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Gun Machine Hardcover – January 1, 2013
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After a shootout claims the life of his partner in a condemned tenement building on Pearl Street, Detective John Tallow unwittingly stumbles across an apartment stacked high with guns. When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose.
Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he's walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan's most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City's history.
Warren Ellis's body of work has been championed by Wired for its "merciless action" and "incorruptible bravery," and steadily amassed legions of diehard fans. His newest novel builds on his accomplishments like never before, announcing Ellis as one of today's most daring thriller writers. This is twenty-first century suspense writ large. This is Gun Machine.
- Print length320 pages
- LanguageEnglish
- PublisherMulholland Books
- Publication dateJanuary 1, 2013
- Dimensions6.25 x 1.25 x 9.75 inches
- ISBN-109780316187404
- ISBN-13978-0316187404
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Editorial Reviews
From Booklist
Review
"Ellis tackles the police procedural, although it's bloodier and more intriguing than any episode of Law & Order or CSI, and arms it with gallows humor, high-tension action scenes and an unlikely hero."―Brian Truitt, USA Today
"A pleasingly quirky crime thriller...Tallow is oddly endearing, so single-minded you can't help rooting for him...There is nothing comic-bookish about [Ellis's] writing, which races along in crisp hard-boiled fashion."―Charles McGrath, New York Times
"GUN MACHINE has a bunch of Ellis' signature gestures: characters with resonant names or no names at all, nightmarish near-future (and recent-past) gizmos, constant and gleeful vulgarity...The brutal cat-and-mouse game between Tallow and the killer suggests that the chaos of human malice can gum up even law enforcement's most elegant systems. More deeply, though, GUN MACHINE is about the ways the grimmer parts of America's history can ooze into the present day, and in particular about the country's deep, horrible connection to firearms."―Douglas Wolk, Los Angeles Times
"GUN MACHINE gives the fast paced, visceral detective story a sublime new treatment. Here is a book anyone interested in the Big Apple should read--it is not only a hunt for an unforgettable killer, but a quest to exhume the many New Yorks that have evaded our eye."―Darren Richard Carlaw, New York Journal of Books
"A mad police procedural just north of the border of dark fantasy. Delightful."―William Gibson, author of Neuromancer, Pattern Recognition and Spook Country
"The dialogue is rapid and witty, the action moves along, the city and its inhabitants are wonderfully violent, and the cat-and-mouse plot is satisfyingly solid...Ellis, an Englishman, completely nails New York and New Yorkers."―C.A. Bridges, Daytona Beach News-Journal
"Riveting. Inspired. Ellis does a fine job of adding a highly unusual spin on the genre. Ellis, a U.K. native, writes about New York and New Yorkers with no missteps, and while his vision of the city is that of an ultra-violent hellhole where vicious murders are commonplace, he peppers the narrative with humor and vivid descriptions of violence that are simultaneously beautiful and terrifying. Gun Machine propels the multitalented Ellis, already a household name in the world of comics, into the ranks of the best crime writers in the business."―Jason Starr, Publishers Weekly (starred review)
"Warren Ellis has a terrific way with words...vivid [with] fully fleshed characters...a seriously good writer with a seriously wicked imagination."―Marilyn Stasio, New York Times Book Review
"From the wrenching violence of its first pages to its bone-jarring conclusion, Gun Machine never lets go of the reader and never flags in its relentless pace. In the course of 300 tightly wound pages, Ellis unloads a full clip of ideas, black humor, character, and copper-sheathed action scenes. Every sentence is a bullseye."―Joe Hill, New York Times bestselling author of A Heart-Shaped Box and Horns
"Gun Machine is packing heat: wonderfully demented misfits, killer dialogue, a helluva story. Warren Ellis is a twisted genius and this is his grittiest, sexiest, and best work by far."―Lauren Beukes, Arthur C. Clark award-winning author of Zoo City and Moxyland
"Hellish fun."―Ian Rankin, author of Standing in Another Man's Grave
"Ellis has a knack for taking familiar pop culture shapes and making them new and remarkable. He's also funny, inventive, and into the bargain he can sneak pathos on you when you aren't looking. Oh, and he does great character and dialogue.
