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Widely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Paul Wegener with the substance for one of the most adventurous films of the German silent cinema. Suffering under the tyrannical rule of Rudolf II in 16th century Prague, a Talmudic rabbi (Albert Steinruck) creates a giant warrior (Paul Wegener) to protect the safety of his people. Sculpted of clay and animated by the mysterious secrets of the Cabala, the Golem is a seemingly indestructible juggernaut, performing acts of great heroism, yet equally capable of dreadful violence. When the rabbi's assistant (Ernst Deutsch) takes control of the Golem and attempts to use him for selfish gain, the lumbering monster runs rampant, abducting the rabbi's daughter (Lyda Salmonova) and setting fire to the ghetto. With its remarkable creation sequence (a dazzling blend of religion, sorcery and special effects) and the grand scale destruction of its climax, The Golem was one of the greatest achievements of the legendary UFA Studios, and remains and undeniable landmark in the evolution of horror film.
A relic certainly, but a fascinating one, Der Golem is perhaps the screen's first great monster movie. Though it was actually the third time director-star Paul Wegener had played the eponymous creation, the earlier efforts (sadly lost) were rough drafts for this elaborate dramatization of the Jewish legend. When the Emperor decrees that the Jews of mediaeval Prague should be evicted from the ghetto, a mystical rabbi creates a clay giant and summons the demon Astaroth who breathes out in smoky letters the magic word that will animate the golem. Intended as a protector and avenger, the golem is twisted by the machinations of a lovelorn assistant and, like many a monster to come, runs riot, terrorizing guilty and innocent alike until a little girl innocently ends his rampage. Wegener's golem is an impressively solid figure, the Frankenstein monster with a slightly comical clay wig. The wonderfully grotesque Prague sets and the alchemical atmosphere remain potent. --Kim Newman
- Aspect Ratio : 1.33:1
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 7.75 x 5.5 x 0.5 inches; 3.87 Ounces
- Item model number : 2254731
- Director : Carl Boese, Paul Wegener
- Media Format : Multiple Formats, Black & White, NTSC, Silent
- Run time : 1 hour and 31 minutes
- Release date : October 5, 2004
- Actors : Paul Wegener, Albert Steinrück, Ernst Deutsch, Lyda Salmonova, Hans Stürm
- Producers : Paul Davidson
- Studio : Kino Lorber films
- ASIN : B00006JMQH
- Writers : Henrik Galeen, Paul Wegener
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #106,475 in Movies & TV (See Top 100 in Movies & TV)
- Customer Reviews:
Reviews with images
Top reviews from the United States
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TL;DR definitely watch this movie, just turn the sound off. Maybe put on a piece you like in the background. (Shostakovich Symphony no. 7 maybe? I like that symphony.)
Now, about the music. Some reviewers consider it "meaningless". To each their own. Other versions of Golem used different music, e.g., the Brandenburg Concerto. However, in this particular version, shown above with the yellow "Golem" lettering and little girl.... after more than 5 years of searching I finally discovered the beautiful (in my opinion) background music: Bruckner's Symphony #2 in C minor. It uses themes from the first movement, for the most part. Gorgeous, atmospheric music. It was very difficult finding this because, as noted by another reviewer, the DVD and case have no music credits whatsoever. After years of detective work and some knowledge of classical music, I gradually narrowed it down from "some kind of German Romantic music", through "possibly Brahms or Mahler", and finally realized "it's Bruckner's 2nd!". Enjoy!
Top reviews from other countries
As this was the oldest film I had ever seen I had to make many allowances. Being made in 1920 the camera work was very different from today with scenes not seeming to last more than 15 - 30 seconds at a time. The reconstruction and restoration have made it highly watchable, with the film speed slowed down to normal. As an historic piece of film I would recommend it.