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Gravity's Rainbow (Classic, 20th-Century, Penguin) Paperback – June 1, 1995

4.3 4.3 out of 5 stars 2,099 ratings

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Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the twentieth century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Tyrone Slothrop, a GI in London in 1944, has a big problem. Whenever he gets an erection, a Blitz bomb hits. Slothrop gets excited, and then (as Thomas Pynchon puts it in his sinister, insinuatingly sibilant opening sentence), "a screaming comes across the sky," heralding an angel of death, a V-2 rocket. The novel's title, Gravity's Rainbow, refers to the rocket's vapor arc, a cruel dark parody of what God sent Noah to symbolize his promise never to destroy humanity again. History has been a big trick: the plan is to switch from floods to obliterating fire from the sky.

Slothrop's father was an unwitting part of the cosmic doublecross. To provide for the boy's future Harvard education, he took cash from the mad German scientist Laszlo Jamf, who performed Pavlovian experiments on the infant Tyrone. Laszlo invented Imipolex G, a new plastic useful in rocket insulation, and conditioned Tyrone's privates to respond to its presence. Now the grown-up Tyrone helplessly senses the Imipolex G in incoming V-2s, and his military superiors are investigating him. Soon he is on the run from legions of bizarre enemies through the phantasmagoric horrors of Germany.

That's just the Imipolex G tip of the shrieking vehicle that is Pynchon's book. It's pretty much impossible to follow a standard plot; one must have faith that each manic episode is connected with the great plot to blow up the world with the ultimate rocket. There is not one story, but a proliferation of characters (Pirate Prentice, Teddy Bloat, Tantivy Mucker-Maffick, Saure Bummer, and more) and events that tantalize the reader with suggestions of vast patterns only just past our comprehension. You will enjoy Pynchon's cartoon inferno far more if you consult Steven Weisenburger's brief companion to the novel, which sorts out Pynchon's blizzard of references to science, history, high culture, and the lowest of jokes. Rest easy: there really is a simple reason why Kekulé von Stradonitz's dream about a serpent biting its tail (which solved the structure of the benzene molecule) belongs in the same novel as the comic-book-hero Plastic Man.

Pynchon doesn't want you to rest easy with solved mysteries, though. Gravity's Rainbow uses beautiful prose to induce an altered state of consciousness, a buzz. It's a trip, and it will last. --Tim Appelo

About the Author

Thomas Pynchon is the author of V., The Crying of Lot 49Gravity’s RainbowSlow Learner, a collection of short stories, VinelandMason & DixonAgainst the Day, Inherent Vice, and Bleeding Edge. He received the National Book Award for Gravity’s Rainbow in 1974.

Product details

  • Publisher ‏ : ‎ Penguin Classics (June 1, 1995)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 760 pages
  • ISBN-10 ‏ : ‎ 0140188592
  • ISBN-13 ‏ : ‎ 978-0140188592
  • Item Weight ‏ : ‎ 1.3 pounds
  • Dimensions ‏ : ‎ 5.4 x 1.3 x 8.4 inches
  • Customer Reviews:
    4.3 4.3 out of 5 stars 2,099 ratings

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Thomas Pynchon
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Thomas Pynchon was born in 1937. His books include The Crying of Lot 49, Gravity's Rainbow, Vineland, and Mason & Dixon.


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4.3 out of 5 stars
2,099 global ratings

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Customers say

Customers find the humor in the book absurd and funny. They describe the book as entertaining, gripping, and engaging. The author's knowledge level is praised as high and meaningful. However, some readers found the narrative confusing and difficult to follow at times. There are mixed opinions on the narrative quality, with some finding it interesting and profound, while others felt it was long-winded and boring. Readers also have differing views on the writing style, with some finding it engaging and vivid, while others found it unreadable and incomprehensible.

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18 customers mention "Humor"13 positive5 negative

Customers find the humor in the book absurd and profound. They describe it as funny, fun, and challenging. The humor is described as dark, sad, and tragic.

