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Gone With the Wind Hardcover – June 1, 1996
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Widely considered The Great American Novel, and often remembered for its epic film version, Gone With the Wind explores the depth of human passions with an intensity as bold as its setting in the red hills of Georgia. A superb piece of storytelling, it vividly depicts the drama of the Civil War and Reconstruction.
This is the tale of Scarlett O’Hara, the spoiled, manipulative daughter of a wealthy plantation owner, who arrives at young womanhood just in time to see the Civil War forever change her way of life. A sweeping story of tangled passion and courage, in the pages of Gone With the Wind, Margaret Mitchell brings to life the unforgettable characters that have captured readers for over seventy years.
- Print length1048 pages
- LanguageEnglish
- PublisherScribner
- Publication dateJune 1, 1996
- Dimensions5.5 x 2.1 x 8.25 inches
- ISBN-10068483068X
- ISBN-13978-0684830681
- Lexile measure1030L
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“The best novel to have ever come out of the South...it is unsurpassed in the whole of American writing.”—The Washington Post
“Fascinating and unforgettable! A remarkable book, a spectacular book, a book that will not be forgotten!”—Chicago Tribune
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Product details
- Publisher : Scribner (June 1, 1996)
- Language : English
- Hardcover : 1048 pages
- ISBN-10 : 068483068X
- ISBN-13 : 978-0684830681
- Lexile measure : 1030L
- Item Weight : 0.035 ounces
- Dimensions : 5.5 x 2.1 x 8.25 inches
- Best Sellers Rank: #17,858 in Books (See Top 100 in Books)
- #108 in American Historical Romance (Books)
- #454 in Family Saga Fiction
- #701 in Classic Literature & Fiction
- Customer Reviews:
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About the author

Margaret Munnerlyn Mitchell (November 8, 1900 – August 16, 1949) was an American author and journalist. One novel by Mitchell was published during her lifetime, the American Civil War-era novel, Gone with the Wind, for which she won the National Book Award for Most Distinguished Novel of 1936 and the Pulitzer Prize for Fiction in 1937. In more recent years, a collection of Mitchell's girlhood writings and a novella she wrote as a teenager, Lost Laysen, have been published. A collection of articles written by Mitchell for The Atlanta Journal was republished in book form.
Bio from Wikipedia, the free encyclopedia.
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Yes, It is a book where the main character is a selfish, spoiled rich plantation owner's daughter, that lost everything she had that she knew in the world, her home, her parents, many friends, her money, and how she clawed herself back to the top no matter who she ran over or hurt along the way. She is an unlikeable character that you cannot help but like anyway for the sheer will and determination she has to survive. Somewhere along that road of selfishness, she developed a conscience even though she stifled it whenever it reared it's head and went on being ruthless anyway. Also somewhere along the road, she realized that there was a feeling she could not quite identify in her heart about Melanie and Rhett, a feeling she did not realize was love until it was too late to enjoy that love. Oh you knew she was ruthless and hard, but you knew there was some good in her somewhere (was there?) and you rooted for her.
Then there's Rhett. The rebellious, sarcastic, making money at the ruin of others, handsome man that fell in love with her the moment he cast eyes upon her. He was there for her so many times over the years, but she never really appreciated him. He loved her so much, but never let on in words that he did because he knew anyone that admitted they loved her, she would run over like she did so many other poor men that loved her, may they rest in peace. She realized she loved him much too late.
There's Melanie, the mild, sweet shy girl-like woman who Scarlett said she hated because she was Ashley's wife (and of course Scarlett was in love with Ashley). So sweet and mild, she has a fierce loyalty and love for Scarlett, which Scarlett also didn't fully realize until it was too late.
And Ashley, poor pitiful Ashley who she just thought she loved all these years only to finally realize she was In love with an idea of him, not him. She wasted all those years not realizing this, again, until it was too late.
Mixing with all these wonderful characters and more, is a story about the south and how the world they knew was lost. Though it was a world that had many wrongs that should not have happened and that I'm glad was put an end, you can't help but feel their loss, feel the horror as they watched their houses and Atlanta burn to the ground. You feel their hungriness as they have nothing to eat, feel their shame as they have nothing but rags left to wear, feel their bitterness as they are under Yankee rule during the reconstruction.
It's also a story about what different people do to survive. In this case, does one go with the flow and make the best out of a new situation and reap the benefits that they can in the situation they're in, or does one stay loyal to a cause that was burned to the ground and is no more and stay humbled and hungry? Does one sell their soul and prosper at the cost of others? Scarlett took advantage of the situation she was in and it made no difference who she ran over to do it or if she did forget the cause for which a war was fought. However, in the end, I think she realized that to have all she acquired, a very high price was paid for it all.
This book was so great on so many levels, even more that what I've written here. For to go on, it would be way longer that this. I think it's a masterpiece.
I do want to say one more thing, last but not least, about the author Margaret Mitchell. Though this was her only published novel, she did not drop down out of the sky to write this book out of nowhere. Growing up she wrote complete stories all the time as a little girl, was in drama at school, and as a young adult, worked as a journalist until she had to quit due to an ankle injury. She was born into a family rich in civil war history and many of her family had actually fought and lived during the civil war and she sat on many a lap listening to these stories throughout her childhood. She was born, lived and died in the city she wrote about, Atlanta. She knew of what she wrote about and it's historically accurate. She died, unfortunately, at the age of 48, hit by a drunk driver, crossing Peachtree St. (a street mentioned many times in the book), with her husband on the way to the movies. 5 days later she died, she was buried in Oakland Cemetary, (a graveyard mentioned in the book). To me, this book could have never been surpassed and I feel so good knowing that in her short life, she chose to leave this masterpiece for us all to enjoy forever. I, for one, am grateful. Thank you Margaret Mitchell.
