pursued by a past they cannot escape they realize they must work together to avoid their worst fears coming to fruition. It is here were the book is the most captivating and makes for the best reading. There were points where I simply could not put "The Golem and the Jinni" down as I had to know what was going to happen next. Wicker is great at creating suspense and quite honestly I find it hard to believe this is her first novel as she pulls readers into the world of early 20th Century New York City and these two mythical creatures come to life. Towards the end the two are facing potential oblivion yet work together to attempt to thwart that from happening. To be honest the end is a bit dissatisfying and I was torn as to whether Wicker wanted to attempt a sequel or simply couldn't figure out a suitable ending for these two very different creatures. And in reality perhaps that's what she wanted was for readers to determine what they thought would happen. But don't let the tentative ending dampen your enthusiasm for "The Golem and the Jinni" as it truly is a delight! I've read so many utterly disappointing first efforts that I'm now interested to see what Wicker can craft next!
Top reviews from other countries
The story begins in 1899, when a failed businessman who cannot find companionship, due to his rather sneering personality, resorts to hiring a dark and dangerous scholar to make him a golem. A golem is a creature made of clay, with no will of its own, usually used for vengeance and protection. However, the businessman intends for this creature to be his wife. During a trecherous crossing to New York, Rottfeld wakes his creature, only to fall ill and die before they reach port.
Suddenly alone, with no one to teach her about the world, herself or what is expected of her, the new golem has to find her way through the city, all the while, hearing the thoughts, fears and desires of all around her.
Meanwhile, a tinsmith in the Little Syria quarter of New York sets about mending a damaged copper flask for a client, only to discover a djinni, who has been trapped in the flask for a thousand years, suddenly sprawled, naked, on the floor of his workshop.
So begins an atmospheric tale of discovery and kinship, with multiple characters, twists and turns, chaos, nightmares, pathos and memory. Utterly captivating, I couldn’t put it down. I can’t wait to read it again.
Highly recommended.
The fantasy element - highlighted by the book title - comes in two parts. The golem, a manufactured creature derived from Jewish thought, is female in form, and was originally constructed to be wife to an Eastern European immigrant. He dies on board ship, leaving Chava to find her own way through life. Her impulse to obey the unspoken needs and wants of the people around are a constant source of difficulty, as she tries to reconcile conflicting demands.
The djinni represents the Syrian area - a creature of fire, and many centuries old, he was bound long ago into human form by the work of a magician. His struggle is to avoid boredom without being discovered, and also to find a way to unravel the binding.
Inevitably the two come into contact, and try to resolve the two problems at once. They are opposites in many ways - one built for obedience and conformity but having to make her own choices, and the other craving a wild and unrestrained life but having to manage limitation. Around that basic polarity a collection of interesting human characters orbit, and the exploration of cross-cultural New York is itself fascinating. One particular character - perhaps the only one with a malignant agenda, and at times a little cartòonish - comes to dominate the plot line in the later stages, as each of the others decides how to cope with his influence.
All in all a thoroughly enjoyable book, which could appeal to anyone who likes some fantasy stirred in with their history.
The book follows a few different people and it keeps jumping between their current lives and giving their backstory. This was a little confusing but was still interesting, at first. Once I was half way through the book I realised that I had got to grips with the characters and at that point their stories started to crossover as they met or it became apparent that they were linked somehow. I liked how the golem lived in the Jewish part of New York and the djinni lived in little Syria so you learnt about both cultures. The issue is that at 60% through I realised that not much had happened and I had no idea where the story was going, it seemed to just be plodding along describing the characters fairly mundane lives. It did all come together eventually so I liked the conclusion but for the majority of the book I was just bored. Considering the book is over 650 pages that meant chapter after chapter of waiting for the book to pick up pace. That being said, it was well written so if you enjoy a nice historical fiction with light fantasy included and don’t mind the book being lengthy you might enjoy this
The plot isn’t predictable, either. It ambles along, weaving and turning, and I like that the Golem and the Djinni become friends when they meet – it’s a very unexpected friendship, and I do dearly love that the author hasn’t forced them together. They’re both very interesting characters, and it’s their characters that make the story, which makes for a lovely read. It’s not fast-paced, but it is tense (at the end, at any rate) – and the variation in the stories keeps you turning the pages.
I appreciate all of the research the author did for this book. Some very detailed, NEVER boring characters and places she describes and good knowledge of religions and their superstitions. She lets you right into their world and you understand them as though you were on the journey with them, talking and walking and discovering with them. You hope for outcomes that save the characters even though the book is already complete and you feel their losses like they were sat in front of you telling you their stories.
I can't even begin to explain how refreshing it was to read a book that I didn't skip read through (because the writer was just trying to fill pages like an essay) or that I couldn't continually predict the events to at first paragraph!I
I'd read it again and probably will.,