"...Hilarity. Absurdity. He is often laugh out loud funny. Scenes will meld, shift, trail off and come back...." Read more

"...Profoundly disturbing and sad, the book describes how easily one can become unhinged from reality, from all connections to life as we know it..." Read more

"...a casual read, but moving, imaginative, deeply researched and uproariously funny." Read more

"...It is scary, amusing, and wonderful. But, you need to pay attention, read a paragraph here and there a second time to keep on track." Read more

12 customers mention "Enjoyment"9 positive3 negative

Customers enjoy the book. They find it engaging and fun to read. Some describe it as a great way to enjoy a modern classic.

"...I'm sure they're part of the conspiracy too. This is some wild, crazy fun." Read more

"...But if you want a book that's enjoyable to read, or interesting, or profound, or funny, or quick - stay away...." Read more

"...So I tried reading it. Got half-way through, enormously boring, put it down for awhile...." Read more

"...last year with Crying of Lot 49, which I found to be an amazing amount of fun...." Read more

12 customers mention "Knowledge level"12 positive0 negative

Customers appreciate the book's knowledge level. They find it riveting, relevant, and well-researched. The book displays a breadth of knowledge about history, culture, sexual dysfunction, humor, rhyme scheme, and more. Readers appreciate the casual power of characterization that often proves revelatory. The book provides the reader with kaleidoscopic ever-shifting perspectives and may send one into any number of alternate states.

"...Density, yes, complexity, for sure, but a breadth of knowledge that can't be overstated...." Read more

"Not exactly a casual read, but moving, imaginative, deeply researched and uproariously funny." Read more

"...That said, the book does have an amazing verisimilitude in its take on modernity...." Read more

"There are pieces of this work that are riveting, relevant, and highly cognizant of aspects of the human condition that are rarely explored...." Read more

54 customers mention "Narrative quality"31 positive23 negative

Customers have mixed opinions about the narrative quality. Some find it interesting and profound, with brilliant moments and unique topics to explore. Others feel the prose is long-winded and boring, with a difficult plot to follow. The imagery helps some readers appreciate the book's overall quality.

"...GRAVITY also has things in common with a really challenging crossword puzzle book -- though the one-star reviewers who think no novel should..." Read more

"...as superfluous and ultimately meaningless...." Read more

"...read it in English, and although I consider it one of the best, most complex books I have ever read, I was a little disappointed in the rest of..." Read more

"...In context, though, the scene in question is quite poignant once some thought has been put into it: We have cities being bombed, children being left..." Read more

44 customers mention "Readability"18 positive26 negative

Customers have different views on the book's readability. Some find the writing engaging and vivid, with beautiful prose that describes antics. Others find it unreadable, incomprehensible, and lacking sense. The book is described as imaginative and deeply researched, but not a casual read due to unfamiliar vocabulary.

"...The book is not easy to read, and the action is not easy to follow, because the author likes to take the scenic route to enrich our view, so we..." Read more

"...Dazzling prose; blazing at times, like the tail end of a rocket ascending. Hilarity. Absurdity. He is often laugh out loud funny...." Read more

"Not exactly a casual read, but moving, imaginative, deeply researched and uproariously funny." Read more

"...This is dense, dense, dense, writing, with sentences that can go on for half a page in describing a London street, at two in the afternoon, on a..." Read more

33 customers mention "Value for money"14 positive19 negative

Customers have different views on the book's value for money. Some find it rewarding and well worth the time and effort, while others feel it's disappointing, boring, or not worth reading.

"...very favorable reviews but, out of context, they seem like very unfavorable sentences. Of course, I figure IT'S A CONSPIRACY...." Read more

"...This one is good, but not for all tastes." Read more

"...like the characters, most of which I found either unbelievable or unsympathetic. I couldn't invest in any of these people. Part of the point? Sure...." Read more

"...It is scary, amusing, and wonderful. But, you need to pay attention, read a paragraph here and there a second time to keep on track." Read more

15 customers mention "Pacing"6 positive9 negative

Customers have different views on the pacing of the book. Some find it disturbing, tense, and amusing, with forceful digressions. Others mention revolting, obscene, and unnecessary chapters.

