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Guess Who's Coming to Dinner [DVD]
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| Additional DVD options | Edition | Discs | Price | New from | Used from |
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DVD
February 12, 2008 "Please retry" | 40th Anniversary Edition | 2 | $5.55 | $2.76 |
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| Genre | Drama, Drama Classic, Award Winning |
| Format | Closed-captioned, Color, DVD, NTSC, Full Screen |
| Contributor | Sidney Poitier, Katharine Houghton, Stanley Kramer, Spencer Tracy, Katharine Hepburn, Columbia Pictures Corporation, Cecil Kellaway, Beah Richards See more |
| Language | English, French |
| Runtime | 1 hour and 48 minutes |
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Product Description
Product Description
Spencer Tracy and Katharine Hepburn (who won the Academy Award(r) for Best Actress for her performance) are unforgettable as perplexed parents in this landmark 1967 movie about mixed marriage. Joanna (Katharine Houghton), the beautiful daughter of crusading publisher Matthew Drayton (Tracy) and his patrician wife Christina (Hepburn), returns home with her new fiance John Prentice (Sidney Poitier), a distinguished black doctor. Christina accepts her daughter's decision to marry John, but Matthew is shocked by this interracial union; the doctor's parents are equally dismayed. Both families must sit down face to face and examine each other's level of intolerance. In GUESS WHO'S COMING TO DINNER,director Stanley Kramer has created a masterful study of society's prejudices.
Amazon.com
Spencer Tracy's last performance was in this well-meaning, handsome film by Stanley Kramer about a pair of white parents (Tracy and Katharine Hepburn) trying to make sense of their daughter's impending marriage to an African American doctor (Sidney Poitier). The film has been knocked over the years for padding conflict and stoking easy liberalism by making Poitier's character in every socioeconomic sense a good catch: But what if Kramer had made this stranger a factory worker? Would the audience still find it as easy to accept a mixed-race relationship? But there's no denying the drawing power of this movie, which gets most of its integrity from the stirring performances of Tracy and Hepburn. When the former (who had been so ill that the production could not get completion insurance) gives a speech toward the end about race, love, and much else, it's impossible not to be affected by the last great moment in a great actor's life and career. --Tom Keogh
Product details
- Aspect Ratio : 1.33:1, 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 7.5 x 5.38 x 0.6 inches; 3.2 Ounces
- Director : Stanley Kramer
- Media Format : Closed-captioned, Color, DVD, NTSC, Full Screen
- Run time : 1 hour and 48 minutes
- Release date : December 2, 2004
- Actors : Spencer Tracy, Sidney Poitier, Katharine Hepburn, Katharine Houghton, Cecil Kellaway
- Dubbed: : French
- Subtitles: : English, French
- Producers : Stanley Kramer
- Language : French (Dolby Digital 3.0), English (Dolby Digital 3.0)
- Studio : Sony Pictures Home Entertainment
- ASIN : 0767821483
- Number of discs : 2
- Best Sellers Rank: #33,081 in Movies & TV (See Top 100 in Movies & TV)
- #2,698 in Kids & Family DVDs
- #4,094 in Comedy (Movies & TV)
- #5,770 in Drama DVDs
- Customer Reviews:
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Top reviews from the United States
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a must see
Film historians have long dismissed the social 'relevance' of the production, accurately pointing out that Poitier's character, a brilliant, wealthy young black doctor serving the U.N., was designed to be so completely unthreatening and saintly that any chance to address real issues is lost; the same can be said of Tracy's character, a wealthy, liberal white newspaper publisher who had spent his life championing civil rights. These stereotypical characters cost the film any sense of credibility, and the passionless portrayal of the romance between Poitier and Katharine Houghton (they only kiss once, viewed through a taxi driver's rearview mirror), with only her childish giggling and posturing to indicate the depth of their relationship, doesn't help, either (one wonders why he would even be attracted to this silly child!). The story hinges on Poitier's demand that without Tracy and Hepburn's unequivocal approval, he will 'walk away', and this, too, is unrealistic, designed solely to provide a platform for Tracy's climactic answer, one of the most moving speeches of his long career, and the best moment of the film. While Stanley Kramer will be remembered as a daring producer/director who tackled important social issues head-on, "Guess Who's Coming..." is, at best, a very tentative first step.
