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Gone to Amerikay Hardcover – April 3, 2012
- Print length144 pages
- LanguageEnglish
- PublisherVertigo
- Publication dateApril 3, 2012
- Dimensions7.01 x 0.47 x 9.21 inches
- ISBN-101401223516
- ISBN-13978-1401223519
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Editorial Reviews
Review
"GONE TO AMERIKAY s a wonderful story, lushly illustrated, full of music and passion, twists and turns, beautifully evoking the Irish immigrant experience in three different times and sewing them all together brilliantly at the end. A real treat, for those who love New York history, or just a great story."—Kevin Baker, author of PARADISE ALLEY, DREAMLAND, LUNA PARK
"GONE TO AMERIKAY is not just a great book, it's an important book. In a marketplace where every season brings another supposed Big Event, this is the real deal. It uses the immigrant experience to talk about us, who we are, how and why we came here, with some echoes of where we might be going. The art is superb, containing some of the best and most evocative images of the period you're ever going to see, and the story is wide in scope but intimate in its details as it flashes forward and backward in time. Forget the hype, this is going to be THE book of 2012."—J. Michael Straczynski (SUPERMAN:YEAR ONE, BABYLON FIVE, CHANGELING)
About the Author
Colleen Doran's Irish antecedents named her Colleen, the Irish word for "girl," so there would be no confusion. Colleen Doran is American, therefore her ancestors are from many places. Colleen has written and/or drawn lots of comics and graphic novels like Mangaman, Sandman, A Distant Soil, Wonder Woman and Captain America. She has won a lot of nice prizes, and lectured in a lot of nice places. She also speaks as a creator rights advocate.
Product details
- Publisher : Vertigo; No Additional Printings Listed edition (April 3, 2012)
- Language : English
- Hardcover : 144 pages
- ISBN-10 : 1401223516
- ISBN-13 : 978-1401223519
- Item Weight : 15.4 ounces
- Dimensions : 7.01 x 0.47 x 9.21 inches
- Best Sellers Rank: #1,797,256 in Books (See Top 100 in Books)
- #2,105 in Historical & Biographical Fiction Graphic Novels
- #4,646 in Mystery Graphic Novels
- #6,496 in Fantasy Graphic Novels (Books)
- Customer Reviews:
About the authors

Colleen Doran is a New York Times bestselling cartoonist whose professional career began when she was a young teen. She illustrated work for the Eisner Award winning The Sandman by Neil Gaiman, as well as their graphic novel adaptations of his novels and short stories American Gods, Troll Bridge, and Norse Mythology. She also illustrated Stan Lee's New York Times bestselling autobiography Amazing, Fantastic, Incredible Stan Lee.
For Neil Gaiman’s Snow Glass Apples, which she adapted and illustrated, she won the Eisner Award for Best Adaptation, the Bram Stoker Award for Superior Achievement in a Graphic Novel from the Horror Writers Association, and the Ringo Award for Best Graphic Novel. Snow, Glass, Apples was also nominated for the National Cartoonist Society Reuben Award for Best Graphic Novel, The Tripwire Award, and received an Honorable Mention at the Rondo Hattan Classic Horror Awards for Best Graphic Novel, as well as Eisner and Ringo Award nominations for Best Penciler/Inker and Best Artist.
She was inducted into the Women Cartoonists Hall of Fame in 2007, and the Wizard World Hall of Legends in 2017.
Other books she has illustrated have won Eisner and Harvey Awards, and the International Horror Guild Award. Her essays appeared in the Hugo nominated Chicks Dig Comics. Art from the Troll Bridge graphic novel was selected for the Spectrum annual collection featuring the best science fiction and fantasy art of the year. She was Artist in Residence at the Smithsonian Institute and has lectured at the Maryland Institute College of Art and Design and the Australian Writers Association. Her work has been featured in numerous galleries and museum exhibits worldwide, including a solo exhibit this year at the Cartoon Art Museum in San Francisco featuring the original art from Neil Gaiman's Chivalry.
Doran’s A Distant Soil, which she created and published as a teenager, is now published by Image Comic’s Shadowline imprint. Vector: The Journal of the British Science Fiction Association declared it “groundbreaking science fiction comics…ahead of its time.”