"...It's perverse in places, nasty in others, and in more than one instance, just plain crude...." Read more

"...Profoundly disturbing and sad, the book describes how easily one can become unhinged from reality, from all connections to life as we know it..." Read more

"...No sense of humanity...." Read more

"...Many times these digressions do paint images, sometimes quite forceful, a few beautiful, but many degrade into the pornographic and extremely gross..." Read more

41 customers mention "Complexity"10 positive31 negative

Customers find the book complex and difficult to follow. They mention it's confusing at times, with many characters and a long plot. Some reviewers also say it's challenging and baffled. The language and imagery are described as complicated, making it hard to follow.

"...The book is not easy to read, and the action is not easy to follow, because the author likes to take the scenic route to enrich our view, so we..." Read more

"...Buy the ticket, take the ride" and all that. It's long, it's complex, it's confusing, it's difficult. But......" Read more

"One of the most complex, disturbing, and notoriously "unreadable" novels ever written...." Read more

"...to make such mental scramble consistent in its effect, it's difficult to follow. It's work, not fun...." Read more

Caution: Multi-dimensional Fourier analysis would be most useful…
5 out of 5 stars
Caution: Multi-dimensional Fourier analysis would be most useful…
…and it should be no surprise that Fourier analysis is mentioned in this vast, extremely complex, astonishingly erudite novel. The author, Thomas Pynchon includes the equation that describes motion under the aspect of yaw control while steering “between Scylla and Charybdis.” In another section, he notes the double integral sign, and compares it to the symbol for the Waffen SS as well as two lovers curled in embrace, back to front.Fourier analysis? In essence, it is the taking of a complex wave, and attempting to break it down into the sum of its trigonometric functions. With Pynchon’s novel, the prose itself requires such analysis. Sometimes slapstick, with barroom ditties, other times with playful or not so playful random associations, and at others, straightforward prose that describes the Russian colonization of Central Asia, the German genocide in Southwest Africa, or the crushing of the gauchos, like Martin Fierro, in the Argentine. He mixes in scathing critiques on the nature of power in society, worthy of C. Wright Mills, with the poetry of Emily Dickson: “Because I could not stop for death, He kindly stopped for me.” He mixes in different languages, with German being prominent, but also French, Spanish, and even Middle Dutch. In another novel of his, V. (Perennial Classics) he had a perfect line of Arabic. I recently read C.P. Snow’s The Two Cultures (Canto Classics) which decried the abyss between the scientific and literary cultures. Pynchon bridges them perfectly.The protagonist – of sorts – is Tyrone Slothrop, who can trace his Pilgrim ancestors back to 1630. His family never got further west that the Berkshires, where he was raised, and may have been the subject of some youthful clinical experiments. The novel opens with him in London during the German V-2 rocket attacks. He is working in intelligence, and they are trying to predict the pattern of the V-2 targets. Naturally the Poisson distribution is in play, but someone else notices a strong correlation between the targets and Slothrop’s trysts. Hum. Experiments on him follow at “The White Visitation,” worthy of the CIA-sponsored “research” that was a guiding principle at