- File Size: 1745 KB
- Print Length: 325 pages
- Publisher: HarperCollins (September 18, 2008)
- Publication Date: October 6, 2009
- Sold by: HarperCollins Publishers
- Language: English
- ASIN: B0011UJM48
- Text-to-Speech: Enabled
- Word Wise: Enabled
- Lending: Not Enabled
- Amazon Best Sellers Rank: #17,061 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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The Graveyard Book Kindle Edition
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|Length: 325 pages||Word Wise: Enabled||Enhanced Typesetting: Enabled|
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|Age Level: 10 and up|
|Grade Level: 5 - 6|
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Gaiman is an extraordinary, a gifted wordsmith. His sentences are beautiful - really, read them aloud. He is a master of tone and of place. He is an efficient writer, and there are not many of them around, at least in F&SF. But...
But he is a poor story teller. His fascinating characters shuffle around, and they learn a technique or two, and they experience, and they try to learn some more. But they never have significant interactions that create conflict and resolution, and thus a sense of satisfaction at the end of his tales. And they NEED that because everything about his work is mythic, fundamental, playful in the depths of us all. There are lessons you have to teach us, Gaiman, and there are lessons we have to learn from you. You must not remain aloof from the drama of humanness, buddy.
And so here, in "The Graveyard Book," we have the sudden realization from Gaiman somewhere around the two-thirds mark that, maybe, he'd better get moving and try to find some ending so he can call it a day and have a beer. He has to bring back a character from early on just for the occasion. Evil grows a little gray hair and masquerades as a lover of roasted potatoes (which, I suppose, is the kind of thing we might fear most about true evil - its true banality; except in a mythic construction, darn it!)
And so the reader is, ultimately, left slack-jawed. What just happened? A bad guy broke his ankle? That is Justice, capital J? Don't set us up for sequels ("Um. Silas. If you're ever in trouble, call me. I'll come and help.") if you haven't fully established heroic perseverance from the gitgo.
So, yes, read this book because Gaiman writes as one should write. He just hasn't discovered how to create - yet.... And when he does, it will be, well, very special.
Gaiman spins the tale of Nobody Owens, a child who escaped the mysterious murder of his birth family and is taken in by none other than the ghosts at the local graveyard. Under the watchful eye of his new, ghostly parents and an otherworldly guardian named Silas, tiny "Bod," as he comes to be known, makes the land within the graveyard his own.
But as he grows, questions arise: why isn't Bod allowed to leave the graveyard? Will the one human girl he met as a small child ever return to visit? Who is searching for this innocent boy, and why does Silas leave him, for weeks at a time, under the watchful eye of taciturn Miss Lupescu? Who - or WHAT - lives deep within the bowels of darkest, most forbidding hillside at the edge of the graveyard?
The complicated answers to all of this and much more Gaiman weaves together into a beautiful, terrifying blanket, and in so doing, he shows his readers that it is only the most porous (and important) of curtains that separates life and death, that magic still exists, and that love cannot be limited by any boundaries, no matter how impenetrable they may seem. Truly, a book for all ages. An instant classic.
Top international reviews
An assassin of legendary reputation has been given a simple job or wiping out the Dorian family. He kills Mum and Dad, easily enough, and the little girl tucked in her bed with her teddy too. But somehow baby Dorian has escaped from his cot, slid downstairs using his nappy to cushion his bottom and slipped out of the front door that Jack neglected to close behind himself. But Jack soon picks up his trail that leads him up a hill to a grave-yard so old that its become a nature-reserve. But at the graveyard the baby’s trail disappears. This is the first-time that he has failed to complete a job and Jack is avowed that he will one day finish what he has started. The baby, however, has not disappeared. At the bequest of his dead mother, the graveyard’s ghosts have agreed to give the baby the freedom of the graveyard, to be raised by Mr and Mrs Owen (who hadn’t had children during their lives) and with Silas (the vampire) to be his godfather and bring him food. Bod grows up to learn everything that the ghosts of his graveyard can teach him, including a number of supernatural powers, like turning invisible and walking through walls. He’s going to need all of his abilities soon, because Jack is still outside somewhere looking for him.
The book follows Bod in the latter half of his childhood, though his misadventures and lessons in life (and death) from the odd denizens of the graveyard. Despite his strange upbringing and postcode, Bod comes across as a normal boy, curious about the world around him (and beneath him), bored off lessons and somewhat lonely. His friends consist of a long dead, but still young at heart and in appearance, witch and a living girl called Scarlett who has to move away after visiting an ancient tomb beneath hill. This being a Neil Gaiman book, we are also treated to a whole panoply of quirky characters, including the ghosts of the graveyard, ranging from Roman Britain up to the Victorian period, Silas, the velvet wearing vampire, and a bunch of ghouls (notable mentions, the Bishop of Bath and the Duke of Wellington). It is the vast supporting cast that really make this book so enjoyable and worth reading.