I grew up for 10 years in Chicago and then when I was nearly 11, we moved to a rural area in South Carolina. A few years later we moved to a small town in North Georgia. My father was from Philadelphia, but my mother and stepfather were Georgians. I always considered myself a hybrid, but I was the only one who thought so. Northerners ridiculed the soft drawl I picked up from my Georgian family; Southerners ridiculed my Northern speech patterns and LACK of a proper drawl. This was in the 1960s and 1970s. So tell me that nobody remembered the Civil War anymore. In both North and South a mere hundred years later, it defined a great many of my own relationships. In the North, elementary school history was all about the evil South and the the evils of slavery. When I got to the evil South--to a fully integrated school (as opposed to the totally white suburb of Chicago I'd inhabited before) I got the Southern perspective--the war came about because of unfair taxes, a federal government that took away states' rights, AND slavery. In some ways, GWTW provides a more comprehensive look at the reasons for secession than some of the history books I've seen. Although it's told from the perspective of rich plantation owners (does anyone even remember that rich plantation owners accounted for about 5% of the South's population??), rather than the "white trash" and "poor Crackers" (this would be people like my family) who made up most of the Southern army, the real focus is on why there needed to be a war at all. And the answer, of course, is, there didn't need to be one. The character of Rhett Butler, who serves the purpose of the one who got away; selfish Scarlett never knew she loved him until he left her--but in addition to that, he is the voice of hard, cold practicality, and 20/20 hindsight. He puts the war into economic terms, questions the motives of all the great heroes (I loved his sneer at Abe Lincoln's "crocodile tears") ridicules everything the Southerners claim to believe, but when the chips are down, he goes to fight too. Melanie and Ashley mourn the loss of their gentle way of life, but both sacrifice everything they have for their "Cause."
Better descriptions than mine have already been written about the plot of this book: Selfish Scarlett wants to marry Ashley, but he marries Melanie, so Scarlett sets out to make everyone miserable when the war intervenes. For years she is forced to put her energies into things she'd never given thought to before--like surviving. In the course of surviving she finds out women--herself in particular--are nowhere near as weak or silly as she's been raised to think, and she discovers talents she never knew she had (such as making money) as well as making the knees weak of most men in her vicinity. But of course in the course of surviving, becoming successful, and finally even gaining Ashley, she makes herself the most miserable of all.
But there's so much more to it than that. So much about the rapid change of society (anyone who's lived more than 40 years should be able to appreciate that), the horror and ultimate futility of war (anyone who's ever been in the military, or had a son or daughter or friend in the military, should understand that), changing values (such as priorities going from what dress I should wear to the party to will I be able to eat tomorrow).
And it makes the war up-close and personal, whether in the scenes leading up to and including the burning of Atlanta or the destruction of Tara's pathetic cotton harvest. Gettysburg notwithstanding, the vast majority of the battles in the war were fought in the South. So most of the destruction was in the South. Rich plantation and tiny sharecropper acreage alike were destroyed, and most of the 50,000 civilians killed in the war were Southerners. This is why “Little Women,” technically also a Civil War novel, doesn’t seem like one—the March sisters were comfortable and untouched in Massachusetts, at worst suffering an occasional shortage or worrying about their father—while GWTW touches every horror women in the South faced, from starvation to rape and worse.
I first read this book when I was eleven, not long after we had moved south. It was an eye-opener. I’ve read the book at least fifteen times since then (I’m now 56), most recently purchasing it as an ebook to replace a worn-out hardcover. I read it again, specifically focusing on some of the descriptive passages in the last days of Atlanta, the trip back to Tara and the settling there only to be attacked again by the dreaded Yankees, and I marvel that Mitchell can write such vivid description while the reader (in my case a professional editor) isn’t even aware that it’s just a description. I don’t like reading long descriptions, and some of the worst (in several famous books I could name) have prompted me to skim pages to get back to the story, but with Mitchell I never noticed. I felt the gumminess of Scarlett’s skin in the heat of the day; saw the bloody and dying soldiers on the streets around the train depot, felt the hunger gnawing in her gut when she dug that radish out of the ground. There’s a reason a blockbuster movie came from this book (but is not as good as the book); there’s a reason Carol Burnett’s parody of the story is the most popular of all her wonderful comedic sketches. This book transported ordinary people into the setting and made them feel the agony. And considering how unlikable Scarlett O’Hara really is, it’s doubly amazing that Mitchell makes me root for her. Maybe I don’t want her to get Ashley (heavens, what would she DO with him—he bores her stiff!) but I want her to survive. You want Tara to regain its former glory even as you know it never will. And no matter how many times I read it, I still keep hoping Scarlett will recognize that Rhett loves her before it’s too late. Now THAT is powerful writing.
Top reviews from other countries
E é uma edição cuja capa é bonita e é um livro comum não é capa dura. Não é pocket; o tamanho é bom.
Fiquei feliz com o material.
Reviewed in Brazil on October 9, 2022
E é uma edição cuja capa é bonita e é um livro comum não é capa dura. Não é pocket; o tamanho é bom.
Fiquei feliz com o material.





