Gitmo. The novel follows Slothrop’s path across Europe at the end of the war, in a wild phantasmagoria, to Pennemunde, the source of so many of those V-2’s. Along the way, many an interesting tangent is taken, like depicting the extinction of the dodos in Mauritius. Did the schwarzkommando (black soldiers from Southwest Africa) really exist, or were they a Pynchon invention? And how did the Russian, Tchitcherine, with his own obsession with the V-2’s, and Enzian (in the schwarzkommando) get to be half-brothers? Pynchon explains, brilliantly.As examples of Pynchon’s C. Wright Mills-like insights, Pynchon posits a snake eating its tail, and says: “The World is a closed thing, cyclical, resonant, eternally returning… is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that ‘productivity’ and ‘earnings’ keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity- most of the World, animal, vegetable and mineral is laid waste in the process.”On the “1%,” 40 years before the expression was invented: “all the animals, the plants, the minerals, even other kinds of men, are being broken and reassembled every day, to preserve an elite few, who are the loudest to theorize on freedom, but the least free of all.” Also some wonderful and memorable aphorisms: “Organization charts are plan views of prison cells.”Primordial instincts and needs? Ah, sweet sex. It too permeates the novel. And Pynchon is definitely a “leg man.” He writes of “…stockings pulled up tight in classic cusps by the suspenders” and the impact that it has had on Western men – hum – for a century, “…to the sight of this singular point at the top of a lady’s stocking, this transition from silk to skin and suspender! It’s easy for non-fetishists to sneer about Pavlovian conditioning and let it go at that, but any underwear enthusiast worth his unwholesome giggle can tell you there is much more here – there is a cosmology: of nodes and cusps and points of osculation, mathematical kisses… singularities! Consider cathedral spires, holy minarets, the crunch of train wheels over the points as you watch peeling away the track you didn’t take…” Whew!Far less erotically, there is the passage about the impact on one survivor of the Battle of Passchendaele, and his visits to Domina Nocturna. The Pulitzer Prize Board found this passage so offensive that they refused to award their prize to this novel in 1974, preferring to make no award at all. It is a rhetorical question to ask: Was the passage itself more offensive than the battle, which spanned more than three months, advanced the front line a distance of less than what we could walk in an hour, with the price being at least 300,000 casualties from one small island nation and its far-flung dominions?This is my second reading of the novel. The first reading was in the 1974, when the novel was first issued, and I lived in an antebellum house in east Atlanta, without air conditioning. It took me most of the summer to read it. I committed then to re-read it, and here it is, some 40 years later, and now I have been to many of the places mentioned in the novel, including Southwest Africa. I remain humbled by Pynchon’s erudition, particularly in the pre-Internet age, and particularly for his age when he wrote it: the early 30’s. On the second time around, with the Internet, and many more years, maybe I “get” only 70-80% of the novel. Can I do it a third time, and wring more pleasure and meaning out of it? Time will tell. In the meantime, I continue to consider it the greatest American novel. 6-stars, plus.
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Top reviews from the United States

