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Gone (Gone, 1) Paperback – April 8, 2014
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The first in New York Times bestselling author Michael Grant's breathtaking dystopian sci-fi saga, Gone is a page-turning thriller that invokes the classic The Lord of the Flies along with the horror of Stephen King.
In the blink of an eye, everyone disappears. Gone. Except for the young. There are teens, but not one single adult. Just as suddenly, there are no phones, no internet, no television. No way to get help. And no way to figure out what's happened.
Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talents—unimaginable, dangerous, deadly powers—that grow stronger by the day.
It's a terrifying new world. Sides are being chosen, a fight is shaping up. Townies against rich kids. Bullies against the weak. Powerful against powerless. And time is running out: on your birthday, you disappear just like everyone else. . . .
“A potent mix of action and thoughtfulness—centered around good and evil, courage and cowardice—renders this a tour de force that will leave readers dazed, disturbed, and utterly breathless.” —ALA Booklist (starred review)
Read the entire series:
- Gone
- Hunger
- Lies
- Plague
- Fear
- Light
- Monster
- Villain
- Hero
- Print length576 pages
- LanguageEnglish
- PublisherKatherine Tegen Books
- Publication dateApril 8, 2014
- Grade level8 - 9
- Reading age14 - 17 years
- Dimensions5.2 x 1.4 x 8 inches
- ISBN-100061448788
- ISBN-13978-0061448782
- Lexile measure620L
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Editorial Reviews
Review
“Extraordinarily skillful pacing, which leaves the reader constantly on the verge of a new discovery.” — KLIATT
“A tour de force that will leave readers dazed, disturbed, and utterly breathless.” — Booklist (starred review)
“If Stephen King had written Lord of the Flies, it might have been a little like this novel.” — Voice of Youth Advocates (VOYA) (starred review)
From the Back Cover
In the blink of an eye.
Everyone disappears.
Gone.
Everyone except for the young. Teens. Middle schoolers. Toddlers. But not a single adult. No teachers, no cops, no doctors, no parents. Gone, too, are the phones, internet, and television. There is no way to get help.
Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talents—unimaginable, dangerous, deadly powers—that grow stronger by the day.
It's a terrifying new world. Sides are being chosen and war is imminent.
The first in a breathtaking saga about teens battling each other and their darkest selves, gone is a page-turning thriller that will make you look at the world in a whole new way.
About the Author
Michael Grant, author of the Gone series, the Messenger of Fear series, the Magnificent Twelve series, and the Front Lines trilogy, has spent much of his life on the move. Raised in a military family, he attended ten schools in five states, as well as three schools in France. Even as an adult he kept moving, and in fact he became a writer in part because it was one of the few jobs that wouldn’t tie him down. His fondest dream is to spend a year circumnavigating the globe and visiting every continent. Yes, even Antarctica. He lives in California with his wife, Katherine Applegate, with whom he cowrote the wildly popular Animorphs series. You can visit him online at www.themichaelgrant.com and follow him on Twitter @MichaelGrantBks.
Excerpt. © Reprinted by permission. All rights reserved.
Gone
By Michael GrantHarperCollins Publishers, Inc.
Copyright © 2009 Michael GrantAll right reserved.
ISBN: 9780061448782
Chapter One
299 hours, 54 minutes
One minute the teacher was talking about the Civil War. And the next minute he was gone.
There.
Gone.
No "poof." No flash of light. No explosion.
Sam Temple was sitting in third-period history class staring blankly at the blackboard, but far away in his head. In his head he was down at the beach, he and Quinn. Down at the beach with their boards, yelling, bracing for that first plunge into cold Pacific water.
For a moment he thought he had imagined it, the teacher disappearing. For a moment he thought he'd slipped into a daydream.
Sam turned to Mary Terrafino, who sat just to his left. "You saw that, right?"
Mary was staring hard at the place where the teacher had been.
