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Handel - Rodelinda / Kermes, Mijanovic, Davislim, Lemieux, Il Complesso Barocco, Curtis Box set

4.2 out of 5 stars 12 customer reviews

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Audio CD, Box set, June 14, 2005
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Track Listings

Disc: 1

  1. Ouverture
  2. Menuet
  3. No.1 Aria: Ho Perduto Il Caro Sposo
  4. Recitativo: Regina?/Grimaoldo, Nel Mio Presente Stato
  5. No.2 Aria: L'Empio Rigor Del Fato
  6. Duca, Vedesti Mai Piu Bel Disprezzo?
  7. No.3 Aria: Io Gia T'Amai
  8. Recitativo: E Tu Dici D'Amarmi?
  9. No.4 Aria: Lo Faro, Diro: Spietato
  10. Recitativo: Eduige, T'Inganni
  11. No.5 Aria: Di Cupido Impiego I Vanni
  12. No.6 Sinfonia Ed Accompagnato: Pompe Vane Di Morte
  13. No.7 Aria: Dove Sei, Amato Bene?
  14. Recitativo: Ma Giunge Unulfo, Oh Dio!
  15. No.8 Aria Ombre, Piante, Urne Funeste
  16. No.9 Accompagnato E Recitativo: Ombra Del Mio Bel Sol/Deh, Lascia!/No, Signor
  17. Recitativo: Baci Inutili E Vani
  18. No.10 Aria: Morrai, Si; L'Empia Tua Testa
  19. Recitativo: E Ben, Duca, Poss'Io All'Ardor
  20. No.11 Aria: Se Per Te Giungo A Godere
  21. Recitativo: Unulfo, Oh Dio! Quella E Costanza?
  22. No.12 Aria: Sono I Colpi Della Sorte (Second Version)
  23. No.13 Accompagnato: Si, L'Infida Consorte
  24. No.14 Aria: Confusa Si Miri

Disc: 2

  1. Recitativo: Gia Perdesti, O Signora
  2. No.15 Aria: De'Mieei Scherni Per Far Le Vendette
  3. Recitativo: Rodelinda, E Pur Ver?
  4. No.16 Aria: Spietati, Io Vi Giurai
  5. Recitativo: Unulfo, Garibaldo, In Questo Seno
  6. No.17 Aria: Prigioniera Ho L'Alma In Pena
  7. Recitativo: Massime Cosi Indegne
  8. No.18 Aria: Tirannia Gli Diede Il Regno
  9. Recitativo: Si, Si, Fellon, T'Intendo
  10. No.19 Aria: Fra Tempeste Funeste
  11. No.20 Aria E Recitativo: Con Rauco Mormorio/Dell'Estinto Germano
  12. Recitativo: Ah No, Che Non M'Inganna
  13. No.21 Aria: Scacciata Dal Suo Nido
  14. Recitativo: Vive Il Mio Sposo?
  15. No.22 Aria: Ritorna, O Caro E Dolce Mio Tesoro
  16. Recitativo: Ah Si! Ecco Lo Sposo!
  17. No.23 Aria: Tuo Drudo E Mio Rivale
  18. Recitativo: Non Ti Basto, Consorte
  19. No.24 Duetto: Io T'Abbraccio

Disc: 3

  1. Recitativo: Del German Nel Periglio
  2. No.25 Aria: Un Zeffiro Spiro
  3. Recitativo: Con Opra Giusta Io Cancellar Disegno
  4. No.26 Aria: Quanto Piu Fiera Tempesta Freme
  5. Recitativo: O Falso E Bertarido O Fu Mendace
  6. No.27 Aria: Tra Sospetti, Affetti E Timori
  7. No.28 Arioso: Chi Di Voi Fu Piu Infedele
  8. No.29 Accompagnato E Recitaticvo: Ma Non So Che Dal Remoto Balcon/Bertarido? Mio Re...
  9. No.30 Aria: Se 'L Mio Duol Non E Si Forte
  10. Recitativo: Amico, Ah! Che A Me Duole
  11. No.31 Aria: Se Fiera Belva Ha Cinto
  12. No.32 Accompagnato: Fatto Inferno E Il Mio Petto
  13. No.33 Aria: Pastorello D'Un Povero Armento
  14. Recitativo: Che Miro? Amica Sorte
  15. Aria: Vivi, Tiranno
  16. (Recitativo): Dunque Sei Bertarido?
  17. No.34 Aria: Mio Caro Bene
  18. Recitativo: Sposa, Figlio, Sorella, Amici
  19. Duetto: D'Ogni Crudel Martir
  20. Coro: Dopo La Notte Oscura
  21. Aria: Sono I Colpi Della Sorte (1st Version)


