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The Green Mile: The Screenplay Paperback – January 18, 2000

5.0 out of 5 stars 8 customer reviews

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Stephen King fans fervently awaited The Green Mile, filmmaker Frank Darabont's second movie adaptation of a King novel (the first being The Shawshank Redemption, another period piece set in prison). The Green Mile: The Screenplay reveals Darabont's deft script style despite nary a character description. The adaptation must be one of the most pure ever written; nearly every character and major scene from the novel is represented in the screenplay, often with verbatim dialogue. Both Darabont and King contribute introductions, illustrating the warm friendship between the two, and detailed film credits, drawings of two storyboarded sequences, and 20 black-and-white photos enrich the script. For those interested in witnessing how a movie changes from screenplay to final product, the shooting script version of The Shawshank Redemption makes for a far more intriguing read--and Darabont's post-production essay on the metamorphosis is fascinating. --Doug Thomas

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Product Details

  • Paperback: 172 pages
  • Publisher: Simon & Schuster; First Edition/First Printing edition (January 18, 2000)
  • Language: English
  • ISBN-10: 0684870061
  • ISBN-13: 978-0684870069
  • Product Dimensions: 9.1 x 7.3 x 0.6 inches
  • Shipping Weight: 4 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #1,300,232 in Books (See Top 100 in Books)

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Format: Paperback
With "The Green Mile: The Screenplay", writer-director Frank Darabont provides would-be screenwriters with an unprecedented look at how a perfect screen adaptation is written. Stephen King, author of the novel on which the film is based, has called Darabont's screenplay "hands-down, the best film adaptation I've ever read." Tom Hanks, the film's star, said of the screenplay, "It's that rarest thing, that thing you're always looking for, this piece of work that shows up on your desk, ready to shoot, and you look at it and say, 'Wow! We just have to show up and make this thing!'" In most situations, directors come to actors hat in hand, begging actors to work on a film. With "The Green Mile", Darabont had actors lining up to work in the film. Even actors of the stature of Gary Sinise were willing to take virtual cameos to appear in the film. The book contains Darabont's final shooting script, which even in that form, contains minor differences from the finished film. It also features introductions by Stephen King and Darabont, as well as a selection of stills and storyboards which give readers added insight into the production of what is easily this year's best film. Although lacking the in-depth analysis of changes in the screenplay which were present in Darabont's last book, "The Shawshank Redemption: The Shooting Script", this book is well worth reading, and, in copanionship with the forthcoming "The Making of 'The Green Mile'", will give readers a guided tour of the production of a modern film classic.
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Format: Paperback
I discovered the first episodes of The Green Mile in Biloxi, Mississippi, and the last ones in France. I read them. I was moved by strong emotions, practically to tears, and yet I remained unsatisfied. I reread it when it came out in one volume, and I had the same sensation of frustration. The book, the story had two lines and the unity was not clear, the message was not obvious and it seemed to be that there is always a devil somewhere to torture, at times to death, the righteous and the innocent. The two time lines were not really reinforcing each other. The bad nurse of the old people's home was not a real continuation of Percy, and Percy did not have and could not have, does not have and cannot have a continuation. Evil in man is repetitive, but in no way continuing, developing, getting any kind of amplification with time. I have just been listening to a tape about the psychiatric hospitals of the old days (up to the mid 70s in France), and the doctors, the nurses, and even the patients, those who dedicated their whole life to get rid of that institution, compared these asylums to concentration camps and demonstrated how the inmates were reduced to animals, and yet resisting, how the rations (during World War II) where starvation rations meant to slowly kill the inmates by starving them. Doctor Lucien Bonnafé, MD, cannot be in any way stopped in his explanation of this alienation, of this reduction of men to vegetables, especially with the chemical straight jacket. Hitler did not invent concentration camps, and he did not invent eugenics, the cleansing of society of their misfits. He just systematised, industrialised it. But, But, BUT, I finally got to the screenplay of The Green Mile by Frank Darabont. He got that second time line out.Read more ›
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Format: Paperback
Frank Darabont found himself in an enviable position with his screenplay adapting Stephen King's "The Green Mile" to the screen; instead of going hat-in-hand to stars and begging them to appear in his film, he had major Hollywood talent lining up around the block, asking to BE in the film! Anyone wishing to know why can read his screenplay, published by Simon & Schuster and featuring an introduction by Stephen King, who has labeled it the best adaptation of his or anyone's work ever.
Darabont skillfuly adapts King's novel to the screen.; not a slavish adaptation, this screenplay seeks instead to convey the spirit of King's novel in cinematic terms. For example, instead of having prison guard Paul Edgecomb go out and investigate the murders of the two dead girls for which his prisoner, John Coffey, has been condemned, he finds out by a transfer of information osmoticqally from Coffey. This serves the twofold purpose of shortening the film's running time (the finished film is over three hours in length), and also works much better cinematically, conveying the needed information in four minutes instead of twenty or so. The chance to read a Darabont screenplay is one aspiring screenwriters should take. I was privileged to work with Frank Darabont on "The Green Mile". It is an experience I will never forget, and I cannot recommend this book, or the film to which it gave rise, enough.
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Format: Paperback
I am amazed at the genius of Frank Darabont. SHAWSHANK REDEMPTION is the type of film that many directors spend their entire lives trying to make. That film alone is worthy of placing Darabont in the top echelon of modern directors. However, with THE GREEN MILE, Darabont has triumphed again. This screenplay is not as in depth as the SHAWSHANK shooting script. Nevertheless, it is still quite informative and is a useful resource for aspiring filmmakers. Transcribing an already successful published work into a successful movie is extremely difficult and rarely happens. However, Darabont has done it twice. A person can learn a great deal about writing just by reading this book. There's no better way to learn than to learn from a master.
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