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Halo: Glasslands by [Traviss, Karen]
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Halo: Glasslands Kindle Edition

3.8 out of 5 stars 304 customer reviews
Book 1 of 3 in Halo (3 Book Series)
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Length: 457 pages Word Wise: Enabled Enhanced Typesetting: Enabled
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Editorial Reviews

Review

“Halo: Glasslands is a fantastic addition to the Halo universe, and is a stand-out military science fiction novel in and of itself.” ―SF Signal

“Karen Traviss does an excellent job writing for the Halo universe, she creates believable human and alien characters.” ―Jay Cormier, Examiner.com

About the Author

#1 New York Times best-selling novelist, screenwriter and comics author Karen Traviss has received critical acclaim for her award-nominated Wess'har series, as well as regularly hitting the bestseller lists with her Star Wars, Gears of War, and Halo work. She was also lead writer on the 2011 blockbuster game Gears of War 3. A former defense correspondent and TV and newspaper journalist, she lives in Wiltshire, England.

Euan Morton's narration credits include Christopher Moore's Fool and Sacre Bleu, Neil Gaiman's Stories, Eoin Colfer's Benny books, and Frank Herbert's Dune and Chapterhouse Dune. Morton's breakthrough role was appearing as Boy George in the musical Taboo, which earned him a Laurence Olivier Award nomination. He reprised the role on Broadway, earning Tony, Drama Desk, Outer Critics Circle and Drama League Award nominations, as well as the Theatre World Award (for Outstanding Broadway Debut).


Product Details

  • File Size: 1153 KB
  • Print Length: 457 pages
  • Publisher: Tor Books; Reissue edition (October 25, 2011)
  • Publication Date: October 25, 2011
  • Sold by: Macmillan
  • Language: English
  • ASIN: B005T54O6C
  • Text-to-Speech: Enabled
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  • Word Wise: Enabled
  • Lending: Not Enabled
  • Enhanced Typesetting: Enabled
  • Amazon Best Sellers Rank: #169,266 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Top Customer Reviews

Format: Hardcover Verified Purchase
Karen Traviss has a rather interesting history writing tie-in novels for a number of well-respected science fiction properties, from the wildly popular like Star Wars, to testosterone-laden splatterfests like Gears of War. She is known for ignoring important details from the canon and basically creating things from whole cloth to fill the gaps, out of fear of becoming too fond of and familiar with the universe she's writing books for and proceeding to coddle it lovingly or something dreadful like that.

I almost don't know where to begin. Some fans - me among them - say that Eric Nylund set the bar high with his neutral, technical-sounding tone and jargon-laden narrative and dialogue. In contrast, Karen Traviss's writing style is typical liberal arts major stuff, and hardly belongs anywhere near a work of military science fiction. Writers of her caliber have a tendency to turn grizzled soldiers into the Brady Bunch, making them seem like less of an actual military force and more of a family. You go from Nylund's books to Traviss's, and suddenly, all the characters have forgotten military hand signals, the NATO phonetic alphabet, call signs and the chain of command.

The early parts of the book deal with the formation of an ONI team to disrupt Elite society (or Sangheili, if you prefer; they're the big alien dudes with the four mandibles we all know and love from the games) by supplying arms to separatists and religious fundamentalists. That's interesting in and of itself, but there's more. The team is being led by an incredibly imposing woman named Serin Osman who could very well have ended up being a SPARTAN-II, but washed out of the program at the augmentation stage due to her body rejecting the surgery.
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Format: Paperback
I had not known much about Karen Traviss prior to reading this book. In fact, the first I heard of her was from a Twitter update, whilst on vacation, from San Diego Comic-Con 2009 when it was first announced that she would write a post war trilogy. So I went into this with no previous bias' for or against the author which, now that I have read up a quite a bit on her after concluding this novel, seems to be quite polarized in various fan bases, Star Wars being the first example that pops to mind. The reasons I think will become apparent by the end of this article.

The novel is broken into 3 plot threads, which all eventually intersect near the end of the novel. The main one could be said to follow the gang trapped in the Dyson sphere at the core of what was once Onyx. The second follows a team of ONI handpicked personnel called Kilo-5 whose purpose is to destabilize the Elite's delicate power balance. The final one follows an Elite by the name of Jul `Mdama who believes that Humans are vermin and must be exterminated, and who's goal in this novel is to kill the Arbiter to make that possible.

The first two in my opinion were okay, but nothing incredible. In the Onyx parts, much of the mystery of the Forerunners and the Dyson sphere is completely sidelined by the Halsey-Mendez arguments that take place. (Mendez apparently has had this deep seated resentment towards Halsey and her actions in the Spartan-II Program that is just coming out now) The Spartans - both the IIs and the IIIs - are relegated to barely being supporting characters. They are sort of there-sort of not, especially the Spartan-IIIs. The only one who gets any sort of development is Lucy, the traumatized survivor of Operation: Torpedo. I found her development more annoying than anything else to be honest.
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Format: Hardcover Verified Purchase
I didn't like this book.

It wasn't bad, not like Cole Protocol and it wasn't poorly written, but it just seemed that the book went out of its way to paint Halsey as a monster and painting what was done to the Spartan's as just terrible. All the while, there is no serious discussion about the fact that Halsey did not act in a bubble and her actions were condoned, encouraged and sponsored by ONI which gets a free pass.

Granted , what Halsey did or became was terrible, but the series has never focused on that. In Fall of Reach, Eric Nylund wasn't trying to paint what ONI had done as monstrous, he was simply mirroring what was done to Ender and his pals in Ender's game. There was also a whole end's justifies the means thing thrown in there. In Glasslands, Halsey never even offers this defense of herself, that in the end, what she did saved humanity, and the ends did justify the means in some sense. In short, it is just is lazy to not even bring up that argument and let the readers sort it out. Instead in Glasslands, what we are presented with various degrees of, yeah I'm bad and what I did was bad, but you are just as bad because of X. It was lazy.
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Format: Hardcover Verified Purchase
SPOLERS ** Nylund had a really good thing going with the story and his characters and this book pretty much ruins everything.

1) Halsey was never a whiny 16 year old girl / PTSD patient OR the bad guy in any of the other halo books, why is she now?

2) This book is all about politics. Unexplored and fertile territory for the Halo universe but this book focuses all its efforts into making human-elite relationships move back towards open war and arresting the woman who created the savior of the human race, that's all that happened in this book. and the first interesting thing that happens in the entire book doesnt even get finished because its just the cliff hanger ending

The only reason this book got on a best seller list was because of the halo franchise. The writing feels disjointed and poorly thought out. I chucked this book a short while after reading it because it hurt my soul just looking at the cover.
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