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Hamlet in Purgatory unknown Edition

4.3 out of 5 stars 7 customer reviews
ISBN-13: 978-0691102573
ISBN-10: 0691102570
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"The Underground Railroad" by Colson Whitehead is a magnificent novel chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South. See more

Product Details

  • Paperback: 344 pages
  • Publisher: Princeton University Press; unknown edition (September 15, 2002)
  • Language: English
  • ISBN-10: 0691102570
  • ISBN-13: 978-0691102573
  • Product Dimensions: 9.2 x 6.1 x 0.8 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #431,015 in Books (See Top 100 in Books)

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Customer Reviews

Top Customer Reviews

By Michael Guttentag on June 25, 2001
Format: Hardcover
"Hamlet in Purgatory" is a wonderfully written, thoughtful, and enlightening book. But it is less than I would have hoped for and probably less than most readers will expect.
Greenblatt's exposition of the history and literature surrounding the rise and demise of belief in Purgatory in England from 1,100 AD to 1,500 AD is enthralling. This history and literature highlights the basic human desire to connect with, remember, and perhaps even continue the work of the dead. Hamlet faces just such challenges as he struggles with the demands of his father's ghost. And yet Greenblatt fails to delve into these universal issues. Nor does he provide a context for understanding the ghost's injunction as one of the many profound issues in the play. To approach such fascinating issues without exploring them in full is a disappointment.
"Hamlet in Purgatory" starts with a wonderful Prologue. Greenblatt tells how his own father's passing away made his study of Hamlet and purgatory personally relevant.
The first chapter reviews "A Supplication for the Beggars" by Simon Fish written in 1529. This tract is a letter to then King Henry VIII arguing that the church is using the concept of Purgatory to exploit believers. Greenblatt wonderfully sets the stage, explaining how over the course of the preceding 400 years "Purgatory had achieved both a doctrinal and a social success" (p.14). This tract by Fish was the start of the Protestant effort to challenge the legitimacy of Purgatory, an effort that had succeeded by the end of the sixteenth century. So that when Shakespeare wrote Hamlet around 1601 Purgatory was doctrine that was rejected by the Anglican Church.
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Format: Hardcover
I happened to be browsing through books the other day (as I am often wont to do) when the cover of this book caught my eye. It is detail from a painting by Hieronymus Bosch who happens to be one of my favorite painters. Then, when I saw the book was about Shakespeare, Hamlet and the concept of Purgatory, I was sold.
Of course, need I mention the cliche about judging books by their covers and so on? There was no guarantee that I was going to like this book despite my attraction to its superficial accouterments. Still, sometimes you get lucky. This is a wonderful book.
As a Catholic, the concept of Purgatory is an integral part of what I was taught about the afterlife. It was very interesting to see how the Christian view of the nature of Purgatory changed through time and how that view influenced (or, what is more likely, was influenced by) the literature of the Middle Ages. Greenblatt examines a number of ballads and other pieces from as early as the 11th & 12th centuries to show the change of Purgatory from a relatively restful place of waiting into a vicious hell with a time limit.
By Shakespeare's time, of course, the Protestant Reformation had taken issue with the many abuses of the Church with respect to Purgatory (particularly indulgences) and all but eliminated Purgatory as part of the revised dogma. Still, as Greenblatt points out, the concept and the human feelings it addresses with respect to the afterlife cannot be eliminated by religious pronouncement. It finds its way into many of Shakespeare's plays in various guises. The spirits and ghosts that populate many of the plays are an instance as is the mention of chantries and "poor in yearly pay" of Henry V to name but a few.
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By A Customer on June 28, 2002
Format: Hardcover
Yeah, the reviewer from Santa Monica is on the mark. Good book, plenty of interesting historical tidbits, some connections to mull over, but Greenblatt doesn't really use his historical conclusions to much purpose in his analysis of Hamlet. Some of his literary points are strained ("the undiscovered country from whose bourne no traveller returns" means Hamlet has forgotten about the ghost; when Ophelia says that Hamlet looked as though he "had been loosed out of Hell" she of course means Purgatory instead of Hell, the rabble who follow Laetres against Claudius represent Protestants attacking the Catholic Church, etc.) but a couple are interesting, such as the play's disconnect between body and spirit mapped onto Elizabethan views of the Eucharist. But there are a good 150 pages (more than half the book) before we enter this dicey realm. Chapters 1-3 get five stars, and chapters 4-5 get three point five.
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Format: Hardcover
This is an excellent book--excellent scholarship. I highly recommend it to anyone generally interested in medieval and Elizabethan accounts on purgatory, or to those who have an interest in Shakepeare studies. Even for those who don't, this is an excellent book, and my interest in it grew with every turn of the page. It is rich and well-written.
Chapter Two: "Imagining Purgatory" discusses various philosophical and medieval connections (via manuscripts) to Shakespeare's texts (also see the classic, "The Medieval Heritage of Elizabethan Tragedy"). Chapter Three: "The Flights of Memory" (oddly enough, also see Derrida's The Gift of Death/U Chicago Press, Staten's Eros in Mourning, Derrida's The Work of Mourning, and E. Scarry's Body in Pain) is highly interesting material on the poetics of pain and suffering. Chapter Five: "Remember Me" is brilliant (also see Derrida/Levinas on the 'adieu' issue--U of Chicago and Stanford UP titles).
Also see: Fish, How Milton Works (Harvard UP); Williams, Truth and Truthfulness (Princeton UP); Staten, Eros in Mourning (Johns Hopkins). I also recommend Robert Bell's dissertation on the harrowing of hell (English/U of Maryland/CSULB Emeritus).
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