  • Reviewed in the United States on February 17, 2013
    I just read GRAVITY'S RAINBOW twice in a row, one reading right after the other. It was good the first time through and excellent the second time. Plus, instead of paying something like thirteen dollars to read one book, I ended up paying less than seven dollars apiece to read two books. Both of them were a bargain at over seven hundred pages.

    I notice, though, that the Amazon price is above Amazon's ideal ten dollars. I notice also that the sentences Amazon quotes from GRAVITY reviewers are selected from very favorable reviews but, out of context, they seem like very unfavorable sentences. Of course, I figure IT'S A CONSPIRACY.

    Although it's a book you either love or hate, it has four times as many five-star as one-star reviews. The reviews, both raves and pans, say pretty much the same thing as professional reviewers do, so there's really not that much for me to add.

    I'd like to address some of the things one-star reviewers say, just for fun.

    First of all, there are the one-star prudes. They're right. The book has coprophagy and pedophilia, both treated non-judgmentally. If you're the kind of reader who gets upset by that, you'll have to stay away. On the other hand, it's a book about Nazis ... and for some reason nobody seems to get prudishly upset about Nazis. Pynchon is on to that little paradox, and if his prudish readers are missing it, too bad for them.

    Next, there are the one-star haters of Post-Modernism. They all have at least one thing in common: they think Post-Modernism is easy to recognize and every example of it is equally bad. Wow. I'd have thought that, like Romanticism, it has gone on for years and years in the hands of hundreds of different people, in music and painting, poetry and novels ... and really I can barely tell how all the examples resemble one another, can barely tell what JESUS CHRIST SUPERSTAR has in common with EVITA, and couldn't tell you for sure if either one of them were Post-Modern. My bad, I guess. Apparently all you have to do is call a book Post-Modern and Bingo! everybody who likes it goes to hell.

    There are the one-starrers who love ULYSSES and say GRAVITY is nothing like it. There are the ones who hate ULYSSES and say GRAVITY is exactly like it. These two groups should meet on neutral ground and fight until they both disappear.

    A couple one-starrers say GRAVITY is liberal propaganda. Hmm. Liberal propaganda that nobody can understand. That's pretty liberal. But wait! Isn't THE WASTE LAND ... conservative propaganda? And nobody can understand THE WASTE LAND either. Suddenly it all makes sense!

    There are the academic conspiracy one-star haters, whose complaints go something like this: When you were in high school or college, an English teacher you hated told you GRAVITY'S RAINBOW was a good book. You didn't even read what this teacher assigned, let alone what she recommended, she was such an obvious loser, but nevertheless you have ever since believed that everything she ever told you was cold, hard fact. As a result of this belief, you read GRAVITY and, under the hypnotic influence of this hated teacher, never even noticed how bad it was. That's how the academic conspiracy works, and if it weren't for the one-star haters, nobody would even know about it. What made them so bright? They hate teachers a magic tiny little bit more than you do.

    Last and least are the one-star reviewers who just get all crazy inside when they suspect someone else is smarter than they are. Smart people, according to these reviewers, are pseudo-intellectuals who write to impress, and writing to impress is a great sin. All their lives, these reviewers have been making sure they never write to impress, and so naturally they write the world's least impressive reviews.

    ----- -----

    On the positive side, this is a very well-constructed book. The first part is prologue, and the fourth and last part is epilogue. During the epilogue, the characters fade away, sort of like the hero of TENDER IS THE NIGHT, who never realized he was Post-Modern. The second and third part are NORTH BY NORTHWEST, as discussed below.

    Readers of traditional novels often seem, from their comments, to be disoriented by this book. It has a lot in common with ALICE IN WONDERLAND, including an explosively dissolving dream ending. ALICE influenced FINNEGANS WAKE, which the book also builds on. It builds on William Blake's Prophetic Books too, and all these would be good training for reading GRAVITY, except that GRAVITY is the simplest of them all. In fact, Pynchon is better as an introduction to Blake than Blake is as an introduction to Pynchon. Time running backwards sort of thing.

    While I was reading GRAVITY, I watched Hitchcock's NORTH BY NORTHWEST. The two are virtually identical, complete with the mysterious "they" who control the action and refuse to save the hero they're manipulating, and their easy-going Anglo-American ruthless indifference to his fate, and their ownership of the mysterious woman who sleeps with hero and villain alike. Both works made a lot of money, and they deserved to.

    GRAVITY also has things in common with a really challenging crossword puzzle book -- though the one-star reviewers who think no novel should challenge its readers probably think crossword puzzle books should never be sold.

