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Good News For People Who Love Bad News
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Good News For People Who Love Bad News [Explicit]
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MP3 Music, April 6, 2004
"Please retry" | $9.99 | — |
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Vinyl, Explicit Lyrics, April 6, 2004
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Track Listings
| 1 | Horn Intro |
| 2 | The World At Large |
| 3 | Float On |
| 4 | Ocean Breathes Salty |
| 5 | Dig Your Grave |
| 6 | Bury Me With It |
| 7 | Dance Hall |
| 8 | Bukowski |
| 9 | This Devil's Workday |
| 10 | The View |
| 11 | Satin In A Coffin |
| 12 | Interlude (Milo) |
| 13 | Blame It On the Tetons |
| 14 | Black Cadillacs |
| 15 | One Chance |
| 16 | The Good Times Are Killing Me |
Editorial Reviews
Product Description
It's hard to pinpoint the exact moment Modest Mouse started sounding like a real band. For the longest time, singer-songwriter Isaac Brock seemed to exist solely to defy the established rules, forging forward on sheer momentum and ingenuity. Even Pavement looked relatively ordinary in comparison to the band's early releases like 1996's This Is a Long Drive for Someone with Nothing to Think About and 1997's The Lonesome Crowded West. But on Good News for People Who Love Bad News, the frontman sounds like he's finally touching the earth, and the band--minus founding member and drummer Jeremiah Green--follows suit. A relaxed mood prevails, not so much in volume but in attitude. On the follow-up to the group's 2000 major label debut, The Moon & Antarctica, big sloppy melodies battle it out with brass on punky epics like "Float On" and "The Ocean Breathes Salty." The lyrics are simpler, the arrangements tamer, but the vitality remains. The prevailing mood is that Modest Mouse has pulled off something extraordinary here: a well-rounded, lovable record that doesn't sound anything like David Gray.
Amazon.com
It's hard to pinpoint the exact moment Modest Mouse started sounding like a real band. For the longest time, singer-songwriter Isaac Brock seemed to exist solely to defy the established rules, forging forward on sheer momentum and ingenuity. Even Pavement looked relatively ordinary in comparison to the band's early releases like 1996's This Is a Long Drive for Someone with Nothing to Think About and 1997's The Lonesome Crowded West. But on Good News for People Who Love Bad News, the frontman sounds like he's finally touching the earth, and the band--minus founding member and drummer Jeremiah Green--follows suit. A relaxed mood prevails, not so much in volume but in attitude. On the follow-up to the group's 2000 major label debut, The Moon & Antarctica, big sloppy melodies battle it out with brass on punky epics like "Float On" and "The Ocean Breathes Salty." The lyrics are simpler, the arrangements tamer, but the vitality remains. The prevailing mood is that Modest Mouse has pulled off something extraordinary here: a well-rounded, lovable record that doesn't sound anything like David Gray. --Aidin Vaziri
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.62 x 4.92 x 0.33 inches; 3.84 Ounces
- Manufacturer : Epic / Sony
- Item model number : 2110700
- Original Release Date : 2004
- Run time : 49 minutes
- Date First Available : January 29, 2007
- Label : Epic / Sony
- ASIN : B0001M7P78
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #22,732 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #26 in Lo-Fi
- #56 in Emo
- #484 in Indie Rock
- Customer Reviews:
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Top reviews
Top reviews from the United States
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First of all, I'll say it right up front: 3.5 stars average review? Use your freaking ears, folks - the album is much better and more interesting than that. There's a lot of wholly average and even quite terrible crap on Amazon getting 4+ stars, although often because not many people review it except those insane, pudding-hoarding paranoid psychotics that are into albums made entirely with the sounds of rubbing goat parts together. In any case, 3.5 stars has nothing to do with the album's quality; it's just there to make a point.
What's the point? Well let's see:
1. Modest Mouse sold out! So says all the hardcore enthusiasts who have been DOWN from DAY ONE. I am one of those guys, so I'm here to say: forget those guys. Most of them are allergic to change and *particularly* allergic to their favorite stuff getting even sort of popular. The fact is, "Float On" - while a catchy, poppy, cute little song that surely indicates the band has completely and totally started licking the corporate boots, as it were - is not that different from the more accessible songs on their previous couple of albums. And the rest of the album is mostly pretty difficult, which is totally normal for them.
2. Speaking of difficult, there's all the reviews that read like this: "I loved Float On and I bought this CD and it's all weird and tracks 6, 7 and 9 are just unlistenable WAAAAHHHH." If that doesn't completely disprove the idjits from #1 I don't know what does. But in any case, it makes me happy that the CD is weird and diverse. There are strains of Tom Waits and Pavement and the Pixies here (and many of those strains have been running through Modest Mouse's whole career). These are interesting, good musicians who I would encourage all of you to get to know. If tracks 6, 7 and 9 are just too dang weird for you, stick to Britney Spears. Better yet, just start buying singles off iTunes... you're too dumb to be listening to whole CDs. You see, sometimes artists mix things up a little, and challenge you as a listener. They don't just record the same song 15 times and call that an album.
