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A Guide to Bars and Nightlife in the Sacred City Paperback – November 8, 2013
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While these fictional accounts had their visible beginnings in a freelance journalist's world travel, they had their inner beginnings in the fertile workings of a remarkable mind. My own sense of the author, watching him in my writing workshops in San Francisco week after week spin these remarkable, wry, otherworldly tales with the fluid ease of a savant, seemingly unaware of his own genius, is that he is doing something notable and unusual, and it is for that reason that we committed to publishing this book.
Among the tales I am most fond of are "Thanatos Cuisine," in which a chef creates dishes too hot to endure yet too delicious to turn down, and "Feeding Time," about the choices a brilliant homeless outcast forces upon those who try to help him. "Childhoods on Display in Boston" evokes our cultural hunger for a neatly commodified past; finally, perhaps my personal favorite, "Some of the Social Issues Surrounding Jazz," blows a sad eulogy for a great American art form that loses its roots in the street the more it is celebrated in the university.
Almost all these tales originated in the San Francisco workshop, springing astonishing and fully formed in our living room, with that Benjamin Wachs aura of magical, unconscious coming-into-being, a crystalline fragility fused with intellectual rigor and challenge.
"If we tape enough heartfelt wishes on streetlights and leave enough dreams on the curb, anything can happen," Wachs says in his preface. "Millions of souls in crowded neighborhoods praying beneath the surface of their daily lives lead to manifestations of the miraculous and infernal just around the corner. A block of Paris where fire dancers spin outside Notre Dame connects to a sliver of Chicago where angels dance in a speakeasy, that attaches to miraculous Thai food in London, and to a faith healing in San Francisco, to an architectural marvel in Moscow and a tantric revelation in New Orleans, to a lost opera in Vienna and a resurrection in Pittsburgh, and the perfect couch appearing on Craigslist in Toronto. Never stopping. This is the Sacred City."
-- Cary Tennis, publisher
- Print length150 pages
- LanguageEnglish
- Publication dateNovember 8, 2013
- Dimensions6 x 0.34 x 9 inches
- ISBN-100979327075
- ISBN-13978-0979327070
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"The fruits of his travels blossom forth in this wonder-filled, often fanciful collection of short stories set in often gritty urban environments around the world. This "guide" is a book worthy of frequent detours of reading pleasures." - Nick Schenkel, WBAA
About the Author
During college Wachs lived in a Buddhist monastery in India. After dropping out of graduate school, he worked as a freelance nightlife reporter for Playboy.com. Traveling around the world, he wrote about bars for money and spontaneously sang sacred music in some of history's greatest cathedrals.
This is his first collection of fiction.
Product details
- Publisher : Cary Tennis (November 8, 2013)
- Language : English
- Paperback : 150 pages
- ISBN-10 : 0979327075
- ISBN-13 : 978-0979327070
- Item Weight : 7.5 ounces
- Dimensions : 6 x 0.34 x 9 inches
- Best Sellers Rank: #2,170,169 in Books (See Top 100 in Books)
- #33,647 in Short Stories (Books)
- Customer Reviews:
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About the author

Benjamin Wachs is frequently accused of being a fictional character.
After living in a Buddhist monastery in India he was employed as a nightlife reporter for Playboy.com and the bar columnist for SF Weekly. He is now an Instructional Writer for Burning Man and a member of its Philosophical Center.
He is the author of the fantasy novel "The Deeds of Pounce" (Beating Windward Press), the short story collection “A Guide to Bars and Nightlife in the Sacred City (Cary Tennis Books) and the forthcoming “Lamenting Avalon: Fairy Tales for Adults” (private publication). He lives in San Francisco, where he is the Chairman of the Board of the San Francisco Institute of Possibility, an arts production and education non-profit. His business cards say “Fascinating Stranger.”
Get access to weekly exclusive content at his Patreon: www.Patreon.com/BenjaminWachs
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Many of thesecharacters speak about themselves in the way that people do in bars, trying to be noticed or understood, pontificating about the very things they cannot see in their own reflections - well, I mean, we all do that, but it's in chiaroscuro when liquor is flowing. It's a difficult but important display to have the good fortune to witness while sober. Memorable characters enter, make scenes, leave us hanging and wanting more. The very polished "Free Will" stood out to me. I've taken all the players home with me - though I can't recall exactly when and they never called though they said they would. I have a feeling they're hanging with someone more fun.
There's something very interesting about peeking into slices of others' lives through the personae they have on display in watering holes. It's partly pure act people put on, and partly more intimate than many manage to allow in their deepest relationships - the booze and anonymity acting like an invisible confessional. Can you blame them? Who hasn't had a passing thought that bottles of many colors, stacked neatly in their chaos look just like a stained glass bricolage of despair, loneliness, desire, and vice in general. But just as most of us have visions of genius in our dreams and roll over, hitting the alarm snooze while letting them slip away, so do we order another round and forget about the Sacred City and it's secrets in shadows, sacrifices to egos, screaming out about others' egos and self-immolation.
