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Grimscribe: his lives and works Mass Market Paperback – October 1, 1994
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From Publishers Weekly
The eponymous first-person narrator of this chilling collection assumes many different guises in spinning his eerie tales, but the voice in each of the 12 stories remains the same, a voice "always speaking of terrible secrets." Witness, participant, victim, Grimscribe is, above all, our guide through a landscape at once relentlessly dark and luminously revealing, where a "brood of dark forms" push "through the fog" and "dark bricks that bulge like tumors" appear "on the facades of houses." Prisoners of this bleak but fascinating world include a mild-mannered village schoolteacher sent in "Flowers of the Abyss" to discover the awful truth behind a house in which an entire family perished horribly; in "The Cocoons" we encounter a man trapped in a unique doctor/patient relationship who finds the treatment infinitely more agonizing than the disease; instead of the three Rs, the young boy in "Miss Plarr" receives from his tutor a few lessons in "the sound of something that stings the air." Stylishly wrought in the best tradition of the American gothic and wonderfully reminiscent of Poe and Hawthorne, these scary stories transcend their genre. and command respect. Ligotti wrote Songs of a Dead Dreamer.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
High-style horror stories in a classic literary mode, in expressiveness not far from the American masters, Poe and H.P. Lovecraft. Ligotti (Songs of a Dead Dreamer, 1990) writes out of what seems an all-embracing depression, making him willing to go into wipeout areas time and again and ask a lot both of himself and his readers. His narrators seldom effect any change; they simply observe a superbly described inner state, then leave, hungover. In ``The Last Feast of Harlequin,'' a professor obsessed with clowns locates a clown festival in the midwestern town of Mirocaw. He goes to observe and join the townsfolk in their festival, perhaps wearing his clown suit. But the festival is not meant for him. In fact, it is two festivals, one within the other, the inner one being a cruel festival of freaks who are detested and beaten by members of the larger clown festival. He joins the freaks and follows them out of town and down a hole in the earth wherein they have borne their frigid Winter Queen. In a cavernous earthen hall, the freaks begin turning into huge worms, and he flees up the black wormhole by which he entered. In ``The Glamour,'' the narrator enters a weird boarded-up movie house to find himself in a sparse audience surrounded by purple lights and seated amid hairy threads that bind all to their seats as they watch a cobweb screen on which is shown grisly purple organs being operated on. He leaves before he can be imprisoned by the floating and crawling hairs. In ``The Night School,'' he enters a dark, weird schoolground where strange figures stand around misshapen metal drums in firelight; then he goes into the hideously rotting school for a bizarre class in ``measurement of cloacal forces. Time as a flow of sewage. The excrement of space, scatology of creation...'' He leaves, finding the moon ``coated with a luminous mold, floating...in the great sewers of the night.'' Thirteen tales out of a maggoty delirium. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Top customer reviews
Grimscribe is my first experience of Thomas Ligotti His prose is intelligent and lovely. I'm sure I will go on to his other books.
Sometimes Amazon's recommendation engine is right.
As for the stories themselves - they mostly concern bizarre loners, tortured artists, and esoteric researchers (sometimes all three at once), falling into a world of cosmic terror and urban decay rendered delicately (and quite beautifully) in dense prose-poems. Some standouts here include Ligotti's thematic (but for the most part not derivative) homages to H.P. Lovecraft, "Nethescurial" and the oft-reprinted "The Last Feast of Harlequin", as well as the haunting cob(?)web-strewn cinema hell found in "The Glamour" and "The Shadow At The Bottom Of The World"'s primordial cauldron of horrors bubbling beneath a thin patina of small town charm.
I hope the digital rerelease of the Subterranean editions gives Ligotti the recognition he so richly deserves. He's the missing link between Stephen King and more contemporary macabre experimentalists like Joseph S. Pulver, Michael Cisco, and Chomu Press founder Quentin S. Crisp; he's Lovecraft without the noxious race/sex/classism; he's a hallucinogenic postmodern philosopher who chose short horror stories to deliver his universal theory of dread. And now he's available for $7 on your eReader, so get on it!
Most recent customer reviews
Over the last couple of years, Subterranean Press has been publishing revised and definitive editions of Thomas...Grimscribe: His Lives and WorksSongs of a Dead Dreamer and NoctuaryRead more