    It's all good. I'm sure they're part of the conspiracy too. This is some wild, crazy fun.
    142 people found this helpful
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  • Reviewed in the United States on January 28, 2000
    I first read this book when I was 16, and it was the Spanish translation. Later on, I read it in English, and although I consider it one of the best, most complex books I have ever read, I was a little disappointed in the rest of Pynchon's production. I think he reached his zenith with "Rainbow" and it has been all downhill ever since. The book is not easy to read, and the action is not easy to follow, because the author likes to take the scenic route to enrich our view, so we get the whole treatment with physics, engineering, strategy, espionage, sex, love, fear, paranoia, and an assortment of other fields -some strange, some crude- that provide us with the view of a world gone mad from the prizm of an author that seems to have been down the rabbit hole once or twice. The only thing that has always bothered me about "Gravity's Rainbow" is my inability to understand its ending. I want to believe the author designed it in such a way that it would be very ambiguous, but I am really not sure. In any case, a great reading experience, although, reader, beware: those who look for uplifting messages; those who don't like harsh language; those who don't like depictions of sex; those who would not be able to read through very descriptive passages of (one hopes) less than popular and rather grotesque sexual practices; those who would not continue reading after the lavishly descripted love scene between a grown man and a twelve year-old girl; those who dislike "dense", descriptive literature; those who don't really go for the stream of consciousness stuff; those who don't like war books; those who have read this far and already hate the book and the review; all those potential readers should know that in "Gravity's Rainbow" you get hundreds of pages of what I have just outlined, and more. If you don't think you can stomach this list, move on to other books: there are plenty of good ones out there. This one is good, but not for all tastes.
    46 people found this helpful
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Top reviews from other countries

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  • Igor Couto
    1.0 out of 5 stars A qualidade do produto deixa bastante a desejar
    Reviewed in Brazil on September 5, 2022
    Impressão da capa parece uma imagem em baixa resolução impressa em um papel ruim. Lembra uma xerox.
    Está desalinhado em alguns pontos também e a borda das páginas parece ter sido mal cortadas
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    Igor Couto
    1.0 out of 5 stars A qualidade do produto deixa bastante a desejar
    Reviewed in Brazil on September 5, 2022
    Impressão da capa parece uma imagem em baixa resolução impressa em um papel ruim. Lembra uma xerox.
    Está desalinhado em alguns pontos também e a borda das páginas parece ter sido mal cortadas
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  • Süleyman Çetinkaya
    4.0 out of 5 stars Crystal Palace Shall Fall!
    Reviewed in Turkey on July 25, 2024
    Hamur kalitesi abicim...
  • peter
    5.0 out of 5 stars muy bien
    Reviewed in Spain on March 14, 2024
    muy bien
  • Sergio Alberto Cortés Ronquillo
    5.0 out of 5 stars Mala edición, libro increíble.
    Reviewed in Mexico on January 6, 2021
    El problema no es la historia, sino la encuadernación: la orilla de las hojas no está bien cortada y desluce mucho la edición. Pésimo trabajo de Penguin Random House. Es cierto que Thomas Pynchon es difícil de leer, y este libro es una clara muestra al respecto; sin embargo, "El arcoíris de la gravedad" es una joya de la literatura universal, probablemente. Tiene segmentos dignos de poesía, como otros que son literatura experimental muy atrevida. A cambio de un enorme esfuerzo para leer este libro, obtenemos una cosa enajenante y canónica, una de las mejores novelas estadounidenses de todas.
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    Sergio Alberto Cortés Ronquillo
    5.0 out of 5 stars Mala edición, libro increíble.
    Reviewed in Mexico on January 6, 2021
    El problema no es la historia, sino la encuadernación: la orilla de las hojas no está bien cortada y desluce mucho la edición. Pésimo trabajo de Penguin Random House. Es cierto que Thomas Pynchon es difícil de leer, y este libro es una clara muestra al respecto; sin embargo, "El arcoíris de la gravedad" es una joya de la literatura universal, probablemente. Tiene segmentos dignos de poesía, como otros que son literatura experimental muy atrevida. A cambio de un enorme esfuerzo para leer este libro, obtenemos una cosa enajenante y canónica, una de las mejores novelas estadounidenses de todas.
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  • Amazon Customer
    5.0 out of 5 stars A Masterpiece
    Reviewed in India on July 5, 2021
    A brilliant and refreshing read, very different from your usual novel. The mental acrobatics required to decipher what on earth's going on in the book only serve to further heighten the enjoyment of the read. If that doesn't sound appealing, this is not the book for you. Be ready when reading this mammoth for a long subscription to the brain gym. It's quite the workout. Also, incidentally, a good arm workout, because this book is pretty big. I finally have arm muscles.