"GUN MACHINE is very, very Ellis. A detective hunting a serial killer in Manhattan could be totally run of the mill, but it isn't. In that respect the book reminds me of Josh Bazell's brilliant Beat The Reaper or one of Carl Hiaasen's off-kilter thrillers: it's acutely witty, a bit haunting, and huge fun."―Nick Harkaway, author of The Gone-Away World and Angelmaker
Gun Machine is built around a trio of intoxicating weirdoes who twist the mold of the familiar detective-and-forensic-specialist combo. Strong interplay between historic Manahatta (think Native American) and technology's future role in policing creates a big-picture backdrop for catch-the-crazy-killer thrills. Lisa Black fans and those who love quirky characters in a high-stakes police procedural will find plenty to like here."―Christine Tran, Booklist
"Gun Machine is a novel that never stops to draw breath. It's a monster of a book, bowel-looseningly scary in places, darkly uproarious in others, and remorseless as the killer who hunts in its pages...[GUN MACHINE] is particularly good, even by the high standards of a Warren Ellis tale."―Cory Doctorow, BoingBoing.net
"GUN MACHINE redraws the crime map of Manhattan; Ellis's bizarre, febrile imagination and mordant wit makes a serial killer thriller for a new century."―Charles Stross, author of Rule 34, Accelerando and Singularity Sky
"Underneath the pyrotechnic prose lies a perfectly paced mystery thriller. Ellis gets it so right."―Mike Carey, author of The Devil You Know
"Warren Ellis is one of the greatest writers of my generation not to mention my personal favorite. GUN MACHINE is a perfect example of why. Fiercely entertaining, compellingly crafted, and filled with big ideas and small that make the writer in me growl: damn, I wish I would've thought of that."―Brian Michael Bendis, writer of The Avengers, Ultimate Spider-Man, and Ultimate X-Men
"An inventive police procedural...Ellis' prose couldn't be more clean: His hero is a deep well of noirish bons mots, and sequences featuring police radio reports of humanity's daily degradations give the novel a grim but surprisingly poetic lift."―Kirkus Reviews
"Warren Ellis's work displays a knack for mad hilarity, merciless action, dark cynicism and incorruptible bravery."―Wired
About the Author
Product details
- ASIN : 0316187402
- Publisher : Mulholland Books; 0 edition (January 1, 2013)
- Language : English
- Hardcover : 320 pages
- ISBN-10 : 9780316187404
- ISBN-13 : 978-0316187404
- Item Weight : 1.25 pounds
- Dimensions : 6.25 x 1.25 x 9.75 inches
- Best Sellers Rank: #2,152,056 in Books (See Top 100 in Books)
- #21,608 in Psychological Thrillers (Books)
- #24,648 in Police Procedurals (Books)
- #72,726 in Suspense Thrillers
- Customer Reviews:
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About the author

Warren Ellis is the author of the Amazon Top 100 2016 book NORMAL and the New York Times- bestselling GUN MACHINE, the writer of award-winning graphic novels like TRANSMETROPOLITAN, PLANETARY and FELL, and is the creator and writer of global top ten streaming hit show CASTLEVANIA on Netflix.
The movie RED is based on his graphic novel of the same name, its sequel having been released in summer 2013. His GRAVEL books are in development for film at Legendary Pictures. IRON MAN 3 is based on his Marvel Comics graphic novel IRON MAN: EXTREMIS. He's also written extensively for VICE, WIRED UK and Reuters on technological and cultural matters.
Read and subscribe to his free weekly newsletter with updates on work and likes at https://buttondown.email/orbitaloperations and orbitaloperations.com.
Warren Ellis lives outside London, on the south-east coast of England, in case he needs to make a quick getaway.
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When you boil it down, Gun Machine is a story about stories. There are the stories behind each individual gun found in the Manhattan apartment. There is a story behind every victim of the serial killer known only as "The Hunter" and then there is the story that they all tell when organized into the intricate patterns found on the walls of Apartment 3A. New York City itself can be considered a machine full of smaller automatons that constantly grind out story after story.
Ellis does a phenomenal job at telling these stories. He presents the reader with a deep, complex character in Tallow and develops him mainly through his dialog and actions. Instead of boring the reader with page after page of exposition, he lets each character grow naturally. Despite learning a almost nothing about Tallow or The Hunter's past, by the end of the story you feel like you've known them your entire life.
Gun Machine is a much more mainstream work than Ellis' previous novel, Crooked Little Vein, or his comic book work. That doesn't mean, though, that it is without his trademark wit or love of the obscure weirdness inherent in the human race. There are no movie theaters with Godzilla hands for sale or saline junkies to be found in these pages. Instead of hitting you directly over the head with the dark acts people do when alone, Ellis uses the police band radio to tell these stories. As off the wall as some of city's music may be, knowing Ellis there is truth to be found in every one of them.
Gun Machine is not perfect, but even my biggest complaint is fairly minor. The reader is presented with the grand mystery/conspiracy, but there is actually very little police work done. Tallow recognizes right away what he needs to do... work each case individually until you find what's missing - the killer. Do this for enough cases and eventually the shape of that missing piece will start to become clear. Unfortunately, the investigative plot seems to be driven forward more by wild leaps of faith and unexplained insights than by actual discovery. Tallow always seems to be a step ahead of where he should be, but not so far ahead that the threads of the book come unraveled. Additionally, I felt that The Hunter's chapters came a little bit to early and gave away too much too soon. I would have liked to have been in the dark just a while longer.