The main setting of the story is the graveyard itself, with its little chapel, Egyptian walkway, a ghoul gate and its unhallowed ground. Really, the graveyard is as much a character in the book as its stuffy and mortified residents, to the point that through reading the book, the graveyard will become as familiar a place to you as it is to Bod, and you will be able to sense its moods too. There are a few brief detours during the course of the book to a secondary school, Scarlett’s house, the Dorian house, the ghouls’ world and Africa too.
This book is pitched by the publisher as a children’s novel/YA, but the opening is rather chilling and serious. Despite the intended audience, Gaiman writes as flawlessly as ever, never condescending in tone or style, and that will no doubt be a huge factor in the longevity and universal appeal of this book. Its definitely made favorite books list and is amongst Gaiman’s best.
He is a baby.
He does not know his name.
He finds shelter in a graveyard.
The ghosts who live in the graveyard, claim him and name him as No'bod'y.
Bod becomes one of them whilst still alive. He has a guardian, Silas and parents Mr and Mrs Owens, teachers throughout the cemetery who educate him on all scholarly and ghostly matters.
But the man who killed his REAL family still needs to complete his mission and that is to kill the one who got away. Can Bod survive to live another day or will the ghostly world in which he inhabits finally shut him out forever?
This fantasy book is predominantly aimed at children aged 9 - 12 and I think perhaps less advanced readers would struggle with it, vocabulary wise but would certainly enjoy the pace of the story. There are parts of the book where the plot was certainly lost on me and it had very resonant elements of the Harry Potter series, which could be a double edged sword. Youngsters might find it good to progress to such a fantasy book as this whilst others might find it is a disappoint without much reasoned explanation for why Bod's family are killed.
The latter being what I found as I thought at one point I had missed a huge chunk of the book out as to why Bod needed to be killed. However I think perhaps with adult eyes we look for more reasoned explanations whilst as children we would simply go with the flow.
Each chapter is a story within itself and they are all page turners and it was an enjoyable read with the right amount of fantasy, reality and enough creepiness without feeling too scared to read on. A book for all to enjoy.
The graveyard is inhabited by ghostly residents including a couple, Mr and Mrs Owens, who find the baby. They then see the ghost of a woman who has recently been killed and is begging them to protect her child from the man who killed her. They agree to do so. When Jack arrives at the graveyard there is no sign of the baby, only a strange man who convinces him that he was mistaken about seeing the child.
The Graveyard book tells the story of how a young boy comes to be raised by ghosts, and a guardian, Silas, who is neither dead nor alive (although it is not clarified his characteristics suggest he is a reformed vampire). They name the boy Nobody Owens and everyone calls him Bod. Bod is very inquisitive (which is just as well as this saved his life in the first place), and as such he gets himself into all sorts of trouble. It is made clear to him that he needs to stay inside the graveyard to be safe from the dangers outside. Does he obey and remain inside the graveyard? Of course not.
All the while the man Jack continues to search for him in order to finish the job he was contracted to do. It is a mystery as to why Bod's family were murdered and why it would seem someone is out to get Bod as well. Silas goes away a lot and it transpires that he is trying to get to the bottom of the mystery.
This is a wonderful read for children of an appropriate age. Although the premise sounds scary, the plot is not (okay maybe just a little). What I got from it was more about the importance of family and friendship and the lengths one will go to to protect the ones they love.
It is extremely well-written and I would highly recommend it for encouraging a non-reading child to do just that (get reading that is).
This book is beautifully written modern reinterpretation of The Jungle Book, only with ghosts! The story is both gripping and deeply poignant with several twists and turns along the way. The inhabitants of the graveyard are brilliantly created. Liza Hempstock, who was in her own words "drownded and burned" after being accused of being a witch; the mysterious Silas who is not really dead, but equally isn't totally alive; Nehemiah Trot, an unsuccessful poet; The Lady on the Grey horse who leads the dance Macabray, and many others who made me laugh and smile and who add their own little story to this darkly funny gothic tale.
Presentation on the Kindle is pretty much perfect with the great illustrations by Chris Riddell looking superb on the Kindle and on my PC.
