| 1 | Tenakee Feeding Call |
| 2 | Transients |
| 3 | Misticete |
| 4 | Hawaii Gruv |
| 5 | Boogie |
| 6 | Vertigo |
| 7 | ViolinLaugh |
| 8 | Melancholy |
| 9 | Backwards Unfolding |
| 10 | Transfixed |
| 11 | Winter Song |
| 12 | Winter Song |
Here's a wholly new approach to making music for and from whale songs. Walker plays violin into underwater landscapes, and the resulting recordings are wonderfully rich raw material for her studio-based compositions. Aquatic canyon walls and open spaces create a cathedral-like presence to her sound, and she builds the pieces around especially interesting and well-recorded whale songs. She adds electronics that range from spacy to funky, and while the overall tone is embracingly atmospheric, she avoids new-age cliches, using her classical training to forge a musical response to the whales that has a musical complexity that remains delightfully lyrical. Walker has spent years pusuing three complementary paths: classical music training, cutting edge media technology, and field research in Alaska. She brings these diverse gifts together here in a way that will appeal to listeners across the soundscape spectrum.
...Sometimes you can't tell the difference between the samples and her playing, which is both reverent and velvety. -- Roger Greer, KXCI radio, Tucson
Haunting, spiritual, hypnotic, and thoroughly engaging. Few recordings have so seamlessly integrated whale songs into the musical environment. -- All Music Guide Online, January 2002
Lightly accented with electronic beats, this violin-cetacean collaboration is profoundly relaxing, as it is otherworldly. -- Outsight Radio Hours
Stunning. . . Walker shows a remarkable capacity for innovation. If you like space/ambient music, you will definitely want to hear this. -- New Age Voice, February 2002
The twelve compositions flow into each other like ocean currents, and yet each has its own mood and musical themes. -- Joyce Hilderbrand, Encompass Magazine
The twelve compositions on Grooved Whale flow into each other like ocean currents, and yet each has its own mood... -- Joyce Hildebrand, Encompass Magazine
Wonderful, wonderful piece of work! This music will never get old. -- Charlie Stehlin, WMNF, Tampa
Born in Vancouver and trained at the Vancouver Academy of Music, Lisa Walker left her classical violin studies to explore a broad range of styles and traditions, including Jazz, Folk, Blues and Celtic.
Dreamtime Sanctuary, her premiere CD, chronicles a journey from India to Italy, incorporating sounds she captured on a Dat recorder while travelling throughout various regions of each country: a call to prayer from a mosque on the Ganges, Mass at St. Peter's Cathedral in Rome, the rhythmic rattle of a railcar.
From 1995 - 1997 Lisa was invited to be an artist in residence at Simon Fraser University's Graphics and Multimedia Research Lab - a position which entailed working with alternate midi controllers such as light beams, Gforce accelerometers and Electromagnetic Fields (a la Theramin) with which she created her Midi Violin. She was also worked with LifeForms animation, an software package that replicates the human body in virtual space.
From 1996 -1998 Lisa was invited to join a research team in southeast Alaska studying the Humpback Whale. Lisa was drawn to the humpbacks of southeast Alaska by their intriguing acoustic behavior, and as a musician, was able to recognize subtle patterns in the acoustic activity of the whales that were not readably evident to the scientist.
In her role as sound consultant, she spent many months at sea, traveling and camping in remote wilderness locations, to locate the whales and record their sounds. The violin has the same qualities and timbre as the Humpback's voice, and can mimic the call to a point where even the best ears are fooled. This became the inspiration for her second album, The Grooved Whale in which Lisa combines recordings of her violin (recorded underwater with the help of a special speaker) with the actual sounds of the whales to create terrains of her own imaginings.
Current projects include working with producer Gary Morgan on Grooved Whale 2, to be released on Earthworm Records, November 2001. Walker is also working with Orca researcher Paul Spong to produce an album of orca sounds, gathered from over 25 years of recording archives.
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