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Guilt Show

Get Up Kids Format: Audio CD

30 ratings

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Audio CD, Import, February 21, 2004

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Get Up Kids ~ Guilt Show

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	Sample this album Artist (Sample)
1 30	Man of Conviction Man of Conviction	1:33	Listen Now $1.29
2 30	The One You Want The One You Want	3:15	Listen Now $1.29
3 30	Never Be Alone Never Be Alone	3:17	Listen Now $1.29
4 30	Wouldn't Believe It Wouldn't Believe It	3:47	Listen Now $1.29
5 30	Holy Roman Holy Roman	2:50	Listen Now $1.29
6 30	Martyr Me Martyr Me	3:26	Listen Now $1.29
7 30	How Long Is Too Long How Long Is Too Long	2:24	Listen Now $1.29
8 30	Sick In Her Skin Sick In Her Skin	4:25	Listen Now $1.29
9 30	In Your Sea In Your Sea	3:02	Listen Now $1.29
10 30	Sympathy Sympathy	3:09	Listen Now $1.29
11 30	The Dark Night of the Soul The Dark Night of the Soul	3:01	Listen Now $1.29
12 30	Is There a Way Out Is There a Way Out	6:20	Listen Now $1.29
13 30	Conversation Conversation	4:56	Listen Now $1.29

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Product details

Audio CD (April 7, 2005)
Number of Discs: 1
Label: Vagrant
ASIN: B0001BRSS0
Average Customer Review: 30 customer reviews
Amazon Best Sellers Rank: #193,576 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #717 in Hardcore
- #436 in Emo
- #672 in Punk Revival

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30 customer reviews

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Leah McMahon

Five Stars

July 4, 2015

Format: Audio CDVerified Purchase

Quick shipping and no scratches on disc!

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A. Kohler

The One You Want

March 2, 2004

Format: Audio CD

A new day has dawned on the Get Up Kids. The sun has risen again, the campfires are all dowsed, and the Get Up Kids of old are back...sort of.
Where On A Wire had the feeling of being around a campfire on a summer night deep in Kansas; Guilt Show has the feeling of driving home the next day beneath the open sky feeling happy and free. There are hints of Something to Write Home About and On A Wire along with a perfect melding of the two, creating a youthful grown up sound (yes that makes no sense, but it will when you hear the album). This creation of a new sound has yielded...wait for it...the best Get Up Kids album yet. Better than Four Minute Mile, On A Wire, and yes, even better than Something to Write Home About.
Guilt Show opens with Man of Conviction, an intro that seemed to have been devised solely to confuse the listener. It's a broken break neck romp that sounds like it belonged on Four Minute Mile. It leads perfectly into "The One You Want" and "Never Be Alone", two catchy songs that hint at a welcome return to the bands roots. In fact the two songs show just how skilled the band still is at writing three minute gems.
"Holy Roman" begins to show the age of the band in a good way. It begins a trend that lasts through out the rest of the album. A trend that mixes the youthful energy of the Four Minute Mile with the relaxed, grown up feel of On A Wire. The song rocks without being fast and is catchy without being bouncy.
"Sick in Her Skin" is the rock song that sounds like what the band has been working towards all these years. It's a glorious four minute track full of loud drums and distorted guitars melded perfectly with the pop sensibility that made "Mass Pike" such a great song. It's also surrounded by "How Long is too Long" and "In Your Sea", two great songs that do a good job of showing (most) of the spectrum of style on this album and in the bands career. "How Long is too Long" belongs on Something to Write Home About and "In Your Sea" belongs, well, on Guilt Show.
Something has to be said about the six minute long "Is There a Way Out", but I don't know what to say. Whether it's good or bad is up to you, I can't really decide if I like it or not. It is nice to hear the band branching out and doing something that isn't conventional. The track really stands out and doesn't seem to fit in with the rest of the album.
With Guilt Show, the Get Up Kids seemed to have realized that they aren't old enough to unplug and spend their nights around a camp fire just yet. They're back to driving across the country and playing the clubs, reminding all the kids across the land why they fell in love with the Get Up Kids in the first place. Somehow they've found a way to bring part of that campfire feel with them, and it's a welcome addition. As cliché as it sounds, the Get Up Kids aren't kids anymore, they're all grown up and I for one am not guilty (I couldn't help it) to admit that I'm glad they're grown up.

