Qty:1
& FREE Shipping on orders over $49. Details
Only 11 left in stock.
Sold by SOUTHWEST MEDIA and Fulfilled by Amazon. Gift-wrap available.
Goodbye, Dragon Inn has been added to your Cart
FREE Shipping on orders over $49. Details
Used: Good | Details
Sold by hglbest
Condition: Used: Good
Comment: Fulfilled by Amazon. Eligible For Free Shipping. Former library copy with usual library ID in original case with original art work. Disks are in good condition with no deep scratches. No liner notes
Trade in your item
Get up to a $0.69
Gift Card.
Have one to sell? Sell on Amazon

Goodbye, Dragon Inn

2.8 out of 5 stars 15 customer reviews

Additional DVD options Edition Discs
Price
New from Used from
DVD
(Feb 15, 2005)
"Please retry"
1
$29.99
$13.95 $9.75
DVD
"Please retry"
$300.96

Geek Boutique 2016 Geek Boutique HQP

$29.99 & FREE Shipping on orders over $49. Details Only 11 left in stock. Sold by SOUTHWEST MEDIA and Fulfilled by Amazon. Gift-wrap available.

Frequently Bought Together

  • Goodbye, Dragon Inn
  • +
  • Stray Dogs [Blu-ray]
Total price: $52.98
Buy the selected items together

Editorial Reviews

A Japanese tourist takes refuge inside a run-down movie theater and discovers that some of its patrons may actually be ghosts from the film playing on screen. From Tsai Ming-Liang, director of The River and What Time Is It There?.

Special Features

  • Bonus short: The Skywalk Is Gone
  • Trailer gallery
  • Photo gallery
  • Filmography

Product Details

  • Actors: Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura, Tien Miao, Chun Shih
  • Directors: Ming-liang Tsai
  • Writers: Ming-liang Tsai, Sung Hsi
  • Producers: Ai-Lun Chu, Hung-Chih Liang, Vincent Wang
  • Format: Color, Dolby, Subtitled, Widescreen, NTSC
  • Language: Cantonese
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated:
    Unrated
    Not Rated
  • Studio: Fox Lorber
  • DVD Release Date: February 15, 2005
  • Run Time: 82 minutes
  • Average Customer Review: 2.8 out of 5 stars  See all reviews (15 customer reviews)
  • Domestic Shipping: Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
  • International Shipping: This item can be shipped to over 75 destinations outside of the U.S. Learn More
  • ASIN: B0006TPDUM
  • Amazon Best Sellers Rank: #35,876 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Goodbye, Dragon Inn" on IMDb

Customer Reviews

Top Customer Reviews

Format: DVD
Tsai Ming-liang's follow-up to his breakthrough film, "What Time is It There?" is an absorbing visual poem about the pros and cons of going to the movies. While it is less expansive than his previous outing, it clearly belongs alongside the director's other films. Like the rest, it features lonely characters in an urban setting, as well as long, static shots.

"Good Bye, Dragon Inn" takes place in an old-fashioned movie house, which has one screen, shows revivals of classics, and suffers from a lack of customers. The Fu-Ho Grand Theater, as it is called, doesn't quite live up to its namesake anymore. Much of the interior seems dilapidated, and the overall mood approaches sadness.

The movie alternates between a ticket woman with a bad leg (Shiang-chyi Chen), who seems to be the only employee of this vast theatre, and a young man (Kiyonobu Mitamura) who has come to enjoy King Hu's martial arts epic "Dragon Inn." She happens to be away from the booth when he wanders in, so he sneaks into the theater sans ticket. The two characters remain on separate paths: she performs her nightly routine, while he attempts to enjoy "Dragon Inn." Through the course of the film, they never connect with each other. Nor anybody else, for that matter.

Practically half the movie is spent showing the ticket woman hobbling to her locker, a Herculian task given the Fu-Ho's size. Often, the director will let the camera linger until the character retreats from the frame completely. This technique slows down the rhythm of the editing, which affects the speed at which the audience perceives events. But it also emphasizes the solitude of the character, since she remains the sole subject of Ming-liang's interminable shots.
Read more ›
2 Comments 25 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: DVD
In Tsai Ming-liang's Goodbye, Dragon Inn, he says goodbye to Taiwan's old way of life with King Hu's seminal Dragon Inn unspooling in the background. It's really hard to review it as there isn't much of a plot to speak of, and the first line of dialogue is not even uttered until half way into this 82 minutes film. For the most of the film, characters just navigate the labyrinth-like theater in search of companionship that never materializes, which probably infers to the presistent alienation in our modern world. Tsai's usual theme of water returns here too, and his reputation as the world's greatest restroom director (by one critic) is also reinforced. Tsai's original intent was to make a short film, but later decided to expand it into a near full length feature. That decision might explain the film's lack of concrete material, as scene after scene the camera just lingers for minutes at a stretch without anything happening on screen. Then again, that self-indulgent style is exactly Tsai's hallmark ever since his first film. I am not exactly complaining though, even if I prefer a slightly faster pace and more meat to the story. Still, your patience will be rewarded by an outstanding final that's pure melancholic poetry, proving once again he is the master at constructing the romance of loneliness and alienation. BTW, the film has cameos of two original actors from Dragon Inn.
Comment 12 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: DVD
of course, this film has the dubious distinction of being tsai's most absurd, non-narrative, and slow film to date. that need not condemn it as film, but does as entertainment. it's this caveat that those who might consider watching any of tsai's work, but particularly this film, should keep in mind. that said, like everything else by tsai, the film appears random but is formally well-wrought. moreover, it manages to say something very important in a cinematic medium about the role of cinema and also time, in the context of a national imagination. is it a mistake that 'dragon inn,' the martial arts film, has movement but 'bu san' is pervaded by an eternal present, a frozen time? the contrast of the two is precisely part of the point: an elegy for cinema, 'bu san' is also a memory of another time, one in which there seemed to be a future. rather than be annoyed that tsai fails to entertain us, we should relish our distraction, annoyance, and boredom as having their own pleasures. or share an ironic connection with those who don't get tsai's point but are willing to speculate on it
Comment 9 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: DVD
Perhaps Tsai's lightest and most thematically distilled NYFF-Goodbye Dragon Innand minimalist film to date, Goodbye Dragon Inn pares the dialogue to two brief exchanges that reflect the film's pervasive sentiment of disconnection: the first, with a displaced Japanese tourist (Kiyonobu Mitamura) cursorily on the lookout for opportunities for an anonymous sexual encounter in the dilapidated, near empty movie palace that is playing King Hu's classic martial arts film, Dragon Gate Inn, and the second, featuring the original Hu actors Tien Miao and Jun Shi, now middle-aged, as they meet by chance after the film's conclusion. Intimations of ghosts inhabiting the theater are physically reflected in the isolated souls of a beautiful ticket booth operator and bathroom attendant (Chen Shiang-chyi) - seemingly trapped in a dead-end job by her physical disability - and a projectionist (Lee Kang-sheng), who perform the empty motions of their tasks in a solemn, silent ritual of their seeming existential limbo. Elegantly filmed in rich, vibrant colors against the darkness of the desolate theater and infused with Tsai's idiosyncratically understated, deadpan humor, Goodbye Dragon Inn is a poetic and elegiac exposition on longing, synchronicity, nostalgia, and the death of cinema.
Comment 2 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews


Forums



What Other Items Do Customers Buy After Viewing This Item?

Customers Also Watched on Amazon Video