Cynthia Leitich Smith, New York Times best-selling author of the Tantalize series:

"A delectable simmer of intrigue and ferocity, passion and compassion. Grave Mercy sates and fascinates, even as it leaves you craving more."

 

Elizabeth Bunce, author of Starcrossed and A Curse Dark as Gold:

"Chilling, deftly plotted, and with a thread of subtly crafted romance. Readers will be seduced by LaFevers's deadly snare of haunting magic and courtly intrigue."

 

Laura Whitcomb, author of A Certain Slant of Light:

"Atmospheric, romantic, and gripping."

 

Ten Teen Reads You Can't Miss, Entertainment Weekly.com, October 2012:

"Prepare to enjoy LaFevers' tasty court intrigue and one badass heroine."

 

Starred review, Booklist:

* "With characters that will inspire the imagination, a plot that nods to history while defying accuracy, and a love story that promises more in the second book, this is sure to attract feminist readers and romantics alike."

 

Starred review, Kirkus Reviews:

* "LaFevers' ambitious tapestry includes poison and treason and murder, valor and honor and slow love, suspense and sexuality and mercy. A page-turner-with grace."

 

Starred review, Publishers Weekly:

* "Rich in historical detail, well-realized characters, political machinations, and enticingly prickly scenes between Ismae and Duval, LaFevers's complex tale incorporates magic both sparingly and subtly. This powerful first volume of the His Fair Assassin series should attract many readers."

 

Starred review, School Library Journal:

* "The book is well written and filled with fascinating, complex characters who function realistically in this invented medieval world."

 

Starred review, Shelf Awareness:

 *"Riveting."

 

#3 on Kids' Indie Next List, spring 2012

 

An Amazon Best Teen Book of 2012 --This text refers to an out of print or unavailable edition of this title.

Chapter One

Brittany 1485

I bear a deep red stain that runs from my left shoulder down to my right hip, a trail left by the herbwitch’s poison that my mother used to try to expel me from her womb. That I survived, according to the herbwitch, is no miracle but a sign I have been sired by the god of death himself.

I am told my father flew into a rage and raised his hand to my mother even as she lay weak and bleeding on the birthing bed. Until the herbwitch pointed out to him that if my mother had lain with the god of death, surely He would not stand idly by while my father beat her.

I risk a glance up at my husband-to-be, Guillo, and wonder if my father has told him of my lineage. I am guessing not, for who would pay three silver coins for what I am? Besides, Guillo looks far too placid to know of my true nature. If my father has tricked him, it will not bode well for our union. That we are being married in Guillo’s cottage rather than a church further adds to my unease.

I feel my father’s heavy gaze upon me and look up. The triumph in his eyes frightens me, for if he has triumphed, then I have surely lost in some way I do not yet understand. Even so, I smile, wanting to convince him I am happy—for there is nothing that upsets him more than my happiness.

But while I can easily lie to my father, it is harder to lie to myself. I am afraid, sorely afraid of this man to whom I will now belong. I look down at his big, wide hands. Just like my father, he has dirt caked under his fingernails and stains in the creases of his skin. Will the semblance end there? Or will he, too, wield those hands like a cudgel?

It is a new beginning, I remind myself, and in spite of all my trepidations, I cannot extinguish a tiny spark of hope. Guillo wants me enough to pay three silver coins. Surely where there is want, there is room for kindness? It is the one thing that keeps my knees from knocking and my hands from trembling. That and the priest who has come to officiate, for while he is naught but a hedge priest, the furtive glance he sends me over his prayer book causes me to believe he knows who and what I am.

As he mutters the ceremony’s final words, I stare at the rough hempen prayer cord with the nine wooden beads that proclaim him a follower of the old ways. Even when he ties the cord around our hands and lays the blessings of God and the nine old saints upon our union, I keep my gaze downcast, afraid to see the smugness in my father’s eyes or what my husband’s face might reveal.

When the priest is done, he pads away on dirty feet, his rough leather sandals flapping noisily. He does not even pause long enough to raise a tankard to our union. Nor does my father. Before the dust from my father’s departing cart has settled, my new husband swats my rump and grunts toward the upstairs loft.

I clench my fists to hide their trembling and cross to the rickety stairs. While Guillo fortifies himself with one last tankard of ale, I climb up to the loft and to the bed I will now share with him. I sorely miss my mother, for even though she was afraid of me, surely she would have given me a woman’s counsel on my wedding night. But both she and my sister fled long ago, one back into the arms of death, and the other into the arms of a passing tinker.

I know, of course, what goes on between a man and a woman. Our cottage is small and my father loud. There was many a night when urgent movement accompanied by groans filled our dark cottage. The next day my father always looked slightly less bad tempered, and my mother more so. I try to convince myself that no matter how distasteful the marriage bed is, surely it cannot be any worse than my father’s raw temper and meaty fists.

The loft is a close, musty place that smells as if the rough shutters on the far wall have never been opened. A timber-and-rope bed frame holds a mattress of straw. Other than that, there are only a few pegs to hang clothes on and a plain chest at the foot of the bed.