Overall, Gun Machine is another winner by Ellis and Mulholland Press. Fans of both Ellis and Crime fiction should find it to be a fairly quick but deep and entertaining read.
And more than brainy- Gun Machine is funny. Bleakly, blackly, horribly funny. Warren Ellis established his gift for a searing turn of phrase back in his graphic novel days and it's put to good use here! His description of Sumo should see the sport spike in popularity in bars across America. I won't spoil the jokes, but oh god are they funny. Ellis is clearly a firm believer in the theory that tragedy and comedy are best deployed proportionately and in conjunction.
The characters are well rounded and interesting. They live in a plausible world, and they behave with a pleasing degree of rationality. This may be an overreaction on my part, but I seem to have read a great number of books recently where many plot defining challenges would have been overcome by a reasonably emotionally stable seventh grader. The obvious exception to this is the psychopathic serial killer, but the point of that character is that he functionally lives in another world. Our hero, Detective Tallow, is a deeply flawed and lonely character, so lonely that he does not even realize that he is lonely and unloved. His CSU sidekicks are weird as hell, but weird in a very human way. Big city weird that argues with a spouse over the cost of steak sandwiches and leaving coats on the back of the couch. For all that they make what I will bowdlerize as a coitus-bot and other offences to the gods of HR.
It's a good book. The plotting is tight, the pacing is swift but pleasantly varied, and the dialog is sharp and real. Gun Machine is packed with ideas and trivia. It makes you think. And when you learn what the Gun Machine actually is, how it works and the why of it... well. It's worth reading the book to find out. I read it in a day, staying up much too late to finish it. I recommend this book unreservedly.
Top reviews from other countries
Starts out fast and doesn't let up!
At the 60% mark there is reasonable continuity in the text making it bearable to read. I understand from reviews that the author in his other works does not give the names of some of the characters which occurs in this book. I will not be buying another book by this author.
“Best of all,” says The IoS, “he never underestimates the reader’s intelligence.” The reviewer must’ve been the editor’s remedial godson on work experience, because Ellis explains that mother-of-Pearl is found in oyster shells, and what a doppelgänger is, to name two examples of crass underestimation.
His characters, says the IoS, “behave like real people rather than cardboard soap stars.” They are among the most ill-conceived, one-dimensional characters I have ever read.
The nadir of this book are Pages 80/81, which had me laughing that this crap could be published, and angry that this crap could be published. I’m going to quote some of the worst drivel to hopefully save some of you some money:
1. “He reaches into the alluvial deposits in the back of his car and pulled up a tablet device, an e-reader, and a compact wi-if router.” This is the 21st century you know.
2. “Local legend had it, that in wilder times, ...” Jesus wept.
3. “Tallow went to the bar and did what he always did. Looked at all the taps and then ordered a pint of cream ale.” This is someone acting like a real person according to the IoS. Someone who goes to the same bar three times a week, who doesn’t have the basic self-awareness to know his usual drink, and looks at all the taps before ordering... every time. F*** me.
4. “There ain’t enough happens in soccer. It’s like watching twenty-two hair models kick a ball around for what seems like six months and then one of them falls over and the ball goes in the goal.” Ignoring the threadbare American cliche of the bartender’s complaint, I struggle to see who the one who falls over is, unless he means the guy in the different-coloured jersey diving to try to stop the ball.
5. “They look like two linebackers been locked in Burger King for five years, they run at each other like two eighteen-wheelers in loincloths...” First simile is the only decent bit of writing in this barrel of offal, but do “real” bartenders talk like this? With two different similes following each other to describe one thing? Isn’t that how bad authors write?
6. “Tallow went through the bar and out into the smoking area, shaking his head.” What, the whole time? That’s a lot of head shaking. Not sure real people would do that. Maybe “Tallow shook his head, then went through the bar to the smoking area” would ring truer. Or even “Tallow went through the bar and shook his head as he entered the smoking area.”
7. “He didn’t intend to stay out here all night, but a smoke before and after some food sounded good. It sounded better, in fact, than eating but he knew from experience that if he didn’t force something in there now, he’d wake up feeling sick and empty.” Wow! So this adult male, thanks to his experience, knows that not eating gives you that empty, sickish feeling most humans recognise as hunger.
And at this point I chucked the book.
Crap prose.
Over-explanation.
Flimsy characters.
The story is slight and largely predictable and relies on an implausible coincidence or two. There is a climatic scene that you can see coming as the elements were introduced and as cheesy as anything on a bad tv cop show. It's a shame, because so many of the details are strong. Ellis excels at characterisation and details, but his overreaching story needs some work.