Overall: 5 stars - Although this story won the Newbery medal for American Children's literature (qualifying as Neil Gaiman is now resident in the USA) it is in my opinion a very British tale. Beautifully told and plotted, I found myself totally captivated by the night-time world Neil Gaiman creates.
What is truly wonderful about Gaiman is his versatility. He writes for all ages, and I happen to be of the opinion that his writing for children is far better than his writing for adults. I bought his picture books for my children, who adore them, particularly, The Wolves in the Walls. His novel Coraline is far darker and edgier than the anodyne film that was finally made of it, and this book, The Graveyard Book is the best thing I have read of his by far.
Nobody Owens is a young boy who, after the brutal murder of his family, ends up being cared for by an entire community of ghosts and supernatural beings in an abandoned graveyard. The book charts Bod's growth into young adulthood, the peculiar problems presented by being raised by the dead, and his quest to avenge his parents untimely death.
This is dark, clever, funny, sad and humane. It is written with a deftness of touch that belies its serious nature, and like the characters within the pages, it haunts you long after you have read it. It made me laugh, it made me cry. It is a truly spectacular book that I would not hesitate to recommend to adults and children alike.
Safe from the murderous Jack for now, Nobody 'Bod' Owens grows up amongst a cavalcade of quirky, supernatural characters. The creepy cast include Silas, a caretaker living between this world and the next, Mother Slaughter, the Indigo Man, The Sleer, mist walkers, witches and even a young girl called Scarlett who visits the graveyard. Whilst being schooled by Miss Lupescu - who at second glance appears to be a right dog - Bod is granted the 'Freedom of the Graveyard' and sets about exploring every dark corner, coffin and mausoleum inside its gates. Despite these fantastical adventures, his intended life beyond the graveyard still beckons him, but one step outside the protective gates and the threat of Jack and a sinister organisation known as the 'Convocation' looms larger than the brightest and fullest of moons.
The fabulous illustrations by Chris Riddell & Dave Mckean, that precede each chapter, set the tone as Gaiman orchestrates a witty, sinister, page-turning, fantasy adventure. Set in a world where leaving a graveyard has deadlier consequences than entering one, this is wonderfully imaginative story-telling at its best.
I wish I'd started reading Neil Gaiman's stuff years ago!
It is simply a story about a baby who lives in a graveyard and is looked after by people there... As with The Ocean at the End of the Lane it exists in that borderline of reality and something a little different. If you liked "Ocean" I'd be very surprised it you didn't like this (& the reverse applies I'm sure) - it is an outstanding read of its genre - loved it.
Somebody sneaks into a house in the middle of the night, intending to murder the family that lives there. He is successful in killing three, but the fourth, a little baby boy, manages to escape. A series of coincidences leads him to an abandoned graveyard where he is adopted Mr and Mrs Owens, a childless married couple, who also happen to be ghosts. This little boy is Nobody Owens.
The tale of Bod's life in the graveyard is sometimes hilarious, sometimes very sad, sometimes full of suspense and action, but it is always clever, sharp and full of original observations. Gaiman's dry humour is perfect light relief in this gothic tale, and Bod's bitter-sweet story is natural and easy to believe. A perfect little tale for young adults of all ages.
The funny and beautiful illustrations by Chris Riddell are an extra bonus that really brought the story to life.
The story follows a baby that makes his way to a graveyard as his family are being murdered. The ghosts of the graveyard take him in and look after him, with the mysterious character Silas as his guardian. The ghosts are wonderful characters, trapped in the time that they died and so trying to teach him according to several different ages. Silas explains that the dead have lived their lives and are now static, whereas Bod (short for 'Nobody') has enormous potential, so will one day have to leave and go into the world.
The story follows the danger he still faces as he attempts to join the 'real' world while not taking part in it and of the hunt that still seeks him out, having missed him as a toddler.
Believeable characters in an unbelieveable world. A wonderful read.
I can see the Jungle Book connection which others have noted, but I also appreciated the drawing from certain traditional legends and the nod to Lovecraft's Cthulhu Mythos in respect of the Night Gaunts and the red skied plain (obviously Leng although not named), something I have not yet seen commented on in respect of this book.
The only thing I did not enjoy quite so much was the endiong. I shall not go into detail since I disagree with spoilers, however, Although it worked well it left a bittersweet taste and a tear in my eye. I would have done it slightly different and made it not quite so.. final.
Neil does a great job at setting the scene, and really manages to submerge you into this story.
Would I recommend? Yes, definitely!
Would I read again? Possibly but only once or twice more, not one I'd read dozens of times.
Overall, an excellent story with an easy flow