3. While I'm on that subject, the dumbest review of this CD here on Amazon has to be the one that says Modest Mouse is a one trick pony. One trick? Did they even listen to the CD past the first few tracks? Most people are complaining that the middle section of the album is too weird and different from the hit song, but you think it's too similar? Good god... so this is what a deaf music reviewer would be like. The mind recoils in horror.
4. Back to the hardcore faithful: "their first few albums were so much BETTER." Well - yes, they were. But this is still a good album by a great band. This is like season 7 of The Simpsons, when the show was still good and delivering a ton of great jokes, but was in retrospect teetering on the brink of suckulence. Only time will tell, with MM, if they are teetering on the same brink. But I'll tell you this: I own The Simpsons Season 7 on DVD. It's a good one. And this CD is good too. Not as good as "Lonesome Crowded West," but it's good. In spots it's certainly easier on the ears and more liable to make me get up and dance around like a freak in my living room, so that's something.
I've got nothing else to say. My honest, objective review rating would be 4 or 4.5 stars - but someone has to take responsibility for trying to drive this average back up to where it should be. Hell, Amazon should step in and just "fix" the numbers. The only good thing that has resulted from this "making no one happy" situation is that over a hundred copies of a really good CD are available for cheap to the people who are grown up enough to make a good investment. The rest of you can save your pennies for that new Guided by Voices spinoff (now with extra tape hiss!), or downloading all the latest reggaeton hits online.
"The world at large" is a tragic lullaby about finding the reason of life and realizing its too late to do anything about it.Things are getting older, people are leaving this earth, and you never reached your goals... a stand still life procrastinated by idleness...
Another great song is the punk song "Dance Hall." The guitar contrasts of distortion and echoing makes the song stand out as one of the songs that a person can skank to in a large pit of indie rockers, pop punkers, and dredlocked rastas...
I have to say however, "The View" is my favorite song with its funk like guitar and the blend of the sounds of the synthesizer with the drums makes it sound like a electro song...
Really this album has a variation of song styles that is over shadowed by its singles...
Modest Mouse is all over the place which is hard to categorize them. They come up with folk tunes like "Blame it on the Tetons" or the slow bluegrass song "Satin in a Coffin" which is why they get the label of indie rock.
Problem with most bands with brains (and Modest Mouse clearly has some smarts) is that when the lyrics get too heady the band comes off sounding musically forced and impersonal (think of Rush, for example). Modest Mouse avoids all that and makes it all work without the feel of contrivance. What the album lacks in rock indulgence it makes up in pure nervous tension. At times the tension reaches levels not heard since The Residents.
For us freethinkers, the album serves up snippets of personal philosophy set to some stunning music ("We have one chance. One chance to get everything right...My friends, my habits, my family, they mean so much to me...").
Get it then listen to it three or four times in a row until you GET IT.
Top reviews from other countries
Schräge Töne gibt es eine ganze Menge auf dem Album und mit nichts anderem wird der Hörer auch durch das zehn Sekunden lange „Horn Intro“ in das Album eingeführt. Aber solche Beispiele gibt es noch mehr. „Bury Me With It“, „Dance Hall“, „This Devil's Workday“ oder „The View“ klingen einfach ein wenig abgefahren und es bedarf schon einiger Durchgänge, bevor sich einem diese doch manchmal ziemlich schrägen Harmonien und eigenwilligen Gesangspassagen besser erschließen.
Andererseits gibt es aber auch die Stücke, die wunderschöne Melodien aufweisen, sofort ins Ohr gehen und dort auch verbleiben. „The World At Large“, „Bukowski“ und auch “ Satin In A Coffin“ sind solche Nummern, die dabei allerdings alles andere als nach Massenware klingen. Dieser etwas ungewöhnliche „Touch“, der mitunter wie eine Mischung aus den „Pixies“, den „Talking Heads“ und den „Stranglers“ klingt, diese besondere Note ist dabei immerfort bei allen Titeln zu hören und durchgehend gegenwärtig.
Wie, um das Bild des „Nichtalltäglichen“ noch abzurunden, gibt es auch drei ganz kurze Tracks auf dem Album, die eher experimenteller Natur sind und zusätzlich noch ein wenig zur Auflockerung in Form weiterer Abwechslung beitragen. Und ehe man sich auf diese kleinen Einschübe eingestellt hat, sind sie auch schon wieder vergangen.
Fazit: Keine Radiomusik gibt es auf „Good News For People Who Love Bad News“ zu hören. Oder sagen wir mal so: Nur sehr eingeschränkt radiotauglich das Ganze. Aber auf „Good News For People Who Love Bad News“ von Modest Mouse gibt es Spannendes und Besonderes zu hören. Wer gerne mal über den Tellerrand des Alltäglichen hinaussieht beziehungsweise hinaushört, die oder der hat hier durchaus die Möglichkeit etwas Neues zu entdecken.
du nouveau dans le son du groupe. Moins incisif mais plus varié.
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