But as a showcase for three remarkable actors, this is an indispensable document. Tracy was so ill, during production (dying just 17 days after the film 'wrapped'), that he was uninsurable, with Kramer and Hepburn forced to promise to cover any losses, had he passed away before the film's completion. He was deeply touched by the gesture, and summoned up his remaining energy to give his performance the dynamic, yet thoughtful quality that characterized his best work (he would receive a posthumous Oscar nomination for the film). Poitier is almost as good, in a less challenging role, making his nearly superhuman character both accessible and sympathetic. Hepburn's role is much smaller, more in support than as a leading lady, and her 'Best Actress' Oscar was, honestly, undeserved (she would acknowledge it for what it really was; an Academy recognition of her and Tracy, both for this film and their other co-starring appearances, over 26 years). Her niece, Katharine Houghton, in her film debut as Poitier's fiance, is, honestly, little more than pretty window dressing.
For the film's 40th anniversary, an additional DVD of Special Features has been added, including a 'Making Of' feature with insights by contemporary filmmakers and surviving members of the original cast, and featuring a lovely look at the very special relationship of Tracy and Hepburn, the funny acceptance speech for the Irving Thalberg Award by Stanley Kramer, and more.
While "Guess Who's Coming to Dinner" is flawed as a social document, as cinema it is well worth owning!
Reviewed in the United States on September 20, 2009
Film historians have long dismissed the social 'relevance' of the production, accurately pointing out that Poitier's character, a brilliant, wealthy young black doctor serving the U.N., was designed to be so completely unthreatening and saintly that any chance to address real issues is lost; the same can be said of Tracy's character, a wealthy, liberal white newspaper publisher who had spent his life championing civil rights. These stereotypical characters cost the film any sense of credibility, and the passionless portrayal of the romance between Poitier and Katharine Houghton (they only kiss once, viewed through a taxi driver's rearview mirror), with only her childish giggling and posturing to indicate the depth of their relationship, doesn't help, either (one wonders why he would even be attracted to this silly child!). The story hinges on Poitier's demand that without Tracy and Hepburn's unequivocal approval, he will 'walk away', and this, too, is unrealistic, designed solely to provide a platform for Tracy's climactic answer, one of the most moving speeches of his long career, and the best moment of the film. While Stanley Kramer will be remembered as a daring producer/director who tackled important social issues head-on, "Guess Who's Coming..." is, at best, a very tentative first step.
But as a showcase for three remarkable actors, this is an indispensable document. Tracy was so ill, during production (dying just 17 days after the film 'wrapped'), that he was uninsurable, with Kramer and Hepburn forced to promise to cover any losses, had he passed away before the film's completion. He was deeply touched by the gesture, and summoned up his remaining energy to give his performance the dynamic, yet thoughtful quality that characterized his best work (he would receive a posthumous Oscar nomination for the film). Poitier is almost as good, in a less challenging role, making his nearly superhuman character both accessible and sympathetic. Hepburn's role is much smaller, more in support than as a leading lady, and her 'Best Actress' Oscar was, honestly, undeserved (she would acknowledge it for what it really was; an Academy recognition of her and Tracy, both for this film and their other co-starring appearances, over 26 years). Her niece, Katharine Houghton, in her film debut as Poitier's fiance, is, honestly, little more than pretty window dressing.
For the film's 40th anniversary, an additional DVD of Special Features has been added, including a 'Making Of' feature with insights by contemporary filmmakers and surviving members of the original cast, and featuring a lovely look at the very special relationship of Tracy and Hepburn, the funny acceptance speech for the Irving Thalberg Award by Stanley Kramer, and more.
While "Guess Who's Coming to Dinner" is flawed as a social document, as cinema it is well worth owning!
Top reviews from other countries
And Sidney Poitier had an amazing year: Guess Who's Coming To Dinner, In The Heat Of The Night, and To Sir With Love. A true superstar!
買って良かった。見たい時にいつでも見られます。
Nothing special about the blu-rays, thin casing doesn't justify the high cost. The Blu-ray market in India is still a novice compared to US and Europe in terms of presentation and releases.
Will wait for Amazon In to reach their prime in India. All the best.

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