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Steven Liddicoat

TGUK find a beautiful middle ground from their last 2 albums

March 3, 2004

Format: Audio CD

When it comes to The Get Up Kids (TGUK) there are some definitive lines in the opinions of their fan base. There are those that loved the early releases leading up to "Something to Write Home About", but were devastated by the changes in style made with "On a Wire." Another less abundant group loved these changes, as well as the newest release from the similar sounding side project "The New Amsterdams." So naturally there were also those who were in between and thought "On a Wire" was alright, but were a little bit let down by the transformation.
What TGUK have done with their most recent offering, "Guilt Show", is try to find a happy medium where everyone will be able to find something they like, and as a general rule they succeed. The sound is similar to that of OaW, which was partly carried over from The New Amsterdams. However, this sound has definitely been given a poppier, catchier overhaul in the vein of STWHA. "Never Be Alone," "Sympathy," and in places "Wouldn't Believe It" are probably the most reminiscent of the old sound, and are definitely stand out tracks. Then there's tracks like "The One You Want," and "Martyr Me" which are catchy little numbers that sample styles from both albums, and also sound great.
Another thing worth pointing out is that TGUK have also added a few new tricks to their repertoire, which is particularly evident in the track "Is There a Way Out?" The track is very instrumental and includes some strings as well as an array of techno-beep sounds that are reminiscent of The Postal Service (not a bad thing). I'm glad that this type of thing didn't become a regular element of their sound, but it is really interesting to hear it once on a more experimental dynamic track near the end, just as a change of pace. This is followed by "Conversation," another primarily instrumental track that rounds out the album well with another different style.
There are only a few downfalls to this overall great release. First, until you listen to the album for quite a while it's sort of hard to discern between many of the tracks. While this eventually wears away and becomes less of an issue, its just not as instantly accessible as STWHA was. Nothing to scoff at too greatly though. Secondly, I still miss some of the simplistic acoustic or piano ballads of yester-year. I'd love to hear something akin to "Close To Home" or "I'll Catch You". I'd also like to hear a bit more of Matt singing louder and harder in his unique almost sing-song screaming voice. He hints at it a few times, particularly in the chorus of "Wouldn't Believe It," but I wouldn't mind hearing it a bit more.
Little grievances aside, this is a tremendous album that really shows the band exploring itself more and finding some great new sounds, while still holding true to their past work. I have enjoyed this album more than I did "On a Wire," though I definitely give that album more credit and praise than many other fans seem inclined to. Overall I think that this is a superb release from one of my closest held bands. Anyone who considers themselves a fan of any of TGUK's previous works owes it to themselves to check this album out because it has a lot to offer. Definitely recommended.

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aaron rohrer

the get up kids are back...and rocking with a vengeance!

March 2, 2004

Format: Audio CD

this is another work of art by one of the bands who helped to make the emo-core movement popular. their last album, "on a wire," was an incredible album, but was too similar to matthew pryor's solo gig the new amsterdams. "guilt show" moves back to their outstanding album "something to write home about." the feel of "something..." and "guilt show" are similar, but "guilt show" shows the band maturing.
"something..." was drenched in guitars and heavy handed on the side of the rhythm section. "guilt show" on the other hand, is better produced and seems to have a greater emphasis on the keyboards. this isn't to say that the get up kids have gone weak, rather, the new direction is even more focused and powerful. the greater emphasis on keys makes the music go in an entirely new direction without sacrificing the rock 'n' roll aspects.
this album will be on rotation for a VERY long time. it is outstanding, incredible, beautiful, heavy, soft, and any other adjective one can think of. if you are a fan of good rock/emo/pop then you will love "guilt show." fans of the juliana theory, brandtson, appleseed cast, or blink 182 might want to check these guys out!

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5 star		39%
4 star		16%
3 star		17%
2 star		15%
1 star		14%

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