"Um, where's Mr. Trentlake?" It was Quinn Gaither, Sam's best, maybe only, friend. Quinn sat right behind Sam. The two of them favored window seats because sometimes if you caught just the right angle, you could actually see a tiny sliver of sparkling water between the school buildings and the homes beyond.
"He must have left," Mary said, not sounding like she believed it.
Edilio, a new kid Sam found potentially interesting, said, "No, man. Poof." He did a thing with his fingers that was a pretty good illustration of the concept.
Kids were staring at one another, craning their necks this way and that, giggling nervously. No one was scared. No one was crying. The whole thing seemed kind of funny.
"Mr. Trentlake poofed?" said Quinn, with a suppressed giggle in his voice.
"Hey," someone said, "where's Josh?"
Heads turned to look.
"Was he here today?"
"Yes, he was here. He was right here next to me." Sam recognized the voice. Bette. Bouncing Bette.
"He just, you know, disappeared," Bette said. "Just like Mr. Trentlake."
The door to the hallway opened. Every eye locked on it. Mr. Trentlake was going to step in, maybe with Josh, and explain how he had pulled off this magic trick, and then get back to talking in his excited, strained voice about the Civil War nobody cared about.
But it wasn't Mr. Trentlake. It was Astrid Ellison, known as Astrid the Genius, because she was . . . well, she was a genius. Astrid was in all the AP classes the school had. In some subjects she was taking online courses from the university.
Astrid had shoulder-length blond hair, and liked to wear starched white short-sleeved blouses that never failed to catch Sam's eye. Astrid was out of his league, Sam knew that. But there was no law against thinking about her.
"Where's your teacher?" Astrid asked.
There was a collective shrug. "He poofed," Quinn said, like maybe it was funny.
"Isn't he out in the hallway?" Mary asked.
Astrid shook her head. "Something weird is happening. My math study group . . . there were just three of us, plus the teacher. They all just disappeared."
"What?" Sam said.
Astrid looked right at him. He couldn't look away like he normally would, because her gaze wasn't challenging, skeptical like it usually was: it was scared. Her normally sharp, discerning blue eyes were wide, with way too much white showing. "They're gone. They all just . . . disappeared."
"What about your teacher?" Edilio said.
"She's gone, too," Astrid said.
"Gone?"
"Poof," Quinn said, not giggling so much now, starting to think maybe it wasn't a joke after all.
Sam noticed a sound. More than one, really. Distant car alarms, coming from town. He stood up, feeling self-conscious, like it wasn't really his place to do so, and walked on stiff legs to the door. Astrid moved away so he could step past her. He could smell her shampoo as he went by.
Sam looked left, down toward room 211, the room where Astrid's math wonks met. The next door down, 213, a kid stuck out his head. He had a half-scared, half-giddy expression, like someone buckling into a roller coaster.
The other direction, down at 207, kids were laughing too loud. Freaky loud. Fifth graders. Across the hall, room 208, three sixth graders suddenly burst out into the hallway and stopped dead. They stared at Sam, like he might yell at them.
Perdido Beach School was a small-town school, with everyone from kindergarten to ninth grade all in one building, elementary and middle school together. High school was an hour's drive away in San Luis.
Sam walked toward Astrid's classroom. She and Quinn were right behind him.
The classroom was empty. Desk chairs, the teacher's chair, all empty. Math books lay open on three of the desks. Notebooks, too. The computers, a row of six aged Macs, all showed flickering blank screens.
On the chalkboard you could quite clearly see "Polyn."
"She was writing the word ‘polynomial,'" Astrid said in a church-voice whisper.
"Yeah, I was going to guess that," Sam said dryly.
"I had a polynomial once," Quinn said. "My doctor removed it."
Astrid ignored the weak attempt at humor. "She disappeared in the middle of writing the ‘o.' I was looking right at her."
Sam made a slight motion, pointing. A piece of chalk lay on the floor, right where it would have fallen if someone were writing the word "polynomial"—whatever that meant—and had disappeared before rounding off the "o."