I sit on the edge of the chest and wait. It does not take long. A heavy creak from the stairs warns me that Guillo is on his way. My mouth turns dry and my stomach sour. Not wanting to give him the advantage of height, I stand.

When he reaches the room, I finally force myself to look at his face. His piggish eyes gorge themselves on my body, going from the top of my head down to my ankles, then back up to my breasts. My father’s insistence on lacing my gown so tight has worked, as Guillo can look at little else. He gestures with his tankard toward my bodice, slopping ale over the sides so that it dribbles to the floor. "Remove it." Desire thickens his voice.

I stare at the wall behind him, my fingers trembling as I raise them to my laces. But not fast enough. Never fast enough. He takes three giant strides toward me and strikes me hard across the cheek. "Now!" he roars as my head snaps back.

Bile rises in my throat and I fear I will be sick. So this is how it will be between us. This is why he was willing to pay three silver coins.

My laces are finally undone, and I remove my bodice so that I stand before him in my skirt and shift. The stale air, which only moments before was too warm, is now cold as it presses against my skin.

"Your skirt," he barks, breathing heavily.

I untie the strings and step out of my skirt. As I turn to lay it on the nearby bench, Guillo reaches for me. He is surprisingly quick for one so large and stupid, but I am quicker. I have had long years of practice escaping my father’s rages.

I jerk away, spinning out of his reach, infuriating him. In truth, I give no thought to where I will run, wishing only to hold off the inevitable a little longer.

There is a loud crash as his half-empty tankard hits the wall behind me, sending a shower of ale into the room. He snarls and lunges, but something inside me will not—cannot—make this easy for him. I leap out of his reach.

But not far enough. I feel a tug, then hear a rip of cloth as he tears my thin, worn chemise.

Silence fills the loft—a silence so thick with shock that even his coarse breathing has stopped. I feel his eyes rake down my back, take in the ugly red welts and scars the poison left behind. I look over my shoulder to see his face has gone white as new cheese, his eyes wide. When our glances meet, he knows—knows—that he has been duped. He bellows then, a long, deep note of rage that holds equal parts fury and fear.

Then his rough hand cracks against my skull and sends me to my knees. The pain of hope dying is worse than his fists and boots.

When Guillo’s rage is spent, he reaches down and grabs me by the hair. "I will go for a real priest this time. He will burn you or drown you. Maybe both." He drags me down the steps, my knees bumping painfully against each one. He continues dragging me through the kitchen, then shoves me into a small root cellar, slams the door, and locks it.

Bruised and possibly broken, I lie on the floor with my battered cheek pressed into the cool dirt. Unable to stop myself, I smile.

I have avoided the fate my father had planned for me. Surely it is I who have won, not he.

 

The sound of the bolt lifting jerks me awake. I shove myself to a sitting position and clutch the tattered remains of my chemise around me. When the door opens, I am stunned to see the hedge priest, the same small rabbit of a man who’d blessed our marriage only hours before. Guillo is not with him, and any moment that does not contain my father or Guillo is a happy one by my reckoning.

The priest looks over his shoulder, then motions for me to follow.

I rise to my feet, and the root cellar spins dizzily. I put a hand to the wall and wait for the feeling to pass. The priest motions again, more urgently. "We’ve not much time before he returns."

His words clear my head as nothing else can. If he is acting without Guillo’s knowledge, then he is most assuredly helping me. "I’m coming." I push away from the wall, step carefully over a sack of onions, and follow the hedge priest into the kitchen. It is dark; the only light comes from the banked embers in the hearth. I should wonder how the priest found me, why he is helping me, but I do not care. All I can think is that he is not Guillo and not my father. The rest does not matter.

He leads me to the back door, and in a day full of surprises, I find one more as I recognize the old herbwitch from our village hovering nearby. If I did not need to concentrate so hard on putting one foot in front of the other, I would ask her what she is doing here, but it is all I can do to stay upright and keep from falling on my face in the dirt.

As I step into the night, a sigh of relief escapes me. It is dark out, and darkness has always been my friend. A cart waits nearby. Touching me as little as possible, the hedge priest helps me into the back of it before hurrying around to the driver’s bench and climbing in. The priest glances over his shoulder at me, then averts his eyes as if he’s been burned. "There’s a blanket back there," he mutters as he steers the nag out onto the cobbled lane. "Cover yourself."

The unyielding wood of the cart presses painfully into my bruised bones, and the meager blanket scratches and reeks of donkey. Even so, I wish they’d brought a second one for padding. "Where are you taking me?"

"To the boat."

A boat means water, and crossing water means I will be far from the reach of my father and Guillo and the Church. "And where is this boat taking me?" I ask, but the priest says nothing. Exhaustion overwhelms me. I do not have the strength; plucking answers from him is like pulling meager ... --This text refers to an out of print or unavailable edition of this title.

--This text refers to an out of print or unavailable edition of this title.

--This text refers to an alternate kindle_edition edition.

--This text refers to an alternate kindle_edition edition.