I'm just glad someone was taking notes.
As the preface says" if God is in all of us then there is more divinity in a city of 10 million souls than there is in Stonehenge, the pyramids, or a sliver of the true cross".... it is a book that speaks to the magic of social interaction. In this way, it is a book that I have found is best read in public, in your favorite crowded bar (of coffee shop or wherever). There is something about being transported to Wach's unique scenery and absorbed into these other realms while being in the midst of bustling humanity that gives it a whole other level...
I bought this book a couple of years ago, out of sheer curiosity, and keep returning to it periodically; the first time through was just for me, but subsequent times have been to read selections to friends. There's a mystical undertone to all of the pieces, but it varies enough in intensity that there's something there for pretty much everyone.
It's hard to choose a favorite - it changes, depending on my mood and the location and who's listening, but Free Will is always going to be at the top of the list.
The golden age of the short story is probably gone forever, but this is a gorgeous example of what a modern interpretation of the genre can be.
These vignettes and short stories feel like a tasting tray of traditional themes presented in darkly original and memorable bites. Not a tome for the depressed, the author delves into topics ranging from lost love, judgment and modern isolation to relationship stress, ambition and redemption.
Every story has a unique style and flavor. It doesn’t take long to go down the rabbit hole with his characters even if you don’t like them very much. Refreshingly, you don’t have to dwell in any one place long before you are off to a different realm in his Sacred City.
My favorites - “Memoir” and “Childhoods on Display in Boston” feel like episodes that could have been part of The Outer Limits (am I dating myself?). “Women and Spiders” and “Thanatos Cuisine” offer smart, pointed relationship commentary. “To Look Inside” and “Dark Enchantment” are just, well, really dark but worth it.
You will finish this book and want to press it into the hands of your friends so everybody can talk about it, for better or for worse.
'"I understand perfectly," says the man in white.'
And if you want to know any more about that, you'll have to read the book ;)
What exactly is the Sacred City? Is it San Francisco? Is it London? Is it New Delhi? Think bigger. Wachs talks about cities as pulsing with rough love. And that if we tape enough heartfelt wishes on streetlights, and leave enough dreams on the curb, anything can happen. The energy that connects miraculous Thai food in London to a faith healing in San Francisco, to a lost opera in Vienna forms the web of the Sacred City.
Hard to believe this is his first collection of fiction. Wachs is a story-teller extraordinaire, fashioning mystical, surreal stories that start where they start and stop where they stop. The cover of this book is literally the gateway to the stories within. The lovely clear globe shows a representation of "city" energy, with the eyes above it that are looking out at the reader, challenging them to read the stories, to walk through the gateway and be part of the action.
The action is all about people, and what makes them tick. This is a work of fiction, a work filled with stories from the dark side of soul. It draws us in, it shows us the little pieces of this and that that make up the dark side of life.
The drink glass on the cover is there for a reason - the stories largely take place in bars, where alcohol has its place, but is only part of the story. Alcohol is its own gateway into the otherworld of soul.
You can read this book straight through ... or you may find yourself reading a story two or three times, and then moving on. Read at the pace that represents you - the time that you spend in the mystical, surreal world of this book is time well spent. An alternate universe, if you will.
Wachs is a storyteller, a well-educated storyteller whose opinions you will want to hear. The work is fiction ... but any or all of these places could be real.
"The High Prices In Venice" talks about a prostitute who will not stay the night. She keeps coming back because "she met the main character on her birthday". "The Napkins of Zurich" describes a meeting that may or may not have taken place between theologian Albrecht Berringer and mathematician Marcus Sloan. My favorite story, "To Look Inside", talks about an employee who is learning from her employer, who really wants to learn, but has no clue what she will be learning.
This is a book that you will read, and reread, simply for the pleasure.
Wachs' prose is as trenchant as it is tricky--words so elegant and precise that they can hide the complexity streaming (and often seething) underneath. You can read it quickly, but a re-read is essential to get what he's really going for.
The book's title tells a lot, while not telling it at all. Place is important here, but "sacred" geography is merely the trope for what's really explored in the book; Wachs' concern isn't so much the geography of the earth, but the geography of the soul. All but a handful of the stories are first person, so one can see the narrative voice as an analogue of Joseph Campbell's thousand-faced behemoth--one voice, looking for connection through a myriad of incarnations and a plenitude of places. And, it must be noted: mostly futilely! You may not want to read this if you're in a dark, solitary state of mind (unless you like such states!). As one character voices it: "BUT YOU"RE ALONE! "
The title does tell it all in one respect: the reader certainly has a sense of travel after reading this book (even if that aspect diminishes in the second half of the book.) For those too old or too young or too timid to actually log the miles, this guide can serve as an invaluable proxy. And even for you globetrotters out there: I guarantee you haven't experienced the world this way...
Some of these stories are clear-cut, some are incredibly oblique: but all are enticing. And all contain depths that will leave you wanting to grasp as much a you can as you read and read again.