Product Details

  • Performer: Simone Kermes, Marijana Mijanovic, Steve Davislim, Marie-Nicole Lemieux, Vito Priante
  • Orchestra: Il Complesso Barocco
  • Conductor: Alan Curtis
  • Composer: George Frideric Handel
  • Audio CD (June 14, 2005)
  • SPARS Code: DDD
  • Number of Discs: 3
  • Format: Box set
  • Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
  • Label: Archiv
  • ASIN: B00097HMSW
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #228,067 in Music (See Top 100 in Music)

Customer Reviews

Top Customer Reviews

By R. H. Fitzsimmons on November 8, 2005
Format: Audio CD
This is the latest Handel opera offering from DG - starry casting, a Handel doyen at the helm, and a prize-winning orchestra to boot, but like last season's Giulio Cesare there is something missing in this performance, and I don't just mean the absence of countertenors in an opera that has seen many a ct triumph in recent times.

The singing is stylish, appropriately ornamented for the most part, and the singers can actually sing the notes written unlike some recent and not so recent Handel opera performance or recordings. The orchestral playing is superb in places and sounds noticeably beefier than on one or two recent Complesso recordings. The direction is involved without becoming too intrusive. In comparison to the Kraemer on Virgin or the Schneider on DHM, this is the preferable recording, though the first two had some nice touches and some stylish singing in slightly incomplete versions.

The whole recording is based on the version of Rodelinda that Handel might have recognised from the revival of late 1725, including a re-written aria (sono i colpi della sorte) and several additions (including vivi tiranno, and a duet for Bertarido and Rodelinda that later flows into an abbreviated coro), claiming to be the first complete recording of the opera so far. Andrew Jones, who re-edited the opera for the HHA edition writes some informative notes and writer Donna Leon, a Curtis favourite, gives a good synopsis of the action.

All the ingredients are there for another prize-winning recording, so, what is missing ? Rodelinda is probably the Handel opera I know best having sung Bertarido and Unolfo arias in amateur competitions, so any cavelling here is perhaps due to that, but for some reason the dramatic elements of the story and music don't really ring true.
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Format: Audio CD
Handel's operas continue to please audiences in today's opera houses around the world, whether they are performed in a duplicate style of Handel's period or updated in bizarre trappings and settings. The music and the drama remains intact and in a class all its own.

While everyone knows Giulio Cesare, Alcina, Ariodante, Serse, Rinaldo at least by isolated arias, Rodelinda has not benefited from as many performances and certainly not as many recordings. The opera is a beauty, abounding in elegant arias and ensembles and some of the most beautiful orchestral writing of all the Handel operas. The opera can be performed with the extensive use of countertenors (much like Giulio Cesare) and for this listener that approach has always been preferable. But this new recording may just alter everyone's opinion of casting!

Homogeneously excellent, the cast includes Simone Kermes (a clear toned, radiant soprano) in the title role, Marijana Mijanovic as Bertarido, brilliant tenor Steve Davislim as Grimoaldo, and Marie-Lemieux, Vito Priante, and Sonia Prina. There have been excerpts from Rodelinda recorded by the big names in opera, but as for ensemble effect and the true baroque style this cast is seamless.

Of course much of the success of any Handel opera performance lies in the hands of the conductor and here Alan Curtis conducts Il Complesso Barocco with ravishing embellishments and pure straight tone that underscores the drama. The sound of the recording is top notch. For those opera lovers waiting for a near perfect RODELINDA look no further! Highly recommended. Grady Harp, June 05
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Format: Audio CD
Expectations were high when I started to listen to this recording. Most great Handel operas like Giulio Cesare, Orlando, Ariodante, Alcina, Agrippina, ... have successful been recorded to date. Rodelinda has had less luck, and I always turned to the Glyndebourne video with William Christie conducting when I wanted to hear this opera.

This new Rodelinda grows on me every time I listen to it.

What a great opera it is! And what a shame that it hasn't attracted more attention on CD since the Handel revival.

You need three great singers to start with: of course Rodelinda, sung here by Simone Kermes who has a very beautiful voice indeed, a lot of dramatic involvement and she gives great ornamentation in the arias. She clearly wins over the uninvolved Sophie Daneman in the boring Nicholas Kraemer recording on Virgin, but Anna Caterina Antonacci is still my definitive Rodelinda.

It's also good to have mezzosopranos and contraltos in stead of contratenors. Marijana Mijanovic is a total success as Bertarido. From her very first note, you recognize that unique voice I first heard in Minkowski's Giulio Cesare. Compared to Daniel Taylor's non-existant interpretation and even to the very good Andreas Scholl on Christie, Mijanovic wins on all fronts. From extremely soft notes to great dramatic outbursts, I'm on the edge of my seat every time she sings.

On top of that, we have the best Grimoaldo you can imagine. I had never heard of Steve Davislim, but now it is a name to remember. What a great tenor role this is. No less than six arias with 'Pastorello d'un povero armento', preceeded by a great accompagnato, as climax of the third act. Tenor roles in Handel operas seem underestimated to me.
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