"This is not normal," Quinn said. Quinn was taller than Sam, stronger than Sam, at least as good a surfer. But Quinn, with his half-crazy half-smile and tendency to dress in what could only be called a costume—today it was baggy shorts, Army-surplus desert boots, a pink golf shirt, and a gray fedora he'd found in his grandfather's attic—put out a weird-guy vibe that alienated some and scared others. Quinn was his own clique, which was maybe why he and Sam clicked.
Sam Temple kept a lower profile. He stuck to jeans and understated T-shirts, nothing that drew attention to himself. He had spent most of his life in Perdido Beach, attending this school, and everybody knew who he was, but few people were quite sure what he was. He was a surfer who didn't hang out with surfers. He was bright, but not a brain. He was good-looking, but not so that girls thought of him as a hottie.
Continues...
Excerpted from Goneby Michael Grant Copyright © 2009 by Michael Grant. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Katherine Tegen Books; Reprint edition (April 8, 2014)
- Language : English
- Paperback : 576 pages
- ISBN-10 : 0061448788
- ISBN-13 : 978-0061448782
- Reading age : 14 - 17 years
- Lexile measure : 620L
- Grade level : 8 - 9
- Item Weight : 14.4 ounces
- Dimensions : 5.2 x 1.4 x 8 inches
- Best Sellers Rank: #32,600 in Books (See Top 100 in Books)
- #36 in Deals in Books
- #100 in Teen & Young Adult Science Fiction Action & Adventure
- #242 in Teen & Young Adult Dystopian
- Customer Reviews:
About the author

Michael Grant was born in Los Angeles but that's not important because he was soon out of there. His father was a military man, frequently transferred, so Michael was the "new kid" in school every year but one. He left school early and embraced the rootless lifestyle as his own. He's lived in more flats and houses than he can recall, all across the US and in France and Italy as well. He's back in California as of this writing but with no plans to stay put.
Michael met his wife, Katherine (K.A.) Applegate, 37 years ago, in Austin, Texas. He saw her through her apartment window and immediately knocked on her door. They've been together since that first meeting.
Michael Grant did not set out to be a writer. He's worked as a stock clerk, a house painter, an apartment manager, busboy, waiter, restaurant manager, janitor, editorial cartoonist, political media consultant, documentary producer, and no doubt some other jobs he's managed to forget. After ten years working odd jobs together, Katherine informed Michael that it was time for them both to grow up, get careers, possibly have children. Once he was revived, Michael agreed.
Katherine and Michael began writing in 1989, often as a team, and wrote 150 books, including the ANIMORPHS series.
They have two disobedient children, Jake, 19, and Julia, 16, a yappy Chihuahua-ish dog (Katherine's), a hateful cat named Lightning (Katherine's) and an okay cat named Scooter.
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Author: Michael Grant
Rating: 4.5 Stars
My Review
Ok, on some level, I didn't want to like Gone. I think that this may be hard to explain. Maybe it is the monumental task of taking on this series. A 550 page debut with a 600 page follow up and 4 more to come? Daunting. And I'm actually a fan of EPIC storytelling.
I also didn't want to like it because as it got started, I could sense that this was going to be one of *those* stories: ones with a ton of characters, a ton of POVs, and a ton of question marks with no immediate answers. Now, I like lots o' characters (been accused of abusing people's tolerance for numbers myself) and I like multiple POVs, but the questions marks with no immediate answers part makes me nervous. I'm always unnerved when an author takes on so much, with the implied promise that we'll understand it all at some point, only to find that it's sealed with a pretty bow such as, "It was all a dream," or, "The characters were really all dead," or, "What do you mean I didn't explain everything? Of course I did." Sigh. Some people LOVE this kind of thing, but it irks me to no end.
BUT - I have hope for Gone and will stick with it. If I end up buying the whole series and being disappointed, believe me, the review will reap the whirlwind, but for now I will reserve judgement.
