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It's not about the car....
on December 26, 2008
Throughout his illustrious acting career, Clint Eastwood has delivered a series of iconic characters, such as The Man with no name, Dirty Harry, Josie Wales, and Will Munny in Unforgiven.
Throughout his illustrious directing career he has delivered outstanding movies such as Unforgiven, Mystic River, and Million Dollar Baby, for which he has won five Academy Awards, for best Picture, Best Director, and including the Irving Thalberg Life Achievement Award.
The actors who have worked with him have been blessed with Oscar: Gene Hackman for Unforgiven, Tim Robbins and Sean Penn for Mystic River, Morgan Freeman and Hilary Swank for Million Dollar Baby.
In Gran Torino he both directs and acts, and delivers an acting performance that will be remembered long after the final credits roll, in its unique way, as memorable as any other character he has created.
Gran Torino is the second best movie I have seen this year. Not just for the acting, not just for the directing, but for the storytelling, and the emotional journey on which it takes you, the laughter, the feeling of being gripped, and its more surprising moments.
In the opening scenes, we have the exposition of the character. We get to know Walt Kowalski, by how people act around him, and his seemingly hateful attitude towards people. More is conveyed through a scowl, and a snarl than with words. When the mischievous grandchildren go through his stuff in the basement, we see the Silver Star he won in Korea. There are three other important symbols in the movie, the lighter, the gun, and the car.
We see a hero with a warrior past, a patriot who fought for a cause greater than himself. Clearly, his bigotry stems from those experiences.
He's not just mean, he's 'get of my lawn' mean. He's Dirty Harry 'Go ahead punk, make my day!,' mean.
His dead wife's priest bugs him to hear his confession, at her request. The priest in a way is his wife's conscience.
When he snarls down the barrel of his rifle, at the neighborhood punk: 'I could blow your head off, and sleep like a baby,' you get the sense that he means it.
So, with all that happens, we see the change in his decision making, from someone reluctant to be involved in his neighbor's affairs, and a story can turn on something as random as looking at an empty beer cooler.
For all his faults, Walt has mature masculine character. Even though he is a difficult father, he has taught his children character. So, when he sees the boy next door lacks character, and a strong male role model, he takes him under his wing, and teaches him how to be a man.
The scenes where the boy practises Walt's high octane ball busting banter, are the funniest in the movie. Through knowing Walt, he makes decisions he never would have made by himself. In so doing, Walt finds meaning and purpose, and a chance for redemption, and the boy becomes a man.
The Academy's actor awards tend to go to actors in two types of role:
1.Psychopath- No Country for Old Men, The Usual Suspects, There Will Be Blood, Training Day, Silence of the Lambs.
2.Mentally Disabled, Social or Physical Handicap, overcomes great adversity or discrimination- Shine, As Good as It Gets, A Beautiful Mind, Ray, Scent of a Woman, Capote, Philadelphia, The Pianist, A Beautiful Life.
Every rule has an exception. Russell Crowe in Gladiator played a character with thematic similarities to Walt.
For a 78 year old man to direct and be lead actor in a movie of this caliber is an achievement worthy at the very least of being nominated for the highest award for Acting, Directing or both.
I hope you find this review helpful.