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Good Poems for Hard Times Hardcover – September 8, 2005
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Copyright © American Library Association. All rights reserved
About the Author
- Print length368 pages
- LanguageEnglish
- PublisherViking Adult
- Publication dateSeptember 8, 2005
- Reading age18 years and up
- Dimensions5.76 x 1.22 x 8.48 inches
- ISBN-100670034363
- ISBN-13978-0670034369
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Product details
- Publisher : Viking Adult (September 8, 2005)
- Language : English
- Hardcover : 368 pages
- ISBN-10 : 0670034363
- ISBN-13 : 978-0670034369
- Reading age : 18 years and up
- Item Weight : 1.1 pounds
- Dimensions : 5.76 x 1.22 x 8.48 inches
- Best Sellers Rank: #594,452 in Books (See Top 100 in Books)
- #536 in Poetry Literary Criticism (Books)
- #2,057 in American Poetry (Books)
- #2,399 in Literary Criticism & Theory
- Customer Reviews:
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About the author

Garrison Keillor wrote Boom Town during the pandemic lockdown in New York, reading drafts of it to his wife, Jenny, sitting across the room. He did parts of the book in monologues for audiences in Boston, New York, Washington, Pennsylvania, Georgia, and Virginia, along with the story of how, in the eighth grade, his shop teacher Orville Buehler, worried about the boy's carelessness with the power saw, sent him up to LaVona Person's speech class, thus changing his life. Keillor says, "For many people, the key to success is discipline and education, but for me, it was ineptitude with power tools." His twice-weekly columns appear on Substack (garrisonkeillor.substack.com).
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Everyone should have a copy of this book.
It is worth the price of this book for Mr. Keillor's introduction alone. He opines that America is in "hard times" now with "the levels of power firmly in the hands of a cadre of Christian pirates and bullies whose cynicism is stunning," with the perversion of religion, a tax system that favors the rich, when newspapers decline and the censor abounds. He fears for a future when America has "no binding traditions," when the public cannot name senators and gets their political knowledge through television and their "only public life at Wal-Mart." He says further about what is already taking place: "You lie in a hotel bed at night, remote in hand and surf a hundred channels of television. . . and you can drift for hours among the flotsam and you will never see anything that shows that you're in Knoxville or Seattle or Santa Fe or Chicago and nobody will ever speak to you as straightforwardly and clearly as poetry does." That's pretty scary stuff.
Mr. Keillor is totally democratic in his choice of writers. The qualifications for inclusion appear to be that the poet be fairly accessible on a first hearing and not long-winded so you need not look for a Pound or Eliot here. These verses are about the rubber meeting the road. There are some heavy-hitters among the poets included, i.e., the ones we read in the Norton American and English Literature anthologies: Auden, Robert Burns, E. E. Cummings, the beloved Miss Emily, Donne, Frost, Hardy, Keats, Shakespeare, Whitman et al. Also included are important modern names-- Wendell Berry, Charles Bukowski, Raymond Carver, Billy Collins, Rita Dove, Donald Hall, Mary Oliver-- and a host of good poets I had never heard of before. (I found myself often looking up the bio of a previously unknown writer whose poem I had just been taken with.) Although I understand completely that every editor must discriminate and cannot include everybody, I would have liked included maybe a poem by Cavafy or Mark Doty or Paul McCartney.
The subject matter of these poems is diverse, from 1977 Toyotas and spiral notebooks to baseball, which is not to say that many of the selections are not profound nor beautiful. One of my favorites is Charles Bukowski's "the con job," obviously about the First Gulf War where "the U. S. ground troops were largely/made up of Blacks, Mexicans and poor/whites/most of whom had joined/the military/because it was the only job/they could find." Another is the beautiful and sad "Affirmation" by Donald Hall where the young "row for years on the midsummer/pond, ignorant and content." And Lisel Mueller's exquisite poem about snow, "Not Only the Eskimos."
Finally the biographical sketches of the poets included at the end of this collection usually have a quotation in bold black letters by the writers themselves, often as good as their poems. My favorite is by Lawrence Ferlinghetti: "Like a bowl of roses, a poem should not have to be explained."
Thank you, Mr. Keillor, for more good poems.
Read it. Gift it. And buy more poems, y'all. :)
I keep my little volume beside my bed, and pick a flower from it whenever I'm in the mood - which is often. Makes me want to read Mr. Keillor's other poetry selections.
I bought the Kindle book this morning (24-05-2009) after downloading and reading the free sample, which included only the TOC and part of Keillor's Introduction, then I read the book start to finish over the course of the day. I can't wait to read it again tomorrow.
If you want to read some beautiful poems, some that will bring tears to your eyes, some that will make you laugh out loud, and some that will make you read them two or three times in a row because you like them so much, then buy this book.
I thought that the poems were written by Keillor, however, this is not the case. He collected the poems, and his choices are good. But the book title is accurate, they are GOOD poems, not great ones. I think it would have been more helpful if the purchaser knew that Keillor didn't write the poems. The title makes it look like it is his work.