On to the real review. I've given this book 4.5 stars because despite my trepidation, I really enjoyed it. The plot kept the pages turning and there were a lot of twists to fill the 550 pages. I also am a fan of dark tales, sci-fi tales, and tales with a large scope, so I was pleased to find that in Gone. I do have to say that the author is very brave. He uses a ton of different viewpoints (many people say you can't do third person omniscient for ya but I disagree. Head jumping is easy to me...) I like that because it paints a more well-rounded picture. He also is not doing any one genre in it's pure form. This isn't just science-fiction, it isn't just fantasy, and it isn't just apocalpytic. At times it feels most like a graphic novel (though I'm not an expert in this). If I had to sum it up, I'd say it's a cross between The Lord of the Flies and X-Men.
I liked the main characters of Astrid and Sam (though the cover pic of Astrid doesn't fit at all with what I pictured...she's too dainty and fairy like instead of the stiff, buttoned up girl you first meet). I like Sam's struggles with rejecting power and then being forced to use it for good. I enjoyed the changes in their relationship over time...they felt real within the context of a very unreal situation. I also liked the portrayal of teens who are devastated by the loss of their parents. It's not all candy and ice cream, it's a topsy-turvey world without rules and they don't just celebrate. I also liked the portrayal of Quinn. He felt tragically flawed and tragically real, in the end.
There is A LOT going on in this story and it increases, rather than decreases over time. If you like stories that get more and more complex as they go on, you'll like this one.
What I Didn't Like
Obviously with a 4.5 rating, there was little that I didn't like, and none of it was serious. Mainly, I felt that the villains were too one-dimensional. That may be what made it feel more graphic novel-y to me, though that may not be fair to graphic novels. But let's put it this way, the main villain is named Caine, to start. I thought, really? Caine. And he and his cohort are, for the most part, devoid of humanity of any kind. For me, it's just a preference that villains have as much "to" them and their villainy as the heroes, and I'm not sure I got that. Of course, their lack of humanity is what makes them scarier, so again, this is a small criticism.
The possibility of being disappointed. I'm not going to beat this to death, but with everything going on in this story, there is the potential that it is resolved unsatisfactorily or not at all. But I guess it has to be a pretty good story for me to fear this in the first place, so I plan to stick with it to see what Grant does. BTW, if you want an ending that wraps everything up for this book...you'll be disappointed. It's not for you if you're not in for the series.
I recommend this to fans of large, detailed, epic stories of struggle and triumph...with a little fantasy/magic thrown in. But be warned, this is pretty DARK! There is some violence and some young children suffering (see Lord of the Flies reference above). It's an apocalypse (or something), not a chick-lit summer tale. :)
Where are the adults?
Grant took the apocalyptic world and probably asked himself: what if adults were gone? He puts children on a town isolated by a barrier. We don't know what happened to the rest of the world and it is a question you will ask yourself during all the time you invest reading this book. This would be a difficult situation for an adult, so imaging how challenging it would be for kids. Children are less resourceful than adults, also immature, so every problem could escalate like a wild fire.
Follow the leader... but who?
The setting of this book is Perdido Beach. The city is surrounded by a barrier and no adult presence is found. Keep this in mind, Perdido Beach is a name fit for the place because Perdido is Spanish for lost. In this city's weirdness at first the kids are disorganized but see some hope on Sam. Sam is a kid just like them, but he had gained their trust due to his heroic actions in the past. They think of him as the one with the answers, but Sam is not ready to take a leader's role. When a new kid emerges on the scene entourage included -the town and especially Sam get more than they bargain for. Caine and his crew act in pro of the interest and well being of all the kids ...All appearances! Their dark motivations are soon shown, triggering a chain of events that will awaken Sam's leadership.