She worked with Alan Moore on an experimental animated webcomic Big Nemo based on the classic Winsor McCay comic strip. On The Vampire Diaries she contributed as writer and artist for the comic based on the hit television show. She wrote and/or drew stories for various Wonder Woman titles from DC Comics. She’s also illustrated the works of Margaret Atwood, Anne Rice, J Michael Straczynski, Clive Barker, and official graphic novel works for legendary rock band The Doors, as well as Blondie, Melissa Etheridge, and Tori Amos.
Other credits include Amazing Spider-Man, The Teen Titans, Captain America, Guardians of the Galaxy, Jessica Jones for Netflix, Marvel Agents of S.H.I.E.L.D, and various Star Wars and Lord of the Rings projects.

Derek McCulloch is an author of graphic novels and books for children. His critically acclaimed first graphic novel, Stagger Lee, illustrated by Shepherd Hendrix, was nominated for the Eisner and Eagle awards and won four Glyph Comics Awards, including Best Writer and Story of the Year. His second graphic novel, Pug, with Greg Espinoza, was nominated for Best Crime Comic/Graphic Novel in the 2011 Spinetingler Awards. He has contributed numerous short pieces to comics anthologies and wrote a book for children, T. Runt!, illustrated by Jimmie Robinson. His original graphic novel, Gone to Amerikay, illustrated by Colleen Doran released by Vertigo in 2012, was selected for inclusion in The Best American Comics 2013.
Customer reviews
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Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the art quality excellent, and the color work great. They also say the story is passable.
AI-generated from the text of customer reviews
Customers find the art quality excellent. They also appreciate the great color work by Jose Villarrubia.
"...and a half stars for the story but with my bias for the outstanding artistic production I have given the book five stars." Read more
"...Doran's art, saturated in period detail and Jose Villarrubia's great color work, has never looked better. Recommended." Read more
"Beautiful book..." Read more
Customers find the story quality of the book excellent.
"...Doran's art has never been better. Each page is a mini-masterpiece of story-telling brilliance, and the eye-popping detail brings each period to..." Read more
"I already love the illustrator, and the story was very interesting & a unique view of the immigrant experience." Read more
"Exquisite art and a passable story..." Read more
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McCulloch writes with a deftness of touch that staggers, providing each character with a distinctive voice and strong motivation. These characters get under your skin, their quiet strength in the face of adversity stays with you long after you've put the book down. And, although the stories in the three periods seem separate at first, the author neatly ties everything together at the end.
Doran's art has never been better. Each page is a mini-masterpiece of story-telling brilliance, and the eye-popping detail brings each period to life in a way that's never confusing for the reader. It's often the small incidents she shows in the background that impress most, especially the antics of the children. Doran has always had great felicity in her depiction of the young, and the relationship between Ciara and Maire O'Dwyer, as shown in the pitch perfect body language, will tear your heart out. A word of praise too must go to José Villarrubia, whose subtle colors -- he uses a different palette for each time period -- add immeasurably to the art's overall success.
A simply beautiful book.
I compared it to Watchmen to a friend, who said "but there's no superheroes in it." No, there aren't. That's not what I meant. I meant that I can still to this day reread Watchmen and find something I missed the previous 37 times I read it. And like that book, "Gone To Amerikay" has so many layers so skillfully interconnected I can't even begin to parse them all.
I think this book will be recognized as one of those benchmark books, a standard for others to aspire to, where the story and the art not only compliment each other, each individually displays the creator (Derek McCulloch, Colleen Doran) at peak performance; neither overshadows the other. It's a perfect fit.
I think I'm going to go read it again.
The author is Derek McCulloch who has not compromised on content to appeal to young readers. This is adult fare in language and content but not overly crude or gruesome. Homosexuality, murder and criminality—including the involvement of a wealthy Jewess—are important story elements. But there is a lot of sensitivity and sentimentality. Lots of song lyrics, some might say too many but the theme of the book revolves around singing, and one song in particular. McCulloch ties the three time-streams together with a ghostly supernatural interlude which I felt ambivalent about. Up to that point I admired the realism the author was portraying and that this was compromised by the incursion of the supernatural. Personally I wish he had found a different way to conclude the book. I would give three and a half stars for the story but with my bias for the outstanding artistic production I have given the book five stars.
Disconcertingly at first, the novel as it progresses switches between these three stories about Irish people in New York. You the reader can see them eventually merging, but it left me a bit confused at first. The stories are richly rewarding and worth any trouble the sudden changes in settings may cause.
The artist excels at portraits of his characters both visually and in character development. I fell in love with the good heroes and even the villains of this richly rewarding portrait of the immigrant experience.

