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A Good Talk: The Story and Skill of Conversation Hardcover – January 4, 2010

3.3 out of 5 stars 38 ratings
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Editorial Reviews

From Publishers Weekly

A fiction writer and former editor at the New Yorker and Random House, Menaker (The Treatment) regards conversation as a human art of great importance produced by all people everywhere. His witty approach is evident almost immediately, as he speculates on the creation of human language, moving on to the general rules of conversation, London coffeehouses as a forum for ideas, greetings, and name-droppers: They wrap the pig of name-dropping in a blanket of casualness, or even criticalness, and seem to actually believe you won't taste the inner wiener. At the book's core is a conversation between Menaker and an anonymous female writer. Taped in a Brooklyn restaurant, this lengthy transcript is analyzed in detail to show how the participants take risks, seek a common ground, interject humor, and discover perceptive insights about each other. Interview tactics and prepared remarks are covered, along with e-mail embarrassments, dating stratagems, sarcastic barbs, compliments, and interruptions. However, what makes a lasting impression is the parade of anecdotes about life in the corridors of the New Yorker and Random House, leaving the reader yearning for a full-scale Menaker memoir. (Jan.)
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From Booklist

A New Yorker editor for 26 years, Menaker views conversation as artifact, tracing its prehistoric beginnings with glottological theories on physical changes in the hominid larynx and mutation of the FoxP2 gene, which helped develop brain areas conducive to language, all before hominids left Africa. He posits that conversation developed as a hands-free substitute for socially interactive grooming, as with chimps, and, moving forward, considers conversation as aimless: not without aim, but without purpose, something that Americans, more than other modern societies, have been traditionally critical of. Within the context of the persistent legacy of Puritan “sobriety and pioneer pragmatism” favoring “those who talk little and accomplish much,” he seamlessly entwines his own wryly humorous observations, dialogue from Jonathon Swift and Fred and Ginger, discussion of the chi energy of conversation, and FAQ: Frequently Arising Quandries. These last include “Insults” (subdivided into Inadvertent Affronts and Deliberate, Frontal Attack), “Prepared Remarks,” and “Dating,” which includes observations by Samuel Johnson plus notes on seduction and courtship. A charming, useful, and entertaining approach to a fascinating topic. --Whitney Scott
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Product details

  • Publisher ‏ : ‎ Twelve; 1st edition (January 4, 2010)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 240 pages
  • ISBN-10 ‏ : ‎ 0446540021
  • ISBN-13 ‏ : ‎ 978-0446540025
  • Item Weight ‏ : ‎ 12 ounces
  • Dimensions ‏ : ‎ 5.5 x 1 x 8.5 inches
  • Customer Reviews:
    3.3 out of 5 stars 38 ratings

About the author

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I was born in in New York City in 1941, to a mother, Mary Randolph Grace, a Bryn Mawr classics major from a fancy WASP family, and a father whose parents refused to marry because they were radicals and believed that marriage was a form of State oppression. His name was Robert Owen Menaker and his six brothers also bore utopian names--William Morris Menaker, Frederick Engels Menaker, Nicholas Chernechevsky Menaker, and so on. I attended the Little Red Schoolhouse in Greenwich Village, Nyack High School, Swarthmore College, and the Johns Hopkins University, where I earned a Master's Degree in English Literature. I taught high-school English for two years and went on to work as a fact checker, copy editor, and editor for The New Yorker Magazine. After twenty-six years at The New Yorker, I became an editor at Random House and eventually was named Editor-in-Chief. I've worked with David Foster Wallace, Salman Rushdie, Nassim Taleb, Curtis Sittenfeld, Michael Chabon, Michael Cunningham, Janet Malcolm, Elmore Leonard, Jonathan Kellerman, Elizabeth Strout, Colum McCann, Jennifer Egan, Daniel Silva, Billy Collins, George Saunders, and many, many others.

I married author and New York Times editor Katherine Bouton in 1980, and we have two children, a boy (now a young man) named William Michael Grace Menaker, the "Michael Grace" being my late brother's name--he died when he was twenty-nine and I was twenty-six--and a girl (now a young woman), Elizabeth Grace Menaker. Will is book publishing and Elizabeth is a social worker.

I have written six books, two of them New york Times Notable titles and one of them the basis of a movie called "The Treatment," with Ian Holm and Famke Janssen. I've also written humor and articles, reviews, and essays for many, many publications, including, most prominently, The New Yorker. One of my humor pieces, "The Worst" was blessed with a fan letter from Groucho Marx. I've served on the Board of the Poetry Foundation, conducted a six-episode online author-interview program, titlepage.tv, in other venues (PEN Symphony Space, the Brooklyn Academy of Music) have interviewed dozens of writers, am a professor in the MFA program at Stony Brook University, have taught a humor-writing course at Columbia, and have traveled to Nepal and the country of Georgia on cultural missions for the United States State Department.

I can sing "Take Me Out to the Ballgame" one note behind the melody. My family has a dog named Maxwell, named after my teacher at Tne New Yorker, William Maxwell. I captained Swarthmore's soccer team to a 2-10 record my senior year. I have shaken hands with Muhammad Ali, who gave me an autograph to give to my son.

For more than five years I have fought lung cancer, for the time being successfully, And you had better knock wood for me right now, unless you are in the Tea Party and don't care for the cut of my political jib. My blog, seriously outdated right now and consisting in the last few years of a series of conversations about medical treatment, can be found at danielmenaker.com.

My new book, a memoir called "My Mistake," will be published by Houghton Mifflin in November of 2013.

If you've gotten this far, thank you for your patience, however inexplicable.

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3.3 out of 5 stars
3.3 out of 5
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