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Top Customer Reviews
This rendition of Swift's classic is, in a word, fabulous. It reaches to the heart of the message Swift was trying to convey while at the same time is accessible to all. It is also appropriate for a family to watch. I cannot remark enough on just how well done this film was; it would have been so easy to do a half-baked job and let it be yet another ambitious television movie that somehow went awry. I'm so glad that didn't happen here.
In truth, I have never cared too much for Ted Danson. However, in this film he delivers a surprisingly exceptional performance. So much so, in fact, that looking back I can't imagine anyone else as Gulliver. The rest of the cast did a superb job as well, and the inclusion of Peter O'Toole as the king of the Lilliputans was a great touch. (Then again, when can having Peter O'Toole in the cast of a movie ever HURT?) The direction and the way they chose to tell the story was wonderfully done. The soundtrack (written by Trevor Jones, who co-wrote the soundtrack to "The Last Of The Mohicans" among other things) was right on the $$$ for emotionally gripping scenes.
This is the type of ambitious, fervent film-making that studios can be proud of. If one Jonathan Swift were around today, I have no doubt that he could not and would not have asked for a better adaptation of his prose. A GREAT movie!
Swift's vulgar sense of humor is given free expression, and the biting satire of his political wit still rings familiar 270 years later. The film contains the free-wheeling giddiness of Terry Gilliam's "Time Bandits" (1981) and the time- and frame-of-reference-shifting vertigo of "Smoke Signals" (1998). Tiny details and thrown-away background elements make it a production for rewarding repeated viewing.
In short this is a film of Brobdingnagian proportions which has received Lilliputian acclaim. This is a gap of Yahooian injustice.
This was the first of an extended series of high-toned TV movies produced by Robert Halmi Sr. for NBC and ABC that had production values previously unseen on television. In art direction and general feel, this production of the Jonathan Swift classic resembled "Amadeus" more than it resembled "The Winds Of War" or "Mother, Can I Sleep With Danger?".
And considering the choice for the titular lead, comic actor and former model Ted Danson, it could have been a real disaster. It wasn't! The man acquits himself nicely as the somewhat incredulous Lemuel Gulliver, the hero of a satirical tale told by the very cynical Jonathan Swift, Britain's answer to Voltaire. (Actually, Voltaire was a good deal younger than Swift and "Gulliver's Travels" was written 32-33 years before "Candide", allegedly, but they _were_ contemporaries, and had even met!)
The story features very fanciful alllusions to pettiness, classic paranoia of the delusions of grandeur variety, pomposity, a favorite target of Swift's, and superciliousness. There's the tiny Lilliputians, their opposites, the Brondignagians, the equine Houiynihms, (who, I seem to remember, were supposed to resemble giraffes as well,) and many other fantastic characters, all rendered beautifully in this, the first of a distinguished list of first rate classical adaptations shown on NBC in the late 90s.
The cast list is unbelievable...people who had NEVER been on TV before, like Peter O'Toole, Omar Sharif, James Fox, Isabelle Huppert, Geraldine Chaplin (hello!), Shashi Kapoor and John Gielgud were sprinkled all through it. The sets are incredible and acting superb.Read more ›
Everybody will be able to enjoy the brightly colored pomp and fanfares found in the various kingdoms that are encountered during Gulliver's travels. The special effects are almost as good as those found in the early Star Wars movies. Unlike most adventure movies, the movie under review has a high degree of character development. The credentials of the actors, e.g., Peter O'Toole, speak for themselves. Excellent "character actors" are also found, such as the rustic wheat farmer who discovers Gulliver and displays him in a one-man circus. In addition to the special effects, the presence of a boy character (Gulliver's son) and a girl character (wheat farmer's daughter) enhance the attraction of the film for kids.
What the movie is really "about" is not tiny villagers, flying islands, or talking horses. What the movie is really about is certain bizarre aspects of the social order, found at the time of Swift's writing. For example, one goal of the Gulliver story was to protest the practice of selling (as opposed to voting) government positions.Read more ›
Most Recent Customer Reviews
Among other things, the story engages one's imagination in a way that seems to validate that whole process of imagining. Read morePublished 2 months ago by Ben Dati
I should have read the reviews before I purchased this "Widescreen Special Edition". I incorrectly assumed that the movie was originally filmed in genuine widescreen and... Read morePublished 3 months ago by R. Knowlton
This is the truest rendition to the book I've seen. I show excerpts in my class, and it captivates them!Published 3 months ago by Conscious_Consumer
As a scholar of Jonathan Swift's Gulliver's Travels, I would be naturally predisposed to criticize a television adaptation of this important classic of Western literature. Read morePublished 7 months ago by Dr. David West Reynolds
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