Inside that barrier things are crazy. The place is govern by a new ecosystem where laws of physics no longer apply and reality blends with fantasy. Even the characters will evolve, and in Sam and Caine, this will happen exponentially. Alliances will form, after all they feel insecure and kids will be on edge. The climate is one of immediate survival, not one of long lasting survival. We confirm all of this as they establish rules that soon become excuses for bullying and persecution. Sam will be the one who will provoke positive change for everyone.
The bunch had common sense
When people is trying to survive, they will be on edge. These kids are by themselves, but it surprised me how they handle things. The daycare center continues taking care of the little ones (underage staff). The fire department and police keeps going. Even the McDonald's is offering services!
At some point factions are forming: Perdido Beach Kids vs. Coates Academy Kids (school nearby) They decide who to follow based on: moral, accessibility to resources, protection or power. Caine exemplifies power by generating fear and use of manipulation. He keeps the children fearful using a set of strong powers he acquired. He had been altered by something unknown as everything has been altered on Perdido Beach. Caine is at the top of the list of children with powers. Kids will have to decide who to follow and a big fight will define the near future of all of them... at least for a while.
About the book
I read the kindle version of Gone on my smartphone. It's a good version easy to read and mine is full of notes. I'm planning on reading the next book. Already got the sample of Hunger at Amazon and from what I read on its synopsis, things won't get easier. The children of Perdido Beach simply live everyday as it comes. Gone had an optimistic ending reflecting unity in the kids. I was delighted to see how they find common ground with tradition and a big feast. The big feast part is what drives me mad. How are they going to find food in the future when probably their supplies are already low? The smart thing would've been to ration their food. Sooooooo, the second book is Hunger and I rest my case!
While reading this book I kept turning electronic pages for it was difficult to stop reading. The story is full of surprises. I liked about this book that Grant didn't sanctify children. He put them on a stressful environment and let his characters play. There will always be kids more mature than others. The story has many characters but just a few kids take responsibility for the general well-being. Unfair, but not everybody will be proactive on a community, it would be an Utopian state of mind.
Recommend for Middle age and up
Top reviews from other countries
They went right into the action, they didn't just tell the characters day and then the 'poof' happens so that was good. There wasn't blabbing. They introduced the characters with the least and the best details, and when there was something happening to the character that was related to his/her past they gave the information during that time, not when first introducing them.
I was so surprised when I found about about some truth about the characters, it was so unexpected and I think some were a bit unnecessary, but some of them made the character improve with that information and depending on it, you either hate the character even more or love them even more.
Drake. Throughout the whole book, I wished he died, he is the one I hate the most, I don't even hate Caine this much. Yes, of course I hate Caine, I think he was overreacting to everything. I am really curious to know why his mother left him. I really hope we will know why in the other books.
I love how protective Astrid is over Little Pete. I think LP being autistic kind of made this book a bit more interesting because he can't really do and understand much so Astrid always tries to help, protect him. That gave some action to it. And I am a bit disappointed that it actually was LP that caused the FAYZ; and also confused as how is that possible. Ok I get it that he might transported all the 15+ people to somewhere else but where did that wall/barrier came from and if it was him in the first place how people becoming 15 after the incident disappears.(??) And how people see their parents (I guess) when they're 15 and it is the time for them to go out of the FAYZ, go 'poof'. It is all so confusing.
This is actually one of the most confusing book I ever read. It left me with so many questions, and I really hope that all will be answered soon. But I also feel like second book will also leave me with even more questions.
The reason I gave 4 stars to this book was that. It didn't really make sense and left so many questions and also the fact that they only cared about the children that they could see. It was a bit disturbing that they didn't really go house to house to look for the younger kids,like babies and get them to daycare too. Because after they found the baby in the house dead I actually felt like crying and I was like ' I told you guys to go and look at the houses to see if there are babies/young children left. Somehow my first thought was that when the disappearing, the 'poof', happened. I really wished they did look for the babies and took care of them.
The final battle was so amazing. How they both said no to their mother and stayed in the FAYZ. The book played like a movie inside my head, and the last part where Caine is talking with the Pack Leader, after reading I actually saw, felt that ' to be continued...'
Because it's young adult, and usually this translates to dark in a toned-down, scary-lite kind of science fiction.
However, having devoured the first book and currently racing through the second, I have to admit: Gone is a damn good read, whether you're 15 or fifty. Oh, and my presumption couldn't have been further from the truth.
In order not to spoil the book for future readers, I've tried to keep this review as spoiler free as possible.
THE STORY
The story begins with a rather ordinary boy called Sam sat in a classroom amongst his friends, pondering going surfing with his best friend Quinn. All of a sudden, the teacher disappears. Literally, vanishes. Into thin air.
Consequent investigation leads to the discovery that all adults and anyone in fact over the age of 15 have disappeared and nobody knows how or why or if they are ever coming back.
The story from here-on-in is truly gripping. It deals with many themes: science fiction and the mystery of the dystopian world the characters find themselves in, the inevitable power plays between the strong and the weak, survivability issues (think about it- where are the doctors, the nurses, the firefighters, the farmers and most importantly the parents?), coming-of-age, sexuality and relationships, and an almost supernatural element of the creature which is lurking in the forest.
Imagine a mixing pot of Lord of the Flies, Lost, X-Men and almost Harry Potter-style mystery and magic and you are somewhat close to what Gone has to offer.
A word of warning- the story here can be violent. It is never gratuitous (it's not a Saw film) but it can be graphic; however the violence is entirely in context and very realistic of how children would act if ever found in this situation. I found the violence always added to the story rather than taking away from it.
THE CHARACTERS
Sam is a typical hero character- noble, conflicted, with good intentions. This is perhaps my only gripe with the story- I found Sam could be a little two dimensional. The "baddie" is a little cardboard cut out. But this does not pretend to be a work of great classic literature and otherwise, most of the characters instilled sympathy and hatred in various measures.
I found Astrid to be very reminiscent of Hermione from Harry Potter.
Perhaps the most fascinating characters are Lana and her dog Patrick, and one character/creature who may not be entirely human and certainly not as noble as our good hero Sam...
The characterisation of bullies (which remains a strong theme throughout these novels) is painfully accurate and will resonate with many children, and indeed adults who can remember their own experiences at school.
THE WRITING
Grant is a good writer. I say this because I cannot stand bad writing in a book and will immediately stop reading e.g. Stephanie Meyer's dreaded Twilight series. Admittedly, he's not a truly great writer, but he is certainly a good one, and knows how to keep you hooked. He knows he's got a great story and he's not afraid to make use of cliffhangers etc to keep you reading until late into the night.
OVERALL
I would recommend this book to anyone. Don't let the fact this book is aimed at young adults put you off- the book deals with adult themes and you certainly don't feel like it's been toned down for younger audiences. The story is incredibly unique and compelling. I have not been so engrossed in a series since George Martin's A Song of Ice and Fire- which is high praise indeed.
I particularly like the fact that almost none of the protagonists can drive, and adult skills such as cooking, child minding, computers are spread among the populatin with an occaisional child having a strong talent, and the rest being fairly clueless
The story never stops and you are forever on the edge of your seat, but with so many questions not answered at the end, it can feel a little un satisfactory, but then there are sequels.
So read this in anticipation of a long journey through the sequels that follow
The story suffers from first novel syndrome, leaving so many loose ends and unanswered questions that it does not stand on its own as a story. The plot is also fairly predictable and a lot of the secondary cast members who seemed to be important at the start of the novel did not really get a lot of development.
However, the novel was certainly exciting and never felt bored reading it, even during its quiet sections. It does a very good job of setting out the ground rules for the world and therefore sets the stage for the rest of the series. I really hope that this means that the characters have more room to grow over the next few novels, as I think that this series